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Double Take
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You've selected:
Double Take
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Sheetmusic to print
68 sheet music found
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1
26
51
Double Take (oboes)
Double Take (oboes)
#
2 Oboes (duet)
#
ADVANCED
#
Contemporary
#
Drake Mabry
#
Double Take
#
Drake Mabry
#
SheetMusicPlus
Oboe Duet Oboe - Level 5 - Digital Download SKU: A0.799493 Composed by Drake Mabry. Contemporary. Score. 12 pages. Drake Mabry #3371929. Published by Dra...
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Oboe Duet Oboe - Level 5 - Digital Download SKU: A0.799493 Composed by Drake Mabry. Contemporary. Score. 12 pages. Drake Mabry #3371929. Published by Drake Mabry (A0.799493). Inspired by the poem 'Ithaka' by Constantine P. Cavafy (1863-1933), Double Take alternates between virtuosic displays of searching and meditative moments of reflection. The duration is 9'00.
$7.99 ≈
7.36€
Take Me To Church
Take Me To Church
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2 Double basses (duet)
#
ADVANCED
#
Rock
#
Hozier
#
Caroline McCaskey
#
Take Me To Church
#
AltStrings
#
SheetMusicPlus
Instrumental Duet Double Bass,Instrumental Duet - Level 5 - Digital Download SKU: A0.851938 By Hozier. By Andrew Hozier-Byrne. Arranged by Caroline McCas...
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Instrumental Duet Double Bass,Instrumental Duet - Level 5 - Digital Download SKU: A0.851938 By Hozier. By Andrew Hozier-Byrne. Arranged by Caroline McCaskey. Rock. Score and parts. 10 pages. AltStrings #2118843. Published by AltStrings (A0.851938). This arrangement of Take Me to Church for Advanced Bass Duo features the first bass, with interesting and varied chordal accompaniment.
$4.99 ≈
4.59€
Take Me To Church
Take Me To Church
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Cello, String Bass (duet)
#
ADVANCED
#
Rock
#
Hozier
#
Caroline McCaskey
#
Take Me To Church
#
AltStrings
#
SheetMusicPlus
Instrumental Duet Double Bass,Instrumental Duet,Violin - Level 5 - Digital Download SKU: A0.851932 By Hozier. By Andrew Hozier-Byrne. Arranged by Carolin...
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Instrumental Duet Double Bass,Instrumental Duet,Violin - Level 5 - Digital Download SKU: A0.851932 By Hozier. By Andrew Hozier-Byrne. Arranged by Caroline McCaskey. Rock. Score and parts. 10 pages. AltStrings #2118829. Published by AltStrings (A0.851932). This arrangement of Take Me to Church for Advanced String Duo (Violin and Bass) features the violin, with interesting and varied chordal accompaniment.
$4.99 ≈
4.59€
Bach Little Fugue in G Minor for Double Reed Choir BWV 578
Bach Little Fugue in G Minor for Double Reed Choir BWV 578
#
Choral SATB
#
ADVANCED
#
Classical
#
Johann Sebastian Bach
#
Stephanie Daige
#
Bach Little Fugue in G Minor f
#
Stephanie Daige
#
SheetMusicPlus
Choral Choir (Mixed) - Level 5 - Digital Download SKU: A0.796870 Composed by Johann Sebastian Bach. Arranged by Stephanie Daige. Baroque,Concert. Octavo....
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Choral Choir (Mixed) - Level 5 - Digital Download SKU: A0.796870 Composed by Johann Sebastian Bach. Arranged by Stephanie Daige. Baroque,Concert. Octavo. 29 pages. Stephanie Daige #3377603. Published by Stephanie Daige (A0.796870). This little fugue is one of Bach's most famous and beloved organ works. Re-imagined for double reed choir, it is a challenging and fun setting for this fugue. The different instruments take turns entering with the subject of the fugue, and interplay back and forth with the other instruments. The timbres of the different instruments adds a whole new textural dimension to this already fascinating work by J.S. Bach. I considered the need to breathe for each of these wind instruments, which obviously wasn't an issue for the original version intended for organ. This piece would be appropriate for advanced high school students, college students, or professionals. It would do well in a chamber music concert, in a church, or between acts of a larger ensemble concert, perhaps in another location of the auditorium while a (quiet!) set change is taking place. It would also work well as prelude or lobby music. The duration is just over three minutes (or longer if you prefer to take it slower). Each measure is numbered individually for convenience during rehearsals. I hope you will enjoy performing this piece as much as I have enjoyed arranging it! There are also versions of this piece available for wind and brass quintets. Please check out my other arrangements at: http://www.sheetmusicplus.com/publishers/stephanie-daige/6875
$17.99 ≈
16.57€
Take Me Home
Take Me Home
#
Choral SATB
#
ADVANCED
#
Phil Collins
#
Jonathan Rodgers
#
Take Me Home
#
Jonathan Rodgers
#
SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1467992 By Phil Collins. By Phil Collins. Arranged by Jonathan Rodgers. A Cap...
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1467992 By Phil Collins. By Phil Collins. Arranged by Jonathan Rodgers. A Cappella,Contemporary,Pop,Rock. 59 pages. Jonathan Rodgers #1046301. Published by Jonathan Rodgers (A0.1467992). This dynamic and exciting arrangement of Phil Collins' classic Take Me Home for SATB double choir and percussion is based on the exhilarating performance from his final world tour. Tailored for the most advanced choirs, this arrangement captures the song's rhythmic drive, melodic richness, and emotional nuance, ensuring a performance that is sure to bring down the house.
$5.95 ≈
5.48€
With Every Breath I Take
With Every Breath I Take
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Contemporary
#
Cy Coleman
#
W
#
With Every Breath I Take
#
Diamond S Music
#
SheetMusicPlus
Small Ensemble Double Bass,Drums,Low Voice,Piano Accompaniment - Level 5 - Digital Download SKU: A0.790080 Composed by Cy Coleman. Arranged by W. Brent S...
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Small Ensemble Double Bass,Drums,Low Voice,Piano Accompaniment - Level 5 - Digital Download SKU: A0.790080 Composed by Cy Coleman. Arranged by W. Brent Sawyer. Contemporary. Score and parts. 9 pages. Diamond S Music #3561483. Published by Diamond S Music (A0.790080). WITH EVERY BREATH I TAKE from the musical CITY OF ANGELS. For VOCAL SOLO in the KEY of Bbm for Mezzo/Alto voice with PIANO, BASS, DRUMS accompaniment. This is an sultry jazzy song with thick lush harmonies from the 1989 Broadway musical City Of Angels with music by the great Cy Coleman and Lyrics by David Zippel. This is in the style of the original Broadway arrangement. This arrangement is available in KEY of Bbm (original Broadway Key) for Mezzo/Alto voice, Dm for Soprano or Baritone voice, Fm for Tenor voice. Other similar arrangements from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$12.99 ≈
11.96€
Double Concerto
Double Concerto
#
Cello, Piano
#
ADVANCED
#
Rodion Shchedrin
#
Double Concerto
#
Schott Music - Digital
#
SheetMusicPlus
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 4 · 3 · 3 · 1 - P. S. (Crot. · Guiro [h.] · Cup bell [h.] · kl. Tr.) (3 Spieler) - Str. pia...
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Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 4 · 3 · 3 · 1 - P. S. (Crot. · Guiro [h.] · Cup bell [h.] · kl. Tr.) (3 Spieler) - Str. piano, cello and orchestra - difficult - Digital Download SKU: S9.Q20020 For piano, violoncello and orchestra. Composed by Rodion Shchedrin. This edition: piano reduction with solo parts. Downloadable, Piano reduction with solo parts. Duration 30 minutes. Schott Music - Digital #Q20020. Published by Schott Music - Digital (S9.Q20020). Double concerto for piano, violoncello and orchestra bears the subtitle 'Romantic Offering' by which the composer describes the idea and intellectual form of the musical material. At the same time, he tries to take the artistic character and individual qualities of the two soloists at the world premiere, Martha Argerich and Mischa Maisky, into account. Whereas the first two movements are rather dramatic, the third and last part, the sostenuto assai, is kind of a 'postscriptum' and a musical summary of the two previous parts.
$66.99 ≈
61.69€
Double Helix for bassoon and piano
Double Helix for bassoon and piano
#
Bassoon, Piano (duet)
#
ADVANCED
#
Jenni Brandon
#
II. Entrechat
#
Double Helix for bassoon and p
#
Jenni Brandon Music
#
SheetMusicPlus
Bassoon,Piano - Level 5 - Digital Download SKU: A0.918690 Composed by Jenni Brandon. Concert,Contemporary. Score and part. 49 pages. Jenni Brandon Music ...
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Bassoon,Piano - Level 5 - Digital Download SKU: A0.918690 Composed by Jenni Brandon. Concert,Contemporary. Score and part. 49 pages. Jenni Brandon Music #5720467. Published by Jenni Brandon Music (A0.918690). Double Helix for bassoon and piano (JB 140) by Jenni Brandon. Commissioned by bassoonist Christin Schillinger, this work takes its inspiration from the sculpture Double Helix by sculptor Susan Hawkins. The bassoon and the piano become these two dancers, gracefully moving across a stage to tell the story of this beautiful sculpture. Duration 13:45.The work is recorded on the CD Bassoon Unbounded on the MSR Classics label with Christin Schillinger-bassoon, and Jed Moss-piano.Single-movement with titled sections: I. Prelude:Intertwine; II. Entrechat; III. Divertissement: Gentle Beauty; IV. Soar; Postlude (Epilogue)Performance: Concert and ContestJenni Brandon Musicwww.jennibrandon.comASCAP
$18.00 ≈
16.57€
Double Concerto for Flute and Guitar (SCORE and PARTS)
Double Concerto for Flute and Guitar (SCORE and PARTS)
#
Orchestra
#
ADVANCED
#
Apostolos Paraskevas
#
Double Concerto for Flute and
#
Silver Sickle Publications
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.942101 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Score and parts. 285 pages....
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Full Orchestra - Level 5 - Digital Download SKU: A0.942101 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Score and parts. 285 pages. Silver Sickle Publications #6253455. Published by Silver Sickle Publications (A0.942101). Constitution Article 91 (Double Concerto for flute and guitar in one movement). A quite demanding concerto from a technical point of view, unfolds many sonorities for both solo instruments as well as orchestra, including dense texture, polyphony, and a flavor of minimalism just before the end. After an agitated orchestra introduction, the flute enters with a lamenting and painful melody. The guitar takes over by introducing the core motivic elements of the work. Flute and guitar join in a chase-like duet with virtuosic passages in both instruments, accompanied by the orchestra in a frenzied commotion. The slow and almost distorted cadenza (with the snare drum) comes as a surprise and at the same time as a moment of relief. The tension increases as propulsive rhythms drive through the finale and build with rapid agitation to the end. The title of the work, Constitution Article 91, refers to a part of the former Greek constitution used by the dictatorship between 1967 and 1974 to abolish democracy in Greece. Certain rhythms in the work come from a fearsome and agitated speech that the dictator delivered to the academicians in 1973 following the students movement against the tyranny. Constitution Article 91 is a real tour de force for the soloists. In this colorful work, Apostolos Paraskevas shows us that a meeting point can be found between advanced contemporary idioms and evocations of an almost popular style. This music is notable for its rhythmic verve, its melodic grace, and its emotional depth. It has genuine substance, but speaks directly to the listener-a rare and welcome achievement. John Daverio/Musicologist
$950.00 ≈
874.77€
Fugue a la Gigue arr. for Double Brass Quintet
Fugue a la Gigue arr. for Double Brass Quintet
#
Brass ensemble
#
ADVANCED
#
Classical
#
J
#
Rudy Volkmann
#
Fugue a la Gigue arr. for Doub
#
Rudy Volkmann
#
SheetMusicPlus
Brass Ensemble - Level 5 - Digital Download SKU: A0.1005636 Composed by J. S. Bach (1685-1750). Arranged by Rudy Volkmann. Baroque. Score and parts. 27 p...
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Brass Ensemble - Level 5 - Digital Download SKU: A0.1005636 Composed by J. S. Bach (1685-1750). Arranged by Rudy Volkmann. Baroque. Score and parts. 27 pages. Rudy Volkmann #6038803. Published by Rudy Volkmann (A0.1005636). Everyone knows this fun, rollicking piece; and it's just as much fun to play as it is to listen to. This takes pretty good players in both quintets, but all the long lines are split between the pairs of players, there's lots of breathing room, and it's a great chance to practice thematic hand-offs. If you'e getting together with another brass quintet and looking for a great piece to put together fairly easily, this is it.
$30.00 ≈
27.62€
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Contrabass
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Contrabass
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Double Bass
#
ADVANCED
#
Contemporary
#
Benjamin Harry Sajo
#
Icarus Also Flew: A Pairing wi
#
Benjamin Sajo
#
SheetMusicPlus
Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.1018899 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 ...
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Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.1018899 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6056133. Published by Benjamin Sajo (A0.1018899). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
3.22€
Wrecking Ball
Wrecking Ball
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String Quartet: 2 violins, viola, cello
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ADVANCED
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Pop music
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Miley Cyrus
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Kyle Pudenz
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Wrecking Ball
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ViolinVagabond Music
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SheetMusicPlus
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.845973 By Miley Cyrus. By Henry Walter, Lukasz Gottwald, Maureen McDonald, Sacha Skarb...
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.845973 By Miley Cyrus. By Henry Walter, Lukasz Gottwald, Maureen McDonald, Sacha Skarbek, and Stephan Richard Moccio. Arranged by Kyle Pudenz. Contemporary,Pop. Score and parts. 34 pages. ViolinVagabond Music #5310843. Published by ViolinVagabond Music (A0.845973). Why settle for a bland transcription of Hannah Montana when you can have an action-packed, thrill-filled arrangement that's ALMOST as crazy as Miley Cyrus!? (almost)You've heard the song. You've seen the video. Whether or not you're a Miley super fan, you get the hype and that's why you're here. So take that hype to the next level with a chart that will make your audience go what on earth just happened? the same way Miley does on at least a bi-annual basis. By the way, I'll tell you what just happened: your quartet just came in like a wrecking ball, and smashed every archaic stereotype about classical string players to PIECES!!Gone are the days of strings not being able to feel the groove. Silenced are the cynics who once called us boring and one-dimensional. A new era is upon us, where violins, violas, & cellos can get up, get out, and rock the faces off of the proletariat right alongside our guitar slinging, drumstick twirling brethren! And this chart is just what you need to usher in this oh so bright future for all who rosin the bow:Right from the start, this arrangement takes a unique spin on Miley's pop smash, with a lopsided groove that will have your listeners searching frantically for a downbeat. Their urges will finally be satisfied when the melody takes us back to that oh-so-familiar feeling of 4/4 security... but don't get too comfortable, because when that chorus drops you'd better hold on to your hats. That's right, the train is leaving the station for double-time town! Along this musical journey, you may also encounter glimpses of reggae, jazz, & bluegrass, culminating in a race to the finish that will wre-e-eck any musician who didn't come ready to hang. Oh, and just for funsies I threw in that classic showbiz' moment where the cellist steals the melody, so feel free to ham that up as much as possible, cello players!This arrangement also makes use of modern extended string techniques in order to create rhythmic grooves without the need for additional instruments, including chopping and strum bowing. If you are unfamiliar with these concepts, various resources exist all over the internet to aid you in your quest towards having better time. I recommend this series, for example: https://youtu.be/kfX3kxjC93sPerformance time - 4:20... and if that doesn't make Miley Cyrus proud I don't know what will.Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond
$17.99 ≈
16.57€
TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)
TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)
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Chamber Orchestra
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ADVANCED
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Classical
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Georg Philipp Telemann
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Sneakwood Editions
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TELEMANN – VIOLIN CONCERTO I
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Sneakwood Editions
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Scor...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÜu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in ‘La Bizarre’ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called ‘Reling’ in certain regions of Germany, whence the concerto’s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, ‘a-a, a-a’, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins ‘forget’ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemann’s music. If we knew that a satirist was at work in this ‘Relinge’ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos ‘smack of France’ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all ‘sullen old heart’ a little joke at the expense of the relevant concertos of a certain Italian composer… – Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com
$18.00 ≈
16.57€
Sonata in C minor Op. 111 Final Sonata NEW SETTING !
Sonata in C minor Op. 111 Final Sonata NEW SETTING !
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Piano solo
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ADVANCED
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Beethoven, L
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Michael Bomier
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Sonata in C minor Op. 111 Fina
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.862673 Composed by Beethoven, L. van. Arranged by Michael Bomier. Classical,Concert,Romantic Period,Stand...
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Piano Solo - Level 5 - Digital Download SKU: A0.862673 Composed by Beethoven, L. van. Arranged by Michael Bomier. Classical,Concert,Romantic Period,Standards. Score. 46 pages. Michael Butkus-Bomier #3684169. Published by Michael Butkus-Bomier (A0.862673). GateWay Editions was established to bring Europe's great piano music to players with average-size hands and technique. This piece, which, in the company of Islamey, Gaspard, the Etudes-Tableaux of Rachmaninoff and various Liszt pieces, is at the pinnacle of both interpretive and technical challenges, is now brought into MUCH clearer focus with our new edition. Since the piece is practically a sacred text, no notes have been changed. Period. What HAS been changed is the presentation, especially in the 2nd movement, which is also our audio sample here. The small note-values, the radical time signatures, the measures that often take up an ENTIRE line of commercially-printed music, and the decided lack of cautionary accidentals: all these elements have been pre-decoded, essentially. No more using a hand-lens to see if that mark is a slur or a tie, or both! No more straining to see what note is held over, while the new one strikes. Our setting here, which you can see in the sample, often takes each BEAT, and puts a barline there, along with a common time signature, 3/4, 6/8, 4/4, etc. No smaller fractions, and no vast forest of dots and flags. All the 2nd movement rhythms have been arithmetically expanded, while maintaining their relationships. All the ornamentation, with its hidden melody, has been written out.So, while this piece has not been made any easier to play, it HAS been made vastly easier to read. One might claim that it is now readable at all, whilst the original cannot be deciphered at sight without great mental and visual effort. Please, print this double-sided for best results, as the repeats are either on a single page, or are on facing pages in our formatting. Single-sided gives you that same control, if you wish. Enjoy the masterwork of the Master of Masters! MBB
$19.95 ≈
18.37€
Folk Mass (Vocal Choir, 7 Movements)
Folk Mass (Vocal Choir, 7 Movements)
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Choral SATB
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ADVANCED
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Mark O’Connor
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Mark O'Connor
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Folk Mass
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Mark O'Connor Musik International
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.861757 Composed by Mark O'Connor. A Cappella,Christian,Contemporary,Jewish,Spiritual. Octavo. 11...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.861757 Composed by Mark O'Connor. A Cappella,Christian,Contemporary,Jewish,Spiritual. Octavo. 113 pages. Mark O'Connor Musik International #6133105. Published by Mark O'Connor Musik International (A0.861757). Folk Mass for Vocal Choir (Soprano, Alto, Tenor, Baritone, and Bass)With solo parts from each sectionText is from the Books of the Old TestamentMusic by Mark O’Connor97-pages; 43:00 minutes in length I. INTRODUCTION – 4:12 min - P. 1II. FOR YOUR ARE A PEOPLE HOLY TO THE LORD – 10:44 min - P. 4III. LAND OF CANAAN – 3:16 min - P. 33IV. EDIFICATION – 2:56 min - P. 39V. BATTLE – 6:27 min - P. 45VI. RECOMPENCE – 6:36 min - P. 60VII. AFFIRMATION – 8:15 min - P. 77 O’Connor’s Folk Mass, an a cappella work that was composed in response to the 9/11 attacks on the United States in 2001. The Folk Mass text is taken from the books f The Old Testament and is composed in seven movements. Full of glorious melodies, harmonies and syncopated rhythms, set in a double choir configuration, O’Connor takes the stories of the Old Testament and brings them to music using the text as his artistic guide. Suitable for professional and university choral ensembles in both secular and religious performances. Individual movements can be performed separate from the entire work. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2002 Composed By Mark O’ConnorCommissioned by Gloriae Dei Cantores Can be heard on Folk Mass OMAC Recordshttps://omacrecords.com/omac-10-folk-mass Catalogue Number MO162Copyright © 2003 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$37.50 ≈
34.53€
Sync
Sync
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Contemporary
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Will Phillips
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the final sync point.
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Sync
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Will Phillips Music
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SheetMusicPlus
Small Ensemble Cello,Double Bass,Flute - Level 5 - Digital Download SKU: A0.1024747 Composed by Will Phillips. 20th Century,Contemporary. Score and parts...
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Small Ensemble Cello,Double Bass,Flute - Level 5 - Digital Download SKU: A0.1024747 Composed by Will Phillips. 20th Century,Contemporary. Score and parts. 13 pages. Will Phillips Music #3465398. Published by Will Phillips Music (A0.1024747). Sync, for flute, cello, and bass trio, is a complex piece which includes a variety of time signatures, virtuosic flute lines, driving cello rhythms, and jazz-influenced pizzicato bass lines. The title derives from the phasing that occurs as a result of multiple pulses that align, dis-align, and re-align throughout. The rhythms that drive the piece are heavily syncopated, yet often times, even non-syncopated rhythms are perceived as such as a result of the offsetting phasing of the pulse. The rhythmic figures are constructed as not just a variety of attacks, but also note lengths, which alternate between combinations of accents, legato, and staccato phrases. Each section is glued together using transitions which guide the individual pulses to their next point of alignment. Throughout the bridge sections, all three instruments take on differing roles: the flute plays ethnically influenced over-arching melodies, while the cello underscores the flute with double and triple-stop chords, and the bass maintains a steady but syncopated pulse. Finally, the piece comes to a close with each instrument rallying together as one; the final sync point.
$19.99 ≈
18.41€
While My Guitar Gently Weeps
While My Guitar Gently Weeps
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String Quartet: 2 violins, viola, cello
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ADVANCED
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Contemporary
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Yuki Murakami
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HELEN MARPLE-HORVAT
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While My Guitar Gently Weeps
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Helen Marple-Horvat
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SheetMusicPlus
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.749227 By Yuki Murakami. By George Harrison, John Lennon, John Winston Lennon, Paul Ja...
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.749227 By Yuki Murakami. By George Harrison, John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by HELEN MARPLE-HORVAT. Contemporary. Score and parts. 23 pages. Helen Marple-Horvat #5310861. Published by Helen Marple-Horvat (A0.749227). https://www.youtube.com/watch?v=_YGzCML5OKYFor many years I laboured under the impression that George Harrison played guitar on this song as well as writing it, but it turns out to have been played by Eric Clapton.This wonderful song is on the ‘100 Greatest Guitar Songs’ list, and number ten on ‘The Beatles 100 Greatest Songs’. None of this is a surprise! I have long wanted to arrange this for Capriccio String Quartet, and I am very proud of it. I think they give a tremendously passionate performance. I am aiming this one at the professional market as it is quite complex. However, with the usual modifications I feel sure that young players could tackle it. I recommend dropping the cello an octave for the first twelve bars but the rest of the cello part falls within expectations for ABRSM Grade 5. As usual the double stopping often contains an open string but it will be possible simply to miss out a note out where tuning could be difficult for young players. Choose from the Score the note that is not already played by one of the others. I am usually writing double stopping to thicken the texture rather than for harmonic considerations. The bowing is just a guide. Take as many bows and play as many open strings as you need to make the song feel comfortable.There is a difficult page turn for viola who plays throughout, so two bars before G could be omitted if necessary as other parts have the note E. The other players have a page break on rests, and the cellist can play open strings and quickly turn with the left hand.Please visit my Youtube Channel at Helen Marple-Horvat Songwriter, Arranger, Composer for playlists of all my arrangements, most of which have been recorded. All but three are available from Sheet Music Plus.
$20.00 ≈
18.42€
Urlicht from Symphony No. 2 for 9-part Brass Ensemble & Glöckenspiel
Urlicht from Symphony No. 2 for 9-part Brass Ensemble & Glöckenspiel
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Classical
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Gustav Mahler
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Jim Pugh
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Urlicht from Symphony No. 2 fo
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Gordon Cherry
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SheetMusicPlus
Small Ensemble Glockenspiel,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.792620 Composed by Gustav Mahler. Arranged by Jim Pugh. 20th ...
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Small Ensemble Glockenspiel,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.792620 Composed by Gustav Mahler. Arranged by Jim Pugh. 20th Century,Classical,Romantic Period. Score and parts. 42 pages. Gordon Cherry #5040973. Published by Gordon Cherry (A0.792620). Urlicht (Primal Light), beautifully arranged for 9-part Brass ensemble & Glockenspiel by Jim Pugh, is taken from the 4th movement of Gustav Mahler’s Symphony No. 2 Resurrection. The text, which is also used in Mahler’s Das Knaben Wunderhorn talks about the desire of returning to God for an eternal, blissful life. Mahler’s music is magical, evoking ecstatic sadness, transporting the listener into another dimension. The arrangement features the 1st Horn part, which takes over the Alto vocal solo and is about 4 minutes in length and is appropriate for advanced performers. Instrumentation is: 3 Trumpets in B-flat (3rd doubles on Piccolo) 2 Horns 2 Trombones Bass Trombone (Euphonium or F-Tuba) Tuba Glockenspiel
$32.50 ≈
29.93€
The City In the Sea: Choral Tone Poem
The City In the Sea: Choral Tone Poem
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Choral SATB
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ADVANCED
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Contemporary
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Stanley M Hoffman
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The City In the Sea: Choral To
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Published by stanleymhoffman.com (A0.1074352). PROGRAM NOTES As of the present writing, this choral tone poem had been gestating for over thirty years, and the concept and harmonies for it for over forty years. In the 1980s I began to work with the latter two in my brief orchestral piece Little Sea Nocturne. When reading the poetry of Edgar Allan Poe (1809–1849), I am most struck by how musical they are. When recited aloud they exhibit their own rhythmic sense. I was eager to incorporate those rhythms into my music. I had long been familiar with his poem The City In the Sea and began to sketch choral passages for the present choral tone poem in the 1990s. It took me until 2022 to complete it because I required many more years of experience at my craft to do so to lead into out of the choruses. In 2012 I completed a seven-minute unaccompanied version of the choruses with music unique to and unifying it simply called The City In the Sea. In composing The City In the Sea - Choral Tone Poem, my goal was to write a piece that, while steeped in tradition, sounds unlike anything in the literature that had come before it. The result is an original hybrid work that successfully and memorably combines salient aspects of the tonal, atonal, and modal musical languages into an organic whole. George Perle coined the term “twelve-tone tonality†to describe the music of Alban Berg and composers influenced by him such as Luigi Dallapiccola. The last title of which I am aware that accomplishes anything remotely related to what I am trying to accomplish musically in this choral tone poem is the piece Paradiso Choruses by Donald Martino (1974). However, I take twelve-tone tonality in entirely other directions in my work. That the duration of The City In the Sea - Choral Tone Poem came out to be thirteen minutes seems appropriate for piece about a sunken city. Rather than write program notes that narrate how the music unfolds I will simply shout out the most memorable aspects of what careful listeners will discern: a recurring heartbeat motif; shifting polychordal harmonies; echo technique; rhythmic diminutions and augmentations; an a cappella chorus featuring those harmonies with a surprisingly memorable recuring theme on top; sensuous flute duets; string section underpinnings by way of either sustained passages or wave-like gestures; tritone-related melodies, harmonies, and tone centers; several strategically placed grand pauses; tritone-related modal-sounding passages; melodic and chord clusters, especially the two climactic ones. INSTRUMENTATION 2 Flutes (2. doubles on Piccolo) 2 Oboes (2. doubles on English Horn) 2 Bb Clarinets 2 Bassoons 2 F Horns 2 C Trumpets 2 Trombones Tuba Timpani Percussion (Gong, Bass Drum, Chimes, Glockenspiel) Harp Strings DURATION 13:00 Stanley M. Hoffman (b. 1959) For biographical information visit: www.stanleymhoffman.com.
$5.60 ≈
5.16€
Scioto Shuffle - 17-piece Big Band Chart
Scioto Shuffle - 17-piece Big Band Chart
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Jazz Ensemble
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ADVANCED
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Jazz
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Gus Shoemaker
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Scioto Shuffle - 17-piece Big
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Gus Shoemaker
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.916362 Composed by Gus Shoemaker. Jazz,Standards. Score and parts. 63 pages. Gus Shoemak...
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Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.916362 Composed by Gus Shoemaker. Jazz,Standards. Score and parts. 63 pages. Gus Shoemaker #5754731. Published by Gus Shoemaker (A0.916362). Funk chart for the advanced jazz ensemble. A full ensemble hit starts off the chart which then builds, starting with just electric bass and drums, to the head stated by guitar and 2nd trumpet. Some backgrounds and independent bari sax lines fill up the 2nd time through the head. The solo section follows, after which a transitional section revolving around the altered scale launches the chart into a burning double time sax soli. Trombone and trumpet solis round out the chart. The saxes then take the melody for the out chorus, punctuated by brass stabs.
$44.99 ≈
41.43€
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