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286 sheet music found
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276
Thank U, Next
Thank U, Next
#
Pop music
#
Ariana Grande
#
Nathan Allen
#
Thank U, Next
#
Nathan Martin Allen
#
SheetMusicPlus
Instrumental Duet,Piano Flute,Guitar,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.837451 By Ariana Grande. By Ariana Grande, Charles Ande...
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Instrumental Duet,Piano Flute,Guitar,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.837451 By Ariana Grande. By Ariana Grande, Charles Anderson, Kimberly Krysiuk, Michael Foster, Tayla Parx, Taylor Parks, Tommy Brown, and Victoria McCants. Arranged by Nathan Allen. Pop. Score and parts. 3 pages. Nathan Martin Allen #4267387. Published by Nathan Martin Allen (A0.837451). This is a solo instrumental version of Thank U, Next by Ariana Grande. This version follows the rendition on the Allen Music YouTube Channel: https://www.youtube.com/watch?v=E9ktXr4_fNg.
$4.99 ≈
4.52€
Thank U, Next
Thank U, Next
#
Tenor Saxophone
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ADVANCED
#
Pop music
#
Ariana Grande
#
Allen Music
#
Thank U, Next
#
Nathan Martin Allen
#
SheetMusicPlus
Tenor Saxophone Solo - Level 5 - Digital Download SKU: A0.837453 By Ariana Grande. By Ariana Grande, Charles Anderson, Kimberly Krysiuk, Michael Foster, ...
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Tenor Saxophone Solo - Level 5 - Digital Download SKU: A0.837453 By Ariana Grande. By Ariana Grande, Charles Anderson, Kimberly Krysiuk, Michael Foster, Tayla Parx, Taylor Parks, Tommy Brown, and Victoria McCants. Arranged by Allen Music. Pop. Individual part. 3 pages. Nathan Martin Allen #4267391. Published by Nathan Martin Allen (A0.837453). This is a solo instrumental version of Thank U, Next by Ariana Grande. This version follows the rendition on the Allen Music YouTube Channel: https://www.youtube.com/watch?v=E9ktXr4_fNg
$4.99 ≈
4.52€
Thank U, Next
Thank U, Next
#
Alto Saxophone
#
ADVANCED
#
Pop music
#
Ariana Grande
#
Allen Music
#
Thank U, Next
#
Nathan Martin Allen
#
SheetMusicPlus
Alto Saxophone Solo - Level 5 - Digital Download SKU: A0.837450 By Ariana Grande. By Ariana Grande, Charles Anderson, Kimberly Krysiuk, Michael Foster, T...
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Alto Saxophone Solo - Level 5 - Digital Download SKU: A0.837450 By Ariana Grande. By Ariana Grande, Charles Anderson, Kimberly Krysiuk, Michael Foster, Tayla Parx, Taylor Parks, Tommy Brown, and Victoria McCants. Arranged by Allen Music. Pop. Individual part. 3 pages. Nathan Martin Allen #4267385. Published by Nathan Martin Allen (A0.837450). This is a solo instrumental version of Thank U, Next by Ariana Grande. This version follows the rendition on the Allen Music YouTube Channel: https://www.youtube.com/watch?v=E9ktXr4_fNg.
$4.99 ≈
4.52€
Thank U, Next
Thank U, Next
#
Saxophone (band part)
#
ADVANCED
#
Pop music
#
Ariana Grande
#
Nathan Allen
#
Thank U, Next
#
Nathan Martin Allen
#
SheetMusicPlus
Soprano Saxophone Solo - Level 5 - Digital Download SKU: A0.837452 By Ariana Grande. By Ariana Grande, Charles Anderson, Kimberly Krysiuk, Michael Foster...
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Soprano Saxophone Solo - Level 5 - Digital Download SKU: A0.837452 By Ariana Grande. By Ariana Grande, Charles Anderson, Kimberly Krysiuk, Michael Foster, Tayla Parx, Taylor Parks, Tommy Brown, and Victoria McCants. Arranged by Nathan Allen. Pop. Individual part. 3 pages. Nathan Martin Allen #4267389. Published by Nathan Martin Allen (A0.837452). This is a solo instrumental version of Thank U, Next by Ariana Grande. This version follows the rendition on the Allen Music YouTube Channel: https://www.youtube.com/watch?v=E9ktXr4_fNg.
$4.99 ≈
4.52€
Next Came The Morning
Next Came The Morning
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Jazz combo
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ADVANCED
#
Sacred music
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Gospel/Spiritual
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Don Hodell Chilcote
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Don Hodell Chilcote
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Next Came The Morning
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Don Hodell Chilcote
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SheetMusicPlus
Jazz Combo - Level 5 - Digital Download SKU: A0.779112 Composed by Don Hodell Chilcote. Arranged by Don Hodell Chilcote. Blues,Christian,Gospel,Jazz,Sacr...
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Jazz Combo - Level 5 - Digital Download SKU: A0.779112 Composed by Don Hodell Chilcote. Arranged by Don Hodell Chilcote. Blues,Christian,Gospel,Jazz,Sacred. Score and parts. 3 pages. Don Hodell Chilcote #6355613. Published by Don Hodell Chilcote (A0.779112). Next Came The Morning is for piano solo, and is an original tune with a great funky vibe. The piece has a distinct and unique introduction, and development. 2 page arrangement is challenging but not overly so, and well worth the effort to learn. Fun tune to learn and improvise over. I used it in church for a prelude.
$2.99 ≈
2.71€
Star Trek - The Next Generation(R)
Star Trek - The Next Generation(R)
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String Quartet: 2 violins, viola, cello
#
ADVANCED
#
Alexander Courage, Gene Rodden
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GTA Strings
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Star Trek - The Next Generatio
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GTA Strings
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1470057 Composed by Alexander Courage, Gene Roddenberry, and Jerry ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1470057 Composed by Alexander Courage, Gene Roddenberry, and Jerry Goldsmith. Arranged by GTA Strings. Broadway,Classical,Film/TV,Musical/Show. 8 pages. GTA Strings #1047805. Published by GTA Strings (A0.1470057). This arrangement is for String Quartet: [PARTS+SCORE included]. The arrangement is slightly shortened to amplify the dramatic parts.More GTA Strings covers:www.gtastrings.caYoutube (over 300 covers)InstagramFacebook- full list A-Z - POPFavorite Wedding songs - PROCESSIONAL, Recessional...
$49.99 ≈
45.33€
The Next Episode
The Next Episode
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Brass ensemble
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ADVANCED
#
Contemporary
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Dr
#
Patrick Sheehan
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The Next Episode
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Patrick Sheehan
#
SheetMusicPlus
Brass Ensemble - Level 5 - Digital Download SKU: A0.748354 By Dr. Dre. By Andre Romell Young, Brian Bailey, Cordozar C. Broadus, David Axelrod, and Melvi...
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Brass Ensemble - Level 5 - Digital Download SKU: A0.748354 By Dr. Dre. By Andre Romell Young, Brian Bailey, Cordozar C. Broadus, David Axelrod, and Melvin Bradford. Arranged by Patrick Sheehan. Contemporary. Score and parts. 29 pages. Patrick Sheehan #6493607. Published by Patrick Sheehan (A0.748354). Transcription as recorded by Breakdown Brass, arranged for brass band. INSTRUMENTATION: Tenor Saxophone (Bb), Trumpet I (Bb), Trumpet II (Bb), Trombone I, Trombone II, Tuba, Drumset.ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$15.00 ≈
13.60€
In Next Spring
In Next Spring
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Contemporary
#
Lisa Ann Marsh
#
In Next Spring
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Lisa Ann Marsh
#
SheetMusicPlus
Small Ensemble Cello,Flute,Marimba,Multi-Percussion - Level 5 - Digital Download SKU: A0.1027477 Composed by Lisa Ann Marsh. Contemporary. Score and part...
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Small Ensemble Cello,Flute,Marimba,Multi-Percussion - Level 5 - Digital Download SKU: A0.1027477 Composed by Lisa Ann Marsh. Contemporary. Score and parts. 26 pages. Lisa Ann Marsh #543567. Published by Lisa Ann Marsh (A0.1027477). A piece for flute, cello, and percussion that heralds the arrival of a new spring where flora and fauna are abundant and humans respect the earth. A Native American flute song emerges within the piece. Written in 2014, this 9 minute piece is perfect for intimate or large chamber ensemble venues. www.LisaAnnMarsh.com.
$14.99 ≈
13.59€
Thank U, Next
Thank U, Next
#
String Quartet: 2 violins, viola, cello
#
ADVANCED
#
Pop music
#
Ariana Grande
#
Paul Langford
#
Thank U, Next
#
Paul Langford
#
SheetMusicPlus
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.796951 By Ariana Grande. By Ariana Grande, Charles Ande...
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.796951 By Ariana Grande. By Ariana Grande, Charles Anderson, Kimberly Krysiuk, Michael Foster, Tayla Parx, Taylor Parks, Tommy Brown, and Victoria McCants. Arranged by Paul Langford. Pop. Score and parts. 24 pages. Paul Langford #6434405. Published by Paul Langford (A0.796951). Transcribed/adapted for Full Strings (Vln 1,2, Vla, Cello, Bass) from the Vitamin String quartet recordingPerformable as standard String Quartet also.
$25.00 ≈
22.67€
Another Place
Another Place
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Percussion Ensemble
#
ADVANCED
#
Contemporary
#
Adam Grim
#
Another Place
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Adam B. Grim
#
SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.939392 Composed by Adam Grim. 20th Century,Contemporary. Score and parts. 65 pages. Adam B. Grim...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.939392 Composed by Adam Grim. 20th Century,Contemporary. Score and parts. 65 pages. Adam B. Grim #6862379. Published by Adam B. Grim (A0.939392). Another Place is a marimba quartet on two instruments with some accessory items like a mounted bass drum, cymbal, and wind chimes. The work is about 10.5 minutes long, and holds three distinct movements that begin with solemn rolls that slowly become more regimented and rhythmic. The second movement raises the bar and becomes very rhythmic and syncopated with a Reich-like approach of melody vs interlocking harmony. This climax brings a high dynamic level to the forefront of the instruments with interlocking impact points being contrasted to unison hits. The third movement takes this original melody and harmony to the next level by using changing time signatures and motivic ideas to maximize the powerful ending. Throughout there is a deep sense of color and texture that can be maximized by the ensemble in new and exciting ways with each performance. This has plenty of ink, but also leaves a lot to interpret and bring the ensemble’s voice forward. I hope you enjoy! This work won the Audience Award in the Rocky Mountain Music Composition Contest in 2022 as well as Second Prize overall. These international awards were judged by a panel of seven judges from around the world, but with the competition based out of Toronto, Canada.
$35.00 ≈
31.73€
Sonnet XVIII
Sonnet XVIII
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Contemporary
#
Robert Cunningham
#
Sonnet XVIII
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Robert E Cunningham
#
SheetMusicPlus
Small Ensemble Piano,Recorder,Voice - Level 5 - Digital Download SKU: A0.1174649 By Robert Cunningham. By Robert E Cunningham. 20th Century,Classical,Con...
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Small Ensemble Piano,Recorder,Voice - Level 5 - Digital Download SKU: A0.1174649 By Robert Cunningham. By Robert E Cunningham. 20th Century,Classical,Contemporary. Score and parts. 21 pages. Robert E Cunningham #774799. Published by Robert E Cunningham (A0.1174649). Robert Cunningham's Sonnet XVIII is a setting of William Shakespeare's Sonnet 18 (Shall I compare thee to a summer's day?) for baritone voice, piano, and alto recorder.  The central idea of Shakespeare's poem is that the otherwise ephemeral beauty of its human subject is immortalized through the artistic medium of the sonnet.  This setting takes that idea to the next level by memorializing this sonnet, along with the whole era in which it was penned, through the artistic medium of music.  Composed in 1982 and revised in 2019, this work is intensely Romantic, but also has an antique flavor encapsulating the music of Shakespeare's time.  The full score and individual parts for the baritone voice and the alto recorder are included.  Total duration:  5:40. See also:Robert Cunningham on YouTube:  https://www.youtube.com/c/RobertCunninghamsMusicRobert Cunningham on SoundCloud: https://soundcloud.com/lateromanticRobert Cunningham's Fan Page: https://www.facebook.com/RobertCunninghamsMusicRobert Cunningham's Web Page: http://www.RobertCunninghamsMusic.com
$9.95 ≈
9.02€
SERENDIPITY
SERENDIPITY
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Brass ensemble
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ADVANCED
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Larry Williams
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SERENDIPITY
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Larry Andrew Williams
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SheetMusicPlus
Brass Ensemble - Level 5 - Digital Download SKU: A0.1004402 Composed by Larry Williams. Concert,Contemporary,Jazz. Score and parts. 26 pages. Larry Andre...
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Brass Ensemble - Level 5 - Digital Download SKU: A0.1004402 Composed by Larry Williams. Concert,Contemporary,Jazz. Score and parts. 26 pages. Larry Andrew Williams #3533257. Published by Larry Andrew Williams (A0.1004402). Based in 5/4 this chart is technically challenging not only individually but also as a group. If you're looking to take your odd meter abilities to the next level, this one is for you. .
$15.00 ≈
13.60€
Wrecking Ball
Wrecking Ball
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String Quartet: 2 violins, viola, cello
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ADVANCED
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Pop music
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Miley Cyrus
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Kyle Pudenz
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Wrecking Ball
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ViolinVagabond Music
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SheetMusicPlus
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.845973 By Miley Cyrus. By Henry Walter, Lukasz Gottwald, Maureen McDonald, Sacha Skarb...
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.845973 By Miley Cyrus. By Henry Walter, Lukasz Gottwald, Maureen McDonald, Sacha Skarbek, and Stephan Richard Moccio. Arranged by Kyle Pudenz. Contemporary,Pop. Score and parts. 34 pages. ViolinVagabond Music #5310843. Published by ViolinVagabond Music (A0.845973). Why settle for a bland transcription of Hannah Montana when you can have an action-packed, thrill-filled arrangement that's ALMOST as crazy as Miley Cyrus!? (almost)You've heard the song. You've seen the video. Whether or not you're a Miley super fan, you get the hype and that's why you're here. So take that hype to the next level with a chart that will make your audience go what on earth just happened? the same way Miley does on at least a bi-annual basis. By the way, I'll tell you what just happened: your quartet just came in like a wrecking ball, and smashed every archaic stereotype about classical string players to PIECES!!Gone are the days of strings not being able to feel the groove. Silenced are the cynics who once called us boring and one-dimensional. A new era is upon us, where violins, violas, & cellos can get up, get out, and rock the faces off of the proletariat right alongside our guitar slinging, drumstick twirling brethren! And this chart is just what you need to usher in this oh so bright future for all who rosin the bow:Right from the start, this arrangement takes a unique spin on Miley's pop smash, with a lopsided groove that will have your listeners searching frantically for a downbeat. Their urges will finally be satisfied when the melody takes us back to that oh-so-familiar feeling of 4/4 security... but don't get too comfortable, because when that chorus drops you'd better hold on to your hats. That's right, the train is leaving the station for double-time town! Along this musical journey, you may also encounter glimpses of reggae, jazz, & bluegrass, culminating in a race to the finish that will wre-e-eck any musician who didn't come ready to hang. Oh, and just for funsies I threw in that classic showbiz' moment where the cellist steals the melody, so feel free to ham that up as much as possible, cello players!This arrangement also makes use of modern extended string techniques in order to create rhythmic grooves without the need for additional instruments, including chopping and strum bowing. If you are unfamiliar with these concepts, various resources exist all over the internet to aid you in your quest towards having better time. I recommend this series, for example: https://youtu.be/kfX3kxjC93sPerformance time - 4:20... and if that doesn't make Miley Cyrus proud I don't know what will.Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond
$17.99 ≈
16.31€
Bruch - Romanze for Viola and Orchestra, Op. 85 (Accompaniment Reduction for String Quartet, PARTS)
Bruch - Romanze for Viola and Orchestra, Op. 85 (Accompaniment Reduction for String Quartet, PARTS)
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String Quartet: 2 violins, viola, cello
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ADVANCED
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Classical
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M
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C
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Bruch - Romanze for Viola and
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Amnael Orozco-Diaz
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.826903 Composed by M. Bruch. Arranged by C. A. Orozco-Diaz. Romanti...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.826903 Composed by M. Bruch. Arranged by C. A. Orozco-Diaz. Romantic Period. Score and parts. 11 pages. Amnael Orozco-Diaz #18323. Published by Amnael Orozco-Diaz (A0.826903). Want to take your recital to the next level? This reduction is laid out as an accomplished, full version of the accompaniment poured into a string quartet: every last bit of rhythm and harmony is there every second - beware, though, these parts are not for the faint of heart. No need to hire the whole symphony, just gather your pals and blow your audience away with this arranger's personal favourite! Have your friends give you a hand with this virtuosistic arrangement of an obligato viola piece. This item contains the score for the accompaniment. Duration: approx. 9:30 minutes. Listen to some nice arrangements with the Weston String QuartetContact us at facebook.com/HouseOfLilithMusic for comments and requests!
$18.34 ≈
16.63€
Star Trek: First Contact - Main Title / Locutus - Score Only
Star Trek: First Contact - Main Title / Locutus - Score Only
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Orchestra
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ADVANCED
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Film/TV
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Alexander Courage, Joel Golds
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Chris Siddall
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Star Trek: First Contact - Mai
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Chris Siddall Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download Composed by Alexander Courage, Joel Goldsmith, and Jerry Goldsmith. Arranged by Chris Siddall. Film/TV. 14 pages...
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Full Orchestra - Level 5 - Digital Download Composed by Alexander Courage, Joel Goldsmith, and Jerry Goldsmith. Arranged by Chris Siddall. Film/TV. 14 pages. Chris Siddall Music Publishing #810597. Published by Chris Siddall Music Publishing
It seems fitting that Jerry Goldsmith should be selected to compose the score for the Next Generation crew?s first solo movie outing, directed by the ship?s first officer himself, Jonathan Frakes. Having kicked off the original series crew?s offerings with Star Trek: The Motion Picture, and turning in a surprisingly excellent entry for Star Trek V: The Final Frontier (given that movie?s otherwise lacklustre reception), the director and producers made a specific point of budgeting Goldsmith into the production, and he was not going to turn down the opportunity to reinstate his themes into the franchise. 1996 saw a particularly busy schedule for Goldsmith though, with the late-running post production on The Ghost and the Darkness, and so Jerry called upon his son Joel to co-compose with him in the three weeks available to complete the score, with Joel handling most of the Borg-related material. Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$9.99 ≈
9.06€
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Soprano voice, Piano
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95 ≈
12.65€
Wie Du warst (Octavian's Aria) from Der Rosenkavalier - Accessible Accompaniments Edition
Wie Du warst (Octavian's Aria) from Der Rosenkavalier - Accessible Accompaniments Edition
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Alto voice, Piano
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Wie Du warst
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Nicole Elyse DiPaolo
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Pe...
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Alto Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. Nicole Elyse DiPaolo #5022023. Published by Nicole Elyse DiPaolo (A0.799612). The first of its kind, and the third entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Wie Du warst, Octavian's famous aria from Strauss's Der Rosenkavalier (1911). Mezzos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury. This edition also includes a two-measure recomposed ending four measures after rehearsal 25, making this edition a great choice for concert and audition situations in which another singer isn't available to sing the Marschallin's lines.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95 ≈
8.11€
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Soprano voice, Piano
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95 ≈
8.11€
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Soprano voice, Piano
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ADVANCED
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Classical
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lassù
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period....
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95 ≈
8.11€
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