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12 sheet music found
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1
5 Hymn Arrangements for Ascension, Pentecost, and Trinity
5 Hymn Arrangements for Ascension, Pentecost, and Trinity
#
Piano solo
#
ADVANCED
#
Sacred music
#
Various
#
Judith L
#
5 Hymn Arrangements for Ascens
#
Maggs
#
SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1373646 Composed by Various. Arranged by Judith L. Maggs. Christian,Religious,Sacred. Score. 22 pages. Ma...
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Piano Solo - Level 5 - Digital Download SKU: A0.1373646 Composed by Various. Arranged by Judith L. Maggs. Christian,Religious,Sacred. Score. 22 pages. Maggs #958035. Published by Maggs (A0.1373646). If you're a musician in a liturgical church, you know that it's easy to find music for Christmas and Easter. But what about those other special Sundays?In this collection, I've put together 5 hymn arrangements for three of those other special Sundays:Â Ascension: Hail the Day That Sees Him RisePentecost: Spirit of God, Descend Upon My Heart and Holy Spirit, Truth Divine/Breathe on Me, Breath of Godand Trinity: Holy, Holy Holy and Come, Thou Almighty King/Praise God From Whom All Blessings FlowAll arrangements are easily playable by an advanced level pianist.Also available on this site are each of the individual titles in this collection (along with full length recordings), as well as a second collection: 5 Hymn Arrangements for World Communion, All Saints, Christ the King, and Transfiguration
$10.99 ≈
10.13€
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
#
Choral SATB
#
ADVANCED
#
Carson Cooman
#
Carson Cooman: Ascensions
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Mu...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir.
$25.95 ≈
23.92€
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
#
Choral SATB
#
ADVANCED
#
Carson Cooman
#
Carson Cooman: Ascensions
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Mu...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #3043973. Published by Musik Fabrik Music Publishing (A0.535387). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir
$19.95 ≈
18.39€
5 Hymns for World Communion, All Saints, Christ the King, and Transfiguration
5 Hymns for World Communion, All Saints, Christ the King, and Transfiguration
#
Piano solo
#
ADVANCED
#
Sacred music
#
Various
#
Judith L
#
5 Hymns for World Communion, A
#
Maggs
#
SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1373633 Composed by Various. Arranged by Judith L. Maggs. Christian,Religious,Sacred. Score. 21 pages. Ma...
(+)
Piano Solo - Level 5 - Digital Download SKU: A0.1373633 Composed by Various. Arranged by Judith L. Maggs. Christian,Religious,Sacred. Score. 21 pages. Maggs #958022. Published by Maggs (A0.1373633). If you're a musician in a liturgical church, you know that it's easy to find music for Christmas and Easter. But what about those other special Sundays?In this collection, I've put together 5 hymn arrangements for four of those other special Sundays:Â World Communion: Bread of the WorldAll Saints: For All The SaintsChrist the King: Hail to the Lord's Anointedand Transfiguration: O Wondrous Sight! O Vision Fair and Christ, Whose Glory Fills the SkiesAll arrangements are easily playable by an advanced level pianistAlso available on this site are each of the individual titles in this collection (along with full length recordings), as well as a second collection: 5 Hymn Arrangements for Ascension, Pentecost, and Trinity
$10.99 ≈
10.13€
Hail the Day That Sees Him Rise (Hymn Tune: Llanfair)
Hail the Day That Sees Him Rise (Hymn Tune: Llanfair)
#
Piano solo
#
ADVANCED
#
Robert Williams
#
Judith L
#
Hail the Day That Sees Him Ris
#
Maggs
#
SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1369044 Composed by Robert Williams. Arranged by Judith L. Maggs. Christian,Easter,Holiday,Religious,Sacr...
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Piano Solo - Level 5 - Digital Download SKU: A0.1369044 Composed by Robert Williams. Arranged by Judith L. Maggs. Christian,Easter,Holiday,Religious,Sacred. Score. 5 pages. Maggs #953387. Published by Maggs (A0.1369044). Hail the Day That Sees Him Rise is a triumphant hymn suitable for Easter and for Ascension Sunday. This stirring arrangement is easily played by any advanced level pianist. It is in the key of G major throughout.
$2.99 ≈
2.76€
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
#
Chamber Orchestra
#
ADVANCED
#
Carson Cooman
#
Carson Cooman: The Acts of the
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Mu...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95 ≈
23.92€
Tremors - Full Score and Reproducible Instrumental Parts
Tremors - Full Score and Reproducible Instrumental Parts
#
Michael J Glasgow
#
Tremors - Full Score and Repro
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Chorister's Guild - Digital
#
SheetMusicPlus
Percussion - Level 5 - Digital Download SKU: C7.CGB618 With Fear and Trembling Stand. Composed by Michael J Glasgow. Ascension, Christmas, General...
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Percussion - Level 5 - Digital Download SKU: C7.CGB618 With Fear and Trembling Stand. Composed by Michael J Glasgow. Ascension, Christmas, General. With Congregation, Percussion. Score and parts. 28 pages. Chorister's Guild - Digital #CGB618. Published by Chorister's Guild - Digital (C7.CGB618). UPC: 749193014257.Level 5 • Tremors was commissioned for the Bellissimo ensemble of Redlands Adventist Academy. The school's proximity to the San Andreas Fault was the inspiration for this composition, which features a rumbling chromatic ostinato and intense, energized polyphony. The piece ends calmly with a shimmering glimmer of peace. An ideal concert opener, churches with advanced bell choirs will also find it a great postlude for Advent or Lent. Instrumentation: 5, 6 or 7 octaves handbells, with optional 7th octave bass chimes, orchestral chimes, tam tam, and bass drum.
$15.95 ≈
14.70€
Gloria from Missa Aedis Christi (Downloadable)
Gloria from Missa Aedis Christi (Downloadable)
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Choral SATB
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ADVANCED
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Howard Goodall
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Gloria from Missa Aedis Christ
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
SATB choir divisi and organ - Difficult - Digital Download SKU: MQ.56-0073-E Composed by Howard Goodall. Instrument parts. 22 pages. Duration 5 minutes, ...
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SATB choir divisi and organ - Difficult - Digital Download SKU: MQ.56-0073-E Composed by Howard Goodall. Instrument parts. 22 pages. Duration 5 minutes, 30 seconds. MorningStar Music Publishers - Digital Sheet Music #56-0073-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0073-E). Latin.This mass setting was commissioned by the Friends of Christ Church Cathedral, Oxford and first performed on Ascension Sunday, 1994. Suitable for both church and concert use, the music is both lyrical and dramatic. The “Gloria†is set for SATB divisi (all parts divide) in a quick and rhythmic mixed meter. The movement begins with a sort of call and response where Choir 1 states a motif and Choir 2 responds with the same motif (sometimes at a different pitch level.) A soloist begins the middle section, Piu Allegro (“Qui tollisâ€) and the first material returns, but in unison this time, at “Jesu Christe.†Duration 5:30.
$3.70 ≈
3.41€
Tremors - Handbell Score
Tremors - Handbell Score
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Handbells
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ADVANCED
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Michael J Glasgow
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Tremors - Handbell Score
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Chorister's Guild - Digital
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SheetMusicPlus
5, 6, or 7 octaves handbells - Level 5 - Digital Download SKU: C7.CGB619 With Fear and Trembling Stand. Composed by Michael J Glasgow. Ascension, ...
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5, 6, or 7 octaves handbells - Level 5 - Digital Download SKU: C7.CGB619 With Fear and Trembling Stand. Composed by Michael J Glasgow. Ascension, Christmas, General. Master Ringer. With 7th octave bass chimes, orchestral chimes, tam tam, and bass drum. Score. 16 pages. Chorister's Guild - Digital #CGB619. Published by Chorister's Guild - Digital (C7.CGB619). UPC: 749193014264.Level 5 • Tremors was commissioned for the Bellissimo ensemble of Redlands Adventist Academy. The school's proximity to the San Andreas Fault was the inspiration for this composition, which features a rumbling chromatic ostinato and intense, energized polyphony. The piece ends calmly with a shimmering glimmer of peace. An ideal concert opener, churches with advanced bell choirs will also find it a great postlude for Advent or Lent. Instrumentation: 5, 6 or 7 octaves handbells, with optional 7th octave bass chimes, orchestral chimes, tam tam, and bass drum.
$5.50 ≈
5.07€
"Requiem for Jane" for full orchestra
"Requiem for Jane" for full orchestra
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Orchestra
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ADVANCED
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Contemporary
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Kerry Barnes --- British Femal
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"Requiem for Jane" for full or
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kerry barnes
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.969765 Composed by Kerry Barnes --- British Female Composer born 1962. Contemporary. Score and parts....
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Full Orchestra - Level 5 - Digital Download SKU: A0.969765 Composed by Kerry Barnes --- British Female Composer born 1962. Contemporary. Score and parts. 11 pages. Kerry barnes #6065293. Published by kerry barnes (A0.969765). A symphonic work to remember my little sister Jane who died from breast cancer 5 years ago at the age of 47. This Requiem for Jane is my tribute in memory of her.Jane was a beautiful dancer, natural and graceful. I'm sure when she hears this in Heaven, she'll be working on 'some-moves' to go with it!!The climax of the piece is right at the end with all the power an orchestra has to evoke her final ascension into another world, where I will see her again one day. Amen!!
$13.77 ≈
12.69€
Robert W. Smith: The Ascension - concert band (full score)
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Concert band
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ADVANCED
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Instructional
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Robert W. Smith
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Virtualsheetmusic
Instantly printable sheet music by Robert W. Smith for concert band (full score) of HIGH skill level. / instructional
Instantly printable sheet music by Robert W. Smith for concert band (full score) of HIGH skill level. / instructional
$14.99 ≈
13.82€
Robert W. Smith: The Ascension (COMPLETE) - concert band
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Concert band
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ADVANCED
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Instructional
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Robert W. Smith
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Virtualsheetmusic
Instantly printable sheet music by Robert W. Smith for concert band of HIGH skill level. / instructional
Instantly printable sheet music by Robert W. Smith for concert band of HIGH skill level. / instructional
$92.99 ≈
85.72€
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