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58 sheet music found
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1
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51
Sleepwalker
Sleepwalker
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Violin
#
ADVANCED
#
Ava Max
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Dan Edwards
#
Sleepwalker
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arr. Dan Edwards
#
SheetMusicPlus
Violin Solo - Level 5 - Digital Download SKU: A0.1306871 By Ava Max. By Alexander Izquierdo, Amanda Koci, Ava Max, Henry Walter, Jonas Jeberg, Marcus Lom...
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Violin Solo - Level 5 - Digital Download SKU: A0.1306871 By Ava Max. By Alexander Izquierdo, Amanda Koci, Ava Max, Henry Walter, Jonas Jeberg, Marcus Lomax, Mats Fredrik Berntoft, Ritwik Vyas, Sean Douglas, Sean Douglass, and Silje Nymoen. Arranged by Dan Edwards. 21st Century,Contemporary,Pop,Singer/Songwriter. 2 pages. Arr. Dan Edwards #896207. Published by arr. Dan Edwards (A0.1306871). Sleepwalker by Ava Max, arranged for violin solo by Dan Edwards. Don't freak out about the glissandos in the guitar solo: just do what you can to make it work. I've notated them as they are (more or less) in the original song, but you could just do little slides instead, or omit them completely if you're not convinced!Duration: 3 minutes 11 seconds (including repeat).Dan Edwards is a prize-winning composer, arranger, producer and multi-instrumentalist, and for years was the Staff Arranger for the orchestra at Buckingham Palace. He studied the cello with Richard Markson at Trinity College of Music, London.Please contact me through my website or social media if you would like any changes made to any of my arrangements. For example: mistakes, keys, clefs, difficulty, instrumentation, etc.
$4.99 ≈
4.48€
Sonata for Flute and Piano, Op. 12
Sonata for Flute and Piano, Op. 12
#
Flute and Piano
#
ADVANCED
#
Tyler J
#
Sonata for Flute and Piano, Op
#
TJHoltMusic
#
SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1021619 Composed by Tyler J. Holt. Concert,Contemporary,Standards. S...
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Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1021619 Composed by Tyler J. Holt. Concert,Contemporary,Standards. Score and parts. 43 pages. TJHoltMusic #6134009. Published by TJHoltMusic (A0.1021619). Sonata for Flute and Piano, Op. 12 was written for and is dedicated to my friend, Natalie Smith. This sonata conveys different moods using various styles in each of the movements, all of which take some liberty and, at times, are vague with form.The first movement, inspired by Claude Debussy, uses a quasi mirror form, with the two motives connecting with a sudden yet seamless tempo change, which is supported by the driving rhythm in the piano, and a development in the middle of the movement.The second movement is a funeral march and is based on the chord progression built around the sustained B natural in the flute, which conveys a dreamlike atmosphere. As the progression transforms, there is an increasing sense of dread that unfolds until this feeling becomes primal before collapsing in on itself at the climax of the movement. From there, the progression returns more actively with, although not as strong as before, a sense of dread still present for the remainder of the movement. The movement is in ternary form (ABA), with a development in the first A section.The third movement is a more clearly defined rondo form and is based on themes that undergo subtle changes each time they return. Other themes include a recurring call and response between the treble and bass lines in the piano, which the flute participates in this exchange when it is presented again later, a reference to the second movement's progression, and a modal theme that floats in terms of harmonic and melodic structure. When the initial theme returns for the final time, a coda restates previous ideas as the finale gradually increases its tempo and concludes the piece. This movement is the most technically challenging, especially considering that I asked Natalie how fast she can double tongue. In general, there are a fair amount of high passages and big leaps. This was written with Natalie's skill set in mind.I. Moderato con gioiaII. Lamento sostenutoIII. ScherzoComposed by Tyler J. HoltPublished by TJHoltMusicCopyright © Tyler J. Holt, Composer.
$20.00 ≈
17.95€
Another Place
Another Place
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Percussion Ensemble
#
ADVANCED
#
Contemporary
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Adam Grim
#
Another Place
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Adam B. Grim
#
SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.939392 Composed by Adam Grim. 20th Century,Contemporary. Score and parts. 65 pages. Adam B. Grim...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.939392 Composed by Adam Grim. 20th Century,Contemporary. Score and parts. 65 pages. Adam B. Grim #6862379. Published by Adam B. Grim (A0.939392). Another Place is a marimba quartet on two instruments with some accessory items like a mounted bass drum, cymbal, and wind chimes. The work is about 10.5 minutes long, and holds three distinct movements that begin with solemn rolls that slowly become more regimented and rhythmic. The second movement raises the bar and becomes very rhythmic and syncopated with a Reich-like approach of melody vs interlocking harmony. This climax brings a high dynamic level to the forefront of the instruments with interlocking impact points being contrasted to unison hits. The third movement takes this original melody and harmony to the next level by using changing time signatures and motivic ideas to maximize the powerful ending. Throughout there is a deep sense of color and texture that can be maximized by the ensemble in new and exciting ways with each performance. This has plenty of ink, but also leaves a lot to interpret and bring the ensemble’s voice forward. I hope you enjoy! This work won the Audience Award in the Rocky Mountain Music Composition Contest in 2022 as well as Second Prize overall. These international awards were judged by a panel of seven judges from around the world, but with the competition based out of Toronto, Canada.
$35.00 ≈
31.42€
Tombland Fanfare
Tombland Fanfare
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Orchestra
#
ADVANCED
#
Contemporary
#
Eoin Buchanan
#
Tombland Fanfare
#
7plc Music
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1017072 Composed by Eoin Buchanan. Contemporary. Score and parts. 87 pages. 7plc Music #6079111. Publ...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1017072 Composed by Eoin Buchanan. Contemporary. Score and parts. 87 pages. 7plc Music #6079111. Published by 7plc Music (A0.1017072). At the centre of the Norfolk city of Norwich lies Tombland. The name evokes thoughts of haunting, death and Black Plague burial pits. Actually Tombland simply means empty space and it was here that Norwich market was sited. Violence seems to have been a recurring theme in the history of Tombland. In 1549 Robert Kett led a rebellion against the enclosure of common land. After a fierce attack on Bishop Bridge, Kett and his band of followers gained access to the city and took the Mayor, Thomas Codd, prisoner. Having spent a number of years as a clergyman in the Diocese of Norwich, I can tell you that this area is very different nowadays. However, its Normal cathedral and older buildings still offer a sense of struggles past, present and future. Inspired by Ray Sampson’s book, Tombland, this original work for full orchestra uses harmonic and rhythmic dissonance to portray the violent and oppressive struggle between those with and ‘those without. The blacksmith’s anvil heralds village life with church bells sounding and flute introducing children playing in the village square. Very quickly the scene changes as Basses offer a deep threatening tone and slowly the rhythmic confusion builds to an eventual climax. Horns then introduce a quasi carillon Dies Irae theme and flutes and piccolo enter with a haunting bird call until low strings and Cor Anglais begin the build up to chaos once again. The work’s false, dying ending suddenly gives way to a sacred style chorale leading to the very abrupt Malcolm Arnold style ending.
$35.00 ≈
31.42€
Reger - Six Polyphonic Works for Woodwind Trio
Reger - Six Polyphonic Works for Woodwind Trio
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Oboe, Clarinet, Bassoon (trio)
#
ADVANCED
#
Max Reger
#
Cristiano Vecchi
#
Reger - Six Polyphonic Works f
#
Cristiano Vecchi
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bassoon,Clarinet,Flute,Oboe - Level 5 - Digital Download SKU: A0.963561 Composed by Max Reger. Arranged by Cristiano Vecc...
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Woodwind Ensemble,Woodwind Trio Bassoon,Clarinet,Flute,Oboe - Level 5 - Digital Download SKU: A0.963561 Composed by Max Reger. Arranged by Cristiano Vecchi. 20th Century,Baroque,Romantic Period,Standards. 72 pages. Cristiano Vecchi #6488651. Published by Cristiano Vecchi (A0.963561). This collection contains five fugues and one canon from various works by Max Reger, selected for their distinctive and rich mastery in three-part polyphony ( Fugue Op.47 N.6, Fugue Op.56 N.4b, Canon Op.59 N.4, Fugue Op.99 N.2b 5, Fugue Op.99 N.3b 6, Fugue Op.99 N.5b ), here arranged for Woodwind Trio ( Flute or Oboe, Clar. in B flat, Bassoon ).Total duration: about 12'.These and other arrangements from the Max Reger's work are available individually on this website for several ensembles.My entire production on my Youtube Channel:https://www.youtube.com/channel/UCe9Kd87V90fbPsUBU5gaXKw/playlists.
$12.99 ≈
11.66€
Accentuation
Accentuation
#
Contemporary
#
Max Stannard
#
Accentuation
#
Max Stannard Music
#
SheetMusicPlus
String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.773359 Composed by Max Stannard. Contemporary. Score and parts. 27 pages. Max Stannard M...
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String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.773359 Composed by Max Stannard. Contemporary. Score and parts. 27 pages. Max Stannard Music #59365. Published by Max Stannard Music (A0.773359). This piece is all about rhythm, hence the name, ACCENTuation. A dramatic piece, with constant surprises and changes of metre, which is full of energy and drive. Instruments Violin, Viola and Cello. Duration: 6mins.
$6.99 ≈
6.28€
"Peals" - Etude No. 2: A Study in Mixed Meter and Phrasing
"Peals" - Etude No. 2: A Study in Mixed Meter and Phrasing
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Handbells
#
ADVANCED
#
by Caleb J
#
"Peals" - Etude No. 2: A Study
#
Caleb J. Onstead
#
SheetMusicPlus
Handbell - Level 5 - Digital Download SKU: A0.1391915 Composed by by Caleb J. Onstead. 21st Century,Chamber,Contemporary,Instructional,Religious. 14 page...
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Handbell - Level 5 - Digital Download SKU: A0.1391915 Composed by by Caleb J. Onstead. 21st Century,Chamber,Contemporary,Instructional,Religious. 14 pages. Caleb J. Onstead #975402. Published by Caleb J. Onstead (A0.1391915). The Etudes Series by Caleb J. Onstead continues with Peals.Picking up right where Toccata Festivo (FM20615 - From the Top Publishing) left off, demonstrate extremes in your ensemble's musicality with this new, exciting and complex work. Peals will take your ensemble through every combination of 7/8, other irregular meters like 5/4 and 5/8, and do it at a fast tempo with bell changes and rapid changes between articulations. Then for a contrasting challenge, an exposed lyric section with a sensitive melody emerges, giving your ensemble a chance to shine musically, and lyrically. Being a piece in ABA form, the bombastic, antiphonal material from the beginnning returns to drive the piece to a massive ending that will take handbells to their dynamic maximum. Peals is a rewarding challenge that is guarenteed to blow your audience away...Peals - Etude No. 2: A Study in Mixed Meter and Phrasingby Caleb J. Onstead5-7 octaves of handbells (opt. G1)5 octaves of handchimesAGEHR Level 5+.
$40.00 ≈
35.91€
Chorale Prelude Op.67 N.43 for Brass Quintet
Chorale Prelude Op.67 N.43 for Brass Quintet
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Brass quartet : 2 trumpets, trombone, tuba
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ADVANCED
#
Max Reger
#
Cristiano Vecchi
#
Chorale Prelude Op.67 N.43 for
#
Cristiano Vecchi
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.963417 Composed by Max Reger. Arranged by Cristiano Vecchi. 20th Century,C...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.963417 Composed by Max Reger. Arranged by Cristiano Vecchi. 20th Century,Christian,Easter,Instructional,Standards. Score and parts. 15 pages. Cristiano Vecchi #5044751. Published by Cristiano Vecchi (A0.963417). Wachet auf, ruft uns die Stimme (Awake, calls the Voice to us):a majestic and radiant chorale prelude composed by Max Reger in five real parts.Duration: 2'50.Version for: Trumpets in Bb 1&2 - French Horn in F - Trombone - Tuba . Also available for Woodwind Quintet.SCORE and PARTS.MP3 also available on this website.My entire production on my Youtube Channel: https://www.youtube.com/channel/UCe9Kd87V90fbPsUBU5gaXKw/playlists
$7.99 ≈
7.17€
Fugue Op.47 N.6 for two Violins and Cello
Fugue Op.47 N.6 for two Violins and Cello
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String Trio: 2 violins, cello
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ADVANCED
#
Max Reger
#
Cristiano Vecchi
#
Fugue Op.47 N.6 for two Violin
#
Cristiano Vecchi
#
SheetMusicPlus
String Ensemble,String Trio Cello,Violin - Level 5 - Digital Download SKU: A0.963436 Composed by Max Reger. Arranged by Cristiano Vecchi. Baroque,Instruc...
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String Ensemble,String Trio Cello,Violin - Level 5 - Digital Download SKU: A0.963436 Composed by Max Reger. Arranged by Cristiano Vecchi. Baroque,Instructional,Romantic Period,Standards. Score and parts. 12 pages. Cristiano Vecchi #5288611. Published by Cristiano Vecchi (A0.963436). A vigorous fugue in baroque style from Six Trios Op.47 by Max Reger, arranged for 2 Violins and Cello in A minor. Also available for String Trio (Violin, Viola, Cello in D minor), Woodwind Trio.Duration: 2'.SCORE and PARTS.MP3 also available on this website.My entire production on my Youtube Channel: https://www.youtube.com/channel/UCe9Kd87V90fbPsUBU5gaXKw/playlists
$3.99 ≈
3.58€
Jesus Shall Reign Where'er the Sun
Jesus Shall Reign Where'er the Sun
#
Piano solo
#
ADVANCED
#
John Hatton
#
Paul Thurmond
#
Jesus Shall Reign Where'er the
#
Paul Thurmond
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. ...
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Piano Solo - Level 5 - Digital Download SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Thurmond #4968929. Published by Paul Thurmond (A0.828227). Tune: DUKE STREETUse: Prelude, PostludeOne Sunday my church was singing Jesus Shall Reign Where’er the Sun as the opening hymn. It’s our tradition that the last stanza of a hymn is sung in unison, so that I as the organist can change the harmonization and keep things interesting. Sometimes I know ahead of time what I’m going to do, and sometimes I make it up on the spot.On this particular morning I planned on being spontaneous. (Can spontaneity be planned?) When we got to the final stanza, I threw on the 16′ pedal reed and went to town.I don’t know if this is the case for all musicians, but while I’m playing my brain is working on several different levels. Most of these are involved in actually playing the music, but there’s also a running commentary on how things are going. This commentary is usually really boring: It’s going okay. It’s going okay. It’s going okay. Sometimes the messages are more interesting: Uh-oh. She just dropped her mute. I missed that chord; remember to circle it when we’re done. My page turner appears to be on fire.So: We’re in the final stanza of Jesus Shall Reign Where’er the Sun. Big, majestic hymn. Over a hundred congregants and choir members are enthusiastically singing in unison. I’m leading them from the organ with an improvised accompaniment that involves all of my limbs. It’s fair to say that I was concentrating hard.Suddenly the commentary part of my brain breaks in: Dude, your feet are totally playing Canon in D. Cool!Canon in D is the most famous work of Johann Pachelbel, a German composer who preceded Bach by a few decades. It’s overused at weddings, but it’s actually a really good piece of music. The original is for three violins and a basso continuo part, which would usually have been played by harpsichord and cello. In this case, the basso continuo plays the same eight measures again and again throughout the piece. This technique of repetition is called a ground bass. While that’s going on, the violins play several different themes on top of it.When I was improvising that Sunday, my feet had accidentally wandered into that ground bass part, which happened to fit nicely with the melody we were singing. During the sermon (sorry Pastor!) I started going through the violin themes in my head, seeing if any of them could also match up with the hymn tune. Some of them worked and some didn’t. I decided to write a sort of theme and variations, where the hymn tune appears in various forms. Sometimes it’s played along with one of the violin themes, and sometimes a violin theme serves as an interlude on its own. And except for one passage, the left hand is always playing some version of the basso continuo theme. I also changed the meter from 4/4 to 3/4 to make it more interesting. It culminates in a climax worthy of a king. I hope you enjoy it.
$4.99 ≈
4.48€
My Own True Love
My Own True Love
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Horn Ensemble
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ADVANCED
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Mack David and Max Steiner
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Edition Maulwurf
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My Own True Love
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Edition Maulwurf
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SheetMusicPlus
Horn Ensemble Horn - Level 5 - Digital Download SKU: A0.1262242 Composed by Mack David and Max Steiner. Arranged by Edition Maulwurf. 20th Century,Film/T...
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Horn Ensemble Horn - Level 5 - Digital Download SKU: A0.1262242 Composed by Mack David and Max Steiner. Arranged by Edition Maulwurf. 20th Century,Film/TV. 56 pages. Edition Maulwurf #855278. Published by Edition Maulwurf (A0.1262242). Gone With The WindMy Own True LoveMusic by Max SteinerArrangement for French horn ensemble by Edition Maulwurf8 horns4 wagner tubas Duration: 6:15 min. score + partsSee also:https://www.youtube.com/channel/UCJQFZ7B6aoDsGW1mRje9n_A https://www.edition-maulwurf.de/.
$24.99 ≈
22.43€
Robert Orledge: A Night in the House of Usher for organ, based on themes from Debussy's "La Chute de
Robert Orledge: A Night in the House of Usher for organ, based on themes from Debussy's "La Chute de
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Organ
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ADVANCED
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Classical
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Claude Debussy/Robert Orledge
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Robert Orledge: A Night in the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Organ - Level 5 - Digital Download SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabri...
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Organ - Level 5 - Digital Download SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabrik Music Publishing #5739561. Published by Musik Fabrik Music Publishing (A0.534661). Over the years 1908–16, Debussy had produced a viable scenario for Usher on his third attempt. But when he came to making a complete draft of the music, he seems to have lost interest during Roderick Usher’s long monologue, even though he was setting his own text. As in No-ja-li he jumped to the next passage that interested him, in this case the exciting final melodrama and the collapse of the Usher house itself.In the process of completing the missing half of the score, I discovered that by reusing Debussy’s material for similar psychological situations across the opera, and by metamorphosing existing ideas (as Debussy does with Mélisande’s theme in his opera Pelléas et Mélisande), the only things I really needed to add were linking material and any passages where fast music was required. So the ‘nightmare scherzo’, and Lady Madeline’s escape from her coffin and her final bloody revenge on her brother are all mine, but most of the rest is existing Debussy in changing contexts (in which the Russian technique of ‘changing backgrounds’, both harmonic and textural, proved extremely useful, as it did to Debussy in his Prélude à l’après-midi d’un faune). Eventually, both my completed ballet No-ja-li and the House of Usher were successfully premiered in 2006 and the latter soon began to find its way into the established repertoire in Europe and the US. To further support this, I transcribed some of the highlights of Debussy’s score as A Night in the House of Usher for organ, and subsequently piano—with a focus on Scene 2 and the final, horrific and maca-bre melodrama. This climaxes in the double deaths of Roderick Usher and his Sister Madeline, together with the disintegration of the ill-fated House of Usher into the stagnant lake-all beneath a blood-red moon.In this form it was first performed by Ian Buckle in the Howard Assembly Rooms, Leeds in 2010.
$12.95 ≈
11.63€
Uncanny Invitation
Uncanny Invitation
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String Quartet: 2 violins, viola, cello
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ADVANCED
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Paul Hindemith
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Uncanny Invitation
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and string quartet - advanced - Digital Download SKU: S9.Q11763 Song with Full Orchestra Accompaniment in the Style of Richard Strauss. ...
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Soprano voice and string quartet - advanced - Digital Download SKU: S9.Q11763 Song with Full Orchestra Accompaniment in the Style of Richard Strauss. Text taken from a Beekeeper’s Journal. Composed by Paul Hindemith. This edition: score and parts. Downloadable, Score and parts. Duration 3 minutes. Schott Music - Digital #Q11763. Published by Schott Music - Digital (S9.Q11763). German.In addition to the two magnificent string quartet parodies 'Repertorium für Militärmusik Minimax' [Repertory for military music 'Minimax'] (ED 6735) and 'Ouvertüre zum Fliegenden Holländer, wie sie eine schlechte Kurkapelle morgens um 7 am Brunnen vom Blatt spielt' [Overture of 'The Flying Dutchman' as played at sight by a bad spa orchestra at the well at 7 in the morning] (ED 8106), 'Uncanny Invitation' is another merry work by Paul Hindemith, a 'Song with Full Orchestra Accompaniment in the Style of Richard Strauss. Text taken from a Beekeeper’s Journal. For soprano and quartet. Strauss' song 'Heimliche Aufforderung' [Secret Invitation] probably was behind the corruption of the title. The text, slightly changed by Hindemith, from the magazine 'Die Biene und ihre Zucht' [Bees and how to keep them] from 1924 inspired Hindemith to make this creation, provided with the invitation 'am Bienenstand (d. h. an der Donauquelle) … jung zu baden' [to bathe young … at the apiary (i.e. at the source of the Danube)], to not let oneself be carried away by the ageing Strauss, but by contemporary music.
$25.99 ≈
23.33€
Hymn to Artemis Locheia
Hymn to Artemis Locheia
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Sir Peter Maxwell Davies
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Hymn to Artemis Locheia
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Schott Music - Digital
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SheetMusicPlus
Clarinet and string quartet - difficult - Digital Download SKU: S9.Q6206 Composed by Sir Peter Maxwell Davies. This edition: score and parts. Downloadabl...
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Clarinet and string quartet - difficult - Digital Download SKU: S9.Q6206 Composed by Sir Peter Maxwell Davies. This edition: score and parts. Downloadable, Score and parts. Op. 252. Duration 25 minutes. Schott Music - Digital #Q6206. Published by Schott Music - Digital (S9.Q6206). Peter Maxwell Davies spent a day at a gynaecological clinic in London at the invitation of Professor Ian Craft, who commissioned the piece in memory of his father. During his time there he met many people and shared in some of the deep emotions they experienced. Artemis Locheia is the Greek Godess of Fertility. In this one movement, 25 minute work, the joy and exuberance experienced by couples when pregnancy is confirmed is captured. There are many tempo changes and two extended cadenzas for the clarinet. The work was premiered by Dmitri Ashkenazy and the Brodsky Quartet.
$48.99 ≈
43.98€
CHINESE RHAPSODY No.3 For Saxophone & Wind Orchestra (without Arpa) , Op.46 [Score] - Score Only
CHINESE RHAPSODY No.3 For Saxophone & Wind Orchestra (without Arpa) , Op.46 [Score] - Score Only
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An-lun Huang
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CHINESE RHAPSODY No.3 For Saxo
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DoReMi Edition
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SheetMusicPlus
Woodwind Ensemble - Level 5 - Digital Download SKU: A0.1073229 Composed by An-lun Huang. 20th Century,Classical,Contemporary,Multicultural,Traditional,Wo...
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Woodwind Ensemble - Level 5 - Digital Download SKU: A0.1073229 Composed by An-lun Huang. 20th Century,Classical,Contemporary,Multicultural,Traditional,World. 33 pages. DoReMi Edition #677492. Published by DoReMi Edition (A0.1073229). Chinese Rhapsody No.3 was composed e in Toronto, Canada , 1988. Huang dedicated the piece to the Canadian Saxophonist Paul Brodie who premiered it in Parry sound of Ontario in the same year. Written in Saibei Folk Style, the music is divided into 5 movements without stop. As usual, Huang didn‘t use any folk song . But the typical taste of Huang’s “Zhang Jia Kou[張家å£] accent†is pretty easy to be identified. With the concert virtuosity, the 1st movement is composed as an emotional Cadenza which expresses the profound affections to the land of Saibei. Using the same Alto Sax., the lyric 2nd movement is followed by a folk dance, the 3rd movement. Chang to a Soprano Saxophone, the 4th movement is sound like a dreamy nocturne which is interrupted by the percussions of the fiery 5th movement. The whole Rhapsody ends on a climax of the Chinese Northern west “wind and percussion “styleâ€. Brodie found more than 300 trills in this piece. Perhaps this is the key to perform the music in real Chinese style. Huang has composed 5 versions of these pieces for different ensembles: saxophone solo with piano, or strings, or winds/brasses, or Chinese traditional orchestra, or symphony orchestra. The attached mp3 was performed by the German saxophonist Jurgen Demmler with pianist Peter Grabinger in 1996. Duration: 20’.
$19.99 ≈
17.95€
CHINESE RHAPSODY No.3 For Saxophone and Full Orchestra, Op.46(1988) [score】 - Score Only
CHINESE RHAPSODY No.3 For Saxophone and Full Orchestra, Op.46(1988) [score】 - Score Only
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Orchestra
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ADVANCED
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An-lun Huang
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CHINESE RHAPSODY No.3 For Saxo
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DoReMi Edition
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1049004 Composed by An-lun Huang. 20th Century,Classical,Contemporary,Multicultural,Traditional,World...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1049004 Composed by An-lun Huang. 20th Century,Classical,Contemporary,Multicultural,Traditional,World. Score and parts. 61 pages. DoReMi Edition #653398. Published by DoReMi Edition (A0.1049004). Chinese Rhapsody No.3 was composed e in Toronto, Canada , 1988. Huang dedicated the piece to the Canadian Saxophonist Paul Brodie who premiered it in Parry sound of Ontario in the same year. Written in Saibei Folk Style, the music is divided into 5 movements without stop. As usual, Huang didn‘t use any folk song . But the typical taste of Huang’s “Zhang Jia Kou[張家å£] accent†is pretty easy to be identified. With the concert virtuosity, the 1st movement is composed as an emotional Cadenza which expresses the profound affections to the land of Saibei. Using the same Alto Sax., the lyric 2nd movement is followed by a folk dance, the 3rd movement. Chang to a Soprano Saxophone, the 4th movement is sound like a dreamy nocturne which is interrupted by the percussions of the fiery 5th movement. The whole Rhapsody ends on a climax of the Chinese Northern west “wind and percussion “styleâ€. Brodie found more than 300 trills in this piece. Perhaps this is the key to perform the music in real Chinese style. Huang has composed 5 versions of these pieces for different ensembles: saxophone solo with piano, or strings, or winds/brasses, or Chinese traditional orchestra, or symphony orchestra. The attached mp3 was performed by the German saxophonist Jurgen Demmler with pianist Peter Grabinger in 1996. Duration: 20’.
$19.99 ≈
17.95€
CHINESE RHAPSODY No.3 For Saxophone with different ensembles, Op.46(1988) [solo part]
CHINESE RHAPSODY No.3 For Saxophone with different ensembles, Op.46(1988) [solo part]
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Alto Saxophone
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ADVANCED
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An-lun Huang
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CHINESE RHAPSODY No.3 For Saxo
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DoReMi Edition
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SheetMusicPlus
Alto Saxophone Solo - Level 5 - Digital Download SKU: A0.1049003 Composed by An-lun Huang. 20th Century,Classical,Contemporary,Multicultural,Traditional,...
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Alto Saxophone Solo - Level 5 - Digital Download SKU: A0.1049003 Composed by An-lun Huang. 20th Century,Classical,Contemporary,Multicultural,Traditional,World. Individual part. 16 pages. DoReMi Edition #653396. Published by DoReMi Edition (A0.1049003). Chinese Rhapsody No.3 was composed e in Toronto, Canada , 1988. Huang dedicated the piece to the Canadian Saxophonist Paul Brodie who premiered it in Parry sound of Ontario in the same year. Written in Saibei Folk Style, the music is divided into 5 movements without stop. As usual, Huang didn‘t use any folk song . But the typical taste of Huang’s “Zhang Jia Kou[張家å£] accent†is pretty easy to be identified. With the concert virtuosity, the 1st movement is composed as an emotional Cadenza which expresses the profound affections to the land of Saibei. Using the same Alto Sax., the lyric 2nd movement is followed by a folk dance, the 3rd movement. Chang to a Soprano Saxophone, the 4th movement is sound like a dreamy nocturne which is interrupted by the percussions of the fiery 5th movement. The whole Rhapsody ends on a climax of the Chinese Northern west “wind and percussion “styleâ€. Brodie found more than 300 trills in this piece. Perhaps this is the key to perform the music in real Chinese style. Huang has composed 5 versions of these pieces for different ensembles: saxophone solo with piano, or strings, or winds/brasses, or Chinese traditional orchestra, or symphony orchestra. The attached mp3 was performed by the German saxophonist Jurgen Demmler with pianist Peter Grabinger in 1996. Duration: 20’.
$7.99 ≈
7.17€
CHINESE RHAPSODY No.3 For Saxophone with various ensemble, Op.46(1988) [Solo part]
CHINESE RHAPSODY No.3 For Saxophone with various ensemble, Op.46(1988) [Solo part]
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Alto Saxophone
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ADVANCED
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An-lun Huang
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CHINESE RHAPSODY No.3 For Saxo
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DoReMi Edition
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SheetMusicPlus
Alto Saxophone Solo - Level 5 - Digital Download SKU: A0.1048928 Composed by An-lun Huang. 20th Century,Classical,Contemporary,Multicultural,Traditional,...
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Alto Saxophone Solo - Level 5 - Digital Download SKU: A0.1048928 Composed by An-lun Huang. 20th Century,Classical,Contemporary,Multicultural,Traditional,World. Individual part. 9 pages. DoReMi Edition #653322. Published by DoReMi Edition (A0.1048928). Chinese Rhapsody No.3 was composed e in Toronto, Canada , 1988. Huang dedicated the piece to the Canadian Saxophonist Paul Brodie who premiered it in Parry sound of Ontario in the same year. Written in Saibei Folk Style, the music is divided into 5 movements without stop. As usual, Huang didn‘t use any folk song . But the typical taste of Huang’s “Zhang Jia Kou[張家å£] accent†is pretty easy to be identified. With the concert virtuosity, the 1st movement is composed as an emotional Cadenza which expresses the profound affections to the land of Saibei. Using the same Alto Sax., the lyric 2nd movement is followed by a folk dance, the 3rd movement. Chang to a Soprano Saxophone, the 4th movement is sound like a dreamy nocturne which is interrupted by the percussions of the fiery 5th movement. The whole Rhapsody ends on a climax of the Chinese Northern west “wind and percussion “styleâ€. Brodie found more than 300 trills in this piece. Perhaps this is the key to perform the music in real Chinese style. Huang has composed 5 versions of these pieces for different ensembles: saxophone solo with piano, or strings, or winds/brasses, or Chinese traditional orchestra, or symphony orchestra. The attached mp3 was performed by the German saxophonist Jurgen Demmler with pianist Peter Grabinger in 1996. Duration: 20’.
$7.99 ≈
7.17€
CHINESE RHAPSODY No.3 For Saxophone and Piano, Op.46 (1988) [Piano score]
CHINESE RHAPSODY No.3 For Saxophone and Piano, Op.46 (1988) [Piano score]
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Alto Saxophone and Piano
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ADVANCED
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An-lun Huang
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CHINESE RHAPSODY No.3 For Saxo
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DoReMi Edition
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.1048927 Composed by An-lun Huang. 20th Century,Contemporary,Multicultural,Traditional,World. Sc...
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Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.1048927 Composed by An-lun Huang. 20th Century,Contemporary,Multicultural,Traditional,World. Score and part. 25 pages. DoReMi Edition #653319. Published by DoReMi Edition (A0.1048927). Chinese Rhapsody No.3 was composed e in Toronto, Canada , 1988. Huang dedicated the piece to the Canadian Saxophonist Paul Brodie who premiered it in Parry sound of Ontario in the same year. Written in Saibei Folk Style, the music is divided into 5 movements without stop. As usual, Huang didn‘t use any folk song . But the typical taste of Huang’s “Zhang Jia Kou[張家å£] accent†is pretty easy to be identified. With the concert virtuosity, the 1st movement is composed as an emotional Cadenza which expresses the profound affections to the land of Saibei. Using the same Alto Sax., the lyric 2nd movement is followed by a folk dance, the 3rd movement. Chang to a Soprano Saxophone, the 4th movement is sound like a dreamy nocturne which is interrupted by the percussions of the fiery 5th movement. The whole Rhapsody ends on a climax of the Chinese Northern west “wind and percussion “styleâ€. Brodie found more than 300 trills in this piece. Perhaps this is the key to perform the music in real Chinese style. Huang has composed 5 versions of these pieces for different ensembles: saxophone solo with piano, or strings, or winds/brasses, or Chinese traditional orchestra, or symphony orchestra. The attached mp3 was performed by the German saxophonist Jurgen Demmler with pianist Peter Grabinger in 1996. Duration: 20’.
$19.99 ≈
17.95€
CHINESE RHAPSODY No.3 For Saxophone with Wind Orchestra, Op.46(1988) [All parts]
CHINESE RHAPSODY No.3 For Saxophone with Wind Orchestra, Op.46(1988) [All parts]
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An-lun Huang
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CHINESE RHAPSODY No.3 For Saxo
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DoReMi Edition
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SheetMusicPlus
Woodwind Ensemble - Level 5 - Digital Download SKU: A0.1073232 Composed by An-lun Huang. 20th Century,Classical,Contemporary,Multicultural,Traditional,Wo...
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Woodwind Ensemble - Level 5 - Digital Download SKU: A0.1073232 Composed by An-lun Huang. 20th Century,Classical,Contemporary,Multicultural,Traditional,World. 107 pages. DoReMi Edition #677496. Published by DoReMi Edition (A0.1073232). CHINESE RHAPSODY No.3 For Saxophone with various ensemble An-lun Huang Op.46(1988) Chinese Rhapsody No.3 was composed e in Toronto, Canada , 1988. Huang dedicated the piece to the Canadian Saxophonist Paul Brodie who premiered it in Parry sound of Ontario in the same year. Written in Saibei Folk Style, the music is divided into 5 movements without stop. As usual, Huang didn‘t use any folk song . But the typical taste of Huang’s “Zhang Jia Kou[張家å£] accent†is pretty easy to be identified. With the concert virtuosity, the 1st movement is composed as an emotional Cadenza which expresses the profound affections to the land of Saibei. Using the same Alto Sax., the lyric 2nd movement is followed by a folk dance, the 3rd movement. Chang to a Soprano Saxophone, the 4th movement is sound like a dreamy nocturne which is interrupted by the percussions of the fiery 5th movement. The whole Rhapsody ends on a climax of the Chinese Northern west “wind and percussion “styleâ€. Brodie found more than 300 trills in this piece. Perhaps this is the key to perform the music in real Chinese style. Huang has composed 5 versions of these pieces for different ensembles: saxophone solo with piano, or strings, or winds/brasses, or Chinese traditional orchestra, or symphony orchestra. The attached mp3 was performed by the German saxophonist Jurgen Demmler with pianist Peter Grabinger in 1996. Duration: 20’.
$200.00 ≈
179.55€
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Max Chan
