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PIANO Metal
expert
Sheetmusic to print
51 sheet music found
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51
Fullmetal Alchemist: Brotherhood - Again (Advanced Level, Solo Piano)
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Piano solo
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ADVANCED
#
Film/TV
#
Akira Senju,Yui
#
Fullmetal Alchemist
#
Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99€
Fullmetal Alchemist: Brotherhood - Again (Advanced Level, with Orchestra)
#
Piano solo
#
ADVANCED
#
Film/TV
#
Akira Senju,Yui
#
Fullmetal Alchemist
#
Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99€
Explorations for Piano and Orchestra: Piano Score
Explorations for Piano and Orchestra: Piano Score
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Piano solo
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ADVANCED
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Jordan Rudess
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Explorations for Piano and Orc
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Jordan Rudess Music
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1413108 By Jordan Rudess. By Jordan Rudess. 20th Century,21st Century,Classical,Contemporary,Rock. Score....
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Piano Solo - Level 5 - Digital Download SKU: A0.1413108 By Jordan Rudess. By Jordan Rudess. 20th Century,21st Century,Classical,Contemporary,Rock. Score. 41 pages. Jordan Rudess Music #995116. Published by Jordan Rudess Music (A0.1413108). “Explorations†is Jordan Rudess' progressive orchestral music experience. “Progressive†in that it is a forward thinking composition fusing his classical and progressive/metal sensibilities. In writing this composition, Rudess was able to bring together the elements of the most influential classical music he has experienced, along with the rock power and intensity that he is known for in his work with the progressive metal band,  Dream Theater.This is the piano score only.
$15.00 ≈
13.84€
Floating Metal
Floating Metal
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Piano solo
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ADVANCED
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Contemporary
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Michail Goleminov
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Floating Metal
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Michail Goleminov
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1008857 Composed by Michail Goleminov. 20th Century,Contemporary. Score. 9 pages. Michail Goleminov #5302...
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Piano Solo - Level 5 - Digital Download SKU: A0.1008857 Composed by Michail Goleminov. 20th Century,Contemporary. Score. 9 pages. Michail Goleminov #5302699. Published by Michail Goleminov (A0.1008857). Concert piece for piano
$9.00 ≈
8.31€
Concerto for Clarinet, Chair, and Orchestra. Piano Reduction. Movement II. Andante.
Concerto for Clarinet, Chair, and Orchestra. Piano Reduction. Movement II. Andante.
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Clarinet and Piano
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ADVANCED
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Doug Clyde
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Clarinet Part
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Concerto for Clarinet, Chair,
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ALBEDO MUSIC
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SheetMusicPlus
Clarinet,Piano - Level 5 - Digital Download SKU: A0.713175 Composed by Doug Clyde. 20th Century,Contemporary. Score and part. 12 pages. ALBEDO MUSIC #427...
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Clarinet,Piano - Level 5 - Digital Download SKU: A0.713175 Composed by Doug Clyde. 20th Century,Contemporary. Score and part. 12 pages. ALBEDO MUSIC #4278341. Published by ALBEDO MUSIC (A0.713175). Concerto for Clarinet, Chair, and Orchestra. Piano Reduction. Movement II. Andante. Second Movement only. Composed by Doug Clyde of ALBEDO MUSIC from Thanksgiving 2018 to Christmas 2018. Piano Score & Clarinet Part. Contents: Movement II. Andante. Instrumentation: Piano, Solo Clarinet in Bb and Chair (metal chair, wooden chair, or plastic chair). Performance Duration 4:30. AMSM114. © 2018 by Doug Clyde of ALBEDO MUSIC.
$10.00 ≈
9.23€
Concerto for Clarinet, Chair, and Orchestra. Piano Reduction. All Three Movements.
Concerto for Clarinet, Chair, and Orchestra. Piano Reduction. All Three Movements.
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Clarinet and Piano
#
ADVANCED
#
Doug Clyde
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Clarinet Part
#
Concerto for Clarinet, Chair,
#
ALBEDO MUSIC
#
SheetMusicPlus
Clarinet,Piano - Level 5 - Digital Download SKU: A0.713173 Composed by Doug Clyde. 20th Century,Contemporary. Score and part. 57 pages. ALBEDO MUSIC #427...
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Clarinet,Piano - Level 5 - Digital Download SKU: A0.713173 Composed by Doug Clyde. 20th Century,Contemporary. Score and part. 57 pages. ALBEDO MUSIC #4278333. Published by ALBEDO MUSIC (A0.713173). Concerto for Clarinet, Chair, and Orchestra. Piano Reduction. All Three Movements. Composed by Doug Clyde of ALBEDO MUSIC from Thanksgiving 2018 to Christmas 2018. Piano Score & Clarinet Part. In Three Movements. Contents: Movement I. Allegro, Movement II. Andante, Movement III. Moderato. Instrumentation: Piano, Solo Clarinet in Bb and Chair (metal chair, wooden chair, or plastic chair). Performance Duration 15:50. Movement I. 5:05, Movement II. 4:30, Movement III. 6:15. AMSM113114115. © 2018 by Doug Clyde of ALBEDO MUSIC.
$25.00 ≈
23.07€
Concerto for Clarinet, Chair, and Orchestra. Piano Reduction. Movement III. Moderato.
Concerto for Clarinet, Chair, and Orchestra. Piano Reduction. Movement III. Moderato.
#
Clarinet and Piano
#
ADVANCED
#
Contemporary
#
Doug Clyde
#
Clarinet Part
#
Concerto for Clarinet, Chair,
#
ALBEDO MUSIC
#
SheetMusicPlus
Clarinet,Piano - Level 5 - Digital Download SKU: A0.713176 Composed by Doug Clyde. 20th Century,Contemporary. Score and part. 27 pages. ALBEDO MUSIC #427...
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Clarinet,Piano - Level 5 - Digital Download SKU: A0.713176 Composed by Doug Clyde. 20th Century,Contemporary. Score and part. 27 pages. ALBEDO MUSIC #4278345. Published by ALBEDO MUSIC (A0.713176). Concerto for Clarinet, Chair, and Orchestra. Piano Reduction. Movement III. Moderato. Third Movement only. Composed by Doug Clyde of ALBEDO MUSIC from Thanksgiving 2018 to Christmas 2018. Piano Score & Clarinet Part. Contents: Movement III. Moderato. Instrumentation: Piano, Solo Clarinet in Bb and Chair (metal chair, wooden chair, or plastic chair). Performance Duration 6:15. AMSM115. © 2018 by Doug Clyde of ALBEDO MUSIC.
$10.00 ≈
9.23€
Bring Me To Life (Advanced Level, Solo Piano)
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Piano solo
#
ADVANCED
#
Rock
#
Metal/Hard Rock
#
Evanescence
#
Bring Me To Life
#
Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99€
Concerto
Concerto
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Piano and Orchestra
#
ADVANCED
#
Contemporary
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. D...
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
22.14€
JOURNEY for Horn and Piano
JOURNEY for Horn and Piano
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Rosemary Sugden Waltzer
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JOURNEY for Horn and Piano
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New City Music
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SheetMusicPlus
Small Ensemble Horn,Piano - Level 5 - Digital Download SKU: A0.904619 Composed by Rosemary Sugden Waltzer. Concert,Contemporary. Score and parts. 27 page...
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Small Ensemble Horn,Piano - Level 5 - Digital Download SKU: A0.904619 Composed by Rosemary Sugden Waltzer. Concert,Contemporary. Score and parts. 27 pages. New City Music #6477279. Published by New City Music (A0.904619). This is a new recital piece for horn and piano with some special effects. Journey is a three movement work for horn and piano of approximately 15 minutes in duration. Score is 20 pages. Horn part is 7 pages. It travels from one scene to the next changing in texture, character and range. The first movement begins with acoustical elements of interaction between horn and piano as the horn introduction is interrupted by frequent rests so that the reverberations of the piano with damper pedal pressed can be heard. To hear the introduction on your computer please turn the sound up. The body of the movement features lyrical horn lines with unexpected harmonies with the piano and then scampers to the end. In the whimsical second movement the horn plays a happy-go-lucky tune with a smooth melodic line which is highlighted by a minimalist pattern in the piano with modulations that are often out-of-sync between horn and piano and is true to character until the final cadence. The third movement opens with a register of the piano strings temporarily covered by a bead chain which creates a metallic sonority to compliment the timbre of the stopped horn, thus resulting in a machine like effect. Then a heroic theme alternates with a playful dialog between horn and piano, changing moods and meters until the finale when Journey is completed. This is a fun and challenging piece to show off in a recital.
$15.00 ≈
13.84€
Nothing Else Matters
Nothing Else Matters
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Tenor Saxophone and Piano
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ADVANCED
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Metallica
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Anna Coughlan
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Nothing Else Matters
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Anna Coughlan Music
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SheetMusicPlus
Piano,Tenor Saxophone - Level 5 - Digital Download SKU: A0.1400143 By Metallica. By James Hetfield and Lars Ulrich. Arranged by Anna Coughlan. 20th Centu...
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Piano,Tenor Saxophone - Level 5 - Digital Download SKU: A0.1400143 By Metallica. By James Hetfield and Lars Ulrich. Arranged by Anna Coughlan. 20th Century,Rock. Score and part. 8 pages. Anna Coughlan Music #983358. Published by Anna Coughlan Music (A0.1400143). An abridged arrangement of Metalica's Nothing Else Matters, for advanced Bb Saxophone with piano accompaniment. This arrangement includes an expanded arrangement of the song's opening guitar solo, and is suitable for adavanced players (ABRSM Grade 7 and above).
$4.99 ≈
4.61€
Nothing Else Matters
Nothing Else Matters
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Alto Saxophone and Piano
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ADVANCED
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Metallica
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Anna Coughlan
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Nothing Else Matters
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Anna Coughlan Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.1400144 By Metallica. By James Hetfield and Lars Ulrich. Arranged by Anna Coughlan. 20th Centur...
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Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.1400144 By Metallica. By James Hetfield and Lars Ulrich. Arranged by Anna Coughlan. 20th Century,Rock. Score and part. 8 pages. Anna Coughlan Music #983359. Published by Anna Coughlan Music (A0.1400144). An abridged arrangement of Metalica's Nothing Else Matters, for advanced Eb Saxophone with piano accompaniment. This arrangement includes an expanded arrangement of the song's opening guitar solo, and is suitable for adavanced players (ABRSM Grade 7 and above).
$4.99 ≈
4.61€
The Devil His Due
The Devil His Due
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Baritone Saxophone, Piano
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ADVANCED
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Contemporary
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Keith Carpenter
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The Devil His Due
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Effiny Music
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SheetMusicPlus
Baritone Saxophone,Piano - Level 5 - Digital Download SKU: A0.1021990 Composed by Keith Carpenter. 20th Century,Contemporary. Score and part. 43 pages. E...
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Baritone Saxophone,Piano - Level 5 - Digital Download SKU: A0.1021990 Composed by Keith Carpenter. 20th Century,Contemporary. Score and part. 43 pages. Effiny Music #6273593. Published by Effiny Music (A0.1021990). The Devil His Due is a response to saxophonist Peter Verdonck’s love for Death Metal Music. Not being tuned into that kind of rock, I imagined what it night sound like if written for saxophone and piano. As a starting point, I began with the lowest, most raucous sound I could imagine for the combination of bari and piano. From there, I organized the piece numerically around occult numbers, all the while emphasizing the devil’s interval, the tritone, and the muscular sound of metal power chords made of fifths and octaves. The appeal of writing devil music has appealed to composers since at least the Romantic era (composer/violinist Niccolo Paganini even tried his best to look devilish), and my piece is an attempt at the same.
$30.00 ≈
27.69€
8. Intshe the Ostrich
8. Intshe the Ostrich
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Piano solo
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ADVANCED
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Contemporary
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Louise du Toit
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Louise du Toit
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8. Intshe the Ostrich
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Louise du Toit
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1138474 By Louise du Toit. By Louise du Toit. Arranged by Louise du Toit. Contemporary. Score. 17 pages. ...
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Piano Solo - Level 5 - Digital Download SKU: A0.1138474 By Louise du Toit. By Louise du Toit. Arranged by Louise du Toit. Contemporary. Score. 17 pages. Louise du Toit #738812. Published by Louise du Toit (A0.1138474). Intshe the Ostrich is the eighth in a series of fifteen original contemporary compositions for piano, titled 15 Animal Compositions for Piano and created to musically describe the movement and habits of specific wildlife creatures. From music notes to words: Intshe the old ostrich is in a very good mood. Walking through the South African fields surrounding Oudtshoorn, he comes across a narrow road leading to a desolated farmyard where a lot of delicious junk is waiting to be explored. He sees two ancient metal spoons and swallows it; then he gulps down an empty beer bottle, an old, broken wristwatch and a few shiny metal pieces. On his way back to the fields, he adds two round stones to his collection of strange, edible things. Feeling extremely happy after the gourmet meal, he starts moving around in a very weird way, dancing his heart out until his legs are like jelly. Every now and then he stands still for a few moments, opening and closing his wings to cool down from the heat of the exercise; then he dances again until he collapses of exhaustion, ready to take a very long nap in the hot South African sun. .
$4.99 ≈
4.61€
Concerto
Concerto
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Violin and Piano
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ADVANCED
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Heinz Holliger
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Violin and orchestra - difficult - Digital Download SKU: S9.Q3080 Hommage à Louis Soutter. Composed by Heinz Holliger. This edition: piano redu...
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Violin and orchestra - difficult - Digital Download SKU: S9.Q3080 Hommage à Louis Soutter. Composed by Heinz Holliger. This edition: piano reduction with solo part. Downloadable, piano reduction with solo part. Duration 42 minutes. Schott Music - Digital #Q3080. Published by Schott Music - Digital (S9.Q3080). 3 (auch 3 Picc., auch 1 Altfl.) * 3 (auch Engl. Hr.) * 4 (auch 2 Bassklar. mit C-Klappe) * 2 - 3 * 3 * 3 (Tenor und Bass) * 0 - P. S. (Glsp. * Marimba [Xylorimba] * Crot. * 5 Beck. * China-Beck. auf P. * 3 Tamt. * Wassergong * Tambour a corde * 3 Tomt. * 4 Bong. * gr. Tr. * 2 Holztr. [hoch/tief] * Peitsche [Fouet] * Guiro * Superball * Superball auf Holz[boden] * Prallstock auf Holzkante * 3 Reibestocke * Woodbl. [hoch] * Sandbl. * Metallst.) (3 Spieler) - Hfe. * Cimb. * Cel. - Str. (6 * 6 * 4 * 4 * 3)3 (auch 3 Picc., auch 1 Altfl.) · 3 (auch Engl. Hr.) · 4 (auch 2 Bassklar. mit C-Klappe) · 2 - 3 · 3 · 3 (Tenor und Bass) · 0 - P. S. (Glsp. · Marimba [Xylorimba] · Crot. · 5 Beck. · China-Beck. auf P. · 3 Tamt. · Wassergong · Tambour à corde · 3 Tomt. · 4 Bong. · gr. Tr. · 2 Holztr. [hoch/tief] · Peitsche [Fouet] · Guiro · Superball · Superball auf Holz[boden] · Prallstock auf Holzkante · 3 Reibestöcke · Woodbl. [hoch] · Sandbl. · Metallst.) (3 Spieler) - Hfe. · Cimb. · Cel. - Str. (6 · 6 · 4 · 4 · 3).
$55.99 ≈
51.68€
Melissa
Melissa
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Piano solo
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ADVANCED
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Porno Graffitti
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Jane Stavrinoudis
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Melissa
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Jane Stavrinoudis
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1203886 By Porno Graffitti. By Akimitsu Honma (pka Ak.homma) and Fumiaki Shindou (pka Haruichi Shindou). ...
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Piano Solo - Level 5 - Digital Download SKU: A0.1203886 By Porno Graffitti. By Akimitsu Honma (pka Ak.homma) and Fumiaki Shindou (pka Haruichi Shindou). Arranged by Jane Stavrinoudis. Contemporary,Film/TV,Pop. Score. 5 pages. Jane Stavrinoudis #802450. Published by Jane Stavrinoudis (A0.1203886). Grade 8 – Upper Advanced piano soloWith this sheet music, you can play a piano solo arrangement of the full song from the opening theme of the 2003 anime series Fullmetal Alchemist Melissa by Akimitsu Honma (pka Ak.homma) and Fumiaki Shindou (pka Haruichi Shindou).This arrangement is in A minor and Common Time and includes a brief history and analysis.
$7.99 ≈
7.37€
Frozen Gaze
Frozen Gaze
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Piano solo
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ADVANCED
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Psycroptic
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Catherine Fearns
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Frozen Gaze
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Catherine Fearns
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1432964 By Psycroptic. By Dave Haley, Jason Peppiatt, and Joe Haley. Arranged by Catherine Fearns. Rock. ...
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Piano Solo - Level 5 - Digital Download SKU: A0.1432964 By Psycroptic. By Dave Haley, Jason Peppiatt, and Joe Haley. Arranged by Catherine Fearns. Rock. Score. 8 pages. Catherine Fearns #1013392. Published by Catherine Fearns (A0.1432964). Piano arrangement of the technical death metal song Frozen Gaze, by Psycroptic, taken from the 2018 album 'As The Kingdom Drowns' .
$4.99 ≈
4.61€
Still Loving You
Still Loving You
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Piano solo
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ADVANCED
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Metal/Hard Rock
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The Scorpions
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Claudio Porstmann
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Still Loving You
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Claudio Porstmann
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.835230 By The Scorpions. By Klaus Meine and Rudolph Schenker. Arranged by Claudio Porstmann. Metal,Rock. ...
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Piano Solo - Level 5 - Digital Download SKU: A0.835230 By The Scorpions. By Klaus Meine and Rudolph Schenker. Arranged by Claudio Porstmann. Metal,Rock. Score. 6 pages. Claudio Porstmann #4413007. Published by Claudio Porstmann (A0.835230). THe iconic Scorpoins song Still Loving You, written in a great piano arrangement. This is for fairly advanced players as it incorporates all the voicings to be played by both hands, but it is well worth the extra effort. The sound is quite close to the original and with the right pedalling this wonderful song will really rock.Listen to the complete piece at:https://soundcloud.com/claudio-porstmann/still-loving-you-the-scorpions
$4.99 ≈
4.61€
Livin' On A Prayer
Livin' On A Prayer
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Piano solo
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ADVANCED
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Rock
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Bon Jovi
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Andrei Hadap
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Livin' On A Prayer
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Andrei Hadap
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.883743 By Bon Jovi. By Desmond Child, Jon Bon Jovi, and Richie Sambora. Arranged by Andrei Hadap. Metal,R...
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Piano Solo - Level 5 - Digital Download SKU: A0.883743 By Bon Jovi. By Desmond Child, Jon Bon Jovi, and Richie Sambora. Arranged by Andrei Hadap. Metal,Rock. Score. 4 pages. Andrei Hadap #5040695. Published by Andrei Hadap (A0.883743). Bon Jovi - Livin' On A Prayer (Arranged for Advanced Piano Solo)This arrangement of the 80's hit includes as many textures from the original as possible which many arrangements lack. While it may seem difficult on the page, separating each texture such as practicing the LH rhythmic ostinato and the melodic RH independently will work wonders. This arrangement will certainly impress!
$7.99 ≈
7.37€
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