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242 sheet music found
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INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 hands
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ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Three Preludes for Tuba or Bass Trombone and Piano
Three Preludes for Tuba or Bass Trombone and Piano
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Tuba and Piano
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ADVANCED
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Frederick Delius
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Ralph Sauer
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Three Preludes for Tuba or Bas
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Gordon Cherry
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SheetMusicPlus
Piano,Tuba - Level 5 - Digital Download SKU: A0.792604 Composed by Frederick Delius. Arranged by Ralph Sauer. 20th Century,Romantic Period,World. Score a...
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Piano,Tuba - Level 5 - Digital Download SKU: A0.792604 Composed by Frederick Delius. Arranged by Ralph Sauer. 20th Century,Romantic Period,World. Score and part. 12 pages. Gordon Cherry #5010401. Published by Gordon Cherry (A0.792604). The Delius Three Preludes were originally composed for the Piano and are titled: 1 Scherzando 2 Quick 3 Con Moto Scherzando is a beautiful, lyrical and spritely work. Quick, as it's name implies is fast and lyrical, evoking water. Con Moto is lively and undulating in feeling. The three movements total about four minutes in length and can be played by advanced performers.
$20.00
Three Preludes for Euphonium and Piano
Three Preludes for Euphonium and Piano
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Euphonium, Piano (duet)
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ADVANCED
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Frederick Delius
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Ralph Sauer
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Three Preludes for Euphonium a
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - Digital Download SKU: A0.792509 Composed by Frederick Delius. Arranged by Ralph Sauer. 20th Century,Romantic Period,World. Sc...
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.792509 Composed by Frederick Delius. Arranged by Ralph Sauer. 20th Century,Romantic Period,World. Score and part. 12 pages. Gordon Cherry #4988443. Published by Gordon Cherry (A0.792509). The Delius Three Preludes were originally composed for the Piano and are titled: Scherzando, Quick and Con Moto. Scherzando is a beautiful, lyrical and spritely work. Quick, as it's name implies is fast and lyrical, evoking water. Con Moto is lively and undulating in feeling. The three movements total about 4 minutes in length and can be played by advanced performers.
$20.00
Germaine Tailleferre: Trois Études for two pianos
Germaine Tailleferre: Trois Études for two pianos
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2 Pianos, 4 hands
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ADVANCED
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achieving the physical decline
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Germaine Tailleferre
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Germaine Tailleferre: Trois É
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. S...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
After the Movie Ragtime Piano Solo
After the Movie Ragtime Piano Solo
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Piano solo
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ADVANCED
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Ragtime
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Rhonda Bradley
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After the Movie Ragtime Piano
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Miss Rhonda’s Piano Music
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.876865 Composed by Rhonda Bradley. Ragtime. Score. 2 pages. Miss Rhonda’s Piano Music #2929285. Pu...
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Piano Solo - Level 5 - Digital Download SKU: A0.876865 Composed by Rhonda Bradley. Ragtime. Score. 2 pages. Miss Rhonda’s Piano Music #2929285. Published by Miss Rhonda’s Piano Music (A0.876865). After the Movie Ragtime Piano Solo Level 4 AdvancedComposed by Rhonda Bradley 2 pages (including cover)Sink your fingers into this contemporary ragtime piece that's full of party! After the Movie is a quick and lively piece that's true to its' ragtime genre -- your listeners won't be able to sit still!This is a great piece for advanced pianists that don't have a lot of time to practice. It's just one page in length, but it offers plenty of challenge and is a high-quality piece that you can keep in your repertoire forever.Written in the key of C, After the Movie is in cut time rhythm. Tip: Since this is an advanced piano solo, it does not have finger numbers written in. Keep a pencil at the piano and write in the finger numbers as you figure them out. It will save you a lot of time!
$2.99
Rondo for Piano and Two Cellos
Rondo for Piano and Two Cellos
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Piano solo
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ADVANCED
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Classical
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4 Bar Cafe
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Michael E Scofield
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Rondo for Piano and Two Cellos
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Michael E Scofield
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1472076 By 4 Bar Cafe. By Michael E Scofield. Arranged by Michael E Scofield. Classical,Romantic Period. ...
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Piano Solo - Level 5 - Digital Download SKU: A0.1472076 By 4 Bar Cafe. By Michael E Scofield. Arranged by Michael E Scofield. Classical,Romantic Period. Score. 8 pages. Michael E Scofield #1049774. Published by Michael E Scofield (A0.1472076). The piano has the lead here with a strong harmony provided by the cellos. It alternates between a moderately paced, lilting and cheerful melody and one reminiscent of a quick-paced chase scene. This might be the soundtrack for an animated short or a piece mixed in among tunes by Scott Joplin.
$1.99
Concertpiece for Trombone & Piano
Concertpiece for Trombone & Piano
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Trombone and Piano
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ADVANCED
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Mizesko, Terry
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Mizesko, Terry
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Concertpiece for Trombone & Pi
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - Digital Download SKU: A0.792301 Composed by Mizesko, Terry. Arranged by Mizesko, Terry. 20th Century,Contemporary. Score and p...
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Piano,Trombone - Level 5 - Digital Download SKU: A0.792301 Composed by Mizesko, Terry. Arranged by Mizesko, Terry. 20th Century,Contemporary. Score and part. 61 pages. Gordon Cherry #4803945. Published by Gordon Cherry (A0.792301). Terry Mizesko has performed as the Bass Trombonist for the North Carolina Symphony since 1971. As well he is a noted composer and has had his works performed by a number of orchestras and well known musicians. The Concertpiece for Tenor Trombone and Piano composed in 2009 is an extensive work in a traditional yet contemporary Sonata style in four movements. The Concertpiece ends with an eloquent Epilog which sums up the entire work. Movement I is titled Intrada and is mostly in an Allegro Tempo.<BR> Movement II is titled Romanza marked Moderato e rubato Movement III is titled Danza Rustica and moves with quick rhythmic energy. Movement IV is titled Epilog, slow and evocative in nature. Concertpiece is about 27 minutes in length and can be performed by advanced musicians.
$22.50
Toccata In B Flat Minor For Piano
Toccata In B Flat Minor For Piano
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Piano solo
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ADVANCED
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Thomas R
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Toccata In B Flat Minor For Pi
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Thomas R. Schadl
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.912497 Composed by Thomas R. Schadl. Concert,Contemporary,Instructional,Standards. Score. 9 pages. Thomas...
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Piano Solo - Level 5 - Digital Download SKU: A0.912497 Composed by Thomas R. Schadl. Concert,Contemporary,Instructional,Standards. Score. 9 pages. Thomas R. Schadl #3916053. Published by Thomas R. Schadl (A0.912497). Toccata In B Flat Minor, by Thomas R. Schadl, explores rhythmic energy and lyricism. The exposition (bars 1-18) consists of the static rhythm, where the the first beat is accented. The melodic part of the exposition is lyrical and has syncopation that provide contrast to the driving rhythm. The transition exists from bar 19 to 56, but unlike the traditional sonata form where the transition moves on to the second theme in the exposition, the main theme re-appears briefly from bar 57 to 64 and then it moves on to the second theme (bars 65-100). Sonata form includes the development section that involves the working of a theme or themes that were stated in the exposition, but this work does not have a development part; so in its place is the transition that spans from bar 101 to 114, leading to the recapitulation (restatement of the first theme in the exposition). Following the restatement, the second theme comes in at bars 133 to 140 and is restated at bars 157 to 176; transition is inserted at bars 141 to 156. As the piece progresses toward the end, the fragmented portion of the second theme repeats with diminishing sound intensity, followed by a brief transition stated in the first few bars after measure 19. The piece ends with a loud B Flat, after a one bar rest. Anyone planning to analyse this composition will come to realize that since the development section does not exist, one may conclude that the work is composed in a modified sonata form. Toccata In B Flat Minor requires steady rhythmic sense, quick left-hand jump between bass notes to eighth-note passages in the second theme, and a good sense of rhythm when executing four eighth notes against triplets. Slow practice speed is advised in order to master the technical challenges. The piece is suitable for education and concert purposes, and may be performed in silent movies or stage shows.
$9.99
Random - piano (Advanced)
Random - piano (Advanced)
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Piano solo
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ADVANCED
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Contemporary
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Jenny Walker
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Random - piano
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J Walker
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.923499 Composed by Jenny Walker. Contemporary. Score. 4 pages. J Walker #6667469. Published by J Walker (...
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Piano Solo - Level 5 - Digital Download SKU: A0.923499 Composed by Jenny Walker. Contemporary. Score. 4 pages. J Walker #6667469. Published by J Walker (A0.923499). This piece is very quick and has rapid right hand passages, with the left hand interpolating with chords and rhythmic ideas. The chords are meant to have little predictability. The work was originally named 'Snatch' as this describes how it should be played. .
$4.99
Etude 1.0 + 2.0 for Piano Solo from 25 Etudes using Symmetry, Mirroring and Intervals
Etude 1.0 + 2.0 for Piano Solo from 25 Etudes using Symmetry, Mirroring and Intervals
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Piano solo
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ADVANCED
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Michael Bomier
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Etude 1.0 + 2.0 for Piano Solo
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.862547 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 5 pages. Michael Butkus-B...
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Piano Solo - Level 5 - Digital Download SKU: A0.862547 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 5 pages. Michael Butkus-Bomier #2034415. Published by Michael Butkus-Bomier (A0.862547). The whole step and the major third are quite euphonious, and even fit into some keys where their usage in a tonal setting facilitates mirror fingerings and symmetry. E major, having four sharps, is just such a key. The scalar passages are strictly mirror-fingered. The octave displacement of the note in between the root and 3rd of the scale is also used throughout, in either hand. Tempo here is only a suggestion, as it may be a bit quick, the 9ths that change direction throughout being the chief technical challenge. The melody is, by default, the top notes of these octave-displaced figures. There are also thirds with broken octaves for accompaniment as well. Running time is approx.3 mins, 30 secs.,longer at a slightly slower pace. Pedaling is not specifically marked, but is given with general instructions rather than with traditional markings. MBB.
$2.50
3 Preludes for a Quarantine for Solo Piano
3 Preludes for a Quarantine for Solo Piano
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Piano solo
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ADVANCED
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Contemporary
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Anthony Bannach
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3 Preludes for a Quarantine fo
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Anthony Bannach Music
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.995184 Composed by Anthony Bannach. 20th Century,Contemporary. Score. 16 pages. Anthony Bannach Music #57...
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Piano Solo - Level 5 - Digital Download SKU: A0.995184 Composed by Anthony Bannach. 20th Century,Contemporary. Score. 16 pages. Anthony Bannach Music #5794481. Published by Anthony Bannach Music (A0.995184). I hope everyone has been doing well during this crazy time. Originally I wrote these preludes as parts of composing exercises for Alan Belkin's book Music Composition: Craft and Art. They sat around for a bit until during the quarantine when I took a look at them again. I realized that these pieces had a lot of character to them, and they were quite distinct in nature. The first movement is a simple ternary form piece which begins and ends in the key of g minor and has a very neo-romantic tonal space. The B section is a brisk, more straight-forward tonal texture, but has a fun little twist sequencing up near the end of the section. The second movement was composed with the B vs Bb dichotomy functioning as a germinating cell for the rest of the movement's material. More impressionistic and mysterious than the other two movements, it also lacks a more traditional formal structure, instead relying on the development of motivic cells to make the movement cohere together in a logical way. The third movement is also a modified ternary movement, but with the A sections being played at different speeds, and the second A ending having an outro section attached. The B section is also more like a sonata form developmental section (without the required tonic-dominant modulatory feature). This movement is not only tonally very colorful, but also dynamic in regards to tempo, slowing and quickening often, giving the piece a continual sense of renewed spirit. Rather than just release the preludes as seperate pieces, I found that when played in a certain sequence, they represent a progression of mental and spiritual being that many people have, including myself, been going through during this time. As such, I made them into a suite. If it brings you a little bit of joy or excitement during this time (and after this is over), that's all that I can hope for.
$10.00
Flat as a Flute - Flute solo w piano accompaniment
Flat as a Flute - Flute solo w piano accompaniment
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Flute and Piano
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ADVANCED
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Mike Lyons
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Flat as a Flute - Flute solo w
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Lyons Music Services
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SheetMusicPlus
Flute,Piano - Level 5 - Digital Download SKU: A0.767321 Composed by Mike Lyons. Concert,Contemporary. Score and part. 23 pages. Lyons Music Services #347...
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Flute,Piano - Level 5 - Digital Download SKU: A0.767321 Composed by Mike Lyons. Concert,Contemporary. Score and part. 23 pages. Lyons Music Services #3473849. Published by Lyons Music Services (A0.767321). A brand new solo for flute and piano. There's a little bit of horseplay between the flute and piano, the flautist needs to be able to double tongue and to use flutter tongue. There's a bit of a simple cadenza to start, followed by some interplay between the flute and piano pretending to tune. Then follows a march-like section with some deliberate discords in the flute. As this section becomes louder and more animated, the players should act cross with each other!Then follows a dreamy little melodic section in waltz time. There's lots of chromatic work in this section. The piano now dominates for a short while with a melodic idea, based on the flute's waltz melody bot with tremolos which gives the music an almost zither-like feel (expect the Third man to walk on stage. After this, the flute returns to dominance but gets interrupted by the piano who is missing being in the limelight!At the change to a quicker tempo and a major key - still with 'out of tune notes' the two 'play nicely together' for a while before it all goes to pot again when the flute develops hiccups! This leads back to an altered version of the original march tune, but faster.This time the two find common ground on the 8ve leaps and the piece finishes with a short codetta. A great show-off piece for the finale of a concert, allowing both the soloist and accompanist to sparkle.
$5.99
3 Romances, Op. 94 for Oboe and Piano - Robert Schumann
3 Romances, Op. 94 for Oboe and Piano - Robert Schumann
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Oboe, Piano (duet)
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ADVANCED
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Robert Schumann
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Zellev
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3 Romances, Op. 94 for Oboe an
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Zellev Music
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SheetMusicPlus
Oboe,Piano - Level 5 - Digital Download SKU: A0.1276462 Composed by Robert Schumann. Arranged by Zellev. 19th Century,Christmas,Classical,Romantic Period...
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Oboe,Piano - Level 5 - Digital Download SKU: A0.1276462 Composed by Robert Schumann. Arranged by Zellev. 19th Century,Christmas,Classical,Romantic Period,Wedding. Score and part. 22 pages. Zellev Music #868187. Published by Zellev Music (A0.1276462). The Three Romances for Oboe and Piano, Op. 94 (German: Drei Romanzen) is a composition by Robert Schumann, his only composition for oboe. It was composed in December 1849. The work consists of three short pieces in A-B-A form, and it was written during what was speculated to be one of Schumann's manic episodes.An average full performance lasts roughly 12 minutes.The Romances were written in December 1849, one of the most productive years of Schumann's entire career. Previously that year, Schumann had written two other works for wind instruments and piano: the Adagio and Allegro, op. 70, for French Horn and piano, and the Fantasy Pieces for Clarinet and Piano, op. 73. According to Schumann himself, the pieces were written on December 7, 11, and 12th in Dresden., Unlike many other oboes, works at the time, the pieces were not the result of a commission by a prominent soloist of the day. Schumann gave the pieces to his wife Clara Schumann, whom he once described as his own right hand, as a Christmas present, calling them his hundredth opusculum. Schumann's mental health was quickly deteriorating during the time of the pieces' writing; shortly afterward, he moved from Dresden to Düsseldorf, where he was admitted to and eventually died in an asylum.On November 2, 1850, the pieces were first performed privately as a piano and violin piece with Clara Schumann on piano and François Schubert on violin. The works were first performed several years after Schumann's death, in 1863; the performances took place on January 24 and February 14 in the Gewandhaus, featuring Emilius Lund on oboe and Carl Reinecke on piano.The piece was dedicated to Wilhelm Joseph von Wasielewski. The original edition was published by N. Simrock. The publication date is unknown, but it is estimated to have been anywhere from December 1850 to February 1851. Nikolaus Simrock wrote a letter to Schumann on November 19, 1850, asking whether or not Schumann would agree if we were to print on the title page: 'for oboe and pianoforte' and on this with a violin 'for violin and pianoforte' and on the third 'for clarinet and pianoforte,' since it is not looked upon with favor when several instruments appear on the title page. However, Schumann denied the request, replying, If I had originally written the work for violin or clarinet, it would have become a completely different piece. I regret not being able to comply with your wishes, but I can do no other. Two copies of the original printing exist Schumann's copy and Wasielewski's dedication copy (both either in museums or private collections).Disobeying Schumann's wishes, Simrock published alternate violin and oboe parts in the first edition. In her compilation of Robert's works post-mortem, Clara only included the violin transcription, possibly due to her only playing the piece with violinists. There have been several recordings of the music, including a recent one along with other Schumann oboe works by Oboe Classics. The romances are now a standard part of the oboe repertoire and often considered the best piece of romantic repertoire for the oboe.
$20.00
Piano Trio
Piano Trio
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Piano Trio: piano, violin, cello
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ADVANCED
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Contemporary
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Colin Bayliss
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Piano Trio
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Colin Bayliss
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.938413 Composed by Colin Bayliss. 20th Century,Contemporary. Score and...
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.938413 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 59 pages. Colin Bayliss #9995. Published by Colin Bayliss (A0.938413). Piano Trio (B44) was written in the spring of 1991 for David Johnson and the trio which he was forming in Cologne. The work is in three movements:-1. Structures The three instruments build differing structural patterns based on a 12-note row. The violin and 'cello often complement each other, but the piano rarely joins them and tries to pull the music towards a diatonic tonal language, eventually succeeding to end in G major. The movement is in arch form, the second half being based on the retrogrades of the note row. 2. Textures Most forms of sound textures are used, including col legno and sul ponticello for the strings, while the piano occasionally employs soft-headed timpani sticks both on the keyboard and the interior of the instrument. Again the movement is in arch form, with a central section incorporating a miniature scherzo, with a trio section parodying the palm court trio style with a tune of sickly sentimentality. [ This movement may be played separately under the title Einer Kleiner Alptraum - A Little Night... mare] 3. Metamorphoses The notes which will eventually become a Scottish folk tune are hidden either in the repeated notes or in the left hand of the piano, either singly or in harmony. After a neo- classical exposition, using a serial melody, progress is quickly halted by the use of some of the notes of the folk tune being arranged into the theme of Weber's Turandot which was used by Hindemith in his Symphonic Metamorphoses . This pulls the music into a slightly more tonal frame work which becomes more pronounced after a reference to the theme of the slow movement of the Eroica symphony used in Richard Strauss' Metamorphosen. From then onwards, tonality, or rather modality, is established and the folk tune style is maintained with simplicity to the end, except for a miniscule coda reminiscent of the opening of the movement. The sound sample is a performance of the second movement Textures.
$12.00
Point of Origin (for Piano Quintet)
Point of Origin (for Piano Quintet)
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Piano Quintet: piano, 2 violins, viola, cello
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ADVANCED
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Contemporary
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Aaron Lee
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Point of Origin
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J. Aaron Lee
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SheetMusicPlus
Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.659368 Composed by Aaron Lee. 20th Century,Classical,Contempo...
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Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.659368 Composed by Aaron Lee. 20th Century,Classical,Contemporary. Score and parts. 45 pages. J. Aaron Lee #268442. Published by J. Aaron Lee (A0.659368). This work takes the concept of motivic development and attempts to stretch it to it's limits. Everything evolves out of an initial phrase and quickly transforms into new shapes and forms as the piece continues. Point of Origin is an example of post-tonal triadicism in that it does not adhere to traditional tonal rules and yet makes consistent use of triadic harmonies. The resulting sound is one that is familiar to most listeners and yet still provides unexpected twists and turns. This bundle of score and parts includes a separate part for piano in case the pianist does not wish to play from the full score. For more music from Aaron Lee, you can visit www.musicoflee.com.
$19.99
Carson Cooman: Biblicals: Concerto for Solo Piano
Carson Cooman: Biblicals: Concerto for Solo Piano
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Piano solo
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ADVANCED
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Carson Cooman
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Carson Cooman: Biblicals: Conc
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.533692 Composed by Carson Cooman. 20th Century,Concert,Contemporary,Sacred,Standards. Score. 17 pages. Mu...
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Piano Solo - Level 5 - Digital Download SKU: A0.533692 Composed by Carson Cooman. 20th Century,Concert,Contemporary,Sacred,Standards. Score. 17 pages. Musik Fabrik Music Publishing #3038635. Published by Musik Fabrik Music Publishing (A0.533692). Biblicals: Concerto for Solo Piano in Five Movements (1998) was commissioned from thecomposer by an anonymous benefactor for pianist Kathleen Supové in tribute of her tirelesssupport of new music.The work is in five movements, each inspired by a different biblical quotation which isquoted in the score before each movement. If possible, these passages should be printed inthe program or read aloud before the performance of the work. Each movement isprogrammatic only in an internal sense. While the movements do not attempt to directlyportray the action of the passage in a storybook sense, they do attempt to capture the overallaffect of the verse. The form of the work is as a concerto for solo piano drawing on a titlethat has been used in the past by numerous composers. Likewise, although the work does notinvolve an orchestra, I have titled it concerto because it contains elements of a concerto solopart and because of the virtuosity required to perform the work. The work explores a widerangeof styles from quasi-lyrical to highly chromatic. Throughout, the work has a rhythmicintensity which should be observed by the performer.The first movement, Hovering Over the Waters, makes use of an irregular rhythmic patternintroduced in the opening measure and used throughout the work. Irregular and nervousrhythms using chromatic intervals pervade the entire movement.The second movement, Baldhead, is a forceful and loud movement making use of the clashbetween diatonic and pentatonic clusters. It is relentless in its pounding energy, irregularrhythms, and volume. This movement is dedicated to American composer Daniel Pinkhamon the occasion his 75th birthday in 1998. The connection of this movement to Pinkhamcomes in the superimposition of pentatonic and diatonic clusters, a technique used so well inone of my favorite Pinkham works, Blessings for Organ (1978).The third movement, Forgiven and Free, presents a tranquil scene involving the building ofchords, standard and otherwise, through the adding of tones one at a time. Brief chromaticmelodies appear and then disappear quickly.The fourth movement, Under the Sun, makes use of a motive involving four chords over a lefthand bass consisting of a major-tenth chord. This motive appears throughout the movement,constantly breaking in and interrupting the action. A variety of irregular rhythmic motivesappear throughout as a contrast to the main motive with its strict rhythm. Quotes of nurseryrhyme tunes are hidden throughout the movement as well in various forms.The fifth movement, The Seventh Angel, is a fast and furious tarantella. As the movementflies by a variety of musical ideas emerge and then disappear into the main motive again.The music continues to get faster and faster and finally the movement ends with a furiousprogression from the bottom to top of the piano and then a thunderous unison chord in thelower register.
$16.95
Three Pieces for Piano: III- Finale
Three Pieces for Piano: III- Finale
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Piano solo
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ADVANCED
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Clay Burnett
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Three Pieces for Piano: III- F
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Clay Parker Burnett
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1412899 Composed by Clay Burnett. 21st Century,Classical. Score. 7 pages. Clay Parker Burnett #983593. Pu...
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Piano Solo - Level 5 - Digital Download SKU: A0.1412899 Composed by Clay Burnett. 21st Century,Classical. Score. 7 pages. Clay Parker Burnett #983593. Published by Clay Parker Burnett (A0.1412899). The final movement in a collection of three pieces for piano. This piece serves as a resolution to the previous movement, the nocturne. It begins with a series of repetitive notes and chords that is at first a bit unpredictable as to where it is headed. It then moves to a somewhat formless and disjointed melody with frequently changing time signatures but then quickly transforms into a cheerful and resolute theme, then a brief aside that allows the performer to show off his technical skills, and then back to the determined and driven, yet cheerful theme that concludes the cycle with a happy ending.
$3.99
Piano Sonata 1
Piano Sonata 1
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Piano solo
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ADVANCED
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Contemporary
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R
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Piano Sonata 1
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R. Currier III
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1016578 Composed by R. Currier III. Contemporary. Score. 6 pages. R. Currier III #6093241. Published by R...
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Piano Solo - Level 5 - Digital Download SKU: A0.1016578 Composed by R. Currier III. Contemporary. Score. 6 pages. R. Currier III #6093241. Published by R. Currier III (A0.1016578). This contemporary solo piano piece starts slowly and quietly, but builds quickly to a stunning series of fast arpeggios in the right hand punctuated by chordal interjections in the left hand. The piece runs about 2:45 and that, plus the dramatic left-hand leaps, make it a good choice for an encore.Thanks for stopping by to check out this work. For more original music in a variety of genres, please visit my website, www.raysoctopus.com, which includes some of my art photography, information about me, and a link to my SoundCloud account. Or, you can just jump on over to SoundCloud via this link: https://soundcloud.com/ray-currier.
$5.00
Ballet, “THE LITTLE MATCH GIRL”, Op.24, (1977) - (piano score)
Ballet, “THE LITTLE MATCH GIRL”, Op.24, (1977) - (piano score)
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Piano, Vocal and Guitar
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ADVANCED
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An-lun Huang
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Ballet, “THE LITTLE MATCH GI
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DoReMi Edition
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1009194 Composed by An-lun Huang. 20th Century,Christmas,Classical. Score. 38 pages. DoReMi...
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Guitar,Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1009194 Composed by An-lun Huang. 20th Century,Christmas,Classical. Score. 38 pages. DoReMi Edition #594856. Published by DoReMi Edition (A0.1009194). Based on the fairy tale “The Little Match Girl†by Hans Christian Anderson (1805-1875), the famous Danish writer, the Beijing Ballet School of China commissioned An-Lun Huang to compose this ballet in 1977. The play was written by Zhang Dun-yi, and the choreographers were Wu Fu-kang and Huang Buo-hong. The premiere took place in Beijing in 1977. It was performed by the school and the Central Opera House Orchestra, conducted by Zheng Xiao-ying. The music is written in Nineteen Century-Romantic style with some strong Scandinavian flavor. Margot Fonteyn, one of the most important ballet dancers of our age, claimed that “the composer has composed the very, very, very good music for this ballet ! “ She then produced a movie of it, which has been broadcasted by the PBS of U.S.A. in early of eighties. Since the great success of the premiere, this ballet and its music have been widely performed and warmly received. A tape of it was also released in China. This is the story of the ballet: In a little Danish town in the nineteenth century, Betty, a little girl who lost her mother, was selling matches along the street during Christmas time. The sound of the church bell reminded her that the time was quite late, but she was unable to go home until she completed her job. An old man came to light the street lights. He gave her some money and left. Betty tried to sell her matches to a carriage, but the carriage just ran away. Snow fell, cold and hungry, she lit a match on the wall to warm herself. A group of “Fire Fairies†appeared. They danced around her and got her warm. Since they disappeared so quickly, Betty lit another match. She saw a big dining room with a beautiful Christmas tree and a lot of food. While some bus boys were handing her a piece of roasted goose, the typical Danish Christmas food, a nobleman in a portrait hanging on the wall suddenly moved. Everything disappeared again. Betty immediately lit the third match, a “Swan Lake†with a beautiful garden appeared. She met her mother with tears because the mother had passed away for years. Mother got a pair of little red shoes for her as the Christmas gift and danced with her. The “Portrait nobleman†brought the mother out of the scene. Everything was gone but the snow storm. The church bell sounded again, with the morning dawn, the old man came to extinguish the street lights. He found the frozen body of the little girl.
$19.99
Phaethon for Solo Viola and Piano
Phaethon for Solo Viola and Piano
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Viola, Piano
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ADVANCED
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David F Wainwright
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Phaethon for Solo Viola and Pi
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D F Wainwright
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SheetMusicPlus
Piano,Viola - Level 5 - Digital Download SKU: A0.771526 Composed by David F Wainwright. 20th Century,Concert,Contemporary,Standards. Score and part. 10 p...
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Piano,Viola - Level 5 - Digital Download SKU: A0.771526 Composed by David F Wainwright. 20th Century,Concert,Contemporary,Standards. Score and part. 10 pages. D F Wainwright #4352641. Published by D F Wainwright (A0.771526). PHAETHON was a youthful son of Helios who begged his father let him drive the chariot of the sun. The god reluctantly conceded to the boy's wishes and handed him the reigns. But his inexperience proved fatal, for Phaethon quickly lost control of the immortal steeds and the sun-chariot veered out of control setting the earth ablaze. Zeus, appalled by the destruction, smote the boy with a thunderbolt, hurling his flaming body into the waters of the River Eridanos. Phaethon's sisters, the Heliades, gathered on the banks and in their mourning were transformed into amber-teared poplar trees. This piece, written for my daughter, Penny, for her 2nd year recital at university, depicts the story of Phaethon, through to his destruction. The second piece, Tears of the Heliad, written for her degree recital and also published on SMP, finishes the story with the lamenting of the Heliades and their tears eventually turning to drops of golden amber
$10.99
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