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61 sheet music found
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51
Modern Dinosaur
Modern Dinosaur
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Martin J
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Modern Dinosaur
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Martin J. Van Klompenberg
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bass Clarinet,Bassoon,Flute,Oboe - Level 5 - Digital Download SKU: A0.1286891 Composed by Martin J. Van Klompenberg. 21st...
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Woodwind Ensemble,Woodwind Trio Bass Clarinet,Bassoon,Flute,Oboe - Level 5 - Digital Download SKU: A0.1286891 Composed by Martin J. Van Klompenberg. 21st Century,Chamber,Classical. 100 pages. Martin J. Van Klompenberg #877893. Published by Martin J. Van Klompenberg (A0.1286891). To be classified as a living fossil (or as I like to call it, a Modern Dinosaur), aspecies must have a clear ancestor in the fossil record that highly resembles ourmodern species. Often these species have few living relatives. (For example, theaardvark is currently the only living member of its genus.) People tend to think ofbirds and reptiles when they think of living fossils, but animals from any group canbe classified as such. In this piece, I have sought to explore these differences.Among these uniquely diverse group of animals are the African Lungfish, with itsability to breathe through special lungs, living in hardened clay burrows during thedry season, awaiting the coming rains; the Shoe-Billed Stork, the largest bird offlight with its icy stare and prehistoric appearance, with an aggressively unusualcall; the Alligator, unchanged for millennia, living side by side with it Kingfisherneighbors, not always peacefully; and the Aardvark, the great nocturnal excavatorof Africa.I have long been fascinated by fossils. The urge to learn as much as I could aboutprehistoric animals has never left me, like it does to most around the age of 10.Paired with my love of zoos, being interested in living fossils only makes sense.A portion of all proceeds from Modern Dinosaur will go to the Henry Doorly Zooand Aquarium in Omaha, Nebraska. This facility manages the Species SurvivalProgram (SSP) for Aardvarks for the Association of Zoos and Aquariums, theprimary accreditation organization for North America animal collections.
$50.00 ≈
44.94€
Modern Jazz Suite for Saxophone Quartet
Modern Jazz Suite for Saxophone Quartet
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Saxophone Quartet: 4 saxophones
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ADVANCED
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Sy Brandon
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Modern Jazz Suite for Saxophon
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Sy Brandon
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble - Level 5 - Digital Download SKU: A0.1247110 Composed by Sy Brandon. 20th Century,21st Century,Chamber,Contest,Festiv...
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Saxophone Quartet,Woodwind Ensemble - Level 5 - Digital Download SKU: A0.1247110 Composed by Sy Brandon. 20th Century,21st Century,Chamber,Contest,Festival,Jazz. 75 pages. Sy Brandon #841675. Published by Sy Brandon (A0.1247110). Modern Jazz Suite for Saxophone Quartet is derived from the Alto Saxophone and Guitar version that was commissioned by Todd Oxford in 2013. It is in four movements that are influenced by modern jazz styles. I. Parkeriana is in the Be-bop style. II. Milesiana is in the Cool style. III. Schulleriana is in the Third-stream style that combines classical with jazz elements, and IV. Coreaiana is in a Jazz-Rock style.
$15.00 ≈
13.48€
Morely Th., The First Booke of Canzonets for two Voyces, Instrumental Fantasies, Modern Clefs
Morely Th., The First Booke of Canzonets for two Voyces, Instrumental Fantasies, Modern Clefs
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Thomas Morley
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Uri A
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Morely Th., The First Booke of
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edition Prima Vista - Uri A. Dror
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SheetMusicPlus
Woodwind Ensemble - Level 5 - Digital Download SKU: A0.956113 Composed by Thomas Morley. Arranged by Uri A. Dror - edition Prima Vista. Classical,Renaiss...
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Woodwind Ensemble - Level 5 - Digital Download SKU: A0.956113 Composed by Thomas Morley. Arranged by Uri A. Dror - edition Prima Vista. Classical,Renaissance. 16 pages. Edition Prima Vista - Uri A. Dror #5725801. Published by edition Prima Vista - Uri A. Dror (A0.956113). These lovely instrumental Fantasies were composed and printed alongside Morley’s vocal Canzonets, in London, during the reign of Queen Elizabeth I. They can be played on recorders, viola da gambas etc. Score (based on the original print part-books), modern (G) clefs.
$16.00 ≈
14.38€
MOZART Clarinet Concerto K 622 - I. ALLEGRO // for Bb clarinet or A clarinet // Original or Modern F
MOZART Clarinet Concerto K 622 - I. ALLEGRO // for Bb clarinet or A clarinet // Original or Modern F
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Chamber Orchestra
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ADVANCED
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Classical
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Wolfgang Amadeus Mozart
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Marc GARETTO
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MOZART Clarinet Concerto K 622
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Marc GARETTO - Harmonie Editions
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.722926 Composed by Wolfgang Amadeus Mozart. Arranged by Marc GARETTO. Classical,Concert,Holiday,In...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.722926 Composed by Wolfgang Amadeus Mozart. Arranged by Marc GARETTO. Classical,Concert,Holiday,Instructional,Standards. Score and parts. 212 pages. Marc GARETTO - Harmonie Editions #4410793. Published by Marc GARETTO - Harmonie Editions (A0.722926). Mozart's Clarinet Concerto in A major, K. 622, was written in October 1791 for the clarinetist Anton Stadler. It consists of three movements, in a fast–slow–fast succession: Allegro (in A major and in sonata form)Adagio (in D major and in ternary form)Rondo: Allegro (in A major and in rondo form)
$110.00 ≈
98.87€
Seven Psalms I-Beatus Vir
Seven Psalms I-Beatus Vir
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Choral SSAA
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ADVANCED
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Sacred music
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Esteban Kellner
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Seven Psalms I-Beatus Vir
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Esteban Kellner
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SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 5 - Digital Download SKU: A0.1351492 Composed by Esteban Kellner. 20th Century,A Cappella,Chamber,Christian,Classical....
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Choral Choir,Choral (SSAA) - Level 5 - Digital Download SKU: A0.1351492 Composed by Esteban Kellner. 20th Century,A Cappella,Chamber,Christian,Classical. 6 pages. Esteban Kellner #936341. Published by Esteban Kellner (A0.1351492). Sacred work for 6 voices female choirCompletely a cappellaModern harmonic language.
$3.00 ≈
2.70€
String Quartet No. I, "The Mydnyte Sun".
String Quartet No. I, "The Mydnyte Sun".
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String Quartet: 2 violins, viola, cello
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ADVANCED
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David Jaedyn Conley
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String Quartet No. I, "The Myd
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Mydnyte Publishing
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SheetMusicPlus
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.1006442 Composed by David Jaedyn Conley. 20th Century,Classical,Contemporary,Film/TV,R...
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.1006442 Composed by David Jaedyn Conley. 20th Century,Classical,Contemporary,Film/TV,Romantic Period. Score and parts. 113 pages. Mydnyte Publishing #2016293. Published by Mydnyte Publishing (A0.1006442). This is a programmatic piece about nightfall, night, and the dawn. Having worked primarily nightshift for the past few years, my life began a somewhat alternative nature – my day time was illuminated by the moon, and I watched the sun rise every day for three and a half years…I saw the city through different eyes, and watched as various denizens of the night would emerge and cavort beneath The Midnight Sun. I was exposed to an entirely different culture and learned that the city really didn’t sleep after all. The piece starts with the decline of the sun as the shadows grow longer and the creatures of the night begin to emerge beneath the stars. Secondly, we observe the midnight moon which acts as our illumination in the dark of night. Continuing on, the piece begins its celestial dance among the stars of the Northern hemisphere and finally ends with the emergence of dawn – the night slipping away like fragile tendrils of fog, or the vague ether of a dream. David Jaedyn Conley, 2005 Composer David Jaedyn Conley moves easily between the stridency of the Moderns and the sweetness of the Romantics. He is equally adept at writing polyrhythmic ensemble percussion and lyrical contrapuntal melodies. The result is both lush and austere, always evocative. CNET.COM.
$50.00 ≈
44.94€
Al Circo (To the Circus) for Trombone and Harp
Al Circo (To the Circus) for Trombone and Harp
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Contemporary
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Stout, David
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Setzer, Louis
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Al Circo
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Cherry Classics Music
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SheetMusicPlus
Trombone, Harp - Advanced - Digital Download Composed by Stout, David. Arranged by Setzer, Louis. 20th Century, Contemporary Classical, Modern, Post- ...
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Trombone, Harp - Advanced - Digital Download Composed by Stout, David. Arranged by Setzer, Louis. 20th Century, Contemporary Classical, Modern, Post- Modern, Neo-Classical. Set of Parts. 22 pages. Published by Cherry Classics Music
Al Circo (To the Circus) was written in 1968 by David Stout, dedicated to Emory Remington and was premiered by Trombonist Fred Boyd on a recital at the Eastman School of Music with Carolyn Kuban performing on the Harp. The work is in two movements, both in a lighter nature and humorous. Mute colors are an important part of the mood of the work.
David Stout writes about his work:
"I wrote this when I was a junior at the Eastman School of Music. Fred Boyd, a bass trombonist, wanted to play it. At the bottom of page 4, on the trombone part, where it says “hand in bell” he had a problem. With a bass trombone he couldn’t reach around far enough to put his hand in deep enough to distort the tone enough. So, he calls me into his practice room one day and tells me to turn around so I can’t see him. He then plays that passage. ‘Is that the sound you want?’ he asks. ‘Yeah that’s it. Perfect!’ I reply. I turn around. He shows me a large plastic fish that he had used to shove in the bell. So on his part, we mark those notes, ‘con sardino.’
Dr. Louis Setzer, the author of Solo Literature for Trombone and Harp - An Annotated Bibliography, rediscovered the work and received permission from the composer to edit the composition from the original pencil manuscript. He believes this work is the oldest known original composition for Trombone and Harp
This fine work is appropriate for advanced performers and is about 7 minutes in length.
$25.00 ≈
22.47€
Benny
Benny
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Choral 3-part
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ADVANCED
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G
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Benny
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George Skipworth
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SheetMusicPlus
Choral Choir (SSA) - Level 5 - Digital Download SKU: A0.962532 Composed by G.F. Skipworth. Concert. Octavo. 12 pages. George Skipworth #3379765. Publishe...
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Choral Choir (SSA) - Level 5 - Digital Download SKU: A0.962532 Composed by G.F. Skipworth. Concert. Octavo. 12 pages. George Skipworth #3379765. Published by George Skipworth (A0.962532). From the whimsical What Was I Thinking? Songs, the hybrid modern classical and jazz touch combines with offbeat texts effective in a recital's modern set. For the pianist, moderate difficulty is required. The range is such that soprano or mezzo voice is suitable.
$3.00 ≈
2.70€
The Hunt
The Hunt
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Chamber Orchestra
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ADVANCED
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Franco Esteve
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The Hunt
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Franco Esteve
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1011208 Composed by Franco Esteve. Contemporary,Film/TV. Score and parts. 17 pages. Franco Esteve ...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1011208 Composed by Franco Esteve. Contemporary,Film/TV. Score and parts. 17 pages. Franco Esteve #4601475. Published by Franco Esteve (A0.1011208). The Hunt is the title track to my modern, classical crossover, concept album, The Hunt. The Hunt is the hunt of life, hunting for health, for life, for happiness, for love, for ideas, for creativity, for success. The song represents the drive, the moving, the launch, that hope, that happiness, when you set out to do something in your life.From the album booklet (as it's a concept album, each song, though independent, has an overarching story):The effort has paid off. The day is here.The mood is happy. Success awaits. Let's go.Let's do it. It's sitting there for the taking.I'm in the zone. I'm in the flow. The huntress has shown me the bounty,and I'm ready to take it, to receive it, to enjoy it. I deserve it.Though it was written with larger groups in mind or small orchestras, keeping it in a way quite simple, it can most likely be played with 2 clarinets, a cello, and a trumpet. I can imagine it can work quite nicely with a school orchestra or any small ensemble, even if some might need to make some minor adjustments to how it's played. It's meant to be played in an upbeat and happy fashion, and the trumpet should be sexy and fun. It'll be fun to hear how others interpret it.The PDF includes the full score and all 4 individual parts (Clarinet, Clarinet Section in Bb, Cellos, Trumpet Section in Bb). The music is 2 minutes and 41 seconds (2:41).Thank you for your interest in my music. I hope y’all enjoy playing it as much as I did composing it.Don’t forget to keep up to date with everything Franco Esteve:Website: http://www.francoesteve.com/Facebook: https://www.facebook.com/seefrancoesteveTwitter: https://www.twitter.com/FrancoEsteveInstagram: https://www.instagram.com/seefrancoesteveSpotify: https://open.spotify.com/artist/4VMSPHtolbzozjH4OY0I6BMy music is also available on all major, online music stores and streaming services, including:Bandcamp: https://francoesteve.bandcamp.comCDBaby: https://store.cdbaby.com/Artist/FrancoEsteveSpotify: https://open.spotify.com/artist/4VMSPHtolbzozjH4OY0I6BiTunes/Apple Music: https://itunes.apple.com/us/artist/franco-esteve/894690746I'm a BMI affiliated artist and you can contact me using the contact form at:http://www.francoesteve.com or through Facebook or Twitter. Thank you again and enjoy! :)
$9.99 ≈
8.98€
Closure for solo piano
Closure for solo piano
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Piano solo
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ADVANCED
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Contemporary
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Tom Swafford
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Closure for solo piano
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Tom Swafford
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.914145 Composed by Tom Swafford. 20th Century,Contemporary. Score. 2 pages. Tom Swafford #3575251. Publis...
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Piano Solo - Level 5 - Digital Download SKU: A0.914145 Composed by Tom Swafford. 20th Century,Contemporary. Score. 2 pages. Tom Swafford #3575251. Published by Tom Swafford (A0.914145). Introspective, evocative jazz-influenced modern classical piece for solo piano. I wrote it at the close of a chapter of my life that was wonderful in many ways, but bittersweet because I lost some people dear to me during that period of time. The piece uses a lot of parallel 0-6-11 chords (tritone with a perfect fourth stacked on top of it) in the left hand, but I think it still works quite well in conveying the feeling I had when I was writing it, which, I imagine, is something that many people can relate to. Duration: 1.5 minutes. www.tomswafford.com ASCAP .
$2.00 ≈
1.80€
Wandering (Etude) Op.1 no.1
Wandering (Etude) Op.1 no.1
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Piano solo
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ADVANCED
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Rebecca Ann Drimmel
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Rebecca Ann Drimmel
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Wandering
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Rebecca Drimmel
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1131736 Composed by Rebecca Ann Drimmel. Arranged by Rebecca Ann Drimmel. Classical,Contemporary,Romantic...
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Piano Solo - Level 5 - Digital Download SKU: A0.1131736 Composed by Rebecca Ann Drimmel. Arranged by Rebecca Ann Drimmel. Classical,Contemporary,Romantic Period. Score. 2 pages. Rebecca Drimmel #731962. Published by Rebecca Drimmel (A0.1131736). This etude has a lot of balance between the bass clef and treble clef. This piece would be perfect for a concert or recital. This piece is very difficult, but in a friendly key of c major. “Wandering†has a very short running time of about a minute or so. This piece is very scattering on the keyboard, that is why I chose the name “Wandering†for this piece. Excitement and energy fills the entire song. This piece has Romantic, classical, impressionistic and modern classical all into one.
$4.99 ≈
4.48€
O DULCIS VIRGO
O DULCIS VIRGO
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Gunter Scholler
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O DULCIS VIRGO
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Scholler
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SheetMusicPlus
Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.1016063 Composed by Gunter Scholler. Christian,Concert,Contemporary,Sacred. Octavo. 7 pages. S...
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Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.1016063 Composed by Gunter Scholler. Christian,Concert,Contemporary,Sacred. Octavo. 7 pages. Scholler #5286149. Published by Scholler (A0.1016063). Spiritual contemporary-classical Music creating unearthly sounds for professional mixed choir & stringsBig choir and String Orchestra Great music for Live-performancesmovement number 6 of R E I S E N D E D E S J A K O B S W E G E S 8 songs that symbolize the travelers of the Way of St. James. From Germany to Spain, catchy songs in 4 different languages: Latin, French, German and SpainThe entire work contains: 1. MIGRANDI, (catchy tune), Ends with a lot of sound S/S/A/A/T/T/B/B Latin2. COMPOSTELLE ? POURQUOI PAS ? (Leggiero & animato), French3. LA CHANSON DU DEVOIR DU PELERIN (spiritual song on dancing strings), French4. WANDERSCHAFT ( rhythmic play), german5. EIN TOAST DIESER FREUNDESRUNDE (solemn and measured), german and french6. O DULCIS VIRGO (modern-classical spiritual , Ave Maria contemporary), latin7. QUIS SCIT ? (imposing and con brio for the strings), latin8. CAMINANTE (Spanish sound and a lot of joy in singing ) spanish
$3.49 ≈
3.14€
Toccata tangabile [piano]
Toccata tangabile [piano]
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Piano solo
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ADVANCED
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Contemporary
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Juan María Solare
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Toccata tangabile [piano]
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Juan Maria Solare
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SheetMusicPlus
Piano Solo - Advanced - Digital Download Composed by Juan María Solare. 21st Century, Contemporary Classical, Post- Modern, Neo-Classical, Grad...
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Piano Solo - Advanced - Digital Download Composed by Juan María Solare. 21st Century, Contemporary Classical, Post- Modern, Neo-Classical, Graduation. Score. 9 pages. Published by Juan Maria Solare
This composition was born in order to be used as obligatory piece in a piano competition.As such, it has to have very specific characteristics: not to be too long, to presenta minimum degree of technical and aesthetic difficulty, but also achieving thatdelicate sweet spot in which the technical difficulty is musically justified; i.e.,that no pianist feels that they are wasting their time while studying it (oreven worse: that they have the impression of being studying an exercise).
The piano competition involved was the Segundo concurso nacional de piano 'festival de pianistas', basedin the city of Mar del Plata, Argentina.
In the adjective "tangabile" (a neologism that resembles "cantabile")is a hidden allusion to Astor Piazzolla's pieces Allegro tangabile or Moderatotangabile. Of course, tangabile implies "related to tango"
This is a video of the presentation of Daniel Álvarez Veizaga during that competition. The event tookplace at the Centro Cultural Victoria Ocampo “Villa Victoria”, Mar del Plata,Provincia de Buenos Aires, Argentina. Piano Kawaii RX5.
https://www.youtube.com/watch?v=BfClIaFgBBI
$2.50 ≈
2.25€
The New England Suite, Three Poems for Solo Piano
The New England Suite, Three Poems for Solo Piano
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Piano solo
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ADVANCED
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Klaus H
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The New England Suite, Three P
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SheetMusicPlus
Piano Solo - Advanced - Digital Download Composed by Klaus H. Schader. Contemporary Classical, Impressionistic, Post- Romantic. 8 pages. Published by Maple ...
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Piano Solo - Advanced - Digital Download Composed by Klaus H. Schader. Contemporary Classical, Impressionistic, Post- Romantic. 8 pages. Published by Maple Mystery Music
Three piano compositions inspired by New England landscapes.
Dedicated to Helen Lin
Performance time 5:53 m
"Finally got a chance to play through ?The New England Suite??Three Poems for Solo Piano by the amazing Klaus Schader, a modern German composer. Klaus dedicated this piece to me. In Klaus Schader?s piano suite, he explored the deepest longings of human soul, then he painted it out using especially various and unusual harmonies into a master piece with colors of curiosity and warmth. Each harmony was made to wanting more. Wanting more in mystery, wanting more in the dream. In ?Delaware moon?, I hear the warmth of the moonlight dimming Delaware and it feels romantic and welcoming, yet mysterious. The unexpected disharmony of the four chords strikes you into intensive emotions, and reminds you that it was these struggles of reality make beauty even more beautiful. In the ?Old King?s Highway?, the changing of irregular meters and the use of 5/4 gives you the unsettling worries, yet Klaus uses the calming bass lines and chords to balance the scene, and it feels all is in control on the bumpy road. In ?Dusk on the Mohawk Trail?, the story line was based on the unusual chordal progressions, however the dominant sevenths chords throughout brings back the core spirit of the entire piano series-romance, mystery, and dream. It reminds one where the core of the soul is, and that is, where peace is at. Thank you Klaus!!"
Helen Lin
$3.99 ≈
3.59€
Wind Quintet "All That Is Solid Melts Into Air"
Wind Quintet "All That Is Solid Melts Into Air"
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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ADVANCED
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Dan Cook
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Wind Quintet "All That Is Soli
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Pecan Valley Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe,Piccolo - Level 5 - Digital Download SKU: A0.1177076 Composed by Dan Cook. Chamber,Cl...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe,Piccolo - Level 5 - Digital Download SKU: A0.1177076 Composed by Dan Cook. Chamber,Classical,Contemporary,Contest,Festival,Instructional. 86 pages. Pecan Valley Music #777086. Published by Pecan Valley Music (A0.1177076). Wind quintet inspired by “All That Is Solid Melts Into Air†by Marshall Berman. I) alla marcia (the heroism of modern life)II) declamando (nakedness: the unaccommodated man)III) animato, en pressant (the mire of the macadam)IV) pastorale (pastoral and counter-pastoral modernism)V) animato, en retenant (the twentieth century: the city rises, the city fades).
$16.00 ≈
14.38€
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
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Baritone voice, Piano
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ADVANCED
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Gioachino Rossini
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Nicole Elyse DiPaolo
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Largo al factotum
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Nicole Elyse DiPaolo
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Cent...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95 ≈
8.04€
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Soprano voice, Piano
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ADVANCED
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Opera
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Classical
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réchauffe les bo
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pag...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95 ≈
8.04€
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
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Soprano voice, Piano
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ADVANCED
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Centur...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95 ≈
8.04€
Quatre Poemes De Guillaume Apollinaire
Quatre Poemes De Guillaume Apollinaire
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Piano, Voice
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ADVANCED
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Contemporary
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Francis Poulenc and Guillaume
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Nicole Elyse DiPaolo
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Quatre Poemes De Guillaume Apo
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Nicole Elyse DiPaolo
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1315461 Composed by Francis Poulenc and Guillaume Apollinaire. Arranged by Nicole Elyse DiPaolo. 2...
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1315461 Composed by Francis Poulenc and Guillaume Apollinaire. Arranged by Nicole Elyse DiPaolo. 20th Century,Classical. Score. 11 pages. Nicole Elyse DiPaolo #904195. Published by Nicole Elyse DiPaolo (A0.1315461). The first of its kind, this is a genuinely playable piano/vocal reduction of Non Monsieur mon mari from Poulenc and Apollinaire's Les mamelles de Tiresias. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score devoid of needed key signatures. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play reams of excessive 16ths spread out in ways designed for Poulenc's obviously large hands. A few enharmonic respellings in this edition will also provide greater musical understanding for both singers and pianists. This collectionâ??s reductions boast several unique features: 1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or â??fudgedâ? with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what Iâ??ve provided.2. Iâ??ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a â??sink or swimâ? accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composerâ??s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected, when possible, so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, Iâ??ve included the next downbeatâ??s notes in cue-size stemless noteheads at the end of the preceding measure.5. I have preserved beams in 8th and smaller note values within the vocal parts so that pianists, some of whom might not be accustomed to syllabic beaming conventions, will find it easier to follow the singerâ??s rhythms while reading potentially unfamiliar arias.6. When known, Iâ??ve noted alternate cuts that singers might like to take within certain arias.7. In some cases Iâ??ve modernized spelling conventions for easier readability (for example, by replacing â??Ã?â? with â??ssâ? in German arias) and enharmonically respelled brief passages or added key signatures for greater clarity.
$8.95 ≈
8.04€
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