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At The End Of The Day Trombone
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At The End Of The Day Trombone
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44 sheet music found
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1
26
The Glastry Pearl. Tone Poem Elegy For My Mum.
The Glastry Pearl. Tone Poem Elegy For My Mum.
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Orchestra
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ADVANCED
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Geraldine
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The Glastry Pearl. Tone Poem E
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Geraldine
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldine (Denny) Green at Oakmountmusic #904077. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1315331). Duration : Approx. 30 minutesInstrumentationFlutes 1&2Piccolo/Flute 3Oboes 1&2Cor AnglaisClarinets 1&2 in BflatBass Clarinet in Bflat (To Low C)Bassoons 1&2Horns 1 – 4 in FTrumpets 1&2 in BflatTenor Trombones 1&2Bass TromboneTubaTimpani – 4Bass Drum, Sleigh Bells, Temple Blocks, Maracas, Cymbals – Crash and Suspended Snare Drum,Tambourine Triangle Tubular Bell (only 1 B bell required) Glockenspeil XylophoneCelestaHarpViolins 1&2ViolasCellosDouble BassesAbout The WorkOn Tuesday March 24th 2020, one day into the first UK national Lockdown at the start of the worldwide Covid-19 Pandemic, my Mum died! She was 91 and had been poorly with many different illnesses for the previous 6 months, so we knew it was coming. But the timing and unfathomable sadness of her death, together with the start of a worldwide pandemic, little did I know it at the time, was to bring forth from me a tsunami of music the likes of which I hadn’t written for many years. A set of six solo studies for various members of the clarinet family came first, written between March 20th and April 20th. As I wrote them they were orchestrating themselves in my head and forming something else as well. That “something else†grew and grew, as the Six Studies intertwined themselves around each other and expanded together, joining forces with two brand new themes to form what soon was to become an immense orchestral work. The title was easy. Glastry is a tiny district in the middle of the Co.Down countryside of Northern Ireland, where my Mum was born and brought up. And Pearl was her name. Her full name was actually Margaret Mary Ward (eventually to become Denny when she married my Dad, Colum Denny, from Belfast), but everyone always called her Pearl. The nickname was bestowed upon her just after she was born on February 28th 1929 and stuck ever since.The Glastry Pearl is a tribute to my Mum and the great and mighty person she was to me and all who knew her. It employs at least one theme or motif from each of the Six Studies For Various Solo Clarinets and uses them throughout the work in the from of Leitmotifs. It was only when the work was nearing completion that I began to wonder how to describe it. Freddy Naftel, a good composer friend of mine, suggested that Tone Poem was a fitting description and I immediately agreed. The music itself is completely tonal and highly Romantic, yet also peppered with exciting contemporary disonance. I believe it to be a good, and hopefully fun, challenge to symphony orchestras, both professional and high standard amateur alike. It offers everything from the the somber opening to the hilarious and wildly energetic central Waltz, to the glorious soaring final section, so plenty of variety to please many palates.
$200.00 ≈
¥1422.33
Hill Country Miniatures for 8-part Trombone Ensemble
Hill Country Miniatures for 8-part Trombone Ensemble
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Trombone ensemble
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ADVANCED
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Contemporary
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Lawn, Richard
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Hill Country Miniatures for 8-
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Cherry Classics Music
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SheetMusicPlus
Trombone Ensemble - Advanced - Digital Download Composed by Lawn, Richard. 21st Century, Jazz, Blues, Swing. Score, Set of Parts. 143 pages. Published ...
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Trombone Ensemble - Advanced - Digital Download Composed by Lawn, Richard. 21st Century, Jazz, Blues, Swing. Score, Set of Parts. 143 pages. Published by Cherry Classics Music
Hill Country Miniatures for 8-part Trombone Ensemble was written by Richard J. Lawn in 2002 for the Trombone Choir at the University of Texas and its director Nathaniel Brickens. The work is dedicated to Donald Knaub its former director. It has become a staple in the American Trombone Ensemble repertoire since its original release. Mr. Lawn explains in the notes, his deep emotional connection to the Hill Country land and to his days at the Eastman School of Music, hearing the legendary Trombone Choir led by Emory Remington and following through to his days at the University of Texas with Knaub and Brickens, all of which inspired him to compose this work.
This music is about 15 minutes in length and is for advanced performers.
The four movements of the work are:
Hickory Cove - September 2001 - a lyrical, somber and solemn introductory movement.
Smithwick - a jaunty piece reflecting the Scottish and English heritage of this tiny Texas spot.
The Narrows - As part of the Colorado River narrows, it twists and turns its way through the Texas Hill Country. You can hear the gentle waters winding through the cliffs and slopes.
Blue Bonnet Boogie - The springtime brings a profusion of the Blue Bonnet, the Texas state flower. A sea of these swaying in the breeze brings out the good old down-home boogie-woogie! A jazz solo featuring Bass Trombone (written for Bill Reichenbach in mind) with solo written out or improvised using chord symbols adds a festive finish.
Cherry Classics is proud to be the new distributor of this great work.
$50.00 ≈
¥355.58
4 x 2 x 1 Bass Trombone Solo with Double Trombone Quartet
4 x 2 x 1 Bass Trombone Solo with Double Trombone Quartet
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Jim Pugh
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4 x 2 x 1 Bass Trombone Solo w
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.811134 Composed by Jim Pugh. 20th Century,Contemporary,Jazz. Score and parts. 43 pages. Gord...
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Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.811134 Composed by Jim Pugh. 20th Century,Contemporary,Jazz. Score and parts. 43 pages. Gordon Cherry #5337657. Published by Gordon Cherry (A0.811134). Jim Pugh's 4 x 2 x 1 is written for Bass Trombone solo with a double Trombone Quartet accompaniment. It is appropriate for advanced performers and is about 8 1/2 minutes in length. Here is what Jim Pugh says about his composition 4 x 2 x 1: Dave Taylor and I have had a long musical association going back to my first recording sessions with him in New York in 1976 and continuing for 30+ years, including, among many things, two Pugh/Taylor Project recordings. When Dave was putting together the 1999 Manhattan School of Music Trombone Day, he asked me to write a piece featuring him along with his invited guest artists, the Four Of A Kind Trombone Quartet and the Vienna Trombone Quartet – hence the title: 4 (quartet) x 2 (two of them) x 1 (1 soloist). I enjoyed the opportunity to feature not only the bass trombone but, at times, the bass trombone trio that the orchestration provides. The piece is loosely in Rondo form. After an initial statement of the Theme, there follows three unrelated Vignettes separated by variations on the original Theme. A brief GP introduces an improvisation from the bass trombone soloist leading to the final statement of the Theme. The score reflects the correct positioning of the players, left to right, with the two quartet bass trombones on either end of the group and the two first tenor players in the middle, flanking the bass trombone soloist. A little aside here, the tenor trombone solo beginning in measure 77 was specifically written for another dear friend, colleague and collaborator, Joe Alessi. It was a great thrill and honor to have been asked to write music for not only Dave but also two of the best trombone quartets in existence at that time, knowing that anything I wrote would be so beautifully performed. This piece was recorded on the Signum Records CD: The Graham Ashton Brass Ensemble Plays The Music of James Pugh and Daniel Schnyder.
$35.00 ≈
¥248.91
March from "Love for 3 Oranges" for Trombone Quartet
March from "Love for 3 Oranges" for Trombone Quartet
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Brass Quartet: 4 trombones
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ADVANCED
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Sergei Prokofiev
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David J
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March from "Love for 3 Oranges
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Sterling Music Editions
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SheetMusicPlus
Bass Trombone - Level 5 - Digital Download SKU: A0.1103320 Composed by Sergei Prokofiev. Arranged by David J. Miller. 20th Century,Classical,Contemporary...
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Bass Trombone - Level 5 - Digital Download SKU: A0.1103320 Composed by Sergei Prokofiev. Arranged by David J. Miller. 20th Century,Classical,Contemporary,March,Opera. 7 pages. Sterling Music Editions #706540. Published by Sterling Music Editions (A0.1103320). The March from Prokofiev's Love for Three Oranges has long been an audience favorite, and is still frequently performed in concert today. This version for Trombone Quartet features each of the musicians, as the melody is passed from one voice to another. The technical passages at the end of the piece are written out as reverse glissando rips, for the ultimate sarcastic ending! To hear the piece performed by the Cincinnati Symphony's Principal Trombonist Cristian Ganicenco, click the link below!
$25.00 ≈
¥177.79
The 12 Days of Christmas - brass ensemble
The 12 Days of Christmas - brass ensemble
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Brass quartet : 2 trumpets, trombone, tuba
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ADVANCED
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Christmas
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Traditional
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Austin Ralphson
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The 12 Days of Christmas - bra
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Austin Ralphson
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.562950 Composed by Traditional. Arranged by Austin Ralphson. Christmas. Sc...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.562950 Composed by Traditional. Arranged by Austin Ralphson. Christmas. Score and parts. 42 pages. Austin Ralphson #432273. Published by Austin Ralphson (A0.562950). This is a unique arrangement of The 12 Days of Christmas. Each instrument features in the piece - it can be very amusing for anyone playing a solo to stand up whilst they do so - you end up with various players bobbing up and down throughout the performance! It is scored for 4 trumpets, horn, 2 trombones, tuba and keyboard/piano.** Also check out the mega Christmas bundle with great savings on price at https://preview.tinyurl.com/ya3zul8p **
$6.99 ≈
¥49.71
Sonatina for Trombone & Piano
Sonatina for Trombone & Piano
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Trombone and Piano
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ADVANCED
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Krejci, Miroslav
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Sonatina for Trombone & Piano
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - Digital Download SKU: A0.792223 Composed by Krejci, Miroslav. 20th Century,Contemporary,Romantic Period. Score and part. 21 pa...
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Piano,Trombone - Level 5 - Digital Download SKU: A0.792223 Composed by Krejci, Miroslav. 20th Century,Contemporary,Romantic Period. Score and part. 21 pages. Gordon Cherry #4728857. Published by Gordon Cherry (A0.792223). The Sonatina for Trombone & Piano was originally published after its composition, but soon became lost. It has recently been brought back into the repertoire. Cherry Classics Music is proud to be bringing this very fine work back to life. The style of this 3 movement work is similar to the well known Sonatina for Trombone and Piano by Serocki. Miroslav Krejci was born on the 4th of November, 1891 in Rychnov nad Kn??nou (a small town situated in the eastern part of Bohemia of the Czech Republic). There, he also attended high school. After graduation he travelled to Prague, studying natural science, geography and musicology at Charles University. At the Conservatory he studied composition under Vitezslav Novak. Krejci also became a teacher at a few grammar schools in the Czech republic. He died on the 29th of December 1964 in Prague. Miroslav Krejci created music for many various ensembles and his compositions are among the most prolific of Czech composers. For example, he composed the following: two Operas: The Summer and The Last Hetman, two Symphonies, string quartets, sonatas for violins, trios for wind instruments, sonatinas for brasswind instruments and piano and five piano cycles. He wrote many vocal compositions, especially for chorus. Krejci also created many arrangements of folk songs for chorus and for solo voice with piano accompaniment. The Sonatina for Trombone and Piano was composed in 1948. It was first performed on the occasion of the composer's birthday.
$27.50 ≈
¥195.57
Concerto
Concerto
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Piano and Orchestra
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ADVANCED
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Contemporary
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. D...
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
¥170.61
Beetlejuice - End Credits
Beetlejuice - End Credits
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Orchestra
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ADVANCED
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Film/TV
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Danny Elfman
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Patrick Sheehan
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rock selections
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Beetlejuice - End Credits
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Patrick Sheehan
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1271981 Composed by Danny Elfman. Arranged by Patrick Sheehan. Film/TV,Holiday. Score and Parts. 94 p...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1271981 Composed by Danny Elfman. Arranged by Patrick Sheehan. Film/TV,Holiday. Score and Parts. 94 pages. Patrick Sheehan #864339. Published by Patrick Sheehan (A0.1271981). Transcribed from the soundtrack of the 1989 Geffen Company film “Beetlejuiceâ€INSTRUMENTATION: Piccolo, Flute I, Flute II, Oboe I, Oboe II, Bassoon I, Bassoon II, Clarinet I (Bb), Clarinet II (Bb), Bass Clarinet (Bb), Trumpet I (Bb), Trumpet II (Bb), Trumpet III (Bb), Horn I (F), Horn II (F), Horn III (F), Horn IV (F), Trombone I, Trombone II, Trombone III, Tuba I, Tuba II, Snare Drum, Bass Drum, Tom-Toms, Crash Cymbals, Triangle, Tambourine, Glockenspiel, Synthesizer, Harp, Piano, Violin I, Violin II, Viola, Cello, Contrabass.ABOUT THE ARRANGER:  Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 2,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections.  His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music.  For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$50.00 ≈
¥355.58
BLUE TAIL FLY - American Folk Song Fantasy for Brass Quintet
BLUE TAIL FLY - American Folk Song Fantasy for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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ADVANCED
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Anonymous
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Kent S
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BLUE TAIL FLY - American Folk
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WINDCREST
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SheetMusicPlus
Brass Ensemble - Level 5 - Digital Download SKU: A0.945051 Composed by Anonymous. Arranged by Kent S. Burchill. Contemporary,Contest,Festival,Folk,Holida...
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Brass Ensemble - Level 5 - Digital Download SKU: A0.945051 Composed by Anonymous. Arranged by Kent S. Burchill. Contemporary,Contest,Festival,Folk,Holiday,Patriotic. Score and parts. 28 pages. WINDCREST #5361571. Published by WINDCREST (A0.945051). This is one of the most well-known folk songs from the 19th Century. The performance duration of this selection is about five minutes at the suggested tempo. This selection will find welcome performance opportunities whenever a lighter-themed selection of Americana music is desired. While light-themed in nature, this arrangement places musical challenges upon the performers, all of whom should be medium advanced in their performance skills. This arrangement is written alla breve and begins in the key of F Major (concert), but modulates to G Major (concert) and eventually concludes in Ab Major (concert). The Trumpet I part ascends scale-wise to written Eb above high C at the end of a run at one point. The French Horn has a couple of instances of a written high G, A, and Bb above the staff. Otherwise, ranges are reasonable.The arrangement has multiple musical references to the American West. To this arranger the melody suggested a reference to fiddle tunes and barn dances, an important social and cultural past-time of the era. It seemed like a logical direction to steer this arrangement.
$15.00 ≈
¥106.67
To Rise Again
To Rise Again
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Trombone and Piano
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ADVANCED
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Alex Schwarte
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To Rise Again
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Alex Schwarte
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SheetMusicPlus
Piano,Trombone - Level 5 - Digital Download SKU: A0.1455537 By Alex Schwarte. By Alex Schwarte. 21st Century,Classical,Contemporary,New Age. Score and pa...
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Piano,Trombone - Level 5 - Digital Download SKU: A0.1455537 By Alex Schwarte. By Alex Schwarte. 21st Century,Classical,Contemporary,New Age. Score and part. 26 pages. Alex Schwarte #1034623. Published by Alex Schwarte (A0.1455537). I have been working on To Rise Again for about a year since the passing of several close family members. As with any long-term struggle, some days are easier than others, and some days it is hard to do much of anything at all. Walking through hard days, this piece is about mental health, the struggles that you face, and on the most difficult days, what it takes to rise again. Despair: This movement opens with what I call the despair motif. This motif consists of seven notes and will return throughout the piece, reminding us of uncertainty and darkness. The middle of the movement includes a build-up leading to a complete panic attack, featuring cluster chords in the piano and extreme volumes and articulation in the trombone. Finally, a quasi-march leads us to the end, where we sink to the lowest and angriest point. Support: This tranquil and shimmering movement evokes the other side of grief and depression: the people around you. In the dark moments, these people can become pillars of aid and light. Even with support, there are moments of darkness and uncertainty, but support will always be there. Musically, this movement features numerous color tones and aims to create an emotionally understanding and steady atmosphere. The opening trombone line (the support motif) represents tender support and is used numerous times in the next movement. Overcome: The final movement opens with a haunting atmosphere created by plucked piano strings. The first normal piano entrance is the Rumbling motif: the feeling of the soul exerting its will to be free but not quite making it. Throughout the rest of the movement, the trombone and piano go back and forth, with the piano emphasizing support and the trombone wallowing in despair. Eventually, the trombone begins to come around and rise. Concluding with a triumphant feeling of release, the mind is lifted from despair, free and open to whatever life brings next. Mental health looks different for everyone, and I want to reflect that in this composition. For all future performances, the performers can make significant musical changes to better reflect their own challenges. This could be as small as a different tempo or as large as a completely different style and articulation. To Rise Again is very personal to me, and I want every performance of it to be just as personal.Playlist: https://www.youtube.com/playlist?list=PLDoVD8lbKulOjUbvdKcc9phxPNOgYLDuh.
$40.00 ≈
¥284.47
Enter...the Family/sand Worm Plant
Enter...the Family/sand Worm Plant
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Orchestra
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ADVANCED
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Danny Elfman
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Patrick Sheehan
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Enter...the Family/sand Worm P
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Patrick Sheehan
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1262283 By Danny Elfman. By Danny Elfman. Arranged by Patrick Sheehan. Film/TV,Holiday. Score and Par...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1262283 By Danny Elfman. By Danny Elfman. Arranged by Patrick Sheehan. Film/TV,Holiday. Score and Parts. 88 pages. Patrick Sheehan #855319. Published by Patrick Sheehan (A0.1262283). Transcribed from the soundtrack of the 1989 Geffen Company film “Beetlejuiceâ€INSTRUMENTATION: Piccolo, Flute I, Flute II, Oboe, English Horn (F) & Heckelphone, Bassoon, Contrabassoon, Clarinet I (Bb), Clarinet II (Bb), Trumpet I (Bb), Trumpet II (Bb), Trumpet III (Bb) Horn I (F), Horn II (F), Horn III (F), Horn IV (F), Trombone I, Trombone II, Trombone III, Tuba, SATB Chorus, Snare Drum, Bass Drum, Finger Cymbals & Suspended Cymbal, Glockenspiel, Xylophone & Vibraphone, Timpani, Harp, Harpsichord, Piano & Keyboard, Organ, Violin I, Violin II, Viola, Violoncello, ContrabassABOUT THE ARRANGER:  Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 2,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections.  His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music.  For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$50.00 ≈
¥355.58
The Book! / Obituaries
The Book! / Obituaries
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Orchestra
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ADVANCED
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Film/TV
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Danny Elfman
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Patrick Sheehan
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rock selections
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The Book! / Obituaries
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Patrick Sheehan
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1260429 Composed by Danny Elfman. Arranged by Patrick Sheehan. Film/TV,Holiday. Score and Parts. 42 p...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1260429 Composed by Danny Elfman. Arranged by Patrick Sheehan. Film/TV,Holiday. Score and Parts. 42 pages. Patrick Sheehan #853594. Published by Patrick Sheehan (A0.1260429). Transcribed from the soundtrack of the 1989 Geffen Company film “Beetlejuiceâ€INSTRUMENTATION: Flute I, Flute II, Bassoon I, Bassoon II, Clarinet I (Bb), Clarinet II (Bb), Bass Clarinet (Bb), Horn I (F), Horn II (F), Horn III (F), Horn IV (F), Trombone I, Trombone II, Trombone III, Tuba, SATB Chorus, Claves, Tom-Toms, Bass Drum, Suspended Cymbal, Crotales, Glockenspiel, Timpani, Organ, Keyboard / Piano, Harp, Violin I, Violin II, Viola, Violoncello, ContrabassABOUT THE ARRANGER:  Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 2,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections.  His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music.  For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$50.00 ≈
¥355.58
A portrait of ridgeline [Concert Band] - Score Only
A portrait of ridgeline [Concert Band] - Score Only
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Concert band
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ADVANCED
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Masakazu YAMAMOTO
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A portrait of ridgeline [Conce
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Motch Music
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SheetMusicPlus
Concert Band - Level 5 - Digital Download SKU: A0.1093013 By Masakazu YAMAMOTO. By Masakazu YAMAMOTO. 21st Century,Contemporary,Contest,Festival,Holiday....
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Concert Band - Level 5 - Digital Download SKU: A0.1093013 By Masakazu YAMAMOTO. By Masakazu YAMAMOTO. 21st Century,Contemporary,Contest,Festival,Holiday. 32 pages. Motch Music #697110. Published by Motch Music (A0.1093013). Original work by Masakazu Yamamoto.The majestic figure of the many layers of mountains shows the heights of art that cannot catch up with humans who are small beings, and we are immediately fascinated by the beautifully drawn ridgeline. This composition has been created with the aim of painting expression, that based on the imagination that the mountain itself or something that lives there protects the mountain and its surroundings. The theme is the Holy-ghost dancing lightly, the vital energy of the animals and plants that live there, and the majesty of the mountains, and they appear colorfully in various ways, such as the free intertwining of each phrase and powerful grooves that combines a wide variety of rhythms. The song shows tranquility and freedom at the beginning. In the first half of main part, the light and rhythmic theme and the calm majestic theme depict the contrast of each scene. In the second half, the tempo changes intermittently and gradually uplifts, and eventually it makes a climax through the return of the subject. It was created as a commissioned work to commemorate the 50th anniversary of the foundation of the Kofu Citizen Concert Band. It premiered by the band in March 2018. Duration : 7 minutes around [Instrumentation]Piccolo Flutes 1, 2 Oboe Bassoon Bb Clarinets 1, 2, 3 Bb Bass Clarinet Eb Alto Saxophones 1, 2 Bb Tenor Saxophone Eb Baritone Saxophone Bb Trumpets 1, 2, 3 F Horns 1, 2 Trombones 1, 2, 3 Euphonium Tuba String Bass Timpani Percussion 1（Glockenspiel, Tubular-Bells, Xylophone） 2（Vibraphone, Marimba, Bass Drum, Wind-Chime） 3（Suspended cymbal, Sleigh-Bells, Triangle, Tambourine, Wind-Chime） 4（Tam-tam, Triangle, Crash Cymbals, Wind-Chime） Works For Concert Band Original Composition (Sheet Music Plus / Sheet Music Direct)Arrangement (Sheet Music Plus / Sheet Music Direct)----------------------------------------------------- Motch Music All Sheet Music (Sheet Music Plus / Sheet Music Direct)I have a wide selection of sheet music for various instruments such as piano, ensemble, and concert band. From light and enjoyable pieces to concert-level compositions, we cover a wide range of repertoire. I also provide a rich collection of audio preview.In addition to original compositions and unique arrangements, a lot of text on music analysis is well-received. Please take a look below for more information!Motch Music Web Pagehttps://www.masakazuyamamoto.com/english
$50.00 ≈
¥355.58
A portrait of ridgeline [Concert Band]
A portrait of ridgeline [Concert Band]
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Concert band
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ADVANCED
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Masakazu YAMAMOTO
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A portrait of ridgeline [Conce
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Motch Music
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SheetMusicPlus
Concert Band - Level 5 - Digital Download SKU: A0.1093011 By Masakazu YAMAMOTO. By Masakazu YAMAMOTO. 21st Century,Contemporary,Contest,Festival,Holiday....
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Concert Band - Level 5 - Digital Download SKU: A0.1093011 By Masakazu YAMAMOTO. By Masakazu YAMAMOTO. 21st Century,Contemporary,Contest,Festival,Holiday. 127 pages. Motch Music #697108. Published by Motch Music (A0.1093011). Original work by Masakazu Yamamoto.The majestic figure of the many layers of mountains shows the heights of art that cannot catch up with humans who are small beings, and we are immediately fascinated by the beautifully drawn ridgeline. This composition has been created with the aim of painting expression, that based on the imagination that the mountain itself or something that lives there protects the mountain and its surroundings. The theme is the Holy-ghost dancing lightly, the vital energy of the animals and plants that live there, and the majesty of the mountains, and they appear colorfully in various ways, such as the free intertwining of each phrase and powerful grooves that combines a wide variety of rhythms. The song shows tranquility and freedom at the beginning. In the first half of main part, the light and rhythmic theme and the calm majestic theme depict the contrast of each scene. In the second half, the tempo changes intermittently and gradually uplifts, and eventually it makes a climax through the return of the subject. It was created as a commissioned work to commemorate the 50th anniversary of the foundation of the Kofu Citizen Concert Band. It premiered by the band in March 2018. Duration : 7 minutes around [Instrumentation]Piccolo Flutes 1, 2 Oboe Bassoon Bb Clarinets 1, 2, 3 Bb Bass Clarinet Eb Alto Saxophones 1, 2 Bb Tenor Saxophone Eb Baritone Saxophone Bb Trumpets 1, 2, 3 F Horns 1, 2 Trombones 1, 2, 3 Euphonium Tuba String Bass Timpani Percussion 1（Glockenspiel, Tubular-Bells, Xylophone） 2（Vibraphone, Marimba, Bass Drum, Wind-Chime） 3（Suspended cymbal, Sleigh-Bells, Triangle, Tambourine, Wind-Chime） 4（Tam-tam, Triangle, Crash Cymbals, Wind-Chime） Works For Concert Band Original Composition (Sheet Music Plus / Sheet Music Direct)Arrangement (Sheet Music Plus / Sheet Music Direct) ----------------------------------------------------- Motch Music All Sheet Music (Sheet Music Plus / Sheet Music Direct)I have a wide selection of sheet music for various instruments such as piano, ensemble, and concert band. From light and enjoyable pieces to concert-level compositions, we cover a wide range of repertoire. I also provide a rich collection of audio preview.In addition to original compositions and unique arrangements, a lot of text on music analysis is well-received. Please take a look below for more information!Motch Music Web Pagehttps://www.masakazuyamamoto.com/english
$150.00 ≈
¥1066.75
Brassmen's Holiday
Brassmen's Holiday
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Mario Ruiz Armengol
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Michael Pilley
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Brassmen's Holiday
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Michael Pilley Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 5 - Digital Download SKU: A0.746181 Composed by Mario Ruiz Armengol. Arranged by Michael Pilley. Contest,Festival. Brass Band. 58 pages. Michael Pilley Music #3927025. Published by Michael Pilley Music (A0.746181). An upbeat showtune featuring the some fireworks from the solo cornets and xylophone, and played by Tredegar Town Band at Brass In Concert 2014. Scored for British Brass Band at an advanced difficulty, this arrangement requires fast fingers and a delicate touch to keep up the pace. A lush middle section calls for full tone from the band, with a cadenza from soprano cornet, euphonium or glockenspiel preceding it.You can watch a sample of Tredegar’s performance (with thanks to World of Brass) here: https://www.youtube.com/watch?v=-VWt2WSRInA or head to their website (www.worldofbrass.com) to buy the Brass In Concert DVD for the full version.Beautifully laid out in A4 size, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. If you're printing on letter size paper, please fit to page when sending to the printer.More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic
$50.00 ≈
¥355.58
Concerto No. 1 for French Horn Full Orchestral Score and Individual Parts (Optional Trombone solo)
Concerto No. 1 for French Horn Full Orchestral Score and Individual Parts (Optional Trombone solo)
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Orchestra
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ADVANCED
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James Nathaniel Holland
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Concerto No. 1 for French Horn
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.730478 Composed by James Nathaniel Holland. Concert,Contemporary,Holiday. Score and parts. 210 pages....
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Full Orchestra - Level 5 - Digital Download SKU: A0.730478 Composed by James Nathaniel Holland. Concert,Contemporary,Holiday. Score and parts. 210 pages. James Nathaniel Holland #4111275. Published by James Nathaniel Holland (A0.730478). 21st century, American composer James Nathaniel Holland brings you a mystical concerto led by one of the orchestra's most beautiful instrument, the French Horn. This publication includes the full orchestral score (in concert pitch) and all individual instrument parts. As a optional bonus, a solo trombone part can be used in place of the French horn and is included at the end.This three movement concerto begins with the first movement, Return to Vahalla echoing the great composers Richard Strauss and Wagner.Then continues with an emotional second movement, Vissi D'arte (or 'All for Art').The third movement is a fun scherzo and march which satirises the sometimes passive agression and self importance of the Bureaucrat, coming to an energetic finale that is typcial of Holland's music.This arrangement includes the instrument part and orchestra reduction for the piano with the part written above in concert pitch for easier rehearsal. Instrumentation: picc, fl12, ob12, clBb12, bsn 12, hrn 123, tpt123, trmb12, tba, timp, perc, solo horn, hrp, strings (opt. solo trombone substitution)
$32.95 ≈
¥234.33
The Long Day Closes (arr. for Brass Quartet - High and Low)
The Long Day Closes (arr. for Brass Quartet - High and Low)
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Sir Arthur Seymour Sullivan
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Andrew Lamb
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The Long Day Closes
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Andrew Lamb
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SheetMusicPlus
Brass Quartet E-Flat Cornet,Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1316394 By Sir Arthur Seymour Sullivan. By Sir Arth...
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Brass Quartet E-Flat Cornet,Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1316394 By Sir Arthur Seymour Sullivan. By Sir Arthur Seymour Sullivan. Arranged by Andrew Lamb. 19th Century,Romantic Period. 78 pages. Andrew Lamb #905136. Published by Andrew Lamb (A0.1316394). 🎺 Elevate your brass ensemble repertoire with our Brass Quartet arrangement of Sir Arthur Sullivan's timeless composition, The Long Day Closes. 🎶 Scored for 4 Euphoniums, this arrangement provides both Bass Clef and Treble Clef parts for added convenience.For flexibility, substitutions are included, allowing French Horns and Tenor Horns to seamlessly blend into the ensemble. Tuba and Bass in Eb parts offer additional options, while the Euphonium parts can be played on Baritone or Trombone.Explore the emotional depth of the piece in Concert Eb Major, and for those seeking a higher pitch, we've included a second version in Concert Ab Major, tailored for higher brass instruments. 🎺🎺🎵Level of Difficulty: Medium - HardPotential Uses: Ideal for concerts or recitals, this arrangement captures the essence of Sullivan's masterful composition, adding a touch of sophistication to your ensemble's performance. 🌟The Euphonium Quartet Verison can be watched at: https://www.youtube.com/watch?v=RnQHU0pEW9sThe Brass Quartet Version can be watched at: https://www.youtube.com/watch?v=bYSXvjJilZE.
$12.00 ≈
¥85.34
Feelin' Stronger Every Day
Feelin' Stronger Every Day
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Rock
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Chicago
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Patrick Sheehan
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Feelin' Stronger Every Day
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Patrick Sheehan
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SheetMusicPlus
Small Ensemble - Level 5 - Digital Download SKU: A0.747892 By Chicago. By James Pankow and Peter Cetera. Arranged by Patrick Sheehan. Pop,Rock. Score and...
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Small Ensemble - Level 5 - Digital Download SKU: A0.747892 By Chicago. By James Pankow and Peter Cetera. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 84 pages. Patrick Sheehan #4968663. Published by Patrick Sheehan (A0.747892). *This title is priced at $50 because of it's overall popularity, and because it had charted at #10 in June of 1973. Keep in mind that *all* parts (vocals, horns, rhythm parts) are included in this transcription, and you cannot find it published in full score format anywhere else in the world.*INSTRUMENTATION: Lead Vocal, Background Vocal I, Background Vocal II, Background Vocal III, Background Vocal IV, Tenor Saxophone (Bb), Trumpet (Bb), Trombone, Fender Rhodes, Electric Guitar, Bass, Drumset. All parts transcribed by ear from the original recording from Chicago VI released in 1973. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$50.00 ≈
¥355.58
For Unto Us a Child Is Born from Messiah for Brass Quintet and Organ
For Unto Us a Child Is Born from Messiah for Brass Quintet and Organ
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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ADVANCED
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Classical
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George Frideric Handel
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Charles Decker
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For Unto Us a Child Is Born fr
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Charles Decker Music Press
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SheetMusicPlus
Brass Quintet Euphonium,Flugelhorn,Piccolo Trumpet,Trombone,Tuba - Level 5 - Digital Download SKU: A0.817139 Composed by George Frideric Handel. Arranged...
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Brass Quintet Euphonium,Flugelhorn,Piccolo Trumpet,Trombone,Tuba - Level 5 - Digital Download SKU: A0.817139 Composed by George Frideric Handel. Arranged by Charles Decker. Baroque,Christmas,Easter,Holiday,Praise & Worship. 48 pages. Charles Decker Music Press #3898203. Published by Charles Decker Music Press (A0.817139). This spectacular tour de force for brass quintet and organ of Handel's famous chorus from his beloved Messiah oratorio is guaranteed to excite audiences and the performers. Set in the original key, it features the first trumpet on piccolo B-flat trumpet with alternative piccolo trumpet parts in A and C, the second trumpet on D trumpet with an alternate part in C., a flugelhorn/trumpet substitute part is included for horn, trombone in bass clef, tuba, and organ. The audio file is an actual brass quintet and organ performance of the entire arrangement and not a computer playback of the score. Use this link to see all the Charles Decker Music Press Christmas holiday music for mixed brass and homogeneous groups.  Use this link to Kendor Music for my original composition for brass quintet with narrator of the holiday classic story ’Twas the Night Before Christmas.See more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. See also 50+ homogeneous brass group editions with Charles Decker Music Press at Sheet Music Plus for horn, trumpet and trombone ensembles. Check out the Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.  All ensemble publications include recordings of the entire edition.  For more Charles Decker brass quintet editions use these links to Kendor Music and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$16.95 ≈
¥120.54
Bach: Passacaglia and Fugue in c minor for Brass Quintet
Bach: Passacaglia and Fugue in c minor for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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ADVANCED
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Classical
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Johann Sebastian Bach
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Darrell Goforth
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Bach: Passacaglia and Fugue in
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Darrell Goforth
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SheetMusicPlus
Composed by Johann Sebastian Bach (1685-1750). Arranged by Darrell Goforth. Baroque Period, General Worship, Technique Training, Graduation, Recital. Score, Set...
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Composed by Johann Sebastian Bach (1685-1750). Arranged by Darrell Goforth. Baroque Period, General Worship, Technique Training, Graduation, Recital. Score, Set of Parts. 44 pages. Published by Darrell Goforth (S0.130373). - Score,Set of Parts - Baroque Period,General Worship,Technique Training,Graduation,Recital - Darrell Goforth
Composed between 1706 and 1713, the Passacaglia and Fugue in c-minor is one of Bach's earlier works. It remains an important piece even today as it sets the standard for the passacaglia form. Like many of Bach's work, this piece lends itself particularly well to the brass repertoire.This arrangement is both technically challenging and aurally pleasing. I have used the trumpet in both C and B-flat for their different timbres, but it will sound as well with two trumpets in the same key.On a performance note, I would suggest that you position the players from left to right in the following order:Trumpet in C, Horn, Tuba, Trombone and Trumpet in Bb.This order will become apparent especially at measure 113, where the sound begins a circular pattern which I think you will find pleasing.Comments and questions are always welcome at my email: dgoforth2@comcast.netPlease "like" me on Facebook at https://www.facebook.com/goforthmusic and visit my YouTube channel at https://www.youtube.com/user/dgoforth2.
$21.99 ≈
¥156.39
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At The End Of The Day Trombone
