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17 sheet music found
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1
Symphony in C minor - Full Score - Score Only
Symphony in C minor - Full Score - Score Only
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Orchestra
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ADVANCED
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Alice Mary Smith
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edited by John M Laverty
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Symphony in C minor - Full Sco
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zephyrwindmusic.com
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1395044 Composed by Alice Mary Smith. Arranged by edited by John M Laverty. 19th Century,Classical. 1...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1395044 Composed by Alice Mary Smith. Arranged by edited by John M Laverty. 19th Century,Classical. 147 pages. Zephyrwindmusic.com #978510. Published by zephyrwindmusic.com (A0.1395044). British composer Alice Mary Smith (1839-1884) was in her early 20’s when she wrote her first major work, Symphony in C minor. Despite the many challenges faced by a female composer in Victorian era Great Britain, Smith’s composition received a high level of praise from the British press following the work’s premiere by the Musical Society of London in 1863. Despite this early praise, Smith never received the long-term recognization her talents deserved. Due to a number of factors, her orchestral compositions were not even published until the early 2000s.This edition is based entirely on Smith’s original manuscript. The edition is highly edited including an update to modern instrumentation and the addition of missing/inconsistent dynamics and articulations. The original hand-written manuscript contains many additional markings in pencil (also included in this edition), apparently added after the inked manuscript was complete.Parts are also available, and as with all Zephyrwindmusic publications, parts come with an Unlimited Copy License, thus removing any potential copyright issues. Parts can be used in analog form – printed on paper – or uploaded as a digital part onto a reading device such as an iPad for performance. Parts can also be legally uploaded onto a website for players to download.Instrumentation:2 Flutes2 Oboes2 Clarinets in B-flat2 Bassoons2 Horns in F2 Trumpets in C3 TrombonesTimpaniStrings.
$50.00 ≈
£38.10
Southwood - Modern Symphony for small orchestra
Southwood - Modern Symphony for small orchestra
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Orchestra
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ADVANCED
#
Contemporary
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Rudy Volkmann
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Southwood - Modern Symphony fo
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Rudy Volkmann
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1005640 Composed by Rudy Volkmann. Contemporary. Score and parts. 225 pages. Rudy Volkmann #6073661. ...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1005640 Composed by Rudy Volkmann. Contemporary. Score and parts. 225 pages. Rudy Volkmann #6073661. Published by Rudy Volkmann (A0.1005640). Southwood is a 20-minute, three-movement symphony for small (Schubert-sized) orchestra with an expanded percussion section. It is melodic, structured on classical formal models, and often harmonically dissonant (employing mixed meters as well). It is scored for 2 Flutes ( II d. Piccolo), 2 Oboes ( II d. English Horn), 2 Bb Clarinets ( II d. Bass Clarinet), 2 Bassoons, 2 French Horns, 2 Trumpets in C, Timpani, Xylophone (both soft and hard mallets), Snare Drum, Bass Drum, Auxiliary Percussion (2 players - including Cymbals, Suspended Cymbal, Tambourine, Triangle, Large Gong, and Mark Tree), and Strings. The FINALE mp3 gives you the feel for the piece, but FINALE’S un-pitched percussion sound files are inadequate to convey the real feel of any of those instruments. In addition, several effects such as string glissandos, Suspended Cymbal coin edge slides, and the Mark Tree parts are simply missing.
$95.00 ≈
£72.38
String Sextet in C Major (2015)
String Sextet in C Major (2015)
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Moshe S
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String Sextet in C Major
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ArtsAhimsa
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SheetMusicPlus
String Ensemble - Level 5 - Digital Download SKU: A0.1047236 Composed by Moshe S. Knoll. Classical,Contemporary,Contest,Festival. Score and parts. 148 pa...
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String Ensemble - Level 5 - Digital Download SKU: A0.1047236 Composed by Moshe S. Knoll. Classical,Contemporary,Contest,Festival. Score and parts. 148 pages. ArtsAhimsa #651784. Published by ArtsAhimsa (A0.1047236). This is a one movement, Post-modernistic, large scale Sonata Allegro movement, with strong Classical influences. The large ensemble gives the composition an almost symphonic sense of time. The score has been examined by professional string players to insure playability.
$20.00 ≈
£15.24
21stCenturyNsanity
21stCenturyNsanity
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C Instruments
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ADVANCED
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Julian Hartwell Project
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Julian Hartwell Horner
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21stCenturyNsanity
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Julian Hartwell Music
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SheetMusicPlus
C Instrument - Level 5 - Digital Download SKU: A0.1133235 By Julian Hartwell Project. By Julian Hartwell Horner. Arranged by Julian Hartwell Horner. Clas...
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C Instrument - Level 5 - Digital Download SKU: A0.1133235 By Julian Hartwell Project. By Julian Hartwell Horner. Arranged by Julian Hartwell Horner. Classical,Contemporary,Jazz,New Age. Lead Sheet / Fake Book. 8 pages. Julian Hartwell Music #733393. Published by Julian Hartwell Music (A0.1133235). Another epic, long-form composition from the pen of pianist and composer Julian Hartwell. Modern jazz meets forward-thinking harmony, with plenty of room for creative improvisation over several different vamp sections and bass figures. Probably one of the more ambitious tunes from the JHP repertoire, this tune has yet to be formally recorded. The type of chart that requires two music stands, easy. Great for advanced jazz ensembles of any size, even trio alone will get plenty of mileage out of this composition. Good luck and God-speed to the brave musical souls who take this on...it will be very satisfying by the time the last note of the F section is sounded! In the vein of modern jazz composers like: Aaron Parks, Kurt Rosenwinkel, Brian Blade.
$5.99 ≈
£4.56
Wandering (Etude) Op.1 no.1
Wandering (Etude) Op.1 no.1
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Piano solo
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ADVANCED
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Rebecca Ann Drimmel
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Rebecca Ann Drimmel
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Wandering
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Rebecca Drimmel
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1131736 Composed by Rebecca Ann Drimmel. Arranged by Rebecca Ann Drimmel. Classical,Contemporary,Romantic...
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Piano Solo - Level 5 - Digital Download SKU: A0.1131736 Composed by Rebecca Ann Drimmel. Arranged by Rebecca Ann Drimmel. Classical,Contemporary,Romantic Period. Score. 2 pages. Rebecca Drimmel #731962. Published by Rebecca Drimmel (A0.1131736). This etude has a lot of balance between the bass clef and treble clef. This piece would be perfect for a concert or recital. This piece is very difficult, but in a friendly key of c major. “Wandering†has a very short running time of about a minute or so. This piece is very scattering on the keyboard, that is why I chose the name “Wandering†for this piece. Excitement and energy fills the entire song. This piece has Romantic, classical, impressionistic and modern classical all into one.
$4.99 ≈
£3.80
Speak Your Heart
Speak Your Heart
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Piano solo
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ADVANCED
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Contemporary
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Brian Kelly
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Speak Your Heart
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Brian Kelly
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SheetMusicPlus
Piano Solo - Advanced - Digital Download Composed by Brian Kelly. 21st Century, Contemporary Classical, Post-Romantic, Modern, Neo-Classical. Sheet Music S...
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Piano Solo - Advanced - Digital Download Composed by Brian Kelly. 21st Century, Contemporary Classical, Post-Romantic, Modern, Neo-Classical. Sheet Music Single. 5 pages. Published by Brian Kelly
?Speak Your Heart? is a neo-romantic solo piano piece with jazz influences from Pools of Light, a contemporary instrumental album by award-winning composer/pianist Brian Kelly. This piece is for advanced players, in the key of C# Minor, 5 pages, duration: 3:54, published by Brian Kelly / Skylight Music (BMI).
Please do not share, distribute or otherwise copy this sheet music without the express permission from Brian Kelly. http://www.briankelly.com
$4.99 ≈
£3.80
Diehnelt: Stile Antico for 5-voice cello ensemble
Diehnelt: Stile Antico for 5-voice cello ensemble
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Kim Diehnelt
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Diehnelt: Stile Antico for 5-v
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Kim Diehnelt
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SheetMusicPlus
String Ensemble,String Quintet Cello - Level 5 - Digital Download SKU: A0.809059 Composed by Kim Diehnelt. Baroque,Concert,Contemporary. Score and parts....
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String Ensemble,String Quintet Cello - Level 5 - Digital Download SKU: A0.809059 Composed by Kim Diehnelt. Baroque,Concert,Contemporary. Score and parts. 10 pages. Kim Diehnelt #4350647. Published by Kim Diehnelt (A0.809059). Stile Antico: On a theme of Palestrina (2012) for 5-voice cello ensemble The title Stile Antico refers a style of musical composition from the 16th century which was often employed in church music, because it allowed the words (sacred text) of each singer to be clearly heard. This pre-classical polyphony was many-voiced and without instrumental accompaniment. Inspired by a theme from a mass by Giovanni Pierluigi da Palestrina (c. 1525 – 1594) ‘Praestet hoc nati genitor, I present a modern cello ensemble rendition of this ‘ancient style.’ Most conspicuous of the work’s attributes is the use of time. Rather than moving the musical ideas and themes towards a goal or through structural development and a sense of progress, the music (and time) unfolds perhaps as the natural swing of a pendulum; neither clinging to a past, nor anticipating a future. The listener beholds one moment continuously being reshaped through sound. Also, the concepts of melody and harmony as we assume them today are blurred. Of the five players, no one has the melody, no one has the harmony, yet together the ensemble combines to create a continuous flux of melodic-harmony (or harmonic-melody). This idea is of another type of ‘stile antico.’ Within the ideas of alchemy, which richly influenced the music of the 16th century and beyond, exists the concept that one plus one equals three. That is, two objects also create a ‘between-ness.’ So too with musical voices; the combination of two voices creates a new between-ness. Through out this work the individual cellists create a continuously shifting canvas of ‘between-ness.’ The music and the performers ask for a renewed perception of the many between-nesses of our present moment. www.kimdiehnelt.com(c) 2012 (ASCAP)
$18.95 ≈
£14.44
Passacaglia
Passacaglia
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Piano solo
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ADVANCED
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Classical
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Gary D
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Passacaglia
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DR GARY D BELSHAW
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.796677 Composed by Gary D. Belshaw (ASCAP) and Gary D. Belshaw (ASCAP). 20th Century,Contemporary. Score....
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Piano Solo - Level 5 - Digital Download SKU: A0.796677 Composed by Gary D. Belshaw (ASCAP) and Gary D. Belshaw (ASCAP). 20th Century,Contemporary. Score. 10 pages. DR GARY D BELSHAW #3451141. Published by DR GARY D BELSHAW (A0.796677). An advanced work for solo piano, Passacaglia adheres to traditions established for works in this genre, including the Passacaglia in C Minor (BWV582) by Johann Sebastian Bach and contemporary works by Walter Piston and Samuel Barber. The main subject is an ostinato bass built on a 12-tone row. Two freely chromatic counter-subjects mark the first and second of the variations which follow. In spite of its classical traditions, a great deal of expressiveness is intended for performance for this work. Duration is approximately six minutes. There are 8 pages of score. The audio examples were excerpted from Richard Fountain's recorded performance on his debut CD, American Ivory. Richard's performance is also available on the album Modern Music for Piano, Vol. 2, on the RMN Classical Label. This 2021 edition corrects minor errors in layout, and fixes an issue with printing. PLEASE let us know if you have issues printing this edition. Follow us on Facebook and Twitter; your comments are welcome and deeply appreciated. We would also welcome your written review right here on sheetmusicplus.com.
$8.00 ≈
£6.10
Piano Sonata No. 1
Piano Sonata No. 1
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Piano solo
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ADVANCED
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Contemporary
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Robert Cunningham
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Piano Sonata No. 1
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Robert E Cunningham
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1074058 By Robert Cunningham. By Robert Cunningham. 20th Century,Classical,Contemporary. Score. 53 pages....
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Piano Solo - Level 5 - Digital Download SKU: A0.1074058 By Robert Cunningham. By Robert Cunningham. 20th Century,Classical,Contemporary. Score. 53 pages. Robert E Cunningham #678329. Published by Robert E Cunningham (A0.1074058). Robert Cunningham's Piano Sonata No. 1 is a four-movement Romantic sonata in E-flat minor composed in 1982. This modern score was transcribed in 2021 from the original handwritten manuscript. The work is classical in form but Romantic in content and sophisticated in its craftsmanship. Total duration: 39:30. I. Allegro moderato II. Tempo di scherzo III. Tranquillo IV. Allegro See also: Robert Cunningham on YouTube: https://www.youtube.com/c/RobertCunninghamsMusic Robert Cunningham on SoundCloud: https://soundcloud.com/lateromantic Robert Cunningham's Fan Page: https://www.facebook.com/RobertCunninghamsMusic Robert Cunningham's Web Page: http://www.RobertCunninghamsMusic.com.
$14.99 ≈
£11.42
"Alberti" Country Blues Etude
"Alberti" Country Blues Etude
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Piano solo
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ADVANCED
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Peter Saltzman
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"Alberti" Country Blues Etude
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Salt Muse, Inc
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SheetMusicPlus
Instrumental Solo,Piano and Keyboard - Level 5 - Interactive Download SKU: A0.1159687 By Peter Saltzman. By Peter Saltzman. This edition: Interactive Dow...
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Instrumental Solo,Piano and Keyboard - Level 5 - Interactive Download SKU: A0.1159687 By Peter Saltzman. By Peter Saltzman. This edition: Interactive Download. Blues,Classical,Country,Jazz. Individual part. 3 pages. Duration 72. Salt Muse, Inc #33mOD8P51NnZcVv5cIP3iX. Published by Salt Muse, Inc (A0.1159687). Key: C major.Alberti refers to the so-called Alberti bass common in 18th-century keyboard music: think Mozart, Haydn, and early Beethoven. Proving the basic idea still works for modern piano composition, I've adapted it here in a country blues format. Befitting the more contemporary harmonic style, the V7 chord here is a minor 7th, not dominant. The difficulty in this piece starts at measure 10, where a contrapuntal voice jumps in. But it's short—and fun to play. A good showpiece for the advanced intermediate pianist.
$3.95 ≈
£3.01
Eddies of Time
Eddies of Time
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Piano solo
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ADVANCED
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Classical
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Alta Mihartescu
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Eddies of Time
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Alta Mihartescu
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SheetMusicPlus
Instrumental Solo,Piano and Keyboard - Level 5 - Interactive Download SKU: A0.1281392 Composed by Alta Mihartescu. This edition: Interactive Download. Cl...
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Instrumental Solo,Piano and Keyboard - Level 5 - Interactive Download SKU: A0.1281392 Composed by Alta Mihartescu. This edition: Interactive Download. Classical. Individual part. 18 pages. Duration 127. Alta Mihartescu #48bYy1p4UyCAz5nZym0MPG. Published by Alta Mihartescu (A0.1281392). Key: C major.Eddies of Time is a captivating contemporary piano piece that defies traditional musical boundaries. Composed using 20th-century techniques, it eschews conventional meter, offering a fluid and unanchored exploration of time and space. The title itself, Eddies of Time, evokes images of swirling currents and ceaseless motion. This imagery is masterfully translated into sound, as the piece flows and undulates without the constraints of a fixed rhythmic structure. The absence of meter allows for a more organic and intuitive connection between the performer and the music, creating a unique and immersive listening experience. Drawing inspiration from avant-garde composers of the 20th century, the piece employs extended piano techniques, such as inside-the-piano playing, unconventional fingerings, and the use of various objects to alter the instrument's timbre. These techniques contribute to a rich and complex sonic palette that challenges traditional notions of melody and harmony. The structure of Eddies of Time is equally unconventional, with sections that ebb and flow, mirroring the natural movement of water. Themes are introduced, then reappear in altered forms, creating a sense of continuity and transformation. The composer's use of dissonance and atonality adds to the piece's modern character, providing tension and release in unexpected ways. Performing Eddies of Time requires not only technical prowess but also a deep understanding of the emotional and philosophical underpinnings of the work. The pianist must navigate the score with sensitivity and intuition, allowing the music to unfold naturally, like the eddying currents of a river. In Eddies of Time, the listener is invited to embark on a musical journey that transcends conventional form and meter. It's a piece that resonates with the restless spirit of the 20th century, reflecting a world in constant flux and a timeless fascination with the mysteries of existence.
$5.00 ≈
£3.81
Ambrosia 90 for String Trio
Ambrosia 90 for String Trio
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String Trio: violin, viola, cello
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ADVANCED
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Celebrity Chamber Players
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Ambrosia 90 for String Trio
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Father Ambrose Press
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SheetMusicPlus
Large Ensemble Cello,Viola,Violin - Level 5 - Interactive Download SKU: A0.1085518 By Celebrity Chamber Players. By Marshall Thomas. This edition: Intera...
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Large Ensemble Cello,Viola,Violin - Level 5 - Interactive Download SKU: A0.1085518 By Celebrity Chamber Players. By Marshall Thomas. This edition: Interactive Download. Classical,Film/TV. Score and parts. 6 pages. Duration 96. Father Ambrose Press #2137jnS6UTvQNjQJiqx7ry. Published by Father Ambrose Press (A0.1085518). Key: C major.A confection to accompany an idea Barzun has placed in my sphere for good: ... if modern man's most sophisticated relation to art isto be casual and humorous, is to resemble the attitude of the vacationer at the fair grounds, then the conception of Art as an all-important institution, as a supreme activity of man, is quite destroyed. '.
$16.00 ≈
£12.19
Harmony Music No.1
Harmony Music No.1
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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ADVANCED
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E Elgar
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Philip Le Bas
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Harmony Music No.1
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Philip Le Bas
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 5 - Digital Download SKU: A0.1127840 Composed by E Elgar. Arranged by Philip Le Ba...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 5 - Digital Download SKU: A0.1127840 Composed by E Elgar. Arranged by Philip Le Bas. 19th Century,Chamber,Classical. 26 pages. Philip Le Bas #728449. Published by Philip Le Bas (A0.1127840). An arrangement by Philip Le Bas of a very early wind quintet written by Edward Elgar while still based in Worcester in 1878-9, entitled Harmony Music No.1, after the German Harmoniemusik, meaning music for wind instruments. His quintet group (in which he played the bassoon) consisted of two flutes, an oboe, a clarinet and a bassoon, which by modern standards is rather unusual (omitting the usual French horn). He agreed to write a quintet for the group once a week, and he claimed to have written most of them during the 25-minute sermons at St. George's R.C. Church, where he had taken over the organ-playing from his father (and where the arranger ministered for three years in the 1990s!) It is a wonderful, cheerful, tuneful short piece (4-5 minutes long), but the original version is rarely performed, perhaps because of its difficulty on several fronts. First it is very fast, challenging performers' ability to tongue rapidly. Secondly, it repeatedly leaves no time to breathe, especially for the flautists (meaning that it has to be performed even faster, in order to get through it.) Thirdly, Elgar's oboist must have been extremely versatile, as its part is very low indeed in places (several low B's played pp at speed.) Finally, published copies seem to have rather a lot of editorial errors... This arrangement was therefore created in the hope that the piece might become more accessible and be more frequently performed. Although the bassoon part remains Elgar's, the other four players are used imaginatively to overcome many of the difficulties of the original. For example, the original low oboe parts are here played by one of the clarinets instead, and the severe breathing problems are solved by sharing repeated quavers between the four higher instruments.
$5.99 ≈
£4.56
Theme and Variations (Andante) from Symphony No. 94 ("Surprise")
Theme and Variations (Andante) from Symphony No. 94 ("Surprise")
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Concert band
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ADVANCED
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Classical
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Franz Joseph Haydn
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Ted R
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Theme and Variations
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Ted R. Marcus
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SheetMusicPlus
Concert Band - Level 5 - Digital Download SKU: A0.840485 Composed by Franz Joseph Haydn. Arranged by Ted R. Marcus. Classical,Contest,Festival,Historic. ...
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Concert Band - Level 5 - Digital Download SKU: A0.840485 Composed by Franz Joseph Haydn. Arranged by Ted R. Marcus. Classical,Contest,Festival,Historic. Score and Parts. 93 pages. Ted R. Marcus #3368179. Published by Ted R. Marcus (A0.840485). The tonal palette of the modern concert band brings fresh color and variety to the complete second movement of Haydn's Surprise Symphony. The famous theme and one of the variations explore the subtle contrast between bassoon and English horn. The original repeats are opened up and scored differently, using contrasting colors and combinations of solo clarinet, solo flute, piccolo, and soprano saxophone. A repeated section first has a flute and oboe accompanied with clarinets, then a saxophone quartet on the repeat. One variation features a solo piccolo and bells. And a prominent pair of horns recalls the sound of Haydn's divertimenti for wind ensemble. Duration: approx. 6:00. Written for an adult community band, this challenging arrangement is appropriate for a university, college, or community band, or an adventurous high school wind ensemble. The bassoon, English horn, and soprano saxophone parts are all fully cued to allow rehearsal or performance in the absence of any or all of them. Two strong horn players are essential; but the third and fourth horn parts are easier, and cued in trombones and euphonium. The bassoon parts use the tenor clef and ascend to a high B-flat; the second bassoon has only one 8-measure high passage that doubles the horns and can be omitted if necessary. The alternate versions of both bassoon parts use only bass clef but are otherwise identical. All essential bassoon passages are cued in saxophone and bass clarinet parts.Instrumentation: Piccolo / Flute 1-2 / Oboe / English Horn / Clarinet 1-2-3 / Alto Clarinet / Bass Clarinet / Bassoon 1-2 (and alternate parts using only bass clef) / Soprano Saxophone / Alto Saxophone / Tenor Saxophone / Baritone Saxophone / Trumpet 1-2-3 / Horn 1-2-3-4 / Trombone 1-2-3 / Euphonium / Baritone T.C. / Tuba / String Bass / Percussion (snare drum, crash cymbals) / Mallets (xylophone, bells) / TimpaniPlease visit my Web site to explore more classics for adventurous concert bands.
$45.00 ≈
£34.29
Symphony No. 9, Mvt. IV (alla marcia) (Beethoven's "Ode to Joy") [full score & set of parts]
Symphony No. 9, Mvt. IV (alla marcia) (Beethoven's "Ode to Joy") [full score & set of parts]
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Orchestra
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ADVANCED
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Classical
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Ludwig van Beethoven
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Patrick Sheehan
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Symphony No. 9, Mvt. IV
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Patrick Sheehan
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1152400 Composed by Ludwig van Beethoven. Arranged by Patrick Sheehan. Classical. Score and parts. 13...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1152400 Composed by Ludwig van Beethoven. Arranged by Patrick Sheehan. Classical. Score and parts. 132 pages. Patrick Sheehan #752625. Published by Patrick Sheehan (A0.1152400). C-edition score with modern-day transposing instruments. INSTRUMENTATION: Piccolo, Flute I, Flute II, Oboe I, Oboe II, Bassoon I, Bassoon II, Contrabassoon, Clarinet I (Bb), Clarinet II (Bb), Trumpet I (Bb), Trumpet II (Bb), Horn I (F), Horn II (F), Horn III (F), Horn IV (F), Triangle, Crash Cymbals, Bass Drum Timpani, Soprano, Alto, Tenor, Bass, Violin I, Violin II, Viola, Violoncello, Contrabass. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$25.00 ≈
£19.05
Symphony No. 3 in A minor, op. 17 (parts)
Symphony No. 3 in A minor, op. 17 (parts)
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Orchestra
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ADVANCED
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Adrian Gagiu
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Symphony No. 3 in A minor, op.
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #94204...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00 ≈
£160.00
Symphony No. 3 in A minor, op. 17
Symphony No. 3 in A minor, op. 17
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Orchestra
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ADVANCED
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Contemporary
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Adrian Gagiu
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Symphony No. 3 in A minor, op.
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #94126...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00 ≈
£160.00
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