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Revelations 5
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33 sheet music found
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Carson Cooman: The Revelations of Divine Love (Metaphors from Sea and Sky) (2009) oratorio for sopra
Carson Cooman: The Revelations of Divine Love (Metaphors from Sea and Sky) (2009) oratorio for sopra
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Christian contemporary
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Sacred music
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Carson Cooman
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Carson Cooman: The Revelations
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Musik Fabrik Music Publishing
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SheetMusicPlus
Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.535382 Composed by Carson Cooman. Contemporary,Sacred. Octavo. 187 pages. Musik Fabrik Music P...
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Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.535382 Composed by Carson Cooman. Contemporary,Sacred. Octavo. 187 pages. Musik Fabrik Music Publishing #3025403. Published by Musik Fabrik Music Publishing (A0.535382). The Revelations of Divine Love (Metaphors from Sea and Sky) (2009), an oratorio for soprano,baritone, chorus, and chamber orchestra (0000.1100.1perc.strings), was commissioned for and is dedicated to the choir ofRoyal Holloway, University of London and Rupert Gough, director of choral music.The texts of the work are adapted primarily from the writings of Julian of Norwich (c. 1342–1416).Julian is best-known for her Sixteen Revelations of Divine Love (c. 1393), believed to be the first Englishlanguagebook written by a woman. Considered one of the most significant English mystics of alltime, Julian lived a reclusive life as an anchoress at the Church of St. Julian in Norwich, England (hertrue name is unknown). Regarded even during her lifetime as a spiritual authority, her optimisticvisions have been very influential in the years that have followed.Texts are also drawn from three additional sources: an excerpt from the Book of Margery Kempe(translated by Christopher M. Brunelle), two poems by English poet Robert Herrick (1591–1674),and a poem by the American writer Elizabeth Kirschner (b. 1955).The primary concept underlying this oratorio is the presence of two distinct discourses. One is asequence taken from Julian’s religious visions. The other is a sonic geography of Nantucket Island(located 30 miles off the coast of Massachusetts in the United States). This interconnected conceptwas inspired by the writings of the great Scottish poet George Mackay Brown (1921–1996). Livinghis entire life on Scotland’s Orkney Islands, Mackay Brown consistently explored the transpositionof religious imagery and events to his native landscape. (For example, the poem Apple-Basket, Apple-Blossom takes the story and structure of the Stations of the Cross, and maps them onto imagery ofdistinctly Orcadian character.)The landscape of Nantucket Island has been the driving force behind a large number of mycompositions for many years. In this oratorio, Julian’s visions are transposed from Norwich andmapped onto the Nantucket landscape. Each movement of the work thus has two parallel purposes:a setting of the visionary words, and a portrayal of a specific place in Nantucket’s geography. Muchof the music was planned in the actual locations. Since the soloists and choir must, by necessity, singthe words, a great deal of the landscape is left to the orchestra. Thus, the orchestra’s role issubstantially greater than simply accompaniment.Because of these two discourses, the oratorio is not intended as comprehensive working out of allaspects of Julian’s visions, nor does it use her own structure and sequence. Rather, it takes herbeautiful words, and the fundamentals of her visions, and attempts to create a new narrative andspiritual experience from them.This is the full score. The vocal score is available for sale. The parts are available on rental from the publisher.
$32.95 ≈
£25.69
Carson Cooman: "Eternitie" from "The Revelations of Divine Love (Metaphors from Sea and Sky)" for SA
Carson Cooman: "Eternitie" from "The Revelations of Divine Love (Metaphors from Sea and Sky)" for SA
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Choral SATB
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ADVANCED
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Christian contemporary
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Sacred music
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Carson Cooman
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Carson Cooman: "Eternitie" fro
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Musik Fabrik Music Publishing
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535383 Composed by Carson Cooman. Contemporary,Sacred. Octavo. 3 pages. Musik Fabrik Music Publi...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535383 Composed by Carson Cooman. Contemporary,Sacred. Octavo. 3 pages. Musik Fabrik Music Publishing #3025405. Published by Musik Fabrik Music Publishing (A0.535383). Eternitie is a poem by Robert Herrick, representing the sea. In the completeOratorio, this chorus is associated with Sankaty Bluff’ on Nantucket Island.Because of its height, Sankaty Bluff’s view of the ocean is one of the island’smost beautiful, showing well the sense of vast Eternitie that is the endless sea.O Yeares! And Age! Farewell:Behold I go,Where I do knowInfinitie to dwell.And these mine eyes shall seeAll times, how theyAre lost i’th’SeaOf vast Eternitie.Where never moon shall swayThe Starres; but she,And night, shall be.Drown’d in one endlesse Day.Robert Herrick
$1.99 ≈
£1.55
Assassin's Creed Revelations
Assassin's Creed Revelations
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Orchestra
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ADVANCED
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Video Game
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Jesper Kyd Jacobsen
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Aliyah Danielle
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Assassin's Creed Revelations
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Aliyah Danielle
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1149502 Composed by Jesper Kyd Jacobsen. Arranged by Aliyah Danielle. Video Game. Score and parts. 42...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1149502 Composed by Jesper Kyd Jacobsen. Arranged by Aliyah Danielle. Video Game. Score and parts. 42 pages. Aliyah Danielle #749647. Published by Aliyah Danielle (A0.1149502). Brass, strings, percussion, and SATB chorus.
$69.99 ≈
£54.57
REVELATION FOR BRASS QUINTET (Arr. of Revelation for Solo Trumpet and Piano) SCORE ONLY
REVELATION FOR BRASS QUINTET (Arr. of Revelation for Solo Trumpet and Piano) SCORE ONLY
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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ADVANCED
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Contemporary
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Francis Osentowski, DMA
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REVELATION FOR BRASS QUINTET
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Francis Osentowski
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SheetMusicPlus
Brass Ensemble - Level 5 - Digital Download SKU: A0.953862 Composed by Francis Osentowski, DMA. Contemporary. Score and parts. 22 pages. Francis Osentows...
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Brass Ensemble - Level 5 - Digital Download SKU: A0.953862 Composed by Francis Osentowski, DMA. Contemporary. Score and parts. 22 pages. Francis Osentowski #6132219. Published by Francis Osentowski (A0.953862).  REVELATION FOR BRASS QUINTET is a transcription of a solo trumpet piece written Jack Stone a former performer in the famous UNT One O'clock lab band. It is a high energy piece with a with a big ending. It is written for good performers with advanced technique. Playable by top flight high school level to professionals. Ranges are not extreme and the one High C for Trumpet It has an ossia available. The tuba uses pitches up to the top of the bass clef staff. Hope you enjoy this piece.
$5.00 ≈
£3.90
REVELATION for Bb TRUMPET AND PIANO (Score & Solo Part)
REVELATION for Bb TRUMPET AND PIANO (Score & Solo Part)
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Trumpet
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ADVANCED
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Digital Performance
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REVELATION for Bb TRUMPET AND
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Francis Osentowski
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SheetMusicPlus
Trumpet Solo - Level 5 - Digital Download SKU: A0.953866 By Digital Performance. By Francis Osentowski, DMA University of North Texas. 20th Century,Conte...
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Trumpet Solo - Level 5 - Digital Download SKU: A0.953866 By Digital Performance. By Francis Osentowski, DMA University of North Texas. 20th Century,Contemporary. Individual part. 30 pages. Francis Osentowski #6301537. Published by Francis Osentowski (A0.953866). Revelation for Trumpet and Piano was composed for Jack Stone. Jack played led in the early days for the University of North Texas One O'clock Lab band. A few years later in the 1970's he also commissioned my Celebration for Brass and Percussion. The Brass Quintet version is also listed in this web site. Revelation is a barn burner with lots of fun effects for advanced players. One high D includes an ossia down and octave. (The D I could have played)! It can be played by an advanced high school student and higher levels. Both Bb and C trumpet parts are enclosed. If you find a glitch in parts or score please let me know at: f.osentow@verizon.net Hope you enjoy this piece.Â
$12.99 ≈
£10.13
Revelation
Revelation
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Piano solo
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ADVANCED
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Hans Zimmer/david Fleming
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Rebecca Belliston
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Revelation
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Rebecca Belliston
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1375610 By Hans Zimmer/david Fleming. By David Russell Fleming and Hans Florian Zimmer. Arranged by Rebec...
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Piano Solo - Level 5 - Digital Download SKU: A0.1375610 By Hans Zimmer/david Fleming. By David Russell Fleming and Hans Florian Zimmer. Arranged by Rebecca Belliston. 21st Century,Contemporary,Film/TV,New Age,Thriller. Score. 6 pages. Rebecca Belliston #960146. Published by Rebecca Belliston (A0.1375610).
$5.99 ≈
£4.67
String Quartet #4 "The Search for Truth" - 4 - Revelation
String Quartet #4 "The Search for Truth" - 4 - Revelation
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String Quartet: 2 violins, viola, cello
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ADVANCED
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Christian contemporary
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Sacred music
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Ralph S
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String Quartet #4 "The Search
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Ralph S. Gardner II
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SheetMusicPlus
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.1015538 Composed by Ralph S. Gardner II. Contemporary,Sacred. Score and parts. 11 page...
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.1015538 Composed by Ralph S. Gardner II. Contemporary,Sacred. Score and parts. 11 pages. Ralph S. Gardner II #5999181. Published by Ralph S. Gardner II (A0.1015538). 4th movement of my 4th String Quartet.
$1.99 ≈
£1.55
Knights Of Cydonia
Knights Of Cydonia
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Piano solo
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ADVANCED
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Rock
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Muse
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Christina Pepper
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Knights Of Cydonia
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Christina Pepper
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.982525 By Muse. By Matthew Bellamy. Arranged by Christina Pepper. Rock. Score. 9 pages. Christina Pepper ...
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Piano Solo - Level 5 - Digital Download SKU: A0.982525 By Muse. By Matthew Bellamy. Arranged by Christina Pepper. Rock. Score. 9 pages. Christina Pepper #6473863. Published by Christina Pepper (A0.982525). Knights of Cydonia is the final song on the album Black Holes and Revelations by Muse. This is a piano solo arrangement in the original key, of advanced difficulty. The LH part as written here is very demanding and can be simplified down in places (including a section marked with optional octaves) to accommodate those who may not have the ability or stamina to sustain the LH in this demanding arrangement. (Keeping a driving feel throughout the song is most important, so maintain the feeling of urgency even if you can't play all the notes.)Lyrics:Come ride with meThrough the veins of history,I'll show you how GodFalls asleep on the job
$5.99 ≈
£4.67
Ambrosia 153 for Harp, Flute, 'cello, Glockenspiel
Ambrosia 153 for Harp, Flute, 'cello, Glockenspiel
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Celebrity Chamber Players
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Ambrosia 153 for Harp, Flute,
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Father Ambrose Press
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SheetMusicPlus
Small Ensemble Cello,Flute,Harp,Percussion - Level 5 - Interactive Download SKU: A0.1087286 By Celebrity Chamber Players. By Marshall Thomas. This editio...
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Small Ensemble Cello,Flute,Harp,Percussion - Level 5 - Interactive Download SKU: A0.1087286 By Celebrity Chamber Players. By Marshall Thomas. This edition: Interactive Download. Classical,Film/TV,Praise & Worship. Score and parts. Duration 58. Father Ambrose Press #5dzZeK8tYw9aiXh5rY2csq. Published by Father Ambrose Press (A0.1087286). Key: C major.A dedicated confection of thanksgiving... amidst the hardship and revelations of joy and transcendence of serving a church I have loved...
$11.00 ≈
£8.58
' 3 Fugues In 4 Parts '
' 3 Fugues In 4 Parts '
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Clarinet Quartet: 4 clarinets
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ADVANCED
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Messiaen, Revel & Rivier
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Oliver Messiaen, Pierre Revel,
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Stephen Davies
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Rivier
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' 3 Fugues In 4 Parts '
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Stephen Davies
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble - Level 5 - Digital Download SKU: A0.1371738 Composed by Oliver Messiaen, Pierre Revel, Jean Rivier. Arranged by Steph...
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Clarinet Quartet,Woodwind Ensemble - Level 5 - Digital Download SKU: A0.1371738 Composed by Oliver Messiaen, Pierre Revel, Jean Rivier. Arranged by Stephen Davies. 20th Century,Chamber,Contest,Festival. 44 pages. Stephen Davies #955964. Published by Stephen Davies (A0.1371738). '3 Fugues In 4 Parts' By Messiaen, Revel & Rivier.Adapted for Clarinet Quartet by Stephen DaviesIn 1926 a competition was held at the Paris Conservatoire to write a Fugue in four parts using Soprano, Alto, Tenor & Bass clefs, the participating students were to be locked in their rooms from 6.00am to 11.30pm, with only a pencil and manuscript paper, no instruments or educational books were allowed.Each student was given a short musical subject from their professor, who was at the time Henri Rabaud.That year yielded three winners, Olivier Messiaen, Pierre Revel & Jean Rivier.I've adapted each Fugue for the Clarinet, the changes in articulation are my own, and presents the three Fugues as three different pieces using the same subject!!
$21.99 ≈
£17.15
Dies Irae Dodecaphonic
Dies Irae Dodecaphonic
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Piano solo
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ADVANCED
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Contemporary
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Peter Daniel Klein
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Dies Irae Dodecaphonic
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Peter Daniel Klein
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1029561 Composed by Peter Daniel Klein. 20th Century,Contemporary. Score. 13 pages. Peter Daniel Klein #6...
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Piano Solo - Level 5 - Digital Download SKU: A0.1029561 Composed by Peter Daniel Klein. 20th Century,Contemporary. Score. 13 pages. Peter Daniel Klein #6401141. Published by Peter Daniel Klein (A0.1029561). This musical piece is comprised of two twelve-tone rows, atonal music based on synthetic scales unique to each composition, which are based on medieval plainsong chants whose systemization was begun by Pope Gregory I during the sixth century AD. A simple explanation of this composition is that it is the world's oldest notated music combined with modern 20th-century music theory that eschews traditional melody and harmony for synthetic scales unique to each composition. The music is complex and dissonant, although the conversion of the two plainsong chants to twelve-tone rows retains a semblance of a tonal center at given points throughout. Still, the entire piece of music is that same melody utilized harmonically: just forward, backward, upside-down, backward and upside-down, rhythmically altered, transposed, displaced up or down, or split into smaller cells and then reprocessed in the same way mentioned above. I have also borrowed the Baroque Period techniques of the two-part invention and four-voice fugue combined with serial musical techniques that may offend the average listener's traditional musical sensibilities but make logical structural sense. I used the Dies Irae (The Day of Wrath) and Tuba Mirum (The Last Trumpet Call). The authorship of the chants has been attributed to many saints from Gregory to Thomas of Celano but probably evolved from early Jewish psalmody carried forward by the earliest Jewish converts to Christianity, which further developed into trochaic metered poetry by successive monks. It was set to memorized plainsong heralding back, in part, to Jewish worship. The text of the Dies Irae is very similar to Zephaniah 1:16​. The last trumpet call that raises the dead in Christ is comparable to the Apostle Paul's account written in his first epistle to the Corinthians Chapter 15 and first epistle to the Thessalonians Chapter 4. The two epistles may, or may not, be related to the Final of the Seven Trumpets bringing God's Judgement on the earth spoken of in Revelation 11. The relationship of the trumpet mentioned in the epistles to those written about in Revelation divides theologians, but I digress into unrelated matters. Despite the modern theory, the music is still movingly visceral because of its conceptually descriptive nature. It is full of aural symbolism following the Dies Irae and the Tuba Mirum, making it a type of program music ala Hector Berlioz of the Romantic Period. The music is, therefore, genuinely eclectic because it has blended qualities of several musical periods. The final section of the video explains the symbolism. The music difficulty is virtuosic, extremely taxing to play.
$5.99 ≈
£4.67
Mare di Vetro
Mare di Vetro
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Contemporary
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Guido Mallardi
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Mare di Vetro
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Guido Mallardi
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SheetMusicPlus
Small Ensemble Bassoon,Cello,Clarinet,Flute,Oboe - Level 5 - Digital Download SKU: A0.1022551 Composed by Guido Mallardi. Contemporary. Score and parts. ...
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Small Ensemble Bassoon,Cello,Clarinet,Flute,Oboe - Level 5 - Digital Download SKU: A0.1022551 Composed by Guido Mallardi. Contemporary. Score and parts. 2 pages. Guido Mallardi #2034581. Published by Guido Mallardi (A0.1022551). In front of JHVH God's throne depicted in the book of Revelation there is something like a sea of glass, clear as crystal... (Revelation 4:4-6) Allegri's Miserere is hidden in this music, and this fact metaphorically mirrors the hidden supernatural reality and, on the other side it also suggests the painful human condition caused by the imperfection due to our first ancestors bad choice. The famous piece cannot be heard despite it is present; maybe because we are imperfect... Neither we can't see even our imperfection sometimes.
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£3.89
Spanish Song
Spanish Song
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Sacred music
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Donald Marsh
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D
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Spanish Song
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Hope Publishing - Digital
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SheetMusicPlus
(Guitar, Handbells, Percussion) - Level 5 - Digital Download SKU: H1.2229PDP Composed by Donald Marsh. Arranged by D. Linda McKechnie. Agape Bronze - L4-...
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(Guitar, Handbells, Percussion) - Level 5 - Digital Download SKU: H1.2229PDP Composed by Donald Marsh. Arranged by D. Linda McKechnie. Agape Bronze - L4-5. Hymntune, General Worship, Devotion. Percussion, bass, guitar parts. 23 pages. Hope Publishing - Digital #2229PDP. Published by Hope Publishing - Digital (H1.2229PDP). Arr. by Don Marsh. Colossians 3:16 - Ephesians 5:19 - Psalms 95:1 - Revelation 19:4.Popular hymn tune Arr. by Don Marsh.
$34.95 ≈
£27.25
Grace and Peace
Grace and Peace
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Paul Jones
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Grace and Peace
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Paul S. Jones
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SheetMusicPlus
Flute,Medium Voice,Piano Accompaniment - Level 5 - Digital Download SKU: A0.871108 Composed by Paul Jones. Christmas,Contemporary,Sacred. 7 pages. Paul S...
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Flute,Medium Voice,Piano Accompaniment - Level 5 - Digital Download SKU: A0.871108 Composed by Paul Jones. Christmas,Contemporary,Sacred. 7 pages. Paul S. Jones #3560885. Published by Paul S. Jones (A0.871108). This is an original vocal solo for Baritone with piano accompaniment and flute obbligato using a freely adapted text from Revelation chapters 1 and 22. Because the piece looks forward to the second advent of Christ, it is fitting for any service of Christian worship but especially during the Advent season. Lyrical and sweeping, with an important flute part, it is sure to engage the listener. Performer should purchase two copies. Length: 3.5 minutesDemo recording is Branch Fields, bass and Meghan Emigh, flute from his 2021 CD, Be Thou My Vision (a Paul Jones Music release).
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£3.51
The voice of many waters
The voice of many waters
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Piano solo
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ADVANCED
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Edigles Guedes
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The voice of many waters
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Edigles Guedes
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1009284 Composed by Edigles Guedes. Christian,Contemporary,Instructional,Spiritual. Score. 5 pages. Edigl...
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Piano Solo - Level 5 - Digital Download SKU: A0.1009284 Composed by Edigles Guedes. Christian,Contemporary,Instructional,Spiritual. Score. 5 pages. Edigles Guedes #6896727. Published by Edigles Guedes (A0.1009284). This song is a study in classical music. It is ideal for advanced level piano students. Inspired by the Bible verse: And I heard a voice from heaven, as the voice of many waters, and as the voice of a great thunder: and I heard the voice of harpers harping with their harps: (Revelation 14:2 – KJV) Duration of work: 3:29 min.
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£4.67
The Solitary Reaper (high voice with piano, or violin, or oboe, or treble recorder/flute)
The Solitary Reaper (high voice with piano, or violin, or oboe, or treble recorder/flute)
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Piano, Voice
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ADVANCED
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Alan Bullard
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The Solitary Reaper
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Colne Edition / BullardMusic
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1077772 Composed by Alan Bullard. 20th Century,Classical. Score. 35 pages. Colne Edition / Bullard...
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1077772 Composed by Alan Bullard. 20th Century,Classical. Score. 35 pages. Colne Edition / BullardMusic #681954. Published by Colne Edition / BullardMusic (A0.1077772). Alan Bullard's song 'The Solitary Reaper' is printed here in four separate versions, for high voice and piano, or violin, or oboe, or treble recorder/flute. Originally written for soprano and violin, this setting of Wordsworth’s well-known poem has since been performed in three other versions. The lyrical portrayal of a maiden working in the fields, singing 'as if her song could have no ending' inspired the composer to write a delicately flowing setting of the words supported by a 'never-ending' instrumental ostinato. ‘The revelation, when listening to this admirable CD, was the music of Alan Bullard. The Solitary Reaper is such a fascinating composition I found myself returning to it time and time again' Steve Ford, Avant magazine. (The recording here is of the voice and violin version. A recording of the voice and piano version can be found on Soundcloud.).
$4.99 ≈
£3.89
Missa Solemnis, op. 27 (vocal score)
Missa Solemnis, op. 27 (vocal score)
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Choral SATB
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ADVANCED
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adr...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99 ≈
£68.61
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