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191 sheet music found
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1
26
51
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176
...For Nicole
...For Nicole
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Guitar
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ADVANCED
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Dale K
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...For Nicole
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Dale K. Rodgers
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SheetMusicPlus
Solo Guitar - Level 5 - Digital Download SKU: A0.943818 Composed by Dale K. Rodgers. Concert,Contemporary,Praise & Worship,Wedding. Individual part. 3 pa...
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Solo Guitar - Level 5 - Digital Download SKU: A0.943818 Composed by Dale K. Rodgers. Concert,Contemporary,Praise & Worship,Wedding. Individual part. 3 pages. Dale K. Rodgers #5801403. Published by Dale K. Rodgers (A0.943818). Solo for classical or finger-style guitarists. Key of D and Dm. Drop D tuning. (d a d g b e) Very formal style. Written as a ceremonial processional for the ordination of Reverend Nicole Kirk. .
$3.99 ≈
3.57€
Guitar Sonata No. 9 in E flat major (homage to Stevie Wonder)
Guitar Sonata No. 9 in E flat major (homage to Stevie Wonder)
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Guitar
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ADVANCED
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Jeremiah Lawson
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Guitar Sonata No. 9 in E flat
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Jeremiah Lawson
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SheetMusicPlus
Solo Guitar - Level 5 - Digital Download SKU: A0.1271026 Composed by Jeremiah Lawson. 21st Century,Classical. Individual part. 7 pages. Jeremiah Lawson #...
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Solo Guitar - Level 5 - Digital Download SKU: A0.1271026 Composed by Jeremiah Lawson. 21st Century,Classical. Individual part. 7 pages. Jeremiah Lawson #863416. Published by Jeremiah Lawson (A0.1271026). I started composing this single-movement sonata for guitar on October 29, 2016 and completed it on May 11, 2018. As the title says, this is an homage to Stevie Wonder, one of my musical heroes. This is a roughly 12-minute single-movement that has original themes inspired by the chord changes from the synth break to Stevie Wonder's Living for the City.  The work is primarly in standard tuning but the performer must switch to the tuning E flat, A, D, G, B flat, E flat in the final page. The sonata may be played on classical, electric or acoustic guitar. Although this is not indicated in the published score between measures 236 and 260 you can introduce embellishments and four-measure cadenzas. I suggest inserted cadenzas between measures 255 and 256 as well as between measures 259 and 260.Â
$5.00 ≈
4.48€
Shine
Shine
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Bass guitar
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ADVANCED
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B'z
#
T's bass score
#
Shine
#
T's bass score
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SheetMusicPlus
Bass Guitar - Level 5 - Digital Download SKU: A0.1132929 By B'z. By Koshi Inaba and Takahiro Matsumoto. Arranged by T's bass score. Pop,Rock,Singer/Songw...
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Bass Guitar - Level 5 - Digital Download SKU: A0.1132929 By B'z. By Koshi Inaba and Takahiro Matsumoto. Arranged by T's bass score. Pop,Rock,Singer/Songwriter. Score. 4 pages. T's bass score #733113. Published by T's bass score (A0.1132929). B'z â€SHINE†Bass guitar tab 4-strings (E-A-D-G) and Chords.
$5.99 ≈
5.37€
Sonata No. 6 "Kharkiv", Op. 48
Sonata No. 6 "Kharkiv", Op. 48
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Guitar
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ADVANCED
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Classical
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
#
SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published b...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95 ≈
7.12€
Savior, like a Shepherd Lead Us
Savior, like a Shepherd Lead Us
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Piano solo
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ADVANCED
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William B
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Daniel Steenson
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Savior, like a Shepherd Lead U
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Daniel Steenson
#
SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.905644 Composed by William B. Bradbury. Arranged by Daniel Steenson. Concert,Romantic Period,Sacred,Weddi...
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Piano Solo - Level 5 - Digital Download SKU: A0.905644 Composed by William B. Bradbury. Arranged by Daniel Steenson. Concert,Romantic Period,Sacred,Wedding. Score. 4 pages. Daniel Steenson #4782731. Published by Daniel Steenson (A0.905644). Daniel Steenson's early-advanced piano setting of Savior, like a Shepherd, Lead Us is suitable as an offertory, a meditation before communion, wedding prelude music, or a recital piece. The main challenge lies in the 2nd stanza (mm. 18-32). I chose F-sharp major (G-flat major) for its resonant and harmonious qualities. You will find a wide-variety of color contrasts in this rich key as you travel between registers. Use the black and gray zones of the keys (hand position should be closer to fall board) for smoother, lateral movement (avoid zig-zagging in and out of the black keys). Also, listen for the hymn tune in the alto line (m. 18). Create bell effects in mm. 26-32 (LH crossings are optional) using succinct and gentle finger-tip releases. Catch each harmonic bass-note change with a clean pedal. Double-check your note accuracy in m. 43, and play the C double-sharps! (it helps to hear this measure as a D major 7th chord in first inversion). Enjoy this transcription of Bradbury's ageless hymn - still cherished by young and old alike!
$3.99 ≈
3.57€
Fugue On EGD For Piano
Fugue On EGD For Piano
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Piano solo
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ADVANCED
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Thomas R
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#
Fugue On EGD For Piano
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Thomas R. Schadl
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.912490 Composed by Thomas R. Schadl. Concert,Contemporary,Instructional,Standards. Score. 3 pages. Thomas...
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Piano Solo - Level 5 - Digital Download SKU: A0.912490 Composed by Thomas R. Schadl. Concert,Contemporary,Instructional,Standards. Score. 3 pages. Thomas R. Schadl #3569711. Published by Thomas R. Schadl (A0.912490). is based loosely on the note row EGDD#G#F, where D#G#F is the reciprocal of EGD. The middle section of the work employs motive X3 against FG#D# and X4 against F#AE.In performing the piece, the subject differs from other parts in its articulation and must be followed consistently.Structure of the six-note row:E G D D# G# FC# E B C F D F# A E F A# GF G# D# E A F#C D# A# B E C#D# F# C# D G E E to E diagonal row F to D# diagonal rowX0 E Y0 FX1 C# G Y1 G# DX2 F# E D Y2 D# F GX3 F A B D# Y3 D C A# F#X4 C G# E C G# Y4 G B F A C#X5 D# D# D# F F F Y5 E E E E E EX6 F# A# E A# D Y6 C# A D# B GX7 C# B A G Y7 F# G# A# DX8 D E F# Y8 F# D# C#X9 G C# Y9 C F#X10 E Y10 D#The purpose of writing this piece, based on EGD, is to show how a simple motive is expanded by applying various compositional techniques.
$3.99 ≈
3.57€
Toccata On EGD For Piano
Toccata On EGD For Piano
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Piano solo
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ADVANCED
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Thomas R
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Toccata On EGD For Piano
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Thomas R. Schadl
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.912492 Composed by Thomas R. Schadl. Concert,Contemporary,Instructional,Standards. Score. 5 pages. Thomas...
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Piano Solo - Level 5 - Digital Download SKU: A0.912492 Composed by Thomas R. Schadl. Concert,Contemporary,Instructional,Standards. Score. 5 pages. Thomas R. Schadl #3569715. Published by Thomas R. Schadl (A0.912492). Toccata On EGD For Piano is a rhythmically energising work that is based on EGD, but not on EGDD#G#F, its main note row. The main melody starts with EGDC#EB, and is also played in the reverse order. This melodic configuration is repeated at bars 74-81. From measures 82-94, the overall sound intensity decreases, as well as the slowing of the speed. Between bars 94 and 95, the quarter and half rests separate the second last notes and the loud E major sixth chord, which gives a surprise ending to the piece.Structure of the six-note row:E G D D# G# FC# E B C F D F# A E F A# GF G# D# E A F#C D# A# B E C#D# F# C# D G E E to E diagonal row F to D# diagonal rowX0 E Y0 FX1 C# G Y1 G# DX2 F# E D Y2 D# F GX3 F A B D# Y3 D C A# F#X4 C G# E C G# Y4 G B F A C#X5 D# D# D# F F F Y5 E E E E E EX6 F# A# E A# D Y6 C# A D# B GX7 C# B A G Y7 F# G# A# DX8 D E F# Y8 F# D# C#X9 G C# Y9 C F#X10 E Y10 D#The purpose of writing this piece, based on EGD, is to show how a simple motive is expanded by applying various compositional techniques.
$5.99 ≈
5.37€
Theme And Variations On TRSCH For Organ
Theme And Variations On TRSCH For Organ
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Organ
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ADVANCED
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Thomas R
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Theme And Variations On TRSCH
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Thomas R. Schadl
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SheetMusicPlus
Organ - Level 5 - Digital Download SKU: A0.912505 Composed by Thomas R. Schadl. Concert,Contemporary,Instructional,Standards. Score. 29 pages. Thomas R. ...
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Organ - Level 5 - Digital Download SKU: A0.912505 Composed by Thomas R. Schadl. Concert,Contemporary,Instructional,Standards. Score. 29 pages. Thomas R. Schadl #6201739. Published by Thomas R. Schadl (A0.912505). Theme and Variations on TRSCH is a piece that is suitable for concert use. As one plays the piece, one shall realize that each variation has its own character. The work also may be used for educational purposes in that it teaches students on how a theme is transformed rhythmically and arranged melodically.Theme And Variations On TRSCH For Organ by Thomas R. Schadl consists of seven variations that are based on TRSCH (B flat, D, E flat, C, and B or A# D D# C B). It is written using the serial technique, the compositional method where a row of notes are arranged in direct, reverse, inverse and retrograde-inverse orders. The technique employed is not as strict as the 12-tone system used in the compositions of Arnold Schoenberg and Anton Webern. In a standard theme and variations form, the melody may be altered by adding or subtracting notes, or changing it rhythmically, but it is not the case in the piece being discussed. Most variations do not follow the rhythmic pattern of the main theme; rather, the theme in each variation is treated in fragments, lengthened note values, shortened note values, inversions and reversed orders. Each variation explores moods and the work is organized this way:Main Theme: m 1-6 TRSCH is stated in the bass.Variation I: m 7-22 FugatoVariation II m 23-50 Mystical quality and lyrical Variation III m 51-88 Scherzo, lyrical section, scherzoVariation IV m 89-116 ToccataVariation V m 117-224 Mystical mood, scherzo, mystical moodVariation VI m 225-297 Toccata, brief lyrical section, toccataVariation VII m 298-317 Variation I but at a slower speed.Forward ReverseA# D D# C B F F # A G# EF# A# B G# G C# D F E CF A A# G F# C C# E D# BG# C C# A# A D# E G F# DA C# D B A# E F G# G D#
$21.82 ≈
19.55€
Passacaglia in C (Organ)
Passacaglia in C (Organ)
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Organ
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ADVANCED
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John Pitts
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Passacaglia in C
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Intensely Pleasant Music
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SheetMusicPlus
Organ - Level 5 - Digital Download SKU: A0.890713 Composed by John Pitts. Baroque,Christian,Contemporary,Sacred. Score. 20 pages. Intensely Pleasant Musi...
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Organ - Level 5 - Digital Download SKU: A0.890713 Composed by John Pitts. Baroque,Christian,Contemporary,Sacred. Score. 20 pages. Intensely Pleasant Music #3424723. Published by Intensely Pleasant Music (A0.890713). Passacaglia (2000-2012) for Organ - 6 minutes This piece exists in versions for organ (this one - the original version in 2000) and orchestra (performed by Bristol University Symphony Orchestra under the baton of John Pickard in 2001), and finally a piano duet version completed in 2012. The theme is based on the ground bass from Bach’s stonking Passacaglia in C minor for organ. However, the implied harmonies of Bach’s original ground bass are treated to some twisted harmonies – where each chord is altered using a system of harmonic substitution - swapping each chord implication for a newly chosen one (Cm=C, Fm=F#, G=A, Dm=A¨, Eb=F and on it goes around the 12 chromatic notes). Each key therefore has a ‘dominant’ and ‘subdominant’ that are not the actual chords V and IV in that key, so the traditional cadences and chord relationships are supplanted by 12 individual 3-chord relationships – one set of three chords for each of the 12 (now almost exclusively major) keys. In an attempt to recreate the pulls of the traditional tonic-dominant-subdominant relationships, each key then also has a particular mode/scale with particular added notes that are designed to recreate the sense of moving away from and back towards the home chord of that key. This results in a lot of rich added harmonies and some idiomatic voice-leading. Bach’s original theme in Cm is: C G - E¨ F - G A¨ - F G - D E¨ - B C - F G - C, and in the opening statement of the ground bass this has become: C A - E F# - A B¨ - F# A - D# E - C# C - F# A - C. There are then 21 variations which modulate through a range of keys, during which the ground bass is constantly re-adjusted to fit the new harmonic areas. It starts in C major, then goes through ‘closely’ related keys (eg A major and A¨ major), and then back to C in variations 6, 9 and 11. This kind of arch then happens again but going through more distant keys before returning to C in variations 18, 19 and the final climactic variation 21. Leaving aside the structural and tonal nuts and bolts, my aim was to compose a piece that attempts to recapture some of the nobility and beauty of Bach's Passacaglia, with rich added note harmonies, and exuding an exuberant joy.
$7.99 ≈
7.16€
Passacaglia in C (piano duet)
Passacaglia in C (piano duet)
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1 Piano, 4 hands
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ADVANCED
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John Pitts
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Passacaglia in C
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Intensely Pleasant Music
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.890701 Composed by John Pitts. Baroque,Contemporary. Score and parts. 36 p...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.890701 Composed by John Pitts. Baroque,Contemporary. Score and parts. 36 pages. Intensely Pleasant Music #3424663. Published by Intensely Pleasant Music (A0.890701). Passacaglia (2000-2012) duet 6 minutes This piece also exists in versions for organ (my original version in 2000) and orchestra (performed by Bristol University Symphony Orchestra under the baton of John Pickard in 2001). The piano duet version was finally completed in 2012. The theme is based on the ground bass from Bach’s stonking Passacaglia in C minor for organ. However, the implied harmonies of Bach’s original ground bass are treated to some twisted harmonies – where each chord is altered using a system of harmonic substitution - swapping each chord implication for a newly chosen one (Cm=C, Fm=F#, G=A, Dm=A¨, Eb=F and on it goes around the 12 chromatic notes). Each key therefore has a ‘dominant’ and ‘subdominant’ that are not the actual chords V and IV in that key, so the traditional cadences and chord relationships are supplanted by 12 individual 3-chord relationships – one set of three chords for each of the 12 (now almost exclusively major) keys. In an attempt to recreate the pulls of the traditional tonic-dominant-subdominant relationships, each key then also has a particular mode/scale with particular added notes that are designed to recreate the sense of moving away from and back towards the home chord of that key. This results in a lot of rich added harmonies and some idiomatic voice-leading. Bach’s original theme in Cm is: C G - E¨ F - G A¨ - F G - D E¨ - B C - F G - C, and in the opening statement of the ground bass this has become: C A - E F# - A B¨ - F# A - D# E - C# C - F# A - C. There are then 21 variations which modulate through a range of keys, during which the ground bass is constantly re-adjusted to fit the new harmonic areas. It starts in C major, then goes through ‘closely’ related keys (eg A major and A¨ major), and then back to C in variations 6, 9 and 11. This kind of arch then happens again but going through more distant keys before returning to C in variations 18, 19 and the final climactic variation 21. Leaving aside the structural and tonal nuts and bolts, my aim was to compose a piece that attempts to recapture some of the nobility and beauty of Bach's Passacaglia, with rich added note harmonies, and exuding an exuberant joy.
$9.99 ≈
8.95€
Äã Quên Câu Thá» 2
Äã Quên Câu Thá» 2
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2 Pianos, 8 hands
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ADVANCED
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Châu Gia Chuyển
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Châu Gia Chuyển
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Äã Quên Câu Thá» 2
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Châu Gia Chuyển
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SheetMusicPlus
2 Pianos,8 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1038263 By Châu Gia Chuyển. By Châu Gia Chuyển. Arranged by Châu Gia ...
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2 Pianos,8 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1038263 By Châu Gia Chuyển. By Châu Gia Chuyển. Arranged by Châu Gia Chuyển. A Cappella,Country,Multicultural,New Age,Standards,World. Score. 1 pages. Châu Gia Chuyển #643198. Published by Châu Gia Chuyển (A0.1038263). Äã Quên Câu Thá» 2 Sáng tác : Châu Gia Chuyển Ca sÄ© : Châu Gia Chuyển Thu Âm : M-Studio HÆ°ng Yên Äịa Chỉ : Lê NhÆ° Hổ - Hồng Nam - Tp HÆ°ng Yên - Việt Nam Tình Æ¡i ngÆ°á»i nÆ¡i ấy có vui gì không Thá»i gian trôi ká»· niệm chôn dấu Sầu bi ai mang suốt cuá»™c Ä‘á»i Tình mình giá» xa cách nÆ¡i chân trá»i hoang Lòng anh ngà y đêm nhá»› đến em ngÆ°á»i Æ¡i Ngoà i hiên mÆ°a hà ng cây khép lối Äá»i vỠđâu khi quên câu thá» Rằng cả Ä‘á»i yêu chỉ má»™t ngÆ°á»i mà thôi Tình yêu ta nay xa mù khÆ¡i Lá»i hứa yêu sao nỡ quên rồi Ngồi bên ai em vui bên tình duyên má»›i ( hát đệm)Trót lưỡi đầu môi Äà nh phải quên Ä‘i cầu thá» xÆ°a Trá»i cứ mÆ°a ai nhá»› chăng ngÆ°á»i Hẹn kiếp sau mong không ai lừa dối nữa ( Hát đệm )Sẽ yêu tháºt tâm Dù cho em Ä‘ang vui cùng ai Anh nguyện xin chúc phúc cho ngÆ°á»i Ngà n đóa hoa anh mang dà nh tặng em đó ( hát đệm ) chúc em bình an Má»™t niá»m tin anh trao vá» em Má»™t ná»—i Ä‘au anh khắc trong lòng Tình cách xa hai ta má»—i ngÆ°á»i má»™t lối NgÆ°á»i đã Ä‘i rồi * Các bản phẩm âm nhạc của Châu Gia Chuyển bao gồm phần beat hòa âm, phối khà đá»u thuá»™c quyá»n sở hữu của Châu Gia Chuyển Liên hệ hợp tác : Phân phối và phát hà nh - chaugiachuyen1984@gmail.com - doantinhthuong@gmail.com - SÄT : + 84 98 868 4224 - Bản quyá»n thuá»™c vá» Châu Gia Chuyển - VCPMC - Không sao chép dÆ°á»›i má»i hình thức ================================================= Chau Gia Chuyen's musical compositions, including the beat, mixing and arrangement, are all owned by Chau Gia Chuyen Contact for cooperation: Distribution and distribution - chaugiachuyen1984@gmail.com - doantinhthuong@gmail.com - Tel: + 84 98 868 4224 - Copyright belongs to Chau Gia Chuyen - VCPMC - Do not copy in any form.
$2.00 ≈
1.79€
Carson Cooman: Flute Concerto (2006) for flute and orchestra, score and solo part
Carson Cooman: Flute Concerto (2006) for flute and orchestra, score and solo part
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Orchestra
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ADVANCED
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Carson Cooman
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Carson Cooman: Flute Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.533762 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 55 pages. Musik Fabrik Mus...
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Full Orchestra - Level 5 - Digital Download SKU: A0.533762 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 55 pages. Musik Fabrik Music Publishing #3043953. Published by Musik Fabrik Music Publishing (A0.533762). Flute Concerto (2006) was commissioned by flutist Judith von Hopf and theKiev Philharmonic and premiered by them under the direction of GuidoLamell. The work is in two movements: Chanson and Fantasy Variations.The first movement, Chanson, is an extended “song†that develops through avariety of textures. The opening song material is centered around G#. In turn,this G# is revealed to be a quasi-dominant of a D centered sonority. (A briefcoda returns to G#, in preparation for the D center of the second movement.)The second movement, Fantasy Variations, is cast as two presentations ofthe theme surrounding five free variations, plus a coda. The theme serves asthe basis of the musical material for each variation as well as the structuraltemplate for each. Also, each variation contains material referring backspecifically to the previous variation.The opening theme is declamatory and massive. The first variation is fastand limber. The second variation is introspective and stratified. The thirdvariation is fleeting. The fourth variation is distant and spare. The fifthvariation is fast and driving. The final theme begins whispered and slowlyregains its declamatory nature before a brief and intense coda ends the workin a blaze.This item is the score and the solo part only. The orchestral parts are on rental from the publisher. The piano reduction is for sale as a seperate item.Instrumentation2 Flutes (2nd dbl. Picc.)2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 Bassoons4 Horns in F/Bb2 Trumpets in C2 TrombonesTubaPercussion (2 players)I: tubular bells, crotales, bass drum, whip/slapstickII: vibraphone (motor off), snare drum(Percussion I needs one rosined bow.Percussion II needs one rosined bow.)PianoSolo Flute(If necessary, discreet amplification of the soloist is acceptable.)Violin IViolin IIViolaCelloContrabass(at least two players [ideally more] must have machine extension to low C)
$25.95 ≈
23.25€
Gekijouban Shingeki No Kyojin Zenpen: Guren No Yumiya
Gekijouban Shingeki No Kyojin Zenpen: Guren No Yumiya
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Guitar notes and tablatures
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ADVANCED
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Contemporary
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Revo
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Brett Vachon and Eddie Van Der
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Gekijouban Shingeki No Kyojin
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Brett Vachon
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SheetMusicPlus
Solo Guitar - Level 5 - Digital Download SKU: A0.1335542 Composed by Revo. Arranged by Brett Vachon and Eddie Van Der Meer. Contemporary. Individual part...
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Solo Guitar - Level 5 - Digital Download SKU: A0.1335542 Composed by Revo. Arranged by Brett Vachon and Eddie Van Der Meer. Contemporary. Individual part. 4 pages. Brett Vachon #921377. Published by Brett Vachon (A0.1335542). This is a fingerstyle guitar arrangement for Attack on Titan OP1 - Guren No Yumiya. Transcribed and played by Brett Vachon. Tuning: D,G,D,G,Bâ?,D.
$4.99 ≈
4.47€
Hagia Sophia
Hagia Sophia
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Organ
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ADVANCED
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Robert M
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Hagia Sophia
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Schott Music - Digital
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SheetMusicPlus
Organ - difficult - Digital Download SKU: S9.Q19995 Poème symphonique. Composed by Robert M. Helmschrott. This edition: Sheet music. Downloadab...
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Organ - difficult - Digital Download SKU: S9.Q19995 Poème symphonique. Composed by Robert M. Helmschrott. This edition: Sheet music. Downloadable. Duration 32 minutes. Schott Music - Digital #Q19995. Published by Schott Music - Digital (S9.Q19995). Used as a place of worship for centuries, first by Christians and then by Muslims (from 1453), the Hagia Sophia (Istanbul) still amazes people from all over the world. Since 1934, it is a museum – but more than that, the Hagia Sophia, a unique architectural work of monumental proportions in Christian Antiquity and the Middle Ages, is described as a mystical place. Monumental, yet mysterious, a 'miracle of space', a symbol, a sign. 'Sophia', the holy wisdom, accompanies us through the whole Bible history. The present music has to be regarded against this background: A reflection, contemplation with music and poetry. The Creation is powerful, but the truth about it is powerful as well. And the realization that the path to truth is reached through wisdom. As a consequence, this piece has to cross the powerful for half its duration, monumental. It is the cupola over all following (observing) verses (sections). From bar 371, the path leads back into the powerful, into the rejoicing (bar 406). It must not be forgotten to mention the suggestion of 'singing in a mosque' (bar 510) which is answered by a simple prayer (bar 511). This is reminiscent of the mosaic above the imperial door of the building portraying Jesus Christ sitting on a jewelled throne. He holds an open book in which one can read 'Peace be with you. I am the light of the world'. The line and sound of Hagia Sophia are based on a symmetrical eight-note row (mode B) with the notes B, C sharp, D, E/F, G, A flat (G sharp), B flat (A sharp). Although the major-minor relations are removed, harmonic connections (colours) emerge nevertheless.
$23.99 ≈
21.49€
Carson Cooman Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, com
Carson Cooman Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, com
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Contemporary
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Carson Cooman
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Carson Cooman Enchanted Tracin
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Musik Fabrik Music Publishing
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.533711 ...
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.533711 Composed by Carson Cooman. Contemporary. Score and parts. 76 pages. Musik Fabrik Music Publishing #3041107. Published by Musik Fabrik Music Publishing (A0.533711). Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble wascommissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble,Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor,conductor. These three marvelous piano soloists served as the inspiration for the work. Theconcerto bears the dedication “for Walter Simmons, a hero for the cause of American music.â€Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeservedattention.The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, andas a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonalconstructs that are a preoccupation of my music. The concerto’s title provided the poetic ideabehind the musical development. Though more or less equal with the ensemble in the firstmovement, the piano clearly takes over as leader in the second and third movements as the goaldirectedformal narrative of the movements becomes more obvious.The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†themusical potential of the basic material. A number of melodic ideas emerge—some lyrical and somedisjunct. A brief coda prepares for the next movement.The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass.The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spikymelodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should thework be performed with any substitutions, doublings, or increase of players on individual parts.)This item contains the complete wind ensemble parts. The score plus solo part are for sale as another item. Individual parts are also for sale.
$77.95 ≈
69.84€
Carson Cooman: Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, sc
Carson Cooman: Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, sc
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Contemporary
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Carson Cooman
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Carson Cooman: Enchanted Traci
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Musik Fabrik Music Publishing
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.533710 ...
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.533710 Composed by Carson Cooman. Contemporary. Score and parts. 83 pages. Musik Fabrik Music Publishing #3041105. Published by Musik Fabrik Music Publishing (A0.533710). I. Murky WatersII. The ForgottenIII. Casting InfinityEnchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble was commissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble, Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor, conductor. These three marvelous piano soloists served as the inspiration for the work. The concerto bears the dedication “for Walter Simmons, a hero for the cause of American music.†Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeserved attention. The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, and as a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonal constructs that are a preoccupation of my music. The concerto’s title provided the poetic idea behind the musical development. Though more or less equal with the ensemble in the first movement, the piano clearly takes over as leader in the second and third movements as the goaldirected formal narrative of the movements becomes more obvious. The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†the musical potential of the basic material. A number of melodic ideas emerge—some lyrical and some disjunct. A brief coda prepares for the next movement. The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass. The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spiky melodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should the work be performed with any substitutions, doublings, or increase of players on individual parts.)This is the full score and the solo part. The complete parts and seperate parts are available for sale on this site.
$29.95 ≈
26.83€
Gershwin on the Ganges
Gershwin on the Ganges
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Devin Arrington
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Gershwin on the Ganges
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Devin Arrington
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SheetMusicPlus
Instrumental Duet Drums,Instrumental Duet,Violin - Level 5 - Digital Download SKU: A0.942052 Composed by Devin Arrington. Contemporary,World. Score and p...
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Instrumental Duet Drums,Instrumental Duet,Violin - Level 5 - Digital Download SKU: A0.942052 Composed by Devin Arrington. Contemporary,World. Score and parts. 3 pages. Devin Arrington #5992131. Published by Devin Arrington (A0.942052). Advanced and exciting contemporary fusion work for solo violin in Scordatura (G,D,G,D)This lively 2.5 minute piece is sure to bring audiences to their feet.The score is transposed so expect to hear different notes coming out of the violin!This is part of a growing set of Indian Folk Dances by the composer.Optional drums encouraged.
$7.95 ≈
7.12€
Fantasy for Flute and Strings
Fantasy for Flute and Strings
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Chamber Orchestra
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ADVANCED
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Adrian Dee
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Fantasy for Flute and Strings
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Adrian Dee
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.817949 Composed by Adrian Dee. 21st Century,Chamber,Classical,Contemporary. Score and Parts. 97 pa...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.817949 Composed by Adrian Dee. 21st Century,Chamber,Classical,Contemporary. Score and Parts. 97 pages. Adrian Dee #6682479. Published by Adrian Dee (A0.817949). I wrote Fantasy in the late spring of 2019. Before I could arrange a premier, the COVID-19 pandemic set in and everything stopped. I finally had the joy of premiering the piece on December 8, 2021, with my home team the Newport Symphony in Newport, Oregon, with Adam Flatt conducting. The audience was on their feet for both the matinee and the evening performances, so I guess they liked it! The piece is melodic, rhythmic, tonal, and just plain fun to play. It goes together easily. Each movement is about five and a half minutes, total play time about 17 minutes. It is appropriate for advanced student groups as well as professional groups. The first movement, Busy Day (Presto), makes repeated use of a four-note motif (G-F-A-D) and is a driving non-stop articulated melody. The second movement, Lullabye (Andante), opens and closes with the flute playing a brief cadenza, floating above an ambiguous chord in the strings. The bulk of the movement is a dovetailed hypnotic ostinato in the strings with a gentle rocking motion, and the simple flute melody above. The third movement, Wild Dreams (Presto), should be exactly that, wild and raucous, with heavy aggressive accents as indicated.For additional notes, see p. 2 of the PDF.The Youtube link above (Watch) is a recording I made at home in 2020 with my computer playing the string parts. This is the first movement, the second and third follow. It is my sincere hope that this piece will bring joy and exuberance for both the performers and the audience. Let me know if you schedule a performance; I’d love to hear what someone else does with it.adriandeeflute@gmail.com adriandee.com
$39.95 ≈
35.79€
Allegro (from "Concerto for Four Claviers") (G min) (Viola Quintet)
Allegro (from "Concerto for Four Claviers") (G min) (Viola Quintet)
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Viola ensemble
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ADVANCED
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Classical
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Johann Sebastian Bach
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Regis Bookshar
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Allegro
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet Viola - Level 5 - Digital Download SKU: A0.813408 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,C...
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String Ensemble,String Quintet Viola - Level 5 - Digital Download SKU: A0.813408 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Concert,Instructional,Standards,World. Score and parts. 45 pages. Regis Bookshar #6209851. Published by Regis Bookshar (A0.813408). Viola Quintet - Advanced - Digital Download. This must-have arrangement would be a fabulous addition to any music library and could be performed for concerts and recitals and could also be performed for church services. This brilliant work by Johann Sebastian Bach is an adaptation of Antonio Vivaldi's Concerto for Four Violins and String Orchestra in B minor. Bach had gotten to know Vivaldi's concertos while he was an organist at Weimar, where he transcribed ten of them for solo harpsichord and six of them for organ. Originally written in B minor, Bach transposed it to A minor and, while preserving the melodic outline as conceived by Vivaldi for four violins, this later adaptation, from around 1730, for four harpsichords and string orchestra, is far more ambitious. In it, Bach has both tightened and expanded Vivaldi's counterpoint, enriched it with lusher harmonies and expanded the solo parts with greater complexity and greater clarity. The result is a composition that actually improves on the original work. Written in the standard three-movement concerto form of the Baroque period, Bach's Concerto for Four Claviers in A minor is a virtuoso piece for the soloists. Regis Bookshar has now rearranged the first movement of this concerto, marked Allegro, for a Viola Quintet, while maintaining the energy and virtuosity of Bach's original work. This arrangement is intended to be performed by accomplished players and may prove to be a huge challenge for many players, but, I think, it will be worth the effort. Included are a score and a complete set of parts (45 pages). In addition to this version for 5 Violas, other arrangements of this selection are also available for a variety of Instrumental Quintets, some of which are in the original key of Concert A minor and some have been transposed to Concert G minor, making it a little easier for some performers, as well as numerous other arrangements in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will be a challenge to many performers but will continue to entertain both performers and audiences alike for years to come. I hope you will enjoy it as much as I have enjoyed working on it.
$35.00 ≈
31.36€
Parallels
Parallels
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As I Lay Dying
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koki31
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Parallels
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koki31
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SheetMusicPlus
Guitar - Level 5 - Digital Download SKU: A0.1439579 By As I Lay Dying. By Jordan Mancino, Josh Gilbert, Phillip Sgrosso, Sam Hipa, and Tim Lambesis. Arra...
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Guitar - Level 5 - Digital Download SKU: A0.1439579 By As I Lay Dying. By Jordan Mancino, Josh Gilbert, Phillip Sgrosso, Sam Hipa, and Tim Lambesis. Arranged by koki31. Rock. Guitar Tab. 11 pages. Koki31 #1019587. Published by koki31 (A0.1439579). Turning: (Low to high) D-G-D-F-A-D song : Parallels artist : As I Lay Dying album : The Powerless Rise (2010).
$5.99 ≈
5.37€
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