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It's Not Love
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Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
#
Soprano voice, Piano
#
ADVANCED
#
Classical
#
Ruggiero Leoncavallo
#
Nicole Elyse DiPaolo
#
Qual fiamma...Stridono lassù
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period....
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95 ≈
8.02€
Wie Du warst (Octavian's Aria) from Der Rosenkavalier - Accessible Accompaniments Edition
Wie Du warst (Octavian's Aria) from Der Rosenkavalier - Accessible Accompaniments Edition
#
Alto voice, Piano
#
ADVANCED
#
Classical
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Wie Du warst
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Alto Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Pe...
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Alto Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. Nicole Elyse DiPaolo #5022023. Published by Nicole Elyse DiPaolo (A0.799612). The first of its kind, and the third entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Wie Du warst, Octavian's famous aria from Strauss's Der Rosenkavalier (1911). Mezzos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury. This edition also includes a two-measure recomposed ending four measures after rehearsal 25, making this edition a great choice for concert and audition situations in which another singer isn't available to sing the Marschallin's lines.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95 ≈
8.02€
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
#
Soprano voice, Piano
#
ADVANCED
#
Classical
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Grossmächtige Prinzessin
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95 ≈
12.50€
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
#
Soprano voice, Piano
#
ADVANCED
#
Richard Wagner
#
Nicole Elyse DiPaolo
#
O Sachs! Mein Freund!
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Centur...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95 ≈
8.02€
Mother's Love
Mother's Love
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Guitar notes and tablatures
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ADVANCED
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Contemporary
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Bradley Thomas
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Mother's Love
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Bradley Thomas
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SheetMusicPlus
Guitar - Level 5 - Digital Download SKU: A0.1232204 By Bradley Thomas. By Bradley Thomas. Contemporary. Guitar Tab. 2 pages. Bradley Thomas #827888. Publ...
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Guitar - Level 5 - Digital Download SKU: A0.1232204 By Bradley Thomas. By Bradley Thomas. Contemporary. Guitar Tab. 2 pages. Bradley Thomas #827888. Published by Bradley Thomas (A0.1232204). Mother's Love is an original composition for solo classical guitar. It is written in standard notation and tablature. It is suitable for the advanced guitarist.
$4.99 ≈
4.47€
Winter Love
Winter Love
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Contemporary
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Sally Whitwell
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Winter Love
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Sally Whitwell
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SheetMusicPlus
Small Ensemble,Strings Piano - Level 5 - Digital Download SKU: A0.873039 Composed by Sally Whitwell. Contemporary. Score and parts. 22 pages. Sally Whitw...
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Small Ensemble,Strings Piano - Level 5 - Digital Download SKU: A0.873039 Composed by Sally Whitwell. Contemporary. Score and parts. 22 pages. Sally Whitwell #3875723. Published by Sally Whitwell (A0.873039). I first met the Acacia Quartet a couple of years back, playing in a show I put together for Sydney Philharmonia Choirs, T​ he Beatles Unplugged​. What a joy to discover a quartet of such expert musicians who are also so open to playing such a wide variety of music, from The Beatles to Brahms! I wrote this piece ​Winter Love​ for us to perform together.Composing a piece for specific performs is, I imagine, something like tailoring a bespoke suit. I wanted to give them something with which they could show off their unique versatility; creating rich, warm, blended sounds one minute and fiery, energetic, even whimsical tones the next. I didn’t want to write just a quartet at the time because, perhaps selfishly, I simply wanted to be a part of it!The title makes it seem like the work is programmatic, but it’s not. I just couldn’t think of a title for it. My partner Glennda came up with that, and I dedicate the piece to her.-- Sally Whitwell
$9.99 ≈
8.95€
Wedding March from “A Midsummer Night's Dream” Op. 61 for Brass Ensemble
Wedding March from “A Midsummer Night's Dream” Op. 61 for Brass Ensemble
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Classical
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Felix Bartholdy Mendelssohn
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Shinya Ishida
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Wedding March from “A Midsum
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BitNotes.jp
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SheetMusicPlus
Brass Ensemble Bass Trombone,Euphonium,Horn,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1297452 Composed by Felix Bartholdy Mendelssohn. Arranged b...
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Brass Ensemble Bass Trombone,Euphonium,Horn,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1297452 Composed by Felix Bartholdy Mendelssohn. Arranged by Shinya Ishida. 19th Century,Classical,Wedding. Score and Parts. 31 pages. BitNotes.jp #887509. Published by BitNotes.jp (A0.1297452). The Wedding March is a delightful composition by the German composer Felix Mendelssohn, originally conceived as part of the incidental music for William Shakespeare's play A Midsummer Night's Dream. This enchanting piece comes to life during the wedding scene, set on a magical night where fairies revel and four young lovers, along with the Fairy King and Queen, find themselves entangled in the mischief of a love potion, ultimately celebrating two joyous unions.Composed in 1842, this piece gained widespread recognition when it was performed alongside Wagner's Bridal Chorus at the wedding of Prince Friedrich of Prussia and Princess Victoria of the United Kingdom in 1858. Since then, it has remained a timeless classic and a staple in weddings and joyous celebrations worldwide.We have meticulously transcribed this iconic wedding composition for a brass ensemble featuring ten musicians (3 trumpets, 3 horns, 3 trombones, and 1 tuba). For those seeking to add an extra layer of grandeur to their performance, optional percussion instruments (cymbals and triangle) can be seamlessly incorporated.It's worth noting that the Bass Trombone part can be played on the Euphonium as well, offering flexibility to the ensemble. Given the piece's length and multiple repetitions, individual performers can consider omitting repeats or making cuts to suit the performance scene and endurance levels.Elevate your special occasion with this timeless masterpiece, the Wedding March, expertly arranged for brass ensemble. It's the perfect choice to add a touch of elegance and magic to your wedding or celebratory event.
$12.00 ≈
10.75€
Schön Rosmarin (Lovely Rosemary) for Violin & Pianoforte
Schön Rosmarin (Lovely Rosemary) for Violin & Pianoforte
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Violin and Piano
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ADVANCED
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Friedrich Fritz Kreisler
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Keith Terrett
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Schön Rosmarin
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Keith Terrett
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SheetMusicPlus
Piano,Violin - Level 5 - Digital Download SKU: A0.1446374 By Friedrich Fritz Kreisler (February 2, 1875 – January 29, 1962). By Friedrich Fritz Kreisle...
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Piano,Violin - Level 5 - Digital Download SKU: A0.1446374 By Friedrich Fritz Kreisler (February 2, 1875 – January 29, 1962). By Friedrich Fritz Kreisler. Arranged by Keith Terrett. Classical,Contest,Festival,Historic,Instructional,Romantic Period. 12 pages. Keith Terrett #1026182. Published by Keith Terrett (A0.1446374). Alt-Wiener Tanzweisen (Old Viennese Melodies in German) is a set of three short pieces for violin and piano composed by Austrian-American violinist Fritz Kreisler. The three pieces are titled Liebesfreud (Love's Joy), Liebesleid (Love's Sorrow), and Schön Rosmarin (Lovely Rosemary).It is not known when the pieces are written, but they were published in 1905, deliberately misattributed to Joseph Lanner.[citation needed] The pieces had become parts of Kreisler's repertoire well before September 1910, when he copyrighted them under his own name.Kreisler often played these pieces as encores at his concerts, though the pieces are usually performed separately.In 1911, he published solo piano arrangements of the pieces as Alt-Wiener Tanzweisen. The pieces have since appeared in numerous settings for other instruments, or orchestrated.Two of the pieces, Liebesfreud and Liebesleid, were the subject of virtuoso transcriptions for solo piano by Kreisler's friend Sergei Rachmaninoff (1931), who also recorded these transcriptions.
$8.00 ≈
7.17€
What Now My Love
What Now My Love
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Piano solo
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ADVANCED
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Elvis Presley
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Timothy Stapay
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What Now My Love
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1235275 By Elvis Presley. By Carl Sigman, Francois Becaud, and Pierre Delano. Arranged by Timothy Stapay....
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Piano Solo - Level 5 - Digital Download SKU: A0.1235275 By Elvis Presley. By Carl Sigman, Francois Becaud, and Pierre Delano. Arranged by Timothy Stapay. Film/TV,Jazz,Latin,Singer/Songwriter,Standards. Score. 10 pages. Timothy Stapay #830811. Published by Timothy Stapay (A0.1235275). This arrangement of What Now My Love is written as performed by legendary pianist, Liberace. It's in a moderate Bolero rhythmic style.What Now, My Love? is the English title of a popular song whose original French version, Et maintenant (English: And Now) was written in 1961 by composer Gilbert Bécaud and lyricist Pierre Delanoë. The recurring musical pattern in the background is the Boléro by Ravel. English lyrics and the title were written by Carl Sigma.Lyrics:What now my love, now that you've left meHow can I live through another dayWatching my dreams turn to ashesAnd my hopes turn to bits of clayOnce I could see, once I could feelNow I am numb, I've become unrealI walk the night, without a goalStripped of my heart and my soulWhat now my love, now that it's overI feel the world falling all around meHere come the stars, tumbling around meThere's the sky, where that sea should beWhat now my love, now that you're goneI'd be a fool to go on and onNo one would care, no one would cryIf I should live if I should live or dieWhat now my love, now there is nothingOnly my last, my last good-byeWładziu Valentino Liberace(May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!
$8.99 ≈
8.06€
Crazy Little Thing Called Love
Crazy Little Thing Called Love
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Cello
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ADVANCED
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Queen
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Sarah Cellobat Chaffee
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Crazy Little Thing Called Love
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Sarah Cellobat Chaffee
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SheetMusicPlus
Cello Solo - Level 5 - Digital Download SKU: A0.1453379 By Queen. By Freddie Mercury. Arranged by Sarah Cellobat Chaffee. Pop,Rock,Wedding. Individual pa...
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Cello Solo - Level 5 - Digital Download SKU: A0.1453379 By Queen. By Freddie Mercury. Arranged by Sarah Cellobat Chaffee. Pop,Rock,Wedding. Individual part. 2 pages. Sarah Cellobat Chaffee #1032612. Published by Sarah Cellobat Chaffee (A0.1453379). One of Queen's most beloved classic songs, Crazy Little Thing Called Love was written in 1979 as a tribute to Elvis Presley -- and the song's rockabilly groove, doo-wop feel, and blues-inspired bass definitely make that clear! This Cellobat version for solo cello was originally written for a wedding ceremony, but it will also be perfect for receptions, vow renewals, cocktail parties, solo & ensemble contests or any other occasion you need to get your audience dancing! Featuring the catchy lyrical melody, funky rhythmic grooves, and even the guitar solo of the original, this arrangement is just as much fun to play as it is to listen to. No accompaniment part -- it stands alone, or can be played with a backing track for solo gigs. This chart is rated advanced; there are some syncopated rhythms, triplets, and accidentals that might require running through before performing. Overall it will be learnable for more advanced students and sightreadable for professionals. Have fun and swing those 8th notes! :)Sarah “Cellobat” Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild” residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$7.99 ≈
7.16€
Crazy Little Thing Called Love
Crazy Little Thing Called Love
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Violin
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ADVANCED
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Queen
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Sarah Cellobat Chaffee
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Crazy Little Thing Called Love
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Sarah Cellobat Chaffee
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SheetMusicPlus
Violin Solo - Level 5 - Digital Download SKU: A0.526286 By Queen. By Freddie Mercury. Arranged by Sarah Cellobat Chaffee. Pop,Rock,Wedding. 2 pages. Sara...
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Violin Solo - Level 5 - Digital Download SKU: A0.526286 By Queen. By Freddie Mercury. Arranged by Sarah Cellobat Chaffee. Pop,Rock,Wedding. 2 pages. Sarah Cellobat Chaffee #6371025. Published by Sarah Cellobat Chaffee (A0.526286). One of Queen's most beloved classic songs, Crazy Little Thing Called Love was written in 1979 as a tribute to Elvis Presley -- and the song's rockabilly groove, doo-wop feel, and blues-inspired bass definitely make that clear! This version for solo violin was originally written for a wedding ceremony, but it will also be perfect for receptions, vow renewals, cocktail parties, solo & ensemble contests or any other occasion you need to get your audience dancing! Featuring the catchy lyrical melody, funky rhythmic grooves, and even the guitar solo of the original, this arrangement is just as much fun to play as it is to listen to. No accompaniment part -- it stands alone, or can be played with a backing track for solo gigs. This chart is rated advanced; there are some syncopated rhythms, triplets, and accidentals that might require running through before performing. Overall it will be learnable for more advanced students and sightreadable for professionals. Have fun and swing those 8th notes! :) Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat
$7.99 ≈
7.16€
It's Only A Paper Moon
It's Only A Paper Moon
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Guitar
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ADVANCED
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Billy Rose, E
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Christopher J
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It's Only A Paper Moon
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Christopher J. Malin
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SheetMusicPlus
Solo Guitar - Level 5 - Digital Download SKU: A0.1305049 Composed by Billy Rose, E.Y. Yip Harburg, and Harold Arlen. Arranged by Christopher J. Malin. 20...
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Solo Guitar - Level 5 - Digital Download SKU: A0.1305049 Composed by Billy Rose, E.Y. Yip Harburg, and Harold Arlen. Arranged by Christopher J. Malin. 20th Century,Film/TV,Jazz,Standards. Individual part. 1 pages. Christopher J. Malin #894466. Published by Christopher J. Malin (A0.1305049). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. One of Harold Arlen's finer pieces. The film Papermoon was named after the song! Very unusual.This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. I also wrote the lyrics under the chords/notes in the B section to help with the timing. This song is in an ABABA format. I love the light, childlike melody! Sounds great on acoustic and electric guitars.
$5.99 ≈
5.37€
Poe's Evening Carousel Ride, based on Edgar Allan Poe's poem, "Evening Star."
Poe's Evening Carousel Ride, based on Edgar Allan Poe's poem, "Evening Star."
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Contemporary
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Grace Joy Reid
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Poe's Evening Carousel Ride, b
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Creating Music Joy
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SheetMusicPlus
Small Ensemble Flute,Keyboard,Voice - Level 5 - Digital Download SKU: A0.1005681 Composed by Grace Joy Reid. 20th Century,Contemporary. Score and parts. ...
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Small Ensemble Flute,Keyboard,Voice - Level 5 - Digital Download SKU: A0.1005681 Composed by Grace Joy Reid. 20th Century,Contemporary. Score and parts. 9 pages. Creating Music Joy #6197023. Published by Creating Music Joy (A0.1005681). My original song, Poe's Christmas Eve Carousel Ride, is a microtonal melody for Celesta and/or Flute/Voice, based on Edgar Allan Poe's Evening Star.I imagined Edgar Allan Poe sitting on one of the carousel horses as it was going around and around. While this was happening, he was looking up at the night sky and thought about how much he liked the evening star better than the moon's light. (The celesta is known for its recognized sound in Tchaikovsky's, The Nutcracker Suite, The Dance of the Sugar Plum Fairy.). I figured out how to put it in a quartal tone key in Finale, thanks to Google. I used quartal tones in the left hand, so it's a blend of a tonal melodic line in an atonal landscape. Edgar Allan Poe had a horrific life. His father abandoned his family when he was young. His mother died when he was a child. After he was adopted, although not legally, he had a falling out with his foster father, who alienated him and didn't let him know that his foster mother was dying. But, he did inform him after she died. Edgar married his cousin, Virginia Clem, who was 13 and he was 26. She died 11 years into their marriage due to tuberculosis. Thus, some writers say that all of his writings have a beautiful woman who died in his stories. He lost all of the women who loved him in his life. When you see his portrait, he has sad eyes, as someone who has suffered much. But, his writing has lived well beyond his lifetime of misery and heartache. My song symbolizes, not only Poe's poem, but his life, as very difficult, yet beautiful. With me poetry has not been a purpose, but a passion. Edgar Allan Poe. Warning: Before purchasing this music, make sure that you know how to use quartal tones in your keyboard.
$7.95 ≈
7.12€
"To Russia With Love"
"To Russia With Love"
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Piano solo
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ADVANCED
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Kerry Barnes --- British Femal
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"To Russia With Love"
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kerry barnes
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.969770 Composed by Kerry Barnes --- British Female Composer 1962. 20th Century,Concert,Contemporary,Instr...
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Piano Solo - Level 5 - Digital Download SKU: A0.969770 Composed by Kerry Barnes --- British Female Composer 1962. 20th Century,Concert,Contemporary,Instructional,Standards. Score. 6 pages. Kerry barnes #6221901. Published by kerry barnes (A0.969770). Very fast and virtuosic piano solo.In true Russian style and integrity.For 'RECITAL' purposes and/or Highest level piano exam.Please note: In the 'audio clip' there are some added strings, but they do not appear in the piano score, which is perfect on it's own. .
$10.00 ≈
8.96€
The Sun's Lullaby (Away in a Manger)
The Sun's Lullaby (Away in a Manger)
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Piano solo
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ADVANCED
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Christmas
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Kathleen Ryan
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Kathleen Ryan
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The Sun's Lullaby
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Indigo Mesa Music LLC
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1120813 By Kathleen Ryan. By Kathleen Ryan. Arranged by Kathleen Ryan. Christmas,Classical,Holiday,Religi...
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Piano Solo - Level 5 - Digital Download SKU: A0.1120813 By Kathleen Ryan. By Kathleen Ryan. Arranged by Kathleen Ryan. Christmas,Classical,Holiday,Religious,Sacred. Score. 6 pages. Indigo Mesa Music LLC #722024. Published by Indigo Mesa Music LLC (A0.1120813). “fit us for heaven to live with Thee there†“this have I done for my true love†Two versions of Away in a Manger, plus My Dancing Day, arranged & performed by Kathleen Ryan on her Christmas CD, The Rebirth of Light. Kathleen's notes: This is not a lullaby for a tiny helpless baby; it’s a lullaby for the King of Creation. Suitable for use in church and requiring late intermediate/advanced piano technique, particularly in the left hand, which has immense leaps across the right hand.
$5.25 ≈
4.71€
It's Christmas Time Again for Flute Choir or Flute Ensemble
It's Christmas Time Again for Flute Choir or Flute Ensemble
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Flute ensemble
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ADVANCED
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Christmas
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Daniel Kelley
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Daniel Kelley
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It's Christmas Time Again for
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Last Resort Music Publishing
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SheetMusicPlus
Woodwind Ensemble Flute - Level 5 - Digital Download SKU: A0.530846 Composed by Daniel Kelley. Arranged by Daniel Kelley. Christmas,Concert,Pop,Standards...
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Woodwind Ensemble Flute - Level 5 - Digital Download SKU: A0.530846 Composed by Daniel Kelley. Arranged by Daniel Kelley. Christmas,Concert,Pop,Standards. 29 pages. Last Resort Music Publishing #6519187. Published by Last Resort Music Publishing (A0.530846). It’s Christmas Time Again, was introduced by one of the legends of the great American songbook, John Pagano. Savor a glass of wine and snuggle with those you love as this musical portrait of Christmas relaxes and cheers you! Arranged for Flute Choir by the composer!FLUTE CHOIR - Favorites for Flute!This series is designed to be played by a flute ensemble or flute choir. Each title includes a full set of parts and a score. These arrangements are not intended to be interchangeable, so only one set is needed to perform!Instrumentation:2 Piccolos8 Flutes2 Alto Flutes in G2 Bass FlutesOptional Guitar ScoreCheck out our other titles available on SheetMusicPlus and www.lastresortmusic.comPublished by Last Resort Music Publishing www.lastresortmusic.com
$30.00 ≈
26.89€
P.s. I Love You
P.s. I Love You
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String Trio: 3 violins
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ADVANCED
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Rock
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The Beatles
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Judith Katz
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P.s. I Love You
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Judith Katz
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SheetMusicPlus
String Trio Violin - Level 5 - Digital Download SKU: A0.1313412 By The Beatles. By John Lennon and Paul McCartney. Arranged by Judith Katz. 20th Century,...
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String Trio Violin - Level 5 - Digital Download SKU: A0.1313412 By The Beatles. By John Lennon and Paul McCartney. Arranged by Judith Katz. 20th Century,Rock. 10 pages. Judith Katz #902168. Published by Judith Katz (A0.1313412). Another hit by John Lennon and Paul McCartney. Â This time it's arranged for string trio.
$14.99 ≈
13.43€
It Is Well With My Soul - Piano solo
It Is Well With My Soul - Piano solo
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Piano solo
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ADVANCED
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Sacred music
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Philip P
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Judith L
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It Is Well With My Soul - Pian
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Maggs
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.821216 Composed by Philip P. Bliss. Arranged by Judith L. Maggs. Christian,Religious,Sacred. Score. 5 pag...
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Piano Solo - Level 5 - Digital Download SKU: A0.821216 Composed by Philip P. Bliss. Arranged by Judith L. Maggs. Christian,Religious,Sacred. Score. 5 pages. Maggs #5349687. Published by Maggs (A0.821216). This gentle arrangement of the hymn tune It Is Well With My Soul (Ville du Havre) by Philip Bliss. (Words by Horatio G. Spafford) It would make a lovely church prelude or offertory. It's also very appropriate for a funeral or memorial service. Note: This arrangement is included in my collection, “In Loving Memory,†also available on this site.
$2.99 ≈
2.68€
Crazy In Love
Crazy In Love
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String Quartet: 2 violins, viola, cello
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ADVANCED
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Pop music
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Beyonce Featuring Jay-Z
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HELEN MARPLE-HORVAT
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Crazy In Love
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Helen Marple-Horvat
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SheetMusicPlus
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.749226 By Beyonce Featuring Jay-Z. By Beyonce Knowles, Eugene Record, Rich Harrison, a...
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.749226 By Beyonce Featuring Jay-Z. By Beyonce Knowles, Eugene Record, Rich Harrison, and Sean Carter. Arranged by HELEN MARPLE-HORVAT. Contemporary. Score and parts. 15 pages. Helen Marple-Horvat #5028989. Published by Helen Marple-Horvat (A0.749226). https://www.youtube.com/watch?v=3nbV9vSBktM Crazy in Love was released on Beyonce’s debut solo album ‘Dangerously in Love’ in 2003 and featured the rapper Jay-Z. It reached number one in both British and USA charts, and the top ten in many countries across the world.I really loved arranging this for string quartet and hope that it will give you pleasure to play. I have placed this piece within the Advanced category. In rehearsal with Capriccio Quartet and we tried it various tempi between70 and 84 bpm. Provided the energy is present in the playing it sounds just as good at a slower speed!Younger players could also tackle this song, which is in an easy key for strings. Although some of the rhythmic patterns appear difficult on the page, the key is to listen to the song and to do them by ear. There is not a lot of syncopation, and the on-beat semi quavers sound wonderful on strings. If they are played vigorously, with all the staccato and accents in the score, you can get away with a much slower speed altogether. As usual, the bowing is just a guide and the double stopping always includes an open string. On the rare occasion that the double stopping includes two notes without the open string, choose one of them that is not doubled in one of the other parts.Where there is a dynamic ‘p’ it is important to observe it. There are some very dissonant harmonies in this piece. Playing them loudly will sound a bit odd, but I tried leaving them out and the result was a drop in tension. There is a major/minor thing going on throughout the song that is very subtle.Please visit my Youtube Channel at ‘Helen Marple-Horvat Songwriter, Arranger, Composer’ for playlists of all my arrangements, most of which have been recorded. All but three are available from Sheet Music Plus.
$20.00 ≈
17.92€
How Hope Became Love
How Hope Became Love
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Piano solo
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ADVANCED
#
Kathleen Ryan
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How Hope Became Love
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Indigo Mesa Music LLC
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1204472 By Kathleen Ryan. By Kathleen Ryan. Classical,New Age. Score. 7 pages. Indigo Mesa Music LLC #802...
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Piano Solo - Level 5 - Digital Download SKU: A0.1204472 By Kathleen Ryan. By Kathleen Ryan. Classical,New Age. Score. 7 pages. Indigo Mesa Music LLC #802939. Published by Indigo Mesa Music LLC (A0.1204472). Piano solo, as composed and performed by Kathleen Ryan on her CD Under the Greenwood Tree.Kathleen's notes on this piece:I think of this as a song, with different music for each verse (since I don’t have words to work with) and then a chorus that returns. Yes, it could be called a rondo, with the “B†section being the one that returns; but really in a rondo, the “A†section returns, right? So, this is just a song. A kind of a love song, in fact.Advanced technique: excellent voicing required, extreme reach rolled chords in right hand.
$5.25 ≈
4.71€
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It's Not Love
