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In My Room
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In My Room
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37 sheet music found
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1
26
In My Room
In My Room
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Jazz combo
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ADVANCED
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Jazz
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Contemporary
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The Beach Boys
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Eric O'Reilly
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In My Room
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Eric O'Reilly
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SheetMusicPlus
Jazz Combo - Level 5 - Digital Download SKU: A0.1261172 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Eric O'Reilly. 21st Century,Funk,J...
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Jazz Combo - Level 5 - Digital Download SKU: A0.1261172 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Eric O'Reilly. 21st Century,Funk,Jazz,New Age,Pop. 30 pages. Eric O'Reilly #854242. Published by Eric O'Reilly (A0.1261172). In My Room composed by Gary Usher and Brian Wilson as performed by Jacob Collier, arranged by Eric O'Reilly. Best for a small jazz ensemble with 2 or more singers.
$24.99 ≈
22.32€
In My Room
In My Room
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Guitar notes and tablatures
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ADVANCED
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Pop music
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The Beach Boys
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Steven King
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In My Room
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STEVEN KING
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SheetMusicPlus
Solo Guitar - Level 5 - Digital Download SKU: A0.489023 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Steven King. Pop. Individual part....
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Solo Guitar - Level 5 - Digital Download SKU: A0.489023 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Steven King. Pop. Individual part. 7 pages. STEVEN KING #105658. Published by STEVEN KING (A0.489023). Solo Fingerstyle Guitar includes treble and tab clefs, arranged by Winfield Championship Winner Steven King, in his style that creates simultaneous melody, bass lines, chords and rhythms. For the TEF file go to Fingerstyle College at kingofguitar.com.
$4.99 ≈
4.46€
In The Real Early Morning
In The Real Early Morning
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Choral SATB
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ADVANCED
#
Jacob Collier
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Simon Lesley
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In The Real Early Morning
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Simon Lesley
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1103149 Composed by Jacob Collier. Arranged by Simon Lesley. A Cappella,Contest,Festival,...
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1103149 Composed by Jacob Collier. Arranged by Simon Lesley. A Cappella,Contest,Festival,Jazz. Octavo. 34 pages. Simon Lesley #706456. Published by Simon Lesley (A0.1103149). Luscious 8-part a cappella arrangement (SSAATTBB) of Jacob Collier's evocative ballad from his Grammy-winning 'In My Room' album. Tenor 1 and soprano 1 are featured soloists, personnifying the characters' conversation in the lyric.
$3.95 ≈
3.53€
In The Real Early Morning
In The Real Early Morning
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Choral SATB
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ADVANCED
#
Jacob Collier
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Simon Lesley
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In The Real Early Morning
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Simon Lesley
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1104057 Composed by Jacob Collier. Arranged by Simon Lesley. A Cappella,Contemporary,Cont...
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1104057 Composed by Jacob Collier. Arranged by Simon Lesley. A Cappella,Contemporary,Contest,Festival,Jazz. Octavo. 34 pages. Simon Lesley #707316. Published by Simon Lesley (A0.1104057). Luscious 7-part a cappella arrangement (SMATTBB) of Jacob Collier's evocative ballad from his Grammy-winning 'In My Room' album. Tenor 1 and soprano 1 are featured soloists, personnifying the characters' conversation in the lyric.
$3.95 ≈
3.53€
In My Room - Jacob Collier
In My Room - Jacob Collier
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Piano solo
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ADVANCED
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Rock
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The Beach Boys
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In My Room - Jacob Collier
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Walter Whitton
#
SheetMusicPlus
Piano Solo - Advanced - Digital Download By The Beach Boys. 4 pages. Published by Walter Whitton...
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Piano Solo - Advanced - Digital Download By The Beach Boys. 4 pages. Published by Walter Whitton
Piano transcription of Jacob Collier's "in my room" originally performed by the beach boys.
$4.99 ≈
4.46€
Song of My Children for Piano Quartet
Song of My Children for Piano Quartet
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Piano Quartet: piano, violin, viola, cello
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ADVANCED
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Contemporary
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James Gardner
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Song of My Children for Piano
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James Gardner
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SheetMusicPlus
Small Ensemble Clarinet,Flute,Piano,Violin - Level 5 - Digital Download SKU: A0.982071 Composed by James Gardner. Contemporary. Score and parts. 36 pages...
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Small Ensemble Clarinet,Flute,Piano,Violin - Level 5 - Digital Download SKU: A0.982071 Composed by James Gardner. Contemporary. Score and parts. 36 pages. James Gardner #6074275. Published by James Gardner (A0.982071). I wanted to set a precious memory I had from a time when two of my children were quite young. My daughter Cassi was only 1 year old or so, and my son Christopher about 8. I was holding my little Cassi in my lap and Christopher was running back and forth through the living room in his Batman cape, pretending to be his hero at that moment! This memory would come and go for me over the next few years until I began to find musical themes for each child and determined to compose a tone poem with them.
$8.99 ≈
8.03€
Autumn In New York
Autumn In New York
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Jazz
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Contemporary
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Bud Powell
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Kyle Pudenz
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Autumn In New York
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ViolinVagabond Music
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SheetMusicPlus
Electric Violin,Instrumental Solo - Level 5 - Digital Download SKU: A0.845965 By Bud Powell. By Vernon Duke. Arranged by Kyle Pudenz. 20th Century,Contem...
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Electric Violin,Instrumental Solo - Level 5 - Digital Download SKU: A0.845965 By Bud Powell. By Vernon Duke. Arranged by Kyle Pudenz. 20th Century,Contemporary,Jazz,Standards. Individual part. 6 pages. ViolinVagabond Music #4967185. Published by ViolinVagabond Music (A0.845965). An advanced-level jazz arrangement of Autumn in New York for unaccompanied 7-String Electric Violin. Although this was written on a 7-string, it also translates very well on a 6-string; there are only 2 passages that require the low Bb string, and these will sound fine taken up an octave. If you want to try this on a standard violin, well... good luck with the 5-note chords!I realize we extended-range violinists are few & far between, but if you (like me) appreciate the unique ability of this instrument to cover bass substitutions, chord melodies, and other roles that were previously thought exclusive to fretted/keyed instruments, this arrangement is an excellent demonstration of some of the really cool ways that you can bring a melody to life without the need for any effects or accompaniment. It is not for the faint of heart, and will definitely take some practicing, but if you can tackle the harmony this is a chart that is guaranteed to impress any jazz-nerd in the room... or your money back!*A challenging, yet elegant take on one of my favorite jazz ballads, this arrangement is great for showing off your jazz chops as a soloist, but can also work great as background music at one of those weddings or cocktail parties where someone decided it would be a hip idea to have an electric violinist... by themself...without any suggestions on repertoire (don't lie, we've all done at least one of these). Frets are optional, but not necessary ;-) I've been playing this for 6 years without... Performance time: 5 minutes, 30 secondsAlternatively you can skip one of the choruses to get it under 4 minutesQuestions? Suggestions? Requests? Contact me via my website: www.kylepudenz.com/Together, we can slowly fill the conspicuous void of printed music for electric violin!*You're not actually getting your money back. I stand by my comment about impressing the jazzers, though.
$7.99 ≈
7.14€
' 3 Fugues In 4 Parts '
' 3 Fugues In 4 Parts '
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Clarinet Quartet: 4 clarinets
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ADVANCED
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Messiaen, Revel & Rivier
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Oliver Messiaen, Pierre Revel,
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Stephen Davies
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Rivier
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' 3 Fugues In 4 Parts '
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Stephen Davies
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble - Level 5 - Digital Download SKU: A0.1371738 Composed by Oliver Messiaen, Pierre Revel, Jean Rivier. Arranged by Steph...
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Clarinet Quartet,Woodwind Ensemble - Level 5 - Digital Download SKU: A0.1371738 Composed by Oliver Messiaen, Pierre Revel, Jean Rivier. Arranged by Stephen Davies. 20th Century,Chamber,Contest,Festival. 44 pages. Stephen Davies #955964. Published by Stephen Davies (A0.1371738). '3 Fugues In 4 Parts' By Messiaen, Revel & Rivier.Adapted for Clarinet Quartet by Stephen DaviesIn 1926 a competition was held at the Paris Conservatoire to write a Fugue in four parts using Soprano, Alto, Tenor & Bass clefs, the participating students were to be locked in their rooms from 6.00am to 11.30pm, with only a pencil and manuscript paper, no instruments or educational books were allowed.Each student was given a short musical subject from their professor, who was at the time Henri Rabaud.That year yielded three winners, Olivier Messiaen, Pierre Revel & Jean Rivier.I've adapted each Fugue for the Clarinet, the changes in articulation are my own, and presents the three Fugues as three different pieces using the same subject!!
$21.99 ≈
19.64€
Etude in C, Le Couppey-Nolte
Etude in C, Le Couppey-Nolte
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Piano solo
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ADVANCED
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Eric Paul Nolte and Felix Le C
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Eric Paul Nolte
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Etude in C, Le Couppey-Nolte
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Eric Paul Nolte
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.987083 Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instru...
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Piano Solo - Level 5 - Digital Download SKU: A0.987083 Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instructional. Score. 5 pages. Eric Paul Nolte #1954995. Published by Eric Paul Nolte (A0.987083). This piece is a free adaptation and a complete reworking of a study by Felix Le Couppey (1811-1887), from his L'Agilité, Opus 20, 25 Progressive Studies for Mechanism and Light Touch. In its original form, this study was a charming little piece of musical fluff. But getting it up to speed reduced me to tears! It also gave me an epiphany of immense power that transformed my technique. Suddenly I could play faster than I had ever thought possible, and I could do so with a thrilling ease! This epiphany emerged from the spluttering frustration I felt over my inability to play these sixteenth notes at Le Couppey's metronome marking of 144. It dawned on me that I couldn’t play fast enough because I was tripping over my own fingers when I used the overly articulated technique of moving the fingers by the lift, throw, relax method. This superfluous motion creates an impenetrable barrier, a speed wall, as does playing legato scales by passing the thumb under the palm, when shifting hand position up and down the keyboard. So I found another way-which I’ve since learned was known to every pianist who ever achieved prodigious speed. Here’s how to bring this piece up to speed with ease: Be sure to practice this piece with each hand alone. For each group of sixteenth notes, gently place the four fingers down simultaneously, to get the feel. Think of your arm, from elbow to fingertips, as something like a kitchen utensil, such as a spatula. Moving your right arm as a unit, place your finger tips down into the key bed, depressing all four notes at once, as a block chord. Make sure that all the fingers remain stiff (not rigid with tension, but just stiff enough to resist collapsing upwards.) Slowly lift and then play each group by placing all the fingers down with a rotation of your forearm, calm and relaxed, with the fingers rolling through the notes at the speed of a brief snare drum roll: Rrrrip! To rip through this group of notes like this takes no more effort than to place those four fingers down, calmly, all at once! Then, with a quick shift up or down the keyboard to get into position for the next group, that’s the whole trick for playing such passages with astonishing speed and ease! It takes time and effort to get the knack here, but the result can be transformative and thrilling! As for my adaptation of this study, I believe it offers intermediate advanced players the chance to enjoy a great leap in technique like the one I experienced, and also offers a piece of music that one might not blush to play outside the practice room-perhaps bringing it at least into the living room for a soirée, if not into the concert hall. To make this adaptation, I wrote a grumbly bass line with lungs, and nice fat chords to flesh out most of the skinny little triads that accompany the original study’s fast passages. I added a brooding, chromatic introduction that features as a melody the accompanimental figure of a broken triad that Le Couppey wrote a few times on the second page, in various inversions. I employed this broken chord figure several more times in both hands, and also added a little coda, sprinkled with sparkle. Playing time is about 1 minute and 30 seconds.
$3.99 ≈
3.56€
Robert Orledge: A Night in the House of Usher for organ, based on themes from Debussy's "La Chute de
Robert Orledge: A Night in the House of Usher for organ, based on themes from Debussy's "La Chute de
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Organ
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ADVANCED
#
Classical
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Claude Debussy/Robert Orledge
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Robert Orledge: A Night in the
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Organ - Level 5 - Digital Download SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabri...
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Organ - Level 5 - Digital Download SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabrik Music Publishing #5739561. Published by Musik Fabrik Music Publishing (A0.534661). Over the years 1908–16, Debussy had produced a viable scenario for Usher on his third attempt. But when he came to making a complete draft of the music, he seems to have lost interest during Roderick Usher’s long monologue, even though he was setting his own text. As in No-ja-li he jumped to the next passage that interested him, in this case the exciting final melodrama and the collapse of the Usher house itself.In the process of completing the missing half of the score, I discovered that by reusing Debussy’s material for similar psychological situations across the opera, and by metamorphosing existing ideas (as Debussy does with Mélisande’s theme in his opera Pelléas et Mélisande), the only things I really needed to add were linking material and any passages where fast music was required. So the ‘nightmare scherzo’, and Lady Madeline’s escape from her coffin and her final bloody revenge on her brother are all mine, but most of the rest is existing Debussy in changing contexts (in which the Russian technique of ‘changing backgrounds’, both harmonic and textural, proved extremely useful, as it did to Debussy in his Prélude à l’après-midi d’un faune). Eventually, both my completed ballet No-ja-li and the House of Usher were successfully premiered in 2006 and the latter soon began to find its way into the established repertoire in Europe and the US. To further support this, I transcribed some of the highlights of Debussy’s score as A Night in the House of Usher for organ, and subsequently piano—with a focus on Scene 2 and the final, horrific and maca-bre melodrama. This climaxes in the double deaths of Roderick Usher and his Sister Madeline, together with the disintegration of the ill-fated House of Usher into the stagnant lake-all beneath a blood-red moon.In this form it was first performed by Ian Buckle in the Howard Assembly Rooms, Leeds in 2010.
$12.95 ≈
11.57€
EIGHTEEN IN ITALY Movement I, Letters from a Poet in Italy
EIGHTEEN IN ITALY Movement I, Letters from a Poet in Italy
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Piano, Voice
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ADVANCED
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Francis Osentowski, music Jerr
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Original composition
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EIGHTEEN IN ITALY Movement I,
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Francis Osentowski
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1081893 By Francis Osentowski, music Jerry McElveen, text. By Francis Osentowski, DMA University o...
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1081893 By Francis Osentowski, music Jerry McElveen, text. By Francis Osentowski, DMA University of North Texas. Arranged by Original composition. Contemporary,Contest,Festival,Instructional,Multicultural,Opera,World. Score. 7 pages. Francis Osentowski #686005. Published by Francis Osentowski (A0.1081893). Eighteen in Italy is song one of a four-part song cycle. 1. Eighteen in Italy 2. Caregiver 3. Colosseum 4. David. The beautiful poems by former Richland College Professor, Jerry McElveen describes a tour of Italy by a group of faculty and families. In a beautiful ballroom in Rome on the last day of the tour, Jerry surprised all of us by reciting poems he had created during the tour. When he began presenting his texts...I immediately knew those words were perfect for a musical setting! Our pieces have been performed often throughout the DFW area. Marsha Anderson is a North Lake College faculty member who was an opera singer in Italy for decades and later taught a student credit trip to Italy. You will her perform at University of Texas Arlington with me at the piano. I now think each of the songs should slow down a few clicks to breath more for the singer. The talented young soprano, Erin Alcorn performed the cycle more recently and both performer and my music received excellent reviews from the Dallas Morning News music critic, Scott Cantrell. Several performers have told me that the songs are very comfortable to perform, and the music is suitable for young singers. All four songs are available to purchase at this site.
$5.99 ≈
5.35€
Bang Bang (my Baby Shot Me Down)
Bang Bang (my Baby Shot Me Down)
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Contemporary
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Nancy Sinatra
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Patrick Sheehan
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Bang Bang
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Patrick Sheehan
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SheetMusicPlus
Small Ensemble - Level 5 - Digital Download SKU: A0.748201 By Nancy Sinatra. By Sonny Bono and Wendell J. Yuponce. Arranged by Patrick Sheehan. Contempor...
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Small Ensemble - Level 5 - Digital Download SKU: A0.748201 By Nancy Sinatra. By Sonny Bono and Wendell J. Yuponce. Arranged by Patrick Sheehan. Contemporary. Score and parts. 18 pages. Patrick Sheehan #6070283. Published by Patrick Sheehan (A0.748201). From the album Tango & Ballroom, as used on HBO’s curb your enthusiasmINSTRUMENTATION: Tenor Saxophone (Bb), Accordion, Piano, Electric Bass, Drumset.ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$15.00 ≈
13.40€
Immensity Cloistered
Immensity Cloistered
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Choral Unison
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ADVANCED
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Nicholas White
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Immensity Cloistered
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Nicholas White Music
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SheetMusicPlus
Choral Choir (Unison) - Level 5 - Digital Download SKU: A0.1254455 Composed by Nicholas White. 21st Century,Christian,Christmas,Historic,Renaissance. Oct...
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Choral Choir (Unison) - Level 5 - Digital Download SKU: A0.1254455 Composed by Nicholas White. 21st Century,Christian,Christmas,Historic,Renaissance. Octavo. 12 pages. Nicholas White Music #848027. Published by Nicholas White Music (A0.1254455). A dramatic setting of John Donne's Annunciation and Nativity for solo soprano or unison treble chorus and organ or strings. Also available for countertenor/alto.John Donne (1572-1631)AnnunciationSalvation to all that will is nigh;That All, which always is all everywhere,Which cannot sin, and yet all sins must bear,Which cannot die, yet cannot choose but die,Lo, faithful virgin, yields Himself to lieIn prison, in thy womb; and though He thereCan take no sin, nor thou give, yet He will wear,Taken from thence, flesh, which death's force may try.Ere by the spheres time was created, thouWast in His mind, who is thy Son and Brother;Whom thou conceivst, conceived; yea thou art nowThy Maker's maker, and thy Father's mother;Thou hast light in dark, and shutst in little room,Immensity cloistered in thy dear womb. NativityImmensity cloistered in thy dear womb,Now leaves His well-belov'd imprisonment,There He hath made Himself to His intentWeak enough, now into the world to come;But O, for thee, for Him, hath the inn no room?Yet lay Him in this stall, and from the Orient,Stars and wise men will travel to preventThe effect of Herod's jealous general doom.Seest thou, my soul, with thy faith's eyes, how HeWhich fills all place, yet none holds Him, doth lie?Was not His pity towards thee wondrous high,That would have need to be pitied by thee?Kiss Him, and with Him into Egypt go,With His kind mother, who partakes thy woe.
$5.00 ≈
4.47€
Fugue No.3
Fugue No.3
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Piano solo
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ADVANCED
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Contemporary
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David Tsvariani
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Fugue No.3
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David Tsvariani
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1324803 Composed by David Tsvariani. Classical,Contemporary. Score. 4 pages. David Tsvariani #913012. Pub...
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Piano Solo - Level 5 - Digital Download SKU: A0.1324803 Composed by David Tsvariani. Classical,Contemporary. Score. 4 pages. David Tsvariani #913012. Published by David Tsvariani (A0.1324803). Fugues Op. 17 for Piano by David TsvarianiIntroduction:Allow me to share a few thoughts about my recent composition, Fugues Op. 17, for piano. Comprising four individual fugues that can be performed separately or as a complete suite, this work explores a range of tempos, keys, and thematic nuances. I've endeavored to create a modest collection that, when performed together, offers a glimpse into various emotional landscapes.Fugue No. 1 in C Major (Allegro vivace):The journey begins with the lively Allegro vivace in C major, a modest 01:44 celebration of joy and energy. It is my hope that this piece, with its brisk tempo, serves as a lively opening to the collection, showcasing the pianist's skill and the intricate counterpoint I aimed to achieve.Fugue No. 2 in B-flat Major (Andante):The second fugue, marked Andante with a duration of 02:25, introduces a contemplative mood in the key of B-flat major. In my modest attempt, this piece invites the listener to reflect and explore a more introspective side, providing a gentle contrast to the preceding fugue.Fugue No. 3 in A Major (Adagio):With a deliberate pace of 02:57 and an Adagio tempo, the third fugue in A major emphasizes melody and expression. My humble intention was to create a serene and emotional landscape, allowing the listener to experience a deeper connection with the music.Fugue No. 4 in D Major (Allegretto):The final fugue, an Allegretto in D major, lasts a mere 01:40. In a departure from convention, I introduced an Eastern or oriental scale, aiming to infuse the composition with a unique character. It is my modest hope that this unexpected touch adds a distinctive flavor to the overall work.Program Notes:As I share Fugues Op. 17, I am mindful of the privilege of having my compositions interpreted by talented performers. My sincere aspiration was to create a humble collection that weaves together varied emotions and styles. The inclusion of a melodic third fugue and the exoticism of the fourth fugue seeks to expand the tonal palette modestly. I hope that, as a whole, this collection speaks with a quiet resonance, leaving room for interpretation and connection between the music, the performer, and the listener. With gratitude, David Tsvariani.
$1.99 ≈
1.78€
Fugue No.4
Fugue No.4
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Piano solo
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ADVANCED
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Contemporary
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David Tsvariani
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Fugue No.4
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David Tsvariani
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1324805 Composed by David Tsvariani. Classical,Contemporary. Score. 4 pages. David Tsvariani #913014. Pub...
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Piano Solo - Level 5 - Digital Download SKU: A0.1324805 Composed by David Tsvariani. Classical,Contemporary. Score. 4 pages. David Tsvariani #913014. Published by David Tsvariani (A0.1324805). Fugues Op. 17 for Piano by David TsvarianiIntroduction:Allow me to share a few thoughts about my recent composition, Fugues Op. 17, for piano. Comprising four individual fugues that can be performed separately or as a complete suite, this work explores a range of tempos, keys, and thematic nuances. I've endeavored to create a modest collection that, when performed together, offers a glimpse into various emotional landscapes.Fugue No. 1 in C Major (Allegro vivace):The journey begins with the lively Allegro vivace in C major, a modest 01:44 celebration of joy and energy. It is my hope that this piece, with its brisk tempo, serves as a lively opening to the collection, showcasing the pianist's skill and the intricate counterpoint I aimed to achieve.Fugue No. 2 in B-flat Major (Andante):The second fugue, marked Andante with a duration of 02:25, introduces a contemplative mood in the key of B-flat major. In my modest attempt, this piece invites the listener to reflect and explore a more introspective side, providing a gentle contrast to the preceding fugue.Fugue No. 3 in A Major (Adagio):With a deliberate pace of 02:57 and an Adagio tempo, the third fugue in A major emphasizes melody and expression. My humble intention was to create a serene and emotional landscape, allowing the listener to experience a deeper connection with the music.Fugue No. 4 in D Major (Allegretto):The final fugue, an Allegretto in D major, lasts a mere 01:40. In a departure from convention, I introduced an Eastern or oriental scale, aiming to infuse the composition with a unique character. It is my modest hope that this unexpected touch adds a distinctive flavor to the overall work.Program Notes:As I share Fugues Op. 17, I am mindful of the privilege of having my compositions interpreted by talented performers. My sincere aspiration was to create a humble collection that weaves together varied emotions and styles. The inclusion of a melodic third fugue and the exoticism of the fourth fugue seeks to expand the tonal palette modestly. I hope that, as a whole, this collection speaks with a quiet resonance, leaving room for interpretation and connection between the music, the performer, and the listener. With gratitude, David Tsvariani.
$1.99 ≈
1.78€
Fugue No.2
Fugue No.2
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Piano solo
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ADVANCED
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Contemporary
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David Tsvariani
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Fugue No.2
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David Tsvariani
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1324802 Composed by David Tsvariani. Classical,Contemporary. Score. 5 pages. David Tsvariani #913011. Pub...
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Piano Solo - Level 5 - Digital Download SKU: A0.1324802 Composed by David Tsvariani. Classical,Contemporary. Score. 5 pages. David Tsvariani #913011. Published by David Tsvariani (A0.1324802). Fugues Op. 17 for Piano by David TsvarianiIntroduction:Allow me to share a few thoughts about my recent composition, Fugues Op. 17, for piano. Comprising four individual fugues that can be performed separately or as a complete suite, this work explores a range of tempos, keys, and thematic nuances. I've endeavored to create a modest collection that, when performed together, offers a glimpse into various emotional landscapes.Fugue No. 1 in C Major (Allegro vivace):The journey begins with the lively Allegro vivace in C major, a modest 01:44 celebration of joy and energy. It is my hope that this piece, with its brisk tempo, serves as a lively opening to the collection, showcasing the pianist's skill and the intricate counterpoint I aimed to achieve.Fugue No. 2 in B-flat Major (Andante):The second fugue, marked Andante with a duration of 02:25, introduces a contemplative mood in the key of B-flat major. In my modest attempt, this piece invites the listener to reflect and explore a more introspective side, providing a gentle contrast to the preceding fugue.Fugue No. 3 in A Major (Adagio):With a deliberate pace of 02:57 and an Adagio tempo, the third fugue in A major emphasizes melody and expression. My humble intention was to create a serene and emotional landscape, allowing the listener to experience a deeper connection with the music.Fugue No. 4 in D Major (Allegretto):The final fugue, an Allegretto in D major, lasts a mere 01:40. In a departure from convention, I introduced an Eastern or oriental scale, aiming to infuse the composition with a unique character. It is my modest hope that this unexpected touch adds a distinctive flavor to the overall work.Program Notes:As I share Fugues Op. 17, I am mindful of the privilege of having my compositions interpreted by talented performers. My sincere aspiration was to create a humble collection that weaves together varied emotions and styles. The inclusion of a melodic third fugue and the exoticism of the fourth fugue seeks to expand the tonal palette modestly. I hope that, as a whole, this collection speaks with a quiet resonance, leaving room for interpretation and connection between the music, the performer, and the listener. With gratitude, David Tsvariani.
$1.99 ≈
1.78€
Fugue No.1
Fugue No.1
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Piano solo
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ADVANCED
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Contemporary
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David Tsvariani
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Fugue No.1
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David Tsvariani
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1324800 By David Tsvariani. By David Tsvariani. Classical,Contemporary. Score. 3 pages. David Tsvariani #...
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Piano Solo - Level 5 - Digital Download SKU: A0.1324800 By David Tsvariani. By David Tsvariani. Classical,Contemporary. Score. 3 pages. David Tsvariani #913009. Published by David Tsvariani (A0.1324800). Fugues Op. 17 for Piano by David TsvarianiIntroduction:Allow me to share a few thoughts about my recent composition, Fugues Op. 17, for piano. Comprising four individual fugues that can be performed separately or as a complete suite, this work explores a range of tempos, keys, and thematic nuances. I've endeavored to create a modest collection that, when performed together, offers a glimpse into various emotional landscapes.Fugue No. 1 in C Major (Allegro vivace):The journey begins with the lively Allegro vivace in C major, a modest 01:44 celebration of joy and energy. It is my hope that this piece, with its brisk tempo, serves as a lively opening to the collection, showcasing the pianist's skill and the intricate counterpoint I aimed to achieve.Fugue No. 2 in B-flat Major (Andante):The second fugue, marked Andante with a duration of 02:25, introduces a contemplative mood in the key of B-flat major. In my modest attempt, this piece invites the listener to reflect and explore a more introspective side, providing a gentle contrast to the preceding fugue.Fugue No. 3 in A Major (Adagio):With a deliberate pace of 02:57 and an Adagio tempo, the third fugue in A major emphasizes melody and expression. My humble intention was to create a serene and emotional landscape, allowing the listener to experience a deeper connection with the music.Fugue No. 4 in D Major (Allegretto):The final fugue, an Allegretto in D major, lasts a mere 01:40. In a departure from convention, I introduced an Eastern or oriental scale, aiming to infuse the composition with a unique character. It is my modest hope that this unexpected touch adds a distinctive flavor to the overall work.Program Notes:As I share Fugues Op. 17, I am mindful of the privilege of having my compositions interpreted by talented performers. My sincere aspiration was to create a humble collection that weaves together varied emotions and styles. The inclusion of a melodic third fugue and the exoticism of the fourth fugue seeks to expand the tonal palette modestly. I hope that, as a whole, this collection speaks with a quiet resonance, leaving room for interpretation and connection between the music, the performer, and the listener. With gratitude, David Tsvariani.
$1.99 ≈
1.78€
Aspirations Op. 1
Aspirations Op. 1
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Piano solo
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ADVANCED
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Contemporary
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Tayren N
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Aspirations Op. 1
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Tayren N. Ben-Abraham
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1027238 Composed by Tayren N. Ben-Abraham. 20th Century,Concert,Contemporary. Score. 10 pages. Tayren N. ...
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Piano Solo - Level 5 - Digital Download SKU: A0.1027238 Composed by Tayren N. Ben-Abraham. 20th Century,Concert,Contemporary. Score. 10 pages. Tayren N. Ben-Abraham #2039327. Published by Tayren N. Ben-Abraham (A0.1027238). This solo piano work describes the unfulfilled aspirations of a person or group of people and aims to be as a meditation by which these aspirations can be offered at the time of performance together as one voice along with the performer. This work is suitable for recitals, to be placed as solo repertoire as part of a concert, and more. Aspirations is suitable for all audiences. It is suitable for performers who are at an advanced level of piano skills to the professional. The entire work lasts approximate 7 minutes long. This piece was written in January and February 2012 with the official finishing date being February 28, 2012. It is my first serious piece which was composed in my undergraduate studies at Valley City State University under my professor Jorge Variego. The first 22 bars were conceived a year earlier as a sketch. This piece is part of the Valley City Collection, which describes works of music I composed while living in Valley City, North Dakota. The piece in the beginning involves bitonality, the bass being in A minor and the melodic line being in F major. The main theme is given much room to develop and soon runs into the secondary theme at measure 45. At measures 48 to 50 the main theme returns only to introduce the third theme at measure 51 to 52 then returning to the first theme. At measure 73, another theme enters to transition back to the main theme that is a variation at measure 81 to the end. Mainly composed in 12/8 time, the work concludes in 4/4 time. Your Performing Rights Organization Your Social Media Channels and Contact Information.
$5.00 ≈
4.47€
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In My Room
