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He Is A Path
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He Is A Path
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19 sheet music found
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1
He Is A Path (Song 1) - Anthem - Chorale Variant
He Is A Path (Song 1) - Anthem - Chorale Variant
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Choral SATB
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ADVANCED
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James F
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He Is A Path
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WayWordBound
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.729319 Composed by James F. Rickley. 20th Century,Christian,Sacred. Octavo. 9 pages. WayWordBoun...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.729319 Composed by James F. Rickley. 20th Century,Christian,Sacred. Octavo. 9 pages. WayWordBound #2873427. Published by WayWordBound (A0.729319). For Choir (SATB) Unaccompanied (Keyboard Reduction Provided)Extended Chorale Settingfrom The Beatitudes.
$3.00 ≈
£2.26
A Semita in Umbra
A Semita in Umbra
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Cello
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ADVANCED
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Mena Williams
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A Semita in Umbra
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Mena C. Williams
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SheetMusicPlus
Cello Solo - Level 5 - Digital Download SKU: A0.1256030 Composed by Mena Williams. 21st Century,Classical. Individual part. 4 pages. Mena C. Williams #84...
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Cello Solo - Level 5 - Digital Download SKU: A0.1256030 Composed by Mena Williams. 21st Century,Classical. Individual part. 4 pages. Mena C. Williams #849498. Published by Mena C. Williams (A0.1256030). Duration: 00:03:01A Semita in Umbra is Latin for A Shadow's Path. When listening to this piece I imagine how a  shadow traipse behind it's person; and how it'll disappear in an instant when the light has gone. This piece make me think of Peter Pan's shadow specifcally trying to remove himself from the boy,  and tip toe away into the night. Although the audience may think that Peter Pan's shadow should have a more light-hearted tune. I think the opposite, I like to think of it has more of a lament; Peter Pan's  shadow has tried countless times to escape and has never succeeded. The shadow  has lost count of how many times he's tried to set himself free, and is rapidly losing hope.  All he can do for some resemblance of freedom is fade away when light is no longer around.
$2.50 ≈
£1.88
A Game of Hearts, Vocal Score
A Game of Hearts, Vocal Score
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Douglas Pew
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A Game of Hearts, Vocal Score
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Blue Shore Music
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SheetMusicPlus
Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.938580 Composed by Douglas Pew. Contemporary,Opera. 42 pages. Blue Shore Music #13037. Published by...
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Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.938580 Composed by Douglas Pew. Contemporary,Opera. 42 pages. Blue Shore Music #13037. Published by Blue Shore Music (A0.938580). An Opera in one-act. Piano-Vocal Score. BSM0029a. Libretto by Dara Weinberg. Duration: 20:00. Commissioned by Washington National Opera at the John F. Kennedy Center for the Performing Arts. Premiered by the WNO, Domingo-Cafritz Young Artists at the Kennedy Center. Conductor, Anne Manson. Mr. Pew’s score-mirabile dictu-soars into a beautiful, Romantic vocal triptych. It was stunning. The audience greeted the singers, the musicians, and above all the composer-librettist team with a vigorous and appreciative round of applause. They noticed this little bit of magic, too. - The Washington Times. Synopsis: March 2001. Jean Bierbaum moves into Sunset Terrace, where her sister Sylvia and Sylvia's friend Harriet live. Dr. Vergara accidentally calls Jean Mrs. Bierbaum. Jean sings about her fiance, who died in WWII. She has never married. Sylvia and Harriet also sing about their experiences during WWII. Another resident, Jerry Rosenberg, whose wife is dying, enters and sings a song about his longing to see Poland again. His wife's illness prevents him from traveling. Jerry sympathizes with Jean's situation--he too is in love with someone who is unreachable. They sing a duet together. Jean begins to develop an interest in Jerry. For more information, please visit douglaspew.com.
$29.99 ≈
£22.56
Frederick Frahm: Spaces of Night for voice and organ
Frederick Frahm: Spaces of Night for voice and organ
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Frederick Frahm
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Frederick Frahm: Spaces of Nig
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble High Voice,Medium Voice,Organ - Level 5 - Digital Download SKU: A0.533559 Composed by Frederick Frahm. Concert,Contemporary,Folk. Score an...
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Small Ensemble High Voice,Medium Voice,Organ - Level 5 - Digital Download SKU: A0.533559 Composed by Frederick Frahm. Concert,Contemporary,Folk. Score and parts. 26 pages. Musik Fabrik Music Publishing #3020003. Published by Musik Fabrik Music Publishing (A0.533559). This is the composer's transcription of the original version for voice, organ and strings. Composer's note:On 31 October 1517, Dr. Martin Luther, according to church custom,posted a document presenting 95 theses intended for scholarly debateon the door of the Castle Church of Wittenberg. As a teacher, theologian,and a pastor he found much to be concerned with in the conduct of hismother, the Church. His intent was to begin a conversation over honestgrievances and to persuade those who would lead to take a path moreconsistent with the teachings they espoused.Spaces of Night takes its impetus from this desire to speak truth to power.It's music, with no small sympathy towards the tonal language and dialectof the classic American liturgical tradition, is at times parody and at othertimes anti-parody. It's libretto, while created 100 years ago by a celebratedAmerican author, speaks in our present age to an empire that has lost its way.Its voice is not one of despair and rage,but hope for and commitment to the future of the gathered community.If I should cast off this tattered coat,And go free into the mighty sky;If I should find nothing thereBut a vast blue,Echoless, ignorant —What then?
$19.95 ≈
£15.01
Frederick Frahm: Spaces of Night for voice, organ and strings, full score
Frederick Frahm: Spaces of Night for voice, organ and strings, full score
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String Orchestra
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ADVANCED
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Frederick Frahm
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Frederick Frahm: Spaces of Nig
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Orchestra - Level 5 - Digital Download SKU: A0.533560 Composed by Frederick Frahm. Contemporary,Folk,Holiday,Patriotic. Score and parts. 26 pages....
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String Orchestra - Level 5 - Digital Download SKU: A0.533560 Composed by Frederick Frahm. Contemporary,Folk,Holiday,Patriotic. Score and parts. 26 pages. Musik Fabrik Music Publishing #3020007. Published by Musik Fabrik Music Publishing (A0.533560). This is the score of this work. The string parts are available on rental from the publisher. Composer's note:On 31 October 1517, Dr. Martin Luther, according to church custom,posted a document presenting 95 theses intended for scholarly debateon the door of the Castle Church of Wittenberg. As a teacher, theologian,and a pastor he found much to be concerned with in the conduct of hismother, the Church. His intent was to begin a conversation over honestgrievances and to persuade those who would lead to take a path moreconsistent with the teachings they espoused.Spaces of Night takes its impetus from this desire to speak truth to power.It's music, with no small sympathy towards the tonal language and dialectof the classic American liturgical tradition, is at times parody and at othertimes anti-parody. It's libretto, while created 100 years ago by a celebratedAmerican author, speaks in our present age to an empire that has lost its way.Its voice is not one of despair and rage,but hope for and commitment to the future of the gathered community.If I should cast off this tattered coat,And go free into the mighty sky;If I should find nothing thereBut a vast blue,Echoless, ignorant —What then?
$25.95 ≈
£19.52
Hagia Sophia
Hagia Sophia
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Organ
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ADVANCED
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Robert M
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Hagia Sophia
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Schott Music - Digital
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SheetMusicPlus
Organ - difficult - Digital Download SKU: S9.Q19995 Poème symphonique. Composed by Robert M. Helmschrott. This edition: Sheet music. Downloadab...
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Organ - difficult - Digital Download SKU: S9.Q19995 Poème symphonique. Composed by Robert M. Helmschrott. This edition: Sheet music. Downloadable. Duration 32 minutes. Schott Music - Digital #Q19995. Published by Schott Music - Digital (S9.Q19995). Used as a place of worship for centuries, first by Christians and then by Muslims (from 1453), the Hagia Sophia (Istanbul) still amazes people from all over the world. Since 1934, it is a museum – but more than that, the Hagia Sophia, a unique architectural work of monumental proportions in Christian Antiquity and the Middle Ages, is described as a mystical place. Monumental, yet mysterious, a 'miracle of space', a symbol, a sign. 'Sophia', the holy wisdom, accompanies us through the whole Bible history. The present music has to be regarded against this background: A reflection, contemplation with music and poetry. The Creation is powerful, but the truth about it is powerful as well. And the realization that the path to truth is reached through wisdom. As a consequence, this piece has to cross the powerful for half its duration, monumental. It is the cupola over all following (observing) verses (sections). From bar 371, the path leads back into the powerful, into the rejoicing (bar 406). It must not be forgotten to mention the suggestion of 'singing in a mosque' (bar 510) which is answered by a simple prayer (bar 511). This is reminiscent of the mosaic above the imperial door of the building portraying Jesus Christ sitting on a jewelled throne. He holds an open book in which one can read 'Peace be with you. I am the light of the world'. The line and sound of Hagia Sophia are based on a symmetrical eight-note row (mode B) with the notes B, C sharp, D, E/F, G, A flat (G sharp), B flat (A sharp). Although the major-minor relations are removed, harmonic connections (colours) emerge nevertheless.
$23.99 ≈
£18.05
bELIeve
bELIeve
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Piano solo
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ADVANCED
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New Age
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Ann Ruane
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bELIeve
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Ann Ruane-Lux Eterna Healing
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1308095 Composed by Ann Ruane. New Age. Score. 8 pages. Ann Ruane-Lux Eterna Healing #897366. Published b...
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Piano Solo - Level 5 - Digital Download SKU: A0.1308095 Composed by Ann Ruane. New Age. Score. 8 pages. Ann Ruane-Lux Eterna Healing #897366. Published by Ann Ruane-Lux Eterna Healing (A0.1308095). This piece is inspired by and dedicated to Eli Hansen (2/2/12-12/29/22). I was fortunate to meet Eli relatively early on his journey with neuroblastoma (a childhood cancer that starts in immature nerve cells) when he was the tender age of four. I first got to know him in my profession as an energy healer, sharing the healing “tickles†(as Eli called them), and then evolving into a sweet friendship. Eli’s journey was arduous, yet his strength of spirit, faith, and love were rock solid. This piece is a representation of the emotional peaks and valleys on Eli’s path. There is heaviness, glimpses of hope, and an ultimate glorious transition with the fluttering of angels’ wings. From the collection, Inner Mosaic, by Ann Ruane.
$3.50 ≈
£2.63
Scenes from Literature: The Infernal Whirlwind
Scenes from Literature: The Infernal Whirlwind
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Piano solo
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ADVANCED
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Christian Robert Hendricks
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Scenes from Literature: The In
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C.R. Hendricks
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1028659 Composed by Christian Robert Hendricks. 20th Century,Concert,Contemporary. Score. 14 pages. C.R. ...
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Piano Solo - Level 5 - Digital Download SKU: A0.1028659 Composed by Christian Robert Hendricks. 20th Century,Concert,Contemporary. Score. 14 pages. C.R. Hendricks #3664869. Published by C.R. Hendricks (A0.1028659). The first in a series of solo piano works inspired by scenes from literature, The Infernal Whirlwind is both a representation of and reaction to Canto V in Dante's Inferno. Dante and his guide Virgil enter the second level of Hell, where the souls of people who gave into lust are condemned. At first Dante hears but a faint sound of commotion, but upon fully entering the level he encounters a massive tempest of souls being buffeted about. He recognizes some famous figures here and there. Eventually, his attention is drawn to two figures, the primary one being Francesca da Rimini. She tells of how, after reading of Sir Lancelot, she and her brother-in-law allowed themselves to love each other. Dante, deeply moved by the pathos of Francesca's story and disturbed by the continuous whirlwind, faints.Composers such as Rachmaninov and Tchaikovsky have been inspired by Francesca da Rimini specifically, but The Infernal Whirlwind is more concerned with what the whirlwind itself represents: the control lust and desire held on these souls, both while living and in the afterlife. The central theme is a twelve-tone row, but the work is not truly serialist in construction or conception: It rather represents the winding, ranging, unsettled nature of passion itself, and of the whirlwind.The piece lasts about 5 minutes, and is for an advanced player. In the beginning it requires use of all three pedals (una corda, sostenuto, sustain). Perhaps the main influence is Liszt, and one could find useful a Lisztian approach to performance. .
$8.95 ≈
£6.73
UKRAINIAN FOLK TUNE RONDO for Oboe, Clarinet, Bassoon
UKRAINIAN FOLK TUNE RONDO for Oboe, Clarinet, Bassoon
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Oboe, Clarinet, Bassoon (trio)
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ADVANCED
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Anon
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Alan Edgar
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UKRAINIAN FOLK TUNE RONDO for
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Alan Edgar Ted Moon
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bassoon,Clarinet,Oboe - Level 5 - Digital Download SKU: A0.1079812 Composed by Anon. Arranged by Alan Edgar. Folk,Traditi...
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Woodwind Ensemble,Woodwind Trio Bassoon,Clarinet,Oboe - Level 5 - Digital Download SKU: A0.1079812 Composed by Anon. Arranged by Alan Edgar. Folk,Traditional. 15 pages. Alan Edgar Ted Moon #684008. Published by Alan Edgar Ted Moon (A0.1079812). BRIEF PROGRAMME NOTE: A rondo featuring Ukrainian folk tunes.The refrain is Kolomeike, кoлoмийкa, a very quick duple-time dance tune, with a variable scale, popular in Ukraine for weddings and other festive occasions, often led by the clarinet with soft reed and many smears. EPISODES are mostly sad love-songs: A. Чом ти не прийшов: a girl (Oboe) sings Why did you not come and meet me in the moonlight? Wouldn't your mother let you Dorian mode. B. Slow Waltz: I have seen this with G major accompaniment, but I have used G mixolydian: a popular mode in Ukraine.The Bassoon has the melody. C. O, in the cherry orchard Ой, у Вишневому Саду. A girl (Clarinet) sings that she begged her boyfriend to take her home from the orchard, as it was late, but he took a different girl. Mother (Oboe) knows what has been going on, but is sympathetic. G minor. And D Tanietz: a very fast dance tune led by the Clarinet: I do not know its name. Then E a reprise of the Cherry Orchard. F.Ти ж мене підманула You tricked me and let me down. I have seen and heard this sung cheerfully and very fast, but its lyrics are really sad. Players will choose. The basic melody is attributed to Semen Klimovski.
$20.00 ≈
£15.05
Dvorak - New World Symphony - Largo (2nd mvmt) - arranged for Five Pianos
Dvorak - New World Symphony - Largo (2nd mvmt) - - Five Pianos
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Dvorak, Antonin - 1841-1904
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Pat Holmberg
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Dvorak - New World Symphony -
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Patricia Tanttila Holmberg
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SheetMusicPlus
Small Ensemble Piano - Level 5 - Digital Download SKU: A0.852603 Composed by Dvorak, Antonin - 1841-1904. Arranged by Pat Holmberg. Folk,Romantic Period....
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Small Ensemble Piano - Level 5 - Digital Download SKU: A0.852603 Composed by Dvorak, Antonin - 1841-1904. Arranged by Pat Holmberg. Folk,Romantic Period. Score and parts. 28 pages. Patricia Tanttila Holmberg #2835811. Published by Patricia Tanttila Holmberg (A0.852603). The audio clip here is computer generated, but will give you an idea of how this is arranged from the orchestral score to the five-piano adaptation. This piece has once of the most famous melodies ever. Words have been added to it, entitled 'Going Home'. It is commonly known that Dvorak spent time in the United States - specifically from 1892-5. He was very interested in finding and helping develop America's musical voice, leading him to write the 'New World Symphony' (his 9th symphony) during his time here. It is a beloved piece of music, and has been often performed in the U.S. as well as Europe.If you would prefer a bound copy of this instead of a digital download, check the piano section of my website at www.patholmberg.com
$22.95 ≈
£17.27
Ukrainian Folk Tune Rondo УКРÐЇÐСЬКРÐÐРОДÐРМЕЛОДІЯ РОÐДО Viloin, Viola, Cello
Ukrainian Folk Tune Rondo УКРÐЇÐСЬКРÐÐРОДÐРМЕЛОДІЯ РОÐДО Viloin, Viola, Cello
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String Trio: violin, viola, cello
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ADVANCED
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Anon
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Alan Edgar
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Ukrainian Folk Tune Rondo У
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Alan Edgar Ted Moon
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.1079813 Composed by Anon. Arranged by Alan Edgar. Folk,Traditional. S...
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String Ensemble,String Trio Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.1079813 Composed by Anon. Arranged by Alan Edgar. Folk,Traditional. Score and parts. 22 pages. Alan Edgar Ted Moon #684009. Published by Alan Edgar Ted Moon (A0.1079813). Rondo featuring Ukrainian folk tunes. One cannot often find the origin of a folk tune or a definitive form, and bewares of modern arrangements( mine too!) The REFRAIN is Kolomeike, кoлoмийкa, a very quick duple-time dance tune, with a variable scale, popular in Ukraine for weddings and other festive occasions, often led by the violin with many smears. EPISODES are mostly sad love-songs: A. Чом ти не прийшов: a girl (Viola) sings Why did you not come and meet me in the moonlight? Wouldn't your mother let you? Dorian mode. B. Slow Waltz: I have seen this with G major accompaniment, but I have used G mixolydian: a popular mode in Ukraine.The Cello has the melody. C. O, in the cherry orchard Ой, у Вишневому Саду. A girl (Viola) sings that she begged her boyfriend to take her home from the orchard, as it was late, but he took a different girl. Mother (Violin) knows what has been going on, but is sympathetic. G minor. And D Tanietz: a very fast dance tune led by the Violin: I do not know its name. Then E a reprise of the Cherry Orchard. F.Ти ж мене підманула You tricked me and let me down. The Violin has the melody. I have seen and heard this sung cheerfully and very fast, but its lyrics are really sad. Players will choose. The basic melody was attributed to Semen Klimovski. DURATION: 11 minutes. INSTRUMENTATION: Violin,Viola, Cello.
$20.00 ≈
£15.05
10. Isele the Frog
10. Isele the Frog
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Piano solo
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ADVANCED
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Contemporary
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Louise du Toit
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Louise du Toit
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10. Isele the Frog
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Louise du Toit
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1138580 By Louise du Toit. By Louise du Toit. Arranged by Louise du Toit. Contemporary. Score. 10 pages. ...
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Piano Solo - Level 5 - Digital Download SKU: A0.1138580 By Louise du Toit. By Louise du Toit. Arranged by Louise du Toit. Contemporary. Score. 10 pages. Louise du Toit #738916. Published by Louise du Toit (A0.1138580). Isele the Frog is the tenth in a series of fifteen original contemporary compositions for piano, titled 15 Animal Compositions for Piano and created to musically describe the movement and habits of specific wildlife creatures. From music notes to words: Isele the frog is hopping along happily through the wet grass of the Okavango Delta, dreaming of juicy insects, fat flies and delicious bugs to fill up his tummy with. Always unpredictable, his sudden moves surprise a huge red-brown bug which he catches for breakfast in an instant. After devouring the delicacy, he continues with what he does best; bouncing from one destination to another. He comes across another frog; fat, grey and intimidating, it forces him to follow another path. Jumping along frantically, Isele becomes aware of a beautiful marabou stork standing like a statue in the swamp. With no intention of becoming a gourmet meal for the bird, he buries himself in the mud where he stays hidden until the marabou takes off. Creeping out from under, he investigates his surroundings to ensure that there is no danger lurking around; then he leaps off towards his next destination..
$4.99 ≈
£3.75
Pax Aeternam for tuba and piano
Pax Aeternam for tuba and piano
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Tuba and Piano
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ADVANCED
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Contemporary
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Maria Thompson Corley
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Pax Aeternam for tuba and pian
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Maria Thompson Corley
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SheetMusicPlus
Piano,Tuba - Level 5 - Digital Download SKU: A0.1252810 Composed by Maria Thompson Corley. 21st Century. Score and part. 10 pages. Maria Thompson Corley ...
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Piano,Tuba - Level 5 - Digital Download SKU: A0.1252810 Composed by Maria Thompson Corley. 21st Century. Score and part. 10 pages. Maria Thompson Corley #846603. Published by Maria Thompson Corley (A0.1252810). “Pax Aeternam†was written in memory of renowned composer Barbara York, a fellow Canadian whom I was blessed enough to meet in person through my interaction with Matt Brown. Though we connected many years into my collaborative piano career, Matt is the first tubist I ever worked with, and Barbara’s music was my favorite part of getting introduced to the tuba literature. I was thrilled to learn how much she appreciated my playing of her work.“How Beautiful†was written in memory of Matt’s son Eli, who had a congenital condition that took his life a few hours after he was born. This flawless piece of music, poignant yet never maudlin, provided the title for a recording Matt and I did of all of Barbara’s tuba output. It also threw down the gauntlet when Danny Rowland approached me, at Matt’s suggestion, about composing a piece. Danny mentioned loving “How Beautiful,†and intending to commission Barbara, who’d recently passed on. I’d never written for the tuba before, but felt absolutely no pressure. That’s a lie.Like “How Beautiful,†“Pax Aeternam†is in a major key; in my case, I wanted to evoke wistfulness rather than despair. Barbara’s path was full of suffering, and having lost a brother to prolonged illness, I’ve come to embrace the idea that death can be a sweet relief from pain. I tried to capture some of Barbara’s spirit, particularly in the middle section, and chose triple meter to give the outer sections a bit of “swing.†I don’t recall Barbara as a somber person, and I wanted to paint a portrait of someone who moved through life with a smile. I didn’t know her as well as many, but I always found her kind, generous, and unpretentious. I hope that this musical portrait does her justice.
$15.00 ≈
£11.28
Americana Symphony "Variations on Appalachia Waltz" (wind parts – symphony orchestra)
Americana Symphony "Variations on Appalachia Waltz" (wind parts – symphony orchestra)
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Orchestra
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ADVANCED
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Mark O'Connor
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Americana Symphony "Variations
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.861960 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 176 pages. Mark O'...
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Full Orchestra - Level 5 - Digital Download SKU: A0.861960 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 176 pages. Mark O'Connor Musik International #6209395. Published by Mark O'Connor Musik International (A0.861960). Americana Symphony Variations on Appalachia Waltz (wind parts – symphony orchestra) MO164B-IWind Parts (score and parts available)Music by Mark O’Connor164 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$80.00 ≈
£60.18
Americana Symphony "Variations on Appalachia Waltz" (string parts – symphony orchestra)
Americana Symphony "Variations on Appalachia Waltz" (string parts – symphony orchestra)
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Orchestra
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ADVANCED
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Mark O'Connor
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Americana Symphony "Variations
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.861963 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 163 pages. Mark O'...
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Full Orchestra - Level 5 - Digital Download SKU: A0.861963 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 163 pages. Mark O'Connor Musik International #6209407. Published by Mark O'Connor Musik International (A0.861963). Americana Symphony Variations on Appalachia Waltz (string parts – symphony orchestra) MO164U-ZString Parts (score and parts available)Music by Mark O’Connor163 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American. Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$80.00 ≈
£60.18
Americana Symphony "Variations on Appalachia Waltz" (brass parts – symphony orchestra)
Americana Symphony "Variations on Appalachia Waltz" (brass parts – symphony orchestra)
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Orchestra
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ADVANCED
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Mark O'Connor
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Americana Symphony "Variations
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.861961 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 162 pages. Mark O'...
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Full Orchestra - Level 5 - Digital Download SKU: A0.861961 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 162 pages. Mark O'Connor Musik International #6209399. Published by Mark O'Connor Musik International (A0.861961). Americana Symphony Variations on Appalachia Waltz (brass parts – symphony orchestra) MO164J-PBrass Parts (score and parts available)Music by Mark O’Connor162 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$80.00 ≈
£60.18
Americana Symphony "Variations on Appalachia Waltz" (percussion parts – symphony orchestra)
Americana Symphony "Variations on Appalachia Waltz" (percussion parts – symphony orchestra)
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Orchestra
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ADVANCED
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Mark O'Connor
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Americana Symphony "Variations
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.861962 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 99 pages. Mark O'C...
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Full Orchestra - Level 5 - Digital Download SKU: A0.861962 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 99 pages. Mark O'Connor Musik International #6209401. Published by Mark O'Connor Musik International (A0.861962). Americana Symphony Variations on Appalachia Waltz (percussion parts – symphony orchestra) MO164Q-TPercussion Parts (score and parts available)Music by Mark O’Connor99 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$50.00 ≈
£37.62
Americana Symphony "Variations on Appalachia Waltz" (score – symphony orchestra)
Americana Symphony "Variations on Appalachia Waltz" (score – symphony orchestra)
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Orchestra
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ADVANCED
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Mark O'Connor
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Americana Symphony "Variations
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.861959 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 93 pages. Mark O'C...
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Full Orchestra - Level 5 - Digital Download SKU: A0.861959 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 93 pages. Mark O'Connor Musik International #6209393. Published by Mark O'Connor Musik International (A0.861959). Americana Symphony Variations on Appalachia Waltz (score – symphony orchestra) MO164AScore (parts available)Music by Mark O’Connor86 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$40.00 ≈
£30.09
Greensleeves 2012
Greensleeves 2012
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Piano solo
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ADVANCED
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Classical
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Public Domain, as performed
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Isadar
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Greensleeves 2012
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Mainya Music Publishing
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SheetMusicPlus
Composed by Public Domain, as performed and recorded by Isadar. Arranged by Isadar. Contemporary Classical, Neo- Classical, Christmas, Recital, New Age...
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Composed by Public Domain, as performed and recorded by Isadar. Arranged by Isadar. Contemporary Classical, Neo- Classical, Christmas, Recital, New Age. Sheet Music Single. 8 pages. Published by Mainya Music Publishing
Contains:
"Greensleeves 2012"
- taken from the Isadar solo piano collection, "O Christmas" (also available on SMP)
Sounds like: Vince Guaraldi's "A Charlie Brown Christmas," Liz Story's "The Gift," George Winston's "December," legacy Windham Hill solo piano artists, "A Winter's Solstice" compilations.
Note: “Greensleeves 2012” is a revisited and evolved arrangement which like my earlier version, was inspired by – and also pays ‘homage’ to – Liz Story’s brilliant take on this timeless piece.
Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording
Album review by: Michael Diamond (http://michaeldiamondmusic.com):
Fresh on the heels of his highly acclaimed chart-topping CD, Reconstructed, Isadar gifts us with a sparkling new album of holiday-themed instrumental music for solo piano, entitled “O Christmas.” Given the proximity to his recent release, one might assume that this one was quickly produced, but in reality O Christmas has been 7 years in the making. Various circumstances including other recording projects, a segue into the field of video production, and a cross country move from NYC to the west coast and later back again, created delays with the completion of the album. But as they say, “good things come to those who wait.”
One of the most interesting things about this album is the fact that the selections are traditional Christmas songs, yet some were chosen because they are less well known, or “off the beaten path” as Isadar characterizes them. This follows the pattern set by his 1999 Christmas album “In Search For The Meaning Of Christmas,” yet this new CD mines even deeper in its quest for interesting and unusual choices.
The album begins with a track called “Good Christian Men.” Steeped in history, the song dates back to 14th century Germany and its Latin title was originally “In Dulci Jubilo” before it was translated into English in the 1800’s. Isadar’s interpretation creates a lively and festive air that makes a perfect portal to the recording. The high-spirited mood continues on the next song, “Teddy Bears Picnic,” which although not technically a Christmas song, has been interwoven by Isadar with “March Of The Toys” to tie it in with the holidays – a clever arrangement of these intriguing melodies. One of the more well-known carols on the album is “O Christmas Tree” and is sure to have listeners humming along with it’s familiar refrain.
A track entitled “Still” is an innovative rendition of the classic “Still, Still, Still” which Isadar has put his own spin on, or as he jokingly puts it “jazzed up shamelessly.” No such liberties were taken on the classic “O Come, O Come, Emmanuel,” however. This song provides a showcase for Isadar’s accomplished grand piano work, featuring lush left hand arpeggios creating a strong foundation for his more delicate right hand melodies to dance upon – a powerful and moving combination. Another of the less well known, yet equally inspiring tunes is a Puerto Rican carol entitled “Song Of The Wise Men.” It has been said that: “Christmas is, above all, a children’s holiday, and many hymns are addressed to children, reminding them that the real reason for the sugarplums and Christmas trees is the celebration of the birth of the Christ Child.” This theme is well reflected in Isadar’s choice of “O Come Little Children,” based on a carol from the 1800’s.
Among my favorite tracks on the album are the wistful strains of “Greensleeves 2012,” which Isadar interprets with elegance and grandeur and also pays ‘homage’ to Liz Story’s brilliant take on this enduring composition. This is followed by a rendition of “Masters In This Hall,” which can best be described as, well… “masterful.” The song dates back to the sixteenth century, and is another of the less well-known tunes that Isadar has chosen to feature. The album draws to a close with Isadar invoking artistic license on what is perhaps one of the most unique and liberal versions of a classic carol heard here yet. Based on “We Wish You A Merry Christmas,” Isadar characterizes it as “an uninhibited melancholy arrangement.” While I don’t know if “melancholy” is the word I would use to describe it, it does have a pensive quality and is presented more as a nocturne than usual lively carol it is known as. I really liked the interpretation and respect Isadar’s creativity and distinctive rendering of the song.
“O Christmas” is an exceptional holiday collection, not only for Isadar’s elegant grand piano artistry, but as well for the interesting and sometimes unexpected repertoire contained within. Like ornaments on a tree, the songs adorn the album, enhancing its beauty with their diversity, individuality, and timelessness. Given the well-deserved accolades and popularity of Isadar’s distinctive piano style, I’m sure that fans will want to include “O Christmas” in their collection and make it a part of their holiday tradition.
$5.99 ≈
£4.51
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He Is A Path
