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Alone Again
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You've selected:
Alone Again
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15 sheet music found
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1
Alone Again (naturally)
Alone Again (naturally)
#
Piano, Vocal and Guitar
#
ADVANCED
#
Gilbert O'Sullivan
#
John Fries
#
Alone Again
#
John Fries
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1195738 By Gilbert O'Sullivan. By Gilbert O'Sullivan. Arranged by John Fries. 19th Century,...
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Guitar,Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1195738 By Gilbert O'Sullivan. By Gilbert O'Sullivan. Arranged by John Fries. 19th Century,Pop,Standards. Score. 3 pages. John Fries #794911. Published by John Fries (A0.1195738). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Alone Again (Naturally) is a song by Irish singer-songwriter Gilbert O'Sullivan. It was released in 1972 at the same time as, but not included on, the album, Back to Front. In total, the single spent six weeks, non-consecutively, at No. 1 on the United States Billboard Hot 100 singles chart. Billboard ranked it as the No. 2 song for 1972.
$4.99 ≈
4.46€
Alone Again [advanced] by MUSICHELP - Piano Solo
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Piano solo
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ADVANCED
#
MUSICHELP
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Alone Again [advanced]
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Musicnotes
Performed by: MUSICHELP: Alone Again [advanced] Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instr...
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Performed by: MUSICHELP: Alone Again [advanced] Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Piano; 6 pages --
$5.99 ≈
5.35€
In Your Own Sweet Way
In Your Own Sweet Way
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Piano solo
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ADVANCED
#
Jazz
#
Dave Brubeck
#
Bill Evans
#
17 pages, 365 bars.
#
In Your Own Sweet Way
#
Katsufumi Seki
#
SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.894845 By Dave Brubeck. By Dave Brubeck. Arranged by Bill Evans. Jazz. Score. 17 pages. Katsufumi Seki #4...
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Piano Solo - Level 5 - Digital Download SKU: A0.894845 By Dave Brubeck. By Dave Brubeck. Arranged by Bill Evans. Jazz. Score. 17 pages. Katsufumi Seki #4631837. Published by Katsufumi Seki (A0.894845). A note for note transcription from Bill Evans's album Alone(Again. 17 pages, 365 bars.
$8.99 ≈
8.03€
Carson Cooman: Remembering Tomorrow: Trombone Concerto (2004) for trombone and orchestra), score plu
Carson Cooman: Remembering Tomorrow: Trombone Concerto (2004) for trombone and orchestra), score plu
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Orchestra
#
ADVANCED
#
Contemporary
#
Carson Cooman
#
Carson Cooman: Remembering Tom
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.533655 Composed by Carson Cooman. Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publish...
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Full Orchestra - Level 5 - Digital Download SKU: A0.533655 Composed by Carson Cooman. Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #3035627. Published by Musik Fabrik Music Publishing (A0.533655). Commissioned by and is dedicated to trombonist Haim Avitsur. Throughout the work, the trombone is placed into a variety of different musical contexts—sometimes with bleakness and sometimes with warmth. The work begins with the tubular bells alone, presenting the principal musical material of the work. The strings enter with a suspended tapestry, through which the trombone plays its opening melodies. In this section, the trombone has a cantorial role—singing and interacting with the orchestra. These opening musical ideas are developed as the trumpet, horn, and clarinet join the trombone in soloistic roles. A signal gesture on the trumpet is heard once, interrupting the tapestry. When the signal is heard again, the music accelerates into the second section. The second section is fast and bell-like as the trombone sings excited lines through ringing masses of sound. Whirring figurations emerge in the winds and are picked up by the strings. The sectiongrows wilder until it climaxes in hammer chords. From this, the trumpet, bells, and trombone emerge—maintaining and propelling the energy of thesection. Gradually, the energy is released, leading into the third section. The third section is chorale-like, combining again suspended sounds in the strings with harmonic motion in the winds in brass. The trombone again plays a cantorial role. A build up of energy occurs at the end of this section, leading into the fourth and final section—the cadenza. The trombone bursts into the cadenza, not with a forceful shout, but with a whisper. The work winds down to its conclusion—without a loss of speed or energy, but rather by the increase of silence. Instrumentation: 2111/1100/timp/1perc/soloTbn/strings The score by itself is available as another item. The parts are on rental from the publisher.
$29.95 ≈
26.76€
Carson Cooman: Remembering Tomorrow: Trombone Concerto - Score Only
Carson Cooman: Remembering Tomorrow: Trombone Concerto - Score Only
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Orchestra
#
ADVANCED
#
Contemporary
#
Carson Cooman
#
Carson Cooman: Remembering Tom
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.533654 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publish...
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Full Orchestra - Level 5 - Digital Download SKU: A0.533654 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publishing #3035625. Published by Musik Fabrik Music Publishing (A0.533654). Commissioned by and is dedicated to trombonist Haim Avitsur. Throughout the work, the trombone is placed into a variety of different musical contexts—sometimes with bleakness and sometimes with warmth. The work begins with the tubular bells alone, presenting the principal musical material of the work. The strings enter with a suspended tapestry, through which the trombone plays its opening melodies. In this section, the trombone has a cantorial role—singing and interacting with the orchestra. These opening musical ideas are developed as the trumpet, horn, and clarinet join the trombone in soloistic roles. A signal gesture on the trumpet is heard once, interrupting the tapestry. When the signal is heard again, the music accelerates into the second section. The second section is fast and bell-like as the trombone sings excited lines through ringing masses of sound. Whirring figurations emerge in the winds and are picked up by the strings. The sectiongrows wilder until it climaxes in hammer chords. From this, the trumpet, bells, and trombone emerge—maintaining and propelling the energy of thesection. Gradually, the energy is released, leading into the third section. The third section is chorale-like, combining again suspended sounds in the strings with harmonic motion in the winds in brass. The trombone again plays a cantorial role. A build up of energy occurs at the end of this section, leading into the fourth and final section—the cadenza. The trombone bursts into the cadenza, not with a forceful shout, but with a whisper. The work winds down to its conclusion—without a loss of speed or energy, but rather by the increase of silence. Instrumentation: 2111/1100/timp/1perc/soloTbn/strings The score by itself is available as another item. The parts are on rental from the publisher.
$25.95 ≈
23.18€
Pantheon for Horn, Violin and Piano
Pantheon for Horn, Violin and Piano
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Elizabeth Raum
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Pantheon for Horn, Violin and
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Gordon Cherry
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SheetMusicPlus
Small Ensemble Horn,Piano,Violin - Level 5 - Digital Download SKU: A0.1503872 Composed by Elizabeth Raum. 20th Century. 73 pages. Gordon Cherry #1079324....
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Small Ensemble Horn,Piano,Violin - Level 5 - Digital Download SKU: A0.1503872 Composed by Elizabeth Raum. 20th Century. 73 pages. Gordon Cherry #1079324. Published by Gordon Cherry (A0.1503872). Rome's Pantheon, based on Greek mythical legends was first constructed over 2,000 years ago as a temple of all the gods. In the year 609, it became a Catholic church.Pantheon for Violin, Horn, and Piano by the great Canadian composer Elizabeth Raum is a seven-movement suite of chamber music depicting various of the Greek gods:1. Eos: Goddess of the Dawn2. Moirae: Gods of Fate3. Aphrodite: Goddess of Love and Beauty4. Zeus and Hera5. Artemis (Diana) Goddess of the Moon and the Hunt6. Hermes (Mercury) of the Winged Sandals7. Apollo: God of Sun and LightHere are the comments about Pantheon from composer Elizabeth Raum:Pantheon alludes to a temple, a musical temple in this case, devoted to the gods of ancient Greek mythology, several of whom are represented in this work. The first movement opens with a horn call as Eos, Goddess of the Dawn begins her rosy-fingered awakening, and rising from her couch, ascends the heavens in her horse-drawn chariot. She heralds the approach of her brother, Helius, the sun god, whose superior brightness causes her color to fade. In the second movement, The Fates (Moirae) spin their thread of life and death. The minimalist quality of the music, representing the steady turn of the spindle, becomes more and more agitated as Atropos, the Fate who holds the shears, prepares to cut the thread. The hand stopped horn and the Bartok pizzicato signify the final snip. A moment of contemplation, and they begin again. Some try to persuade Atropos to delay a moment, but she cannot be deterred. Aphrodite, the goddess of love and beauty, is the third movement. She arose from the foam of the sea and all were charmed by her grace, but she could also be coy and flirtatious as she is in this version. Zeus and Hera, the king and queen of the gods, make up the fourth movement. The opening theme suggests the regal stride of Zeus while Hera, furious at his many infidelities, quarrels with him and schemes to thwart his affairs. In the fifth movement, Artemis (Dawn Goddess of the Moon and the Hunt), holds high her silver bow that gleams in the night sky like the new moon. The clouds drift silently past while she runs with her hounds and dances with her nymphs. Hermes (Mercury) of the Winged Sandals, sixth movement, is scored for violin and horn alone. He is a very mischievous and cunning god, and his exceptional swiftness is aided by his winged sandals as he flies to carry out his divine duties. And finally in the seventh movement, Apollo the horn again summons the gods. A hymn to Apollo celebrates the god of eternal youth, beauty, and music. This is a major chamber work for Violin, Horn, and Piano of about 26 minutes in length written for Erika Raum, Phil Myers, and Peter Allen and is appropriate for very advanced artists.
$45.00 ≈
40.20€
Clashing Destinies
Clashing Destinies
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Concert band
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ADVANCED
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Contemporary
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Brayden Bogdon
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Clashing Destinies
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braben music co.
#
SheetMusicPlus
Concert Band - Level 5 - Digital Download SKU: A0.1361865 Composed by Brayden Bogdon. 21st Century,Classical,Video Game. 84 pages. Braben music co. #9462...
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Concert Band - Level 5 - Digital Download SKU: A0.1361865 Composed by Brayden Bogdon. 21st Century,Classical,Video Game. 84 pages. Braben music co. #946269. Published by braben music co. (A0.1361865). Includes: Digital .pdf w/Full Score and PartsClashing Destinies was originally a work for digital media composed in March-April of 2023, later adapted for Full Orchestra/Symphonic Wind Ensemble. Clashing Destinies takes the listener through a spiral into insanity, starting with the constant thudding of the lows. Even as different parts add on, the thudding persists, representing one's inability to think clearly. There is a sharp dissonant line initially played by the glockenspiel that comes up time and time again, representing the internal panic that cuts through one's rational thoughts during their spiral into madness. Finally we hit the breaking point, a moment of silence followed by the screams of pain one experiences after reaching their breaking point. Soon after, a screaming trumpet takes the spotlight, any form of rational thought has now dithered away. Nothing is left but screams. After an intense battle of struggling to find a grasp on reality, there is a moment of calm. Things slow down as it is believed sanity is being regained, but still, there is that persistent thudding and sharp dissonance. Alas, the realization occurs, it is impossible to regain sanity. As the brass section overtakes the calm of the woodwinds, insanity fully takes over. The homestretch of this piece is pure chaos, every motif comes back. It is one huge reprise of all the feelings that have been experienced, except now they are all sounding much more rapidly, all just a small part of the chaos that is ensuing. Now there is nothing left to do except yell for help. There are three final screams, three final pleads for help. After screaming for help, it is realized... No one is there. Now there is nothing, left unresolved, all alone in the silence.
$14.99 ≈
13.39€
Song Without Words, Op. 109 for Trombone & Piano
Song Without Words, Op. 109 for Trombone & Piano
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Trombone and Piano
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ADVANCED
#
Classical
#
Felix Bartholdy Mendelssohn
#
Sauer, Ralph
#
Song Without Words, Op. 109 fo
#
Gordon Cherry
#
SheetMusicPlus
Piano,Trombone - Level 5 - Digital Download SKU: A0.792260 Composed by Felix Bartholdy Mendelssohn. Arranged by Sauer, Ralph. Classical,Romantic Period. ...
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Piano,Trombone - Level 5 - Digital Download SKU: A0.792260 Composed by Felix Bartholdy Mendelssohn. Arranged by Sauer, Ralph. Classical,Romantic Period. Score and part. 10 pages. Gordon Cherry #4764787. Published by Gordon Cherry (A0.792260). Mendelssohn wrote 8 books of Songs Without Words for Piano alone. However this one song is the only one not for solo Piano, but for Cello & Piano and was published posthumously.The work is in A-B-A form, the B section being moody in contrast to the heavenly outer sections. The sublime lyricism of the work gives it its great strength.Mr. Sauer has once again found the perfect key for his Trombone and Piano transcription. For advanced performers.
$17.50 ≈
15.63€
Song Without Words, Op. 109 for Euphonium & Piano
Song Without Words, Op. 109 for Euphonium & Piano
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Euphonium, Piano (duet)
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ADVANCED
#
Classical
#
Felix Bartholdy Mendelssohn
#
Sauer, Ralph
#
Song Without Words, Op. 109 fo
#
Gordon Cherry
#
SheetMusicPlus
Euphonium,Piano - Level 5 - Digital Download SKU: A0.792389 Composed by Felix Bartholdy Mendelssohn. Arranged by Sauer, Ralph. 20th Century,Classical,Rom...
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.792389 Composed by Felix Bartholdy Mendelssohn. Arranged by Sauer, Ralph. 20th Century,Classical,Romantic Period. Score and part. 12 pages. Gordon Cherry #4820291. Published by Gordon Cherry (A0.792389). Mendelssohn wrote 8 books of Songs Without Words for Piano alone. However this one song is the only one not for solo Piano, but for Cello & Piano and was published posthumously. The work is in A-B-A form, the B section being moody in contrast to the heavenly outer sections. The sublime lyricism of the work gives it its great strength. Mr. Sauer has once again found the perfect key for his Euphonium and Piano transcription. For advanced performers.
$15.00 ≈
13.40€
O Gracious Light
O Gracious Light
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Choral SATB
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ADVANCED
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Tyler Hughes
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O Gracious Light
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Tyler Justin Hughes
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.898893 Composed by Tyler Hughes. A Cappella,Contemporary,Sacred. Octavo. 17 pages. Tyler Justin ...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.898893 Composed by Tyler Hughes. A Cappella,Contemporary,Sacred. Octavo. 17 pages. Tyler Justin Hughes #5981819. Published by Tyler Justin Hughes (A0.898893). O Gracious Light is an exploration in choral textures. Starting with a monophonic, it travels to homophonic to polyphonic textures before reaching an aleatoric middle section before cycling through the textures again in reverse. This explorations of textures represents the various ways one prays; be it unison, in a group, or individually alone.Perfect for advance a cappella ensembles. .
$2.99 ≈
2.67€
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00 ≈
17.87€
Psalm of Mercy, sacred music for SATB choir
Psalm of Mercy, sacred music for SATB choir
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Choral SATB
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ADVANCED
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Sacred music
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Kevin G
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Psalm of Mercy, sacred music f
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1170458 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worsh...
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1170458 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 11 pages. Kevin G. Pace #770827. Published by Kevin G. Pace (A0.1170458). A beautiful, dramatic choral setting for SATB choir.  Music by Kevin G. Pace.  Text by Mary Ann W. Snowball.Psalm of Mercy(Inspired from Psalm 51)O Lord, have mercy on my soul and cover ev’ry sin.Cleanse me from all iniquity; from thy sight, let me in.O, purge mistakes against thy Name, transgressions mine to own.Make me to feel thy constant joy; o leave me not alone.O Lord, have mercy when Thou calls, and grant me clemency.Deliver me thy sacrifice and blood on bended knees.Bestow unto me sweet relief; O cast me not away.Provide pure healing and repose I ever, ever pray.O Lord, have mercy and renew my humble, willing mind.Thou art my hope of mending care when pardon I may find.Forgive me, always, I implore. I plead a brand, new start.O, to thy holy Name I bring . . . I bring my broken heart.
$1.99 ≈
1.78€
Hounds of Toyon - for 4 F Horns
Hounds of Toyon - for 4 F Horns
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Court Mast
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Hounds of Toyon - for 4 F Horn
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Court Mast
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SheetMusicPlus
Brass Ensemble Horn - Level 5 - Digital Download SKU: A0.800684 Composed by Court Mast. 20th Century,Contemporary,Jazz,Multicultural,World. Score and par...
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Brass Ensemble Horn - Level 5 - Digital Download SKU: A0.800684 Composed by Court Mast. 20th Century,Contemporary,Jazz,Multicultural,World. Score and parts. 21 pages. Court Mast #1749797. Published by Court Mast (A0.800684). Hounds of Toyon is a rambunctious F-horn quartet piece featuring three aggressive horns against a single gentle one. Forget 4/4. This piece has it all: 2/4, 3/4, 4/4, 5/4, even 6/4. The crazy Hounds just keep on comin'! Just under 5 minutes in length and fairly difficult, Hounds of Toyon is a challenging and rewarding stand-alone feature for the horn section of high school and college concert bands. Guaranteed to enliven any concert.
$19.95 ≈
17.82€
The Parachutes - Score Only
The Parachutes - Score Only
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Orchestra
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ADVANCED
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Jerry Goldsmith
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Chris Siddall
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The Parachutes - Score Only
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Chris Siddall Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1258828 Composed by Jerry Goldsmith. Arranged by Chris Siddall. Film/TV,Patriotic. 12 pages. Chris Si...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1258828 Composed by Jerry Goldsmith. Arranged by Chris Siddall. Film/TV,Patriotic. 12 pages. Chris Siddall Music Publishing #852089. Published by Chris Siddall Music Publishing (A0.1258828). 1997’s Air Force One saw Harrison Ford’s president of the United States face off against Gary Oldman’s sinister Russian-rebel hijacker. With a plot that required a liberal suspension of disbelief, a serious action score was required. Composer Randy Newman was employed to provide his trademark essence of Americana, however after recording an hour of material for the movie, director Wolfgang Peterson felt Newman’s score carried the wrong tone for the picture and dropped him from the project. The release date was fast approaching, but veteran composer Jerry Goldsmith pledged to make an attempt to save the movie. With only twelve days in which to record a replacement score, he knew he couldn’t accomplish the task alone, and initially asked his son Joel to assist him. Being unavailable, Jerry turned to rising composer Joel McNeely and the resulting score was exactly what Peterson was looking for.Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$9.99 ≈
8.92€
Aida - Prelude from the Opera for Brass Quintet
Aida - Prelude from the Opera for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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ADVANCED
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Classical
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Giuseppe Verdi
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Thomas Jostlein
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Aida - Prelude from the Opera
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Cherry Classics Music
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SheetMusicPlus
Brass Quintet - Advanced - Digital Download Composed by Giuseppe Verdi (1813-1901). Arranged by Thomas Jostlein. Romantic Period, Opera. Score, Set of ...
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Brass Quintet - Advanced - Digital Download Composed by Giuseppe Verdi (1813-1901). Arranged by Thomas Jostlein. Romantic Period, Opera. Score, Set of Parts. 11 pages. Published by Cherry Classics Music
Verdi's most popular opera Aïda was premiered in 1871 and has been possibly performed more than any other....over 1,100 times at the Metropolitan Opera alone.
Preludio begins quietly and mysteriously and quickly builds to a gigantic emotional climax and just as quickly dies down to nothing again...foreshadowing what will occur in the opera.
Thomas Jöstlein has beautifully arranged this passionate work of about 4 minutes in length for Brass Quintet composed of advanced performers.
Instrumentation is for 2 Trumpets in C, Horn in F, Trombone and Tuba.
This arrangement is dedicated to the Metropolitan Opera Brass Quintet.
$20.00 ≈
17.87€
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Alone Again
