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Folk Mass (Vocal Choir, 7 Movements)

Folk Mass (Vocal Choir, 7 Movements) #Choral SATB #ADVANCED #Mark Oâ€™Connor

#Mark O'Connor #Folk Mass #Mark O'Connor Musik International #SheetMusicPlus

Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.861757 Composed by Mark O'Connor. A Cappella,Christian,Contemporary,Jewish,Spiritual. Octavo. 11...(+)

Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.861757 Composed by Mark O'Connor. A Cappella,Christian,Contemporary,Jewish,Spiritual. Octavo. 113 pages. Mark O'Connor Musik International #6133105. Published by Mark O'Connor Musik International (A0.861757). Folk Mass for Vocal Choir (Soprano, Alto, Tenor, Baritone, and Bass)With solo parts from each sectionText is from the Books of the Old TestamentMusic by Mark Oâ€™Connor97-pages; 43:00 minutes in length I. INTRODUCTION â€“ 4:12 min - P. 1II. FOR YOUR ARE A PEOPLE HOLY TO THE LORD â€“ 10:44 min - P. 4III. LAND OF CANAAN â€“ 3:16 min - P. 33IV. EDIFICATION â€“ 2:56 min - P. 39V. BATTLE â€“ 6:27 min - P. 45VI. RECOMPENCE â€“ 6:36 min - P. 60VII. AFFIRMATION â€“ 8:15 min - P. 77 Oâ€™Connorâ€™s Folk Mass, an a cappella work that was composed in response to the 9/11 attacks on the United States in 2001. The Folk Mass text is taken from the books f The Old Testament and is composed in seven movements. Full of glorious melodies, harmonies and syncopated rhythms, set in a double choir configuration, Oâ€™Connor takes the stories of the Old Testament and brings them to music using the text as his artistic guide. Suitable for professional and university choral ensembles in both secular and religious performances. Individual movements can be performed separate from the entire work. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2002 Composed By Mark Oâ€™ConnorCommissioned by Gloriae Dei Cantores Can be heard on Folk Mass OMAC Recordshttps://omacrecords.com/omac-10-folk-mass Catalogue Number MO162Copyright Â© 2003 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$37.50 ≈ ¥268.22

A Capella Rhapsody in Blue for SSATB
A Capella Rhapsody in Blue for SSATB #Choral SATB #ADVANCED #George Gershwin #Ros Harling Page #A Capella Rhapsody in Blue for #Ros Harling Page #SheetMusicPlus

Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.976561 Composed by George Gershwin. Arranged by Ros Harling Page. 20th Century,A Cappella...(+)

Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.976561 Composed by George Gershwin. Arranged by Ros Harling Page. 20th Century,A Cappella,Contemporary,Jazz. Octavo. 35 pages. Ros Harling Page #6022059. Published by Ros Harling Page (A0.976561). A stunning showpiece for a really good SSATB choir, plus soprano soloist. Extremely enjoyable but also challenging to sing, A Capella Rhapsody contains some truly symphonic vocal textures, some gentle humour, and original lyrics which take the form of a conversation between soprano soloist and choir, and at times provide a musical analysis of the music. There is also some scat singing and some optional cameo solos when performing with a smaller choir. For massed choir performances, the soprano solo may require amplification.While an a capella version of a piece for piano and orchestra sounds like a preposterous proposal, live performance of this piece defies categorisation but packs an entirely positive punch. This piece is a delight to perform and a dramatic and exciting audience experience for any part of your choir's concert programme - but once you've heard it, you'll probably want to save it for the end of the concert! Listeners are left with the impression that they have heard the whole of the original work, somehow condensed into approx 8 minutes of choral magic!

$4.99 ≈ ¥35.69
Frederick Frahm: The Death of Isiah Robb, piano-vocal score
Frederick Frahm: The Death of Isiah Robb, piano-vocal score #Choral SATB #ADVANCED #Frederick Frahm #Frederick Frahm: The Death of #Musik Fabrik Music Publishing #SheetMusicPlus

Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535399 Composed by Frederick Frahm. Contemporary,Folk,Opera,Patriotic. Octavo. 63 pages. Musik F...(+)

Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535399 Composed by Frederick Frahm. Contemporary,Folk,Opera,Patriotic. Octavo. 63 pages. Musik Fabrik Music Publishing #3112735. Published by Musik Fabrik Music Publishing (A0.535399). The Death of Isiah Robb is a one-act chamber opera set in the Civil War. Scored for string orchestra and piano with Mezzo-soprano, 2 tenor, and Baritone soloists, T/Bar/bs chorus, and offstage SATB chorus. The texts are taken from Bierce, Bryant, Melville, Crane and Whitman. This is the piano vocal score. The orchestral parts are available on rental from the publisher.

$25.95 ≈ ¥185.61
Chevalier De Sangreal
Chevalier De Sangreal #Orchestra #ADVANCED #Hans Zimmer #John Langley / Studio Orchestr #Chevalier De Sangreal #www.studio-orchestrations.com #SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.1430275 Composed by Hans Zimmer. Arranged by John Langley / Studio Orchestrations. Classical,Contempo...(+)

Full Orchestra - Level 5 - Digital Download SKU: A0.1430275 Composed by Hans Zimmer. Arranged by John Langley / Studio Orchestrations. Classical,Contemporary,Film/TV,Religious,Thriller. 102 pages. Www.studio-orchestrations.com #1010904. Published by www.studio-orchestrations.com (A0.1430275). From the 2006 Ron Howard film adaptation of Dan Brown's The Da Vinci Code, this track is taken from the soundtrack which underscores the final late night walk by Robert Langdon (played by Tom Hanks) through the streets of Paris to (possibly and hopefully) conclude his long and testing quest to seek the Holy Grail. No spoilers however. If you've not seen it, then add it to your playlist!The film's soundtrack evokes great emotion throughout and whatever criticisms there may have been over the years about the book, the story, the film etc.. this is definitely one of Hans Zimmer's finest emotional and thought provoking soundtrack scores, drawing from a huge range of musical influences, from the big symphonic oceanic sounscapes to the intimate vocal solo and choral plainchant that are peppered throughout the score. It is an example of how a soundtrack can really make a massive difference to what some might describe glibly as a popcorn movie.Very much like Time in Inception Zimmer takes a relatively simple harmonic and melodic trope and adds layers of melodic counter melody and rhythmic building to create an awe inspiring and (let's face it BIG!) climax, supporting the narrative of the film and story but also creating music that can be taken away from the cinematic experience and enjoyed for its own sake.This orchestration emulkates as closely as possible the soundtrack. Some licence has been taken with the addition of 2 Trumpets which build the climax with the upper strings. SATB choir is also scored as per the original soundtrack but optional as it is mostly covered by orchestral instruments and is also a very brief appearance but - at least for the sopranos - extremely challenging for anyone apart from a professional specialist choral ensemble. The synth section of the keyboard part in the opening pages can also be optional, adding some background sounds that Zimmer is so renowned for (this may be beyond the budget of some performing groups we appeciate). However the piano cues later in the piece are highly desirable as they add a percussive support to the strings.We commend this score to anyone buidling a program of film music for their orchestral event, particularly if you are wishing to include some more modern concert ideas, and in particular a Hans Zimmer classic.INSTRUMENTATON:2 Flutes2 Oboes2 Clarinets2 Bassoons1 Contra-Bassoon (Optional)4 Horns2 Trumpets3 Trombones1 TubaTimpani2 Percussion[Cymbals/Suspp.Cymbal/Bass Drum/Tubular Bells]KeyboardSATB Choir [Optional]Strings.

$150.00 ≈ ¥1072.90
Canticum Canticorum for Krzysztof Penderecki
Canticum Canticorum for Krzysztof Penderecki #Chamber Orchestra #ADVANCED #MohammadHadi Ayanbod #Canticum Canticorum for Krzysz #Rimorarte Edition #SheetMusicPlus

Chamber Orchestra - Level 5 - Digital Download SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and p...(+)

Chamber Orchestra - Level 5 - Digital Download SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. Rimorarte Edition #5996921. Published by Rimorarte Edition (A0.1027777). Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is a musical piece based on the old text with the same name from Vulgate. The Canticum Canticorum text also known as Song of Songs, the Song of Solomon, the Canticle of Canticles, (Old Greek: Î†ÏƒÎ¼Î± Î‘ÏƒÎ¼Î¬Ï„Ï‰Î½, same meaning as song of songs). As David Berlo once beautifully put this into words: Meanings are in people â€¦ not in the messages â€¦. The elements and structure of a language â€¦ are only symbols â€¦. Meanings are not transmittable â€¦ Only messages are transmittable, and meanings are not in the message, they are in the message-users! Therefore, I needed to understand and interpret the text itself, even before I wanted to try setting it to the music. However, in order to understand the text correctly, one should comprehend the origin of the text and get to know its author(s), at first. In the case of Canticum Canticorum, both the author and the origin of the text are obscure. Furthermore, even the approximate date/century/era of the birth and the cultural context in which the text was created, are far from clear. According to the scholars, the creation of the text ranges from the tenth century B.C.; the era of Solomon, up to the first century B.C., and the origin of it considers from Indian, Tamil, or Ethiopic literature to Palestinian one. Because of these vast spectra of dates and cultures, I had to read and understand the text, compare with other sources, find similarities in other languages and cultures, hermeneutically interpret it and search for those non-written or metaphorical clues that may lead to unfasten the mystery has been attached to the text. In order to achieve the most accurate and faithful interpretation of the text I also had to answer few questions regarding the style, structure, medium, architecture and techniques of the music in relation to the text. I have used string orchestra and mixed choir to render the ideas, since that is among highly versatile instrumentations capable of providing small and delicate whispers, heavenly voices, and intonation changes that is hardly-reproducible by other mediums as well as thunderous sounds. Although Canticum Canticorum is single-movement work, but still possible to distinguish three different sections: the beginning choral part that is a long fugue in 5 voices with the material of serial music which helps orchestra to enter and grow, the a-capella middle section consists of two contrasting but invisibly related atmospheres and the third section â€“ the recapitulation of the ideas already presented, in both the text and the music. The culmination of the work; 11-parts choral, takes place in the third section, somewhere near the end of the piece. Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is dedicated to the genius composer of our time, Maestro Prof. dr. h.c. Krzysztof Penderecki.

$24.99 ≈ ¥178.74
Concerto for 3 Violins in F Major, RV 551
Concerto for 3 Violins in F Major, RV 551 #Chamber Orchestra #ADVANCED #Classical #Antonio Vivaldi #Arte Nova Music Lab #Concerto for 3 Violins in F Ma #Arte Nova Music Lab #SheetMusicPlus

Chamber Orchestra - Level 5 - Digital Download SKU: A0.742470 Composed by Antonio Vivaldi. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,Wor...(+)

Chamber Orchestra - Level 5 - Digital Download SKU: A0.742470 Composed by Antonio Vivaldi. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 73 pages. Arte Nova Music Lab #4598409. Published by Arte Nova Music Lab (A0.742470). Antonio Lucio Vivaldi (Italian: [anËˆtÉ”Ënjo ËˆluËtÊƒo viËˆvaldi]; 4 March 1678 â€“ 28 July 1741) was an Italian Baroque musical composer, virtuoso violinist, teacher, and priest. Born in Venice, the capital of the Venetian Republic, he is regarded as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe. He composed many instrumental concertos, for the violin and a variety of other instruments, as well as sacred choral works and more than fortyoperas. His best-known work is a series of violin concertos known as the Four Seasons. Many of his compositions were written for the all-female music ensemble of the Ospedale della PietÃ , a home for abandoned children. Vivaldi had worked there as a Catholic priest for 1 1/2 years and was employed there from 1703 to 1715 and from 1723 to 1740. Vivaldi also had some success with expensive stagings of his operas in Venice, Mantua and Vienna. After meeting the Emperor Charles VI, Vivaldi moved to Vienna, hoping for royal support. However, the Emperor died soon after Vivaldi's arrival, and Vivaldi himself died, in poverty, less than a year later. Taken from https://en.wikipedia.org/wiki/Antonio_Vivaldi

$30.00 ≈ ¥214.58
Concerto for 2 Cellos and Strings, RV 531 in G minor.
Concerto for 2 Cellos and Strings, RV 531 in G minor. #String Orchestra #ADVANCED #Classical #Antonio Vivaldi #Arte Nova Music Lab #Concerto for 2 Cellos and Stri #Arte Nova Music Lab #SheetMusicPlus

String Orchestra - Level 5 - Digital Download SKU: A0.742474 Composed by Antonio Vivaldi. Arranged by Arte Nova Music Lab. Baroque,Concert,Easter,Standar...(+)

String Orchestra - Level 5 - Digital Download SKU: A0.742474 Composed by Antonio Vivaldi. Arranged by Arte Nova Music Lab. Baroque,Concert,Easter,Standards,World. Score and parts. 50 pages. Arte Nova Music Lab #4601825. Published by Arte Nova Music Lab (A0.742474). Antonio Lucio Vivaldi 4 March 1678 â€“ 28 July 1741) was an Italian Baroque musical composer, virtuoso violinist, teacher, and priest. Born in Venice, the capital of the Venetian Republic, he is regarded as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe. He composed many instrumental concertos, for the violin and a variety of other instruments, as well as sacred choral works and more than forty operas. His best-known work is a series of violin concertos known as the Four Seasons. Many of his compositions were written for the all-female music ensemble of the Ospedale della PietÃ , a home for abandoned children. Vivaldi had worked there as a Catholic priest for 1 1/2 years and was employed there from 1703 to 1715 and from 1723 to 1740. Vivaldi also had some success with expensive stagings of his operas in Venice, Mantua and Vienna. After meeting the Emperor Charles VI, Vivaldi moved to Vienna, hoping for royal support. However, the Emperor died soon after Vivaldi's arrival, and Vivaldi himself died, in poverty, less than a year later. Taken from https://en.wikipedia.org/wiki/Antonio_Vivaldi

$25.00 ≈ ¥178.82
Carson Cooman: The Revelations of Divine Love (Metaphors from Sea and Sky) (2009) oratorio for sopra
Carson Cooman: The Revelations of Divine Love (Metaphors from Sea and Sky) (2009) oratorio for sopra #Christian contemporary #Sacred music #Carson Cooman #Carson Cooman: The Revelations #Musik Fabrik Music Publishing #SheetMusicPlus

Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.535382 Composed by Carson Cooman. Contemporary,Sacred. Octavo. 187 pages. Musik Fabrik Music P...(+)

Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.535382 Composed by Carson Cooman. Contemporary,Sacred. Octavo. 187 pages. Musik Fabrik Music Publishing #3025403. Published by Musik Fabrik Music Publishing (A0.535382). The Revelations of Divine Love (Metaphors from Sea and Sky) (2009), an oratorio for soprano,baritone, chorus, and chamber orchestra (0000.1100.1perc.strings), was commissioned for and is dedicated to the choir ofRoyal Holloway, University of London and Rupert Gough, director of choral music.The texts of the work are adapted primarily from the writings of Julian of Norwich (c. 1342â€“1416).Julian is best-known for her Sixteen Revelations of Divine Love (c. 1393), believed to be the first Englishlanguagebook written by a woman. Considered one of the most significant English mystics of alltime, Julian lived a reclusive life as an anchoress at the Church of St. Julian in Norwich, England (hertrue name is unknown). Regarded even during her lifetime as a spiritual authority, her optimisticvisions have been very influential in the years that have followed.Texts are also drawn from three additional sources: an excerpt from the Book of Margery Kempe(translated by Christopher M. Brunelle), two poems by English poet Robert Herrick (1591â€“1674),and a poem by the American writer Elizabeth Kirschner (b. 1955).The primary concept underlying this oratorio is the presence of two distinct discourses. One is asequence taken from Julianâ€™s religious visions. The other is a sonic geography of Nantucket Island(located 30 miles off the coast of Massachusetts in the United States). This interconnected conceptwas inspired by the writings of the great Scottish poet George Mackay Brown (1921â€“1996). Livinghis entire life on Scotlandâ€™s Orkney Islands, Mackay Brown consistently explored the transpositionof religious imagery and events to his native landscape. (For example, the poem Apple-Basket, Apple-Blossom takes the story and structure of the Stations of the Cross, and maps them onto imagery ofdistinctly Orcadian character.)The landscape of Nantucket Island has been the driving force behind a large number of mycompositions for many years. In this oratorio, Julianâ€™s visions are transposed from Norwich andmapped onto the Nantucket landscape. Each movement of the work thus has two parallel purposes:a setting of the visionary words, and a portrayal of a specific place in Nantucketâ€™s geography. Muchof the music was planned in the actual locations. Since the soloists and choir must, by necessity, singthe words, a great deal of the landscape is left to the orchestra. Thus, the orchestraâ€™s role issubstantially greater than simply accompaniment.Because of these two discourses, the oratorio is not intended as comprehensive working out of allaspects of Julianâ€™s visions, nor does it use her own structure and sequence. Rather, it takes herbeautiful words, and the fundamentals of her visions, and attempts to create a new narrative andspiritual experience from them.This is the full score. The vocal score is available for sale. The parts are available on rental from the publisher.

$32.95 ≈ ¥235.68
Hallelujah Chorus from Handel's Messiah
Hallelujah Chorus from Handel's Messiah #Classical #George Frideric Handel #C Blankenship #Hallelujah Chorus from Handel' #C Blankenship #SheetMusicPlus

Large Ensemble Choir - Level 5 - Digital Download SKU: A0.899601 Composed by George Frideric Handel. Arranged by C Blankenship. Baroque. Score and parts....(+)

Large Ensemble Choir - Level 5 - Digital Download SKU: A0.899601 Composed by George Frideric Handel. Arranged by C Blankenship. Baroque. Score and parts. 81 pages. C Blankenship #4984983. Published by C Blankenship (A0.899601). Messiah (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel, with a scriptural text compiled by Charles Jennens from the King James Bible, and from the version of the Psalms included with the Book of Common Prayer. It was first performed in Dublin on 13 April 1742 and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music. Handel's reputation in England, where he had lived since 1712, had been established through his compositions of Italian opera. He turned to English oratorio in the 1730s in response to changes in public taste; Messiah was his sixth work in this genre. Although its structure resembles that of opera, it is not in dramatic form; there are no impersonations of characters and no direct speech. Instead, Jennens's text is an extended reflection on Jesus Christ as Messiah. The text begins in Part I with prophecies by Isaiah and others, and moves to the annunciation to the shepherds, the only scene taken from the Gospels. In Part II, Handel concentrates on the Passion and ends with the Hallelujah chorus. In Part III he covers the resurrection of the dead and Christ's glorification in heaven. Handel wrote Messiah for modest vocal and instrumental forces, with optional settings for many of the individual numbers. In the years after his death, the work was adapted for performance on a much larger scale, with giant orchestras and choirs. In other efforts to update it, its orchestration was revised and amplified by (among others) Mozart. In the late 20th and early 21st centuries the trend has been towards reproducing a greater fidelity to Handel's original intentions, although big Messiah productions continue to be mounted. (Notes provided are from the WindRep Project & Wikipedia)

$50.00 ≈ ¥357.63

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