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Shake It Off
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You've selected:
Shake It Off
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8 sheet music found
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1
Shake It Off - Score Only
Shake It Off - Score Only
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Handbells
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ADVANCED
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Pop music
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Taylor Swift
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Anthony J
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Shake It Off - Score Only
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Anthony J Kubasek
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SheetMusicPlus
Handbell - Level 5 - Digital Download SKU: A0.1372255 By Taylor Swift. By Johan Schuster, Max Martin, Shellback, and Taylor Swift. Arranged by Anthony J....
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Handbell - Level 5 - Digital Download SKU: A0.1372255 By Taylor Swift. By Johan Schuster, Max Martin, Shellback, and Taylor Swift. Arranged by Anthony J. Kubasek. Pop. Score. 7 pages. Anthony J Kubasek #956529. Published by Anthony J Kubasek (A0.1372255). Taylor Swift's Shake it Off arranged for a 3-1/2 octave handbell choir (G3-C7), with optional F3 and D7. Techniques used include shakes (a play on the title of the song), ring touch, and table damping.
$2.25 ≈
¥15.94
Shake It Off
Shake It Off
#
Pop music
#
Taylor Swift
#
Chris Moser
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Shake It Off
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Chris Moser
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SheetMusicPlus
Small Ensemble Alto Saxophone,Baritone Saxophone,Trombone,Trumpet - Level 5 - Digital Download SKU: A0.908764 By Taylor Swift. By Johan Schuster, Max Mar...
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Small Ensemble Alto Saxophone,Baritone Saxophone,Trombone,Trumpet - Level 5 - Digital Download SKU: A0.908764 By Taylor Swift. By Johan Schuster, Max Martin, Shellback, and Taylor Swift. Arranged by Chris Moser. Pop. Score and parts. 18 pages. Chris Moser #3038531. Published by Chris Moser (A0.908764). For mixed quintet comprised of Trumpet 1, Trumpet 2, Alto Saxophone, Trombone, Baritone Saxophone. Shake It Off is arguably Taylor Swift's biggest hit, maintaining a presence on the Billboard charts for 50 consecutive weeks. Awards include: Grammy Award for Producer of the Year, Non-Classical, People's Choice Award for Favorite Song, Billboard Music Award for Top Streaming Song (Video), Radio Disney Music Award for Best Song to Dance To, iHeartRadio Music Award for Song of the Year, Myx Music Award for Favorite International Video. Shake It Off also received nominations for Record of the Year, Song of the Year, and Best Pop Solo Performance at the 2015 Grammy Awards.
$12.99 ≈
¥92.02
Shake it Off - Original Version (Advanced Level)
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Drums
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ADVANCED
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Rock
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Pop music
#
Taylor Swift
#
Shake it Off
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Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99€ ≈
¥47.11
Shake It Off
Shake It Off
#
Pop music
#
Taylor Swift
#
Austin Ralphson
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Shake It Off
#
Austin Ralphson
#
SheetMusicPlus
Small Ensemble Alto Saxophone,Tenor Saxophone,Trombone,Trumpet - Level 5 - Digital Download SKU: A0.563614 By Taylor Swift. By Johan Schuster, Max Martin...
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Small Ensemble Alto Saxophone,Tenor Saxophone,Trombone,Trumpet - Level 5 - Digital Download SKU: A0.563614 By Taylor Swift. By Johan Schuster, Max Martin, Shellback, and Taylor Swift. Arranged by Austin Ralphson. Pop. Score and parts. 8 pages. Austin Ralphson #4324625. Published by Austin Ralphson (A0.563614). Horn parts arranged as per the original for this classic pop track. The parts are flexible, as the tenor sax and trombone are the same. Trombone part is also provided in B flat treble and in concert C bass clef.Complete horn chart catalogue arr. Austin Ralphson is here (copy and paste to new tab):www.hornchartsrus.com
$12.99 ≈
¥92.02
Anything You Can Do . . . for violin and vibraphone
Anything You Can Do . . . for violin and vibraphone
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Robert M
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Anything You Can Do . . . for
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Robert M. Greenberg
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Vibraphone,Violin - Level 5 - Digital Download SKU: A0.987848 Composed by Robert M. Greenberg. 20th Century,Contempor...
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Instrumental Duet Instrumental Duet,Vibraphone,Violin - Level 5 - Digital Download SKU: A0.987848 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 54 pages. Robert M. Greenberg #90285. Published by Robert M. Greenberg (A0.987848). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 12 minutes Year of composition: 2006 Program Note: The mind searches for the oddest of couples. Felix Unger and Oscar Madison. Julia Roberts and Lyle Lovett. The violin and the vibraphone. Aside from the letter V, the two instruments have almost nothing in common. We consider: the violin is the most aristocratic instrument in the Western musical tradition, the prima donna of the instrumental world, an instrument that has had, lavished upon it, more extraordinary music than any other since its invention roughly 475 years ago. And then there’s the vibraphone, a percussion instrument with pitched metal bars and motor-driven resonators that produce a vibrato. Invented around 1925, it’s an instrument created for dance bands and popular music. Anything You Can Do . . . is a confrontation between these two musical opposites. A sense of contest characterizes the entire piece, as the vibraphone seeks to establish its bona fides side by side with the violin, which in turn attempts to keep the vibraphone in its place by beating it at its own game. The first movement is conceived as a race, in which each instrument acts like the other – the violin explosively and percussively, and the vibraphone with lengthy bowed passages – while seeking to shake off the other. The movement concludes with the violin paying a series of huge, chords and a long, sustained triple-stop that, much to its fury, the vibraphone manages to match with a sustained double-stop of its own. The movement ends in a draw. The second movement begins with the violin doing its best to match the vibrato patterns of the vibraphone’s variable motor. Ultimately, the violin breaks free and plays a broad, arioso-styled melody. The vibraphone tries to match it, but cannot; try as it might, its fixed range cannot reach the stratospheric heights of the violin. Advantage violin. The third movement is constructed in three sections. In the outer sections, rapidly rising and falling lines and counter rhythms pervade as each instrument seeks to gain an advantage over the other. In the middle section, alternating, hocket-like phrases give way to bent notes and glissandi in the vibraphone, which infuriates the violin (how dare this upstart percussion instrument do something ordinarily associated with me?). The movement concludes with the violin once again attempting to lord its greater range over the vibraphone by playing a long sustained F# - the same pitch that conquered the vibraphone at the end of the second movement – only to have the vibraphone top it by playing a harmonic a full seven notes above the F#. Game, set, match: vibraphone. Some respect, please, for the new kid on the block. Anything You Can Do . . . is dedicated, with a thousand-and-one thanks, to Victor Romasevich and Jack van Geem.
$28.00 ≈
¥198.34
The Landowner
The Landowner
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Choral SATB
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ADVANCED
#
Christian Humcke
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The Landowner
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Christian Humcke
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1023766 Composed by Christian Humcke. A Cappella,Contemporary. Octavo. 11 pages. Christian Humck...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1023766 Composed by Christian Humcke. A Cappella,Contemporary. Octavo. 11 pages. Christian Humcke #6404851. Published by Christian Humcke (A0.1023766). Instrumentation: SATB a cappella choir (with divisi)Duration: 6'Completed: January 2017I wrote the poem The Landowner a few years ago in a poetry class at my undergraduate alma mater, Bucknell University. When I heard that there was an opportunity to write for a student formed choir at Peabody, I thought it would be a perfect opportunity to set one of my previously written poems to music. I looked back at poems which I had written, and came across The Landowner. It continues to intrigue me to this day since I am still uncertain as to what it is about. This enigmatic, earthy, and hauntingly repetitive poem poses more questions than it does provide answers. This is something which fascinates me, and which I sought to depict in the music.The Landowner:The landowner sends out his three servants.Each go to work in separate fields;To rake the leaves,to harvest the crops,to pluck the fruits from the tree.Working endlessly,They turn their heads from each other.They refuse to help,they refuse to talk.Good work is done,but for what purpose?The landowner plucks fresh leavesfrom a papaya tree.Although he is blind,he still sees the sun.The mooing of cows andcrowing of roosters ceases.He stands in the shade,waiting for his servants.They offer him papaya,He shakes his head
$2.99 ≈
¥21.18
Two Dreams for solo Trombone and 8-part Percussion Ensemble
Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Percussion Ensemble
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ADVANCED
#
Antonio J
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Two Dreams for solo Trombone a
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Gordon Cherry
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SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages....
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00 ≈
¥354.18
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1
Shake It Off
