All site ▾
All site▾
Free sheet music
Sheet music books
Digital sheet music
Musical equipment
My account
(log-in)
£
£
EUR €
USD $
GBP £
CAD $
CNY ¥
Français
Free Sheet Music ▾
▽ INSTRUMENTS
ACCORDION
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET M…
BOOKS
BOUZOUKI
CELLO - VIOLO…
CHARANGO
CHOIR - VOCAL
CLARINET
CORNET
DOBRO - GUIT.…
DOUBLE BASS
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEORB
MANDOLIN
MARCHING BAND
MARIMBA
OBOE
ORCHESTRA - B…
ORGAN - ORGAO
OTHER INSTRUM…
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLA DA GAMB…
VIOLIN - FIDD…
XYLOPHONE
ZITHER
NEW ADDITIONS
|
GENRES
|
20th century
Afro-americans
Ballad
Baroque
Bluegrass
Blues
Brazilian/Choro
Celtic
Celebrations
Classical
Classical modern
Contemporary
National Anthems
Jazz
New age
Opera
Ragtime
Renaissance
Romantic
Sonata
Tango
Traditional
Waltz
Occitan song
Song
Chinese traditional
Ethnic
Klezmer
Flamenco
Folk
Japanese traditional
March
Medieval
Musette
Orientale
Pasodoble
French popular
Popular Dance
Reggae
Swing
Latin/World
INSTRUCTIONAL
:
Blank sheet music
Children
Dictionaries
Instructional methods
Music theory
Musicology
Rhythmic Solfege
Solfeges
Studies
SACRED
:
African Hymns
Chassidic
Christian
Christmas
Gospel
Gregorian
Israeli
Sacred Hymns
Wedding
DIFFICULTY
|
Beginner
Easy
Intermediate
Intermediate/advanced
Advanced
TOP DOWNLOADS
|
TOP DOWNLOADS
TOP 100 SOCIAL RANKING
COMPOSERS
|
Member composers
Historical composers
All composers
INSTRUMENTATIONS
|
SOLO
DUET
TRIO
QUARTET
QUINTET
ENSEMBLE
ALL
ADVANCED SEARCH
|
Digital Sheet Music
HOME
|
NEW ADDITIONS
|
PIANO
|
Piano sheet music
Piano solo
Piano, Voice, Guitar
Piano duet
Easy Piano
Piano Method
Methods
Studies
Organ sheet music
Organ solo
Organ duet
INSTRUMENTAL
|
Strings
Violin
Viola
Cello
Doublebass
Harp
Woodwinds
Flute
Clarinet
Oboe
Saxophone
Bassoon
Brass
Trumpet
Horn
Trombone
Tuba
Guitar
Guitar Tabs
Piano, Voice, Guitar
Bass
Folk
Accordion
Banjo
Dulcimer
Ukulele
Mandolin
Chamber music
String quartet
Wind quintet
Brass quintet
Handbells
ORCHESTRA
|
Concert Band
Jazz Ensemble
Jazz combo
Brass band
Marching band
Methods
Orchestra
String orchestra
CHOIR / VOICE
|
Choir
SATB
TTBB
SSAA
3-parts
2-parts
Voice
Piano, Voice, Guitar
Piano, Voice
Voice solo
Voice duet
GENRES
|
20th century
Asian
Bluegrass
Blues
Broadway / Musicals
Celtic
Christmas
Classical
Children
Country
Fingerpicking
Flamenco
Folk Rock
French songs
Funk
Gospel
Halloween
Instructional
Instructional - Studies
Jazz
Klezmer
Latin / World
Latin Pop
Medieval / Renaissance
Metal / Hard
Movie / TV
Movie Walt Disney
New Age
Patriotic
Pop
Reggae
Rock
Rock Alt.
Sacred / Church
Soul / Rap
Tango
Traditional
Video Game
Wedding / Love
CHRISTMAS
|
All Christmas
Christmas Piano
Christmas Guitar
Christmas Voice/Choir
Halloween
DIFFICULTY
|
Beginner
Easy
Intermediate
Intermediate/advanced
Advanced
Music Sheet Library ▾
HOME
|
NEW ADDITIONS
|
PIANO
|
Piano (all)
Beginner Piano
Easy Piano
Piano Solo
PVG
Best Sellers
New additions
GUITAR
|
Guitar (all)
Beginner Guitar
Easy Guitar
Guitar TAB
Guitar (without TAB)
Best Sellers
New additions
VOICE/CHORAL
|
Choral & Voice (all)
Solo voice
Choral 2-Part
Choral 3-Part
Choral SATB
Choral TTBB
Choral SSAA
Choral UNISON
Best Sellers
New additions
INSTRUMENTATIONS
|
BEST SELLERS
|
CHRISTMAS
|
GENRES
|
20th century
African
Asian
Bluegrass
Blues
Broadway / Musical
Celtic
Christmas
Classical
Country
Children
Eastern Europe
Exams
Fingerpicking
Flamenco
Folk Rock
French songs
Funk
Gypsy jazz
Gospel
Halloween
Instructional
Instructional - Studies
Instructional - Chords/Scales
Jazz
Klezmer
Latin / World
Latin Pop
Medieval / Renaissance
Metal
Movie / TV
Movie Walt Disney
New Age
Patriotic
Pop
Reggae
Rock
Rock Alternative
Sacred / Church
Soul / Rap
Tango
Traditional
Video Games
Wedding / Love
SECTIONS
|
ARTISTS
PUBLISHERS
CLASSROOM
GIFT IDEAS
BOOKS ABOUT MUSIC
PLAY-ALONG
ADV.SEARCH
Musical Equipment ▾
GUITAR
|
KEYBOARD
|
PERCU.
|
STUDIO
|
SOFT
|
PA
|
LIGHT
|
DJ
|
MIC
|
EFFECTS
|
WINDS
|
TRAD.
|
FLIGHT
|
CABLES
|
ACC.
|
GIFT
|
BRANDS
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Ted 3 Oboes
Not classified
6
Piano & keyboards
Piano solo
2
Guitars
Voice
Woodwind
Flute, Violin
1
Oboe, Piano (duet)
1
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
1
3 Clarinets (trio)
1
Saxophone Quintet: 5 Saxophones
1
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
1
Strings
Percussion & orchestra
Orchestra
12
Concert band
4
Chamber Orchestra
1
Others
Home
Best Sellers
New releases
Methods
Studies
Sellers
Sellers
Americans
At Musicnotes
At Sheetmusicplus
At Virtualsheetmusic
Europeans
At Tomplay
At Prof-Editions
At Note4piano
At Noviscore
At Quickpartitions
International artists list
French artists list
Top artists
Top artists
POP
Adele
Daft Punk
Avicii
Pharrel Williams
Bruno Mars
Lily Allen
Birdy
John Legend
Passenger
Emeli Sand�
Beatles
NEW AGE / CLASSICAL
Yiruma
Ludovico Einaudi
John Williams
Piazzolla
John Rutter
Dmitri Shostakovich
Benjamin Britten
Ennio Morricone
Paul Mealor
John Rutter
Eric Whitacre
John Tavener
Christmas
Halloween
Easter
Wedding
Sacred
FREE SHEET MUSIC
188,000+ free sheet music
SHEET MUSIC LIBRARY
1,500,000+ buy and delivery
DIGITAL SHEET MUSIC
2,000,000+ buy and print
MUSICAL INSTRUMENTS
200,000+ buy and delivery
Sheet Music Membership ($37.75/year)
Digital sheet music, access after purchasing
Post mailing
Digital sheet music
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
You've selected:
Ted 3 Oboes
expert
Sheetmusic to print
31 sheet music found
<
1
26
Carson Cooman Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, com
Carson Cooman Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, com
#
Contemporary
#
Carson Cooman
#
Carson Cooman Enchanted Tracin
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.533711 ...
(+)
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.533711 Composed by Carson Cooman. Contemporary. Score and parts. 76 pages. Musik Fabrik Music Publishing #3041107. Published by Musik Fabrik Music Publishing (A0.533711). Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble wascommissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble,Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor,conductor. These three marvelous piano soloists served as the inspiration for the work. Theconcerto bears the dedication “for Walter Simmons, a hero for the cause of American music.â€Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeservedattention.The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, andas a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonalconstructs that are a preoccupation of my music. The concerto’s title provided the poetic ideabehind the musical development. Though more or less equal with the ensemble in the firstmovement, the piano clearly takes over as leader in the second and third movements as the goaldirectedformal narrative of the movements becomes more obvious.The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†themusical potential of the basic material. A number of melodic ideas emerge—some lyrical and somedisjunct. A brief coda prepares for the next movement.The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass.The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spikymelodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should thework be performed with any substitutions, doublings, or increase of players on individual parts.)This item contains the complete wind ensemble parts. The score plus solo part are for sale as another item. Individual parts are also for sale.
$77.95 ≈
£59.18
Carson Cooman: Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, sc
Carson Cooman: Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, sc
#
Contemporary
#
Carson Cooman
#
Carson Cooman: Enchanted Traci
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.533710 ...
(+)
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.533710 Composed by Carson Cooman. Contemporary. Score and parts. 83 pages. Musik Fabrik Music Publishing #3041105. Published by Musik Fabrik Music Publishing (A0.533710). I. Murky WatersII. The ForgottenIII. Casting InfinityEnchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble was commissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble, Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor, conductor. These three marvelous piano soloists served as the inspiration for the work. The concerto bears the dedication “for Walter Simmons, a hero for the cause of American music.†Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeserved attention. The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, and as a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonal constructs that are a preoccupation of my music. The concerto’s title provided the poetic idea behind the musical development. Though more or less equal with the ensemble in the first movement, the piano clearly takes over as leader in the second and third movements as the goaldirected formal narrative of the movements becomes more obvious. The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†the musical potential of the basic material. A number of melodic ideas emerge—some lyrical and some disjunct. A brief coda prepares for the next movement. The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass. The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spiky melodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should the work be performed with any substitutions, doublings, or increase of players on individual parts.)This is the full score and the solo part. The complete parts and seperate parts are available for sale on this site.
$29.95 ≈
£22.74
3 Romances, Op. 94 for Oboe and Piano - Robert Schumann
3 Romances, Op. 94 for Oboe and Piano - Robert Schumann
#
Oboe, Piano (duet)
#
ADVANCED
#
Robert Schumann
#
Zellev
#
3 Romances, Op. 94 for Oboe an
#
Zellev Music
#
SheetMusicPlus
Oboe,Piano - Level 5 - Digital Download SKU: A0.1276462 Composed by Robert Schumann. Arranged by Zellev. 19th Century,Christmas,Classical,Romantic Period...
(+)
Oboe,Piano - Level 5 - Digital Download SKU: A0.1276462 Composed by Robert Schumann. Arranged by Zellev. 19th Century,Christmas,Classical,Romantic Period,Wedding. Score and part. 22 pages. Zellev Music #868187. Published by Zellev Music (A0.1276462). The Three Romances for Oboe and Piano, Op. 94 (German: Drei Romanzen) is a composition by Robert Schumann, his only composition for oboe. It was composed in December 1849. The work consists of three short pieces in A-B-A form, and it was written during what was speculated to be one of Schumann's manic episodes.An average full performance lasts roughly 12 minutes.The Romances were written in December 1849, one of the most productive years of Schumann's entire career. Previously that year, Schumann had written two other works for wind instruments and piano: the Adagio and Allegro, op. 70, for French Horn and piano, and the Fantasy Pieces for Clarinet and Piano, op. 73. According to Schumann himself, the pieces were written on December 7, 11, and 12th in Dresden., Unlike many other oboes, works at the time, the pieces were not the result of a commission by a prominent soloist of the day. Schumann gave the pieces to his wife Clara Schumann, whom he once described as his own right hand, as a Christmas present, calling them his hundredth opusculum. Schumann's mental health was quickly deteriorating during the time of the pieces' writing; shortly afterward, he moved from Dresden to Düsseldorf, where he was admitted to and eventually died in an asylum.On November 2, 1850, the pieces were first performed privately as a piano and violin piece with Clara Schumann on piano and François Schubert on violin. The works were first performed several years after Schumann's death, in 1863; the performances took place on January 24 and February 14 in the Gewandhaus, featuring Emilius Lund on oboe and Carl Reinecke on piano.The piece was dedicated to Wilhelm Joseph von Wasielewski. The original edition was published by N. Simrock. The publication date is unknown, but it is estimated to have been anywhere from December 1850 to February 1851. Nikolaus Simrock wrote a letter to Schumann on November 19, 1850, asking whether or not Schumann would agree if we were to print on the title page: 'for oboe and pianoforte' and on this with a violin 'for violin and pianoforte' and on the third 'for clarinet and pianoforte,' since it is not looked upon with favor when several instruments appear on the title page. However, Schumann denied the request, replying, If I had originally written the work for violin or clarinet, it would have become a completely different piece. I regret not being able to comply with your wishes, but I can do no other. Two copies of the original printing exist Schumann's copy and Wasielewski's dedication copy (both either in museums or private collections).Disobeying Schumann's wishes, Simrock published alternate violin and oboe parts in the first edition. In her compilation of Robert's works post-mortem, Clara only included the violin transcription, possibly due to her only playing the piece with violinists. There have been several recordings of the music, including a recent one along with other Schumann oboe works by Oboe Classics. The romances are now a standard part of the oboe repertoire and often considered the best piece of romantic repertoire for the oboe.
$20.00 ≈
£15.18
Music for Two, Volume 3 for Flute or Oboe or Violin & Flute or Oboe or Violin 46503
Music for Two, Volume 3 for Flute or Oboe or Violin & Flute or Oboe or Violin 46503
#
Flute, Violin
#
ADVANCED
#
Various
#
Daniel Kelley
#
Music for Two, Volume 3 for Fl
#
Last Resort Music Publishing
#
SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Violin - Level 5 - Digital Download SKU: A0.1110211 Composed by Various. Arranged by Daniel Kelley. 20th Centur...
(+)
Instrumental Duet Flute,Instrumental Duet,Violin - Level 5 - Digital Download SKU: A0.1110211 Composed by Various. Arranged by Daniel Kelley. 20th Century,Broadway,Classical,Musical/Show,Ragtime,Romantic Period. Score and parts. 48 pages. Last Resort Music Publishing #712546. Published by Last Resort Music Publishing (A0.1110211). 46503 Volume 3 - Gilbert & Sullivan, Irish Music & Rags This versatile series is designed to be played by two different instruments! Each duet book is published in score form (both parts on the same page) so that the players can play from the same part. All duets are arranged specifically for the listed instrumentation. Playable by Two Violins, Two Flutes, Two Oboes, Violin & Flute, Violin & Oboe, + Flute & Oboe! 46503 Volume 3 Table of Contents H.M.S. Pinafore (Gilbert and Sullivan) I'm Called Little Buttercup (Gilbert and Sullivan) Never Mind The Why and Wherefore (Gilbert and Sullivan) The Mikado (Gilbert and Sullivan) As Some Day It May Happen (Gilbert and Sullivan) Willow, Tit-Willow ( Gilbert and Sullivan) Patience (Gilbert and Sullivan) A Magnet Hung In a Hardware Shop (Gilbert and Sullivan) The Pirates of Penzance (Gilbert and Sullivan) I Am The Very Model of Modern Major-General (Gilbert and Sullivan) Poor Wandering One (Gilbert and Sullivan) Si Bheag, Si Mhor (Irish Air) The Wearing of the Green (Irish Air) Coleraine (Irish Jig) Garry Owen (Irish Jig) The Irish Washerwoman (Irish Jig) Kesh Jig (Irish Jig) Swallowtail Jig (Irish Jig) The Easy Winners (Joplin) The Entertainer (Joplin) Maple Leaf Rag (Joplin) Pine Apple Rag (Joplin) The Strenuous Life (Joplin) The Kerry Dance (James Lyman Molloy).
$22.00 ≈
£16.70
Trio, opus 87, for clarinet trio
Trio, opus 87, for clarinet trio
#
3 Clarinets (trio)
#
ADVANCED
#
Classical
#
Ludwig van Beethoven
#
Andrew Grenci
#
Trio, opus 87, for clarinet tr
#
Andiss Music
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Clarinet - Level 5 - Digital Download SKU: A0.809968 Composed by Ludwig van Beethoven. Arranged by Andrew Grenci. Classic...
(+)
Woodwind Ensemble,Woodwind Trio Clarinet - Level 5 - Digital Download SKU: A0.809968 Composed by Ludwig van Beethoven. Arranged by Andrew Grenci. Classical,Concert. 57 pages. Andiss Music (www.andrewgrenci.com) #5012805. Published by Andiss Music (www.andrewgrenci.com) (A0.809968). Beethoven's Trio, op 87, was originally composed for two oboes and english horn. The present arrangement for two clarinets and bass clarinet is unique in that the melodic solo lines are evenly distributed between the clarinet parts, yielding a more interesting experience for the performers and more colorful listening for the audience. The lower pitch of the bass clarinet also allows for an expanded range and fuller sound when compared to the english horn original. As an alternative, the bass part could be played by a 3rd clarinet, thus preserving the original octave. And, the music has been transposed to concert Bb to better suit the clarinet.This is a virtuosic and expressive piece of music by a great master, and is perfectly suited for a serious recital or recording. The four movements extend over 17 minutes, although individual movements could be successfully performed separately.
$14.99 ≈
£11.38
Jupiter, from "The Planets", arranged for Symphonic Band
Jupiter, from "The Planets", - Symphonic Band
#
Concert band
#
ADVANCED
#
Gustav Holst
#
Jason Popalisky
#
Jupiter, from "The Planets", -
#
Jason Popalisky
#
SheetMusicPlus
Concert Band - Level 5 - Digital Download SKU: A0.1430866 Composed by Gustav Holst. Arranged by Jason Popalisky. 20th Century,Classical,Film/TV,Romantic ...
(+)
Concert Band - Level 5 - Digital Download SKU: A0.1430866 Composed by Gustav Holst. Arranged by Jason Popalisky. 20th Century,Classical,Film/TV,Romantic Period. 204 pages. Jason Popalisky #1011368. Published by Jason Popalisky (A0.1430866). Since its 1918 London premiere, Holst's suite The Planets has thrilled audiences worldwide, and no doubt would thrill the audience for any ambitious Symphonic Band today. I have attempted to capture the joy and exuberance of the Jupiter movement, while carefully reworking it for the symphonic band medium. Emphasis has been made on practical playability (without watering down the parts), particularly with repeated figures. The ensemble for this arrangement is quite large, in keeping with the original orchestration.Instrumentation:2 Piccolos2 Flutes*3 OboesEnglish HornEb Clarinet3 Bb Clarinets*Alto Clarinet2 Bass ClarinetsContrabass Clarinet3 BassoonsContrabassoon2 Alto SaxophonesTenor SaxophoneBaritone Saxophone3 Trumpets in Bb*4 Horns in F3 TrombonesBass TromboneEuphoniumTubaDouble BassHarp2 TimpaniBass DrumCymbals (Crash and Suspended)TambourineTriangleGlockenspielXylophone*these instruments have divisi on each part requiring 2 players per part.While no instrument is optional, the following are either doubled and/or cued at key moments: Oboe 3, Alto Clarinet, Contrabass Clarinet, Bassoon 3, Double Bass, and Harp
$100.00 ≈
£75.92
Bach - Brandenburg Concerto No.1 in F major BWV 1046 - Piano Version
Bach - Brandenburg Concerto No.1 in F major BWV 1046 - Piano Version
#
Piano solo
#
ADVANCED
#
Classical
#
Santino Cara
#
Johann Sebastian Bach before 1
#
Santino Cara
#
Bach - Brandenburg Concerto No
#
Santino Cara
#
SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1312630 By Santino Cara. By Johann Sebastian Bach. Arranged by Santino Cara. Baroque. Score. 27 pages. Sa...
(+)
Piano Solo - Level 5 - Digital Download SKU: A0.1312630 By Santino Cara. By Johann Sebastian Bach. Arranged by Santino Cara. Baroque. Score. 27 pages. Santino Cara #901477. Published by Santino Cara (A0.1312630). Complete score of the Brandenburg Concerto No.1 in F major BWV 1046 for Piano Solo. Composed by Johann Sebastian Bach before 1721 for 2 natural horns, 3 oboes, violin piccolo concertato, 2 violins, a viola and basso continuo. Transcribed for Piano solo in Rome in 2023 by Santino Cara.4 Movements: 1. Allegro ma non troppo, 2. Adagio, 3. Allegro, 4. Menuetto (Trio I, Polacca, Trio II).Sources: The six Brandenburg concerts were presented by Bach in 1721 in a collection for Christian Ludwig, Margrave of Brandenburg-Schwedt and dedicated to him. It is therefore assumed that they were composed before that.Other piano works by Bach and baroque and classical composers
$17.80 ≈
£13.51
Carson Cooman: Pittsburgh Concerto (2005) for orchestra, study score
Carson Cooman: Pittsburgh Concerto (2005) for orchestra, study score
#
Orchestra
#
ADVANCED
#
Contemporary
#
Carson Cooman
#
Carson Cooman: Pittsburgh Conc
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publish...
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Published by Musik Fabrik Music Publishing (A0.533667). Pittsburgh Concerto (2005) was written for the Carnegie Mellon Philharmonic and isdedicated to Amy Stabenow, concert manager at Carnegie Mellon’s School of Music. Thepiece was conceived as a tribute to the city of Pittsburgh, Pennsylvania, USA.The work contains only two specific “programmatically inspired†images related toPittsburgh. They form the outer two sections of the work. The inner four sections areinspired more abstractly by various aspects of the city, its landscapes, and its people; theyfeature a series of solos and duets for many members of the orchestra – in the manner of a“concerto for orchestra.â€The opening of the work is inspired by Pittsburgh’s history as America’s steel capital.Colors and sounds of the clangorous industrial age of America’s past are evoked. The basicmusical material (a six-note cell) for the entire work is presented in this aggressiveintroduction. Throughout the rest of the work, this basic material is developed in ways thatrange from lushly romantic to aggressively athletic.The following section is marked “slow, lush†and features a duet first between trumpet andtuba, over warm harmonies in the orchestra. A brief duet for vibraphone and marimba leadsto an extended viola solo.The next section is fast and energetic. It begins with an athletic duet for English horn andbass trombone, followed by a ringing duet of tubular bells and crotales. The final solo is forviolin, as the orchestral texture disintegrates around it.The next section, marked “slow, mysticalâ€, begins with a duet between piano and bassclarinet. A passionate horn duo follows before a passage for solo bass leads directly into thenext section.This section is fragmentary and halting. An unpitched duo of bass drum and flexatonebegins, leading to an aggressive and abortive duet between solo flute and bassoon. Finally,an extended cello solo closes the section.The final part of the work is inspired by my first visit to Pittsburgh. When driving in fromPittsburgh airport (which is far outside the city), the city itself is “hidden†from the road byhills. Upon reaching the hills, one enters the Fort Pitt tunnel and, after a few moments,emerges from it on a suspension bridge over the Monongahela River. Late at night, this wasa truly breathtaking moment as the city and its rivers emerged suddenly in a mass of glitteringlights. The ecstatic rush of the lighted city at night is portrayed in this section – amidstfragments from the opening, recalling the industrial past, now transformed into somethingnew.Instrumentation3 Flutes (3rd dbl. Picc.)2 OboesEnglish Horn3 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F/Bb3 Trumpets in Bb2 TrombonesBass TromboneTubaTimpaniPercussion (3 players)I: tubular bells, bass drumII: vibraphone (motor off)III: crotales, marimba, flexatone(Percussion II needs two rosined bows.Percussion III needs one rosined bow.)PianoViolin IViolin IIViolaCelloContrabass(principal/solo contrabass must have machine extension to low Db)This is the score only. The parts are available on rental from the publisher
$25.95 ≈
£19.70
Rondo in A minor for Viola and Orchestra
Rondo in A minor for Viola and Orchestra
#
Orchestra
#
ADVANCED
#
Contemporary
#
Joel Jacklich
#
Joel Jacklich (ASCAP)
#
Rondo in A minor for Viola and
#
Joel Jacklich
#
SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.723062 Composed by Joel Jacklich (ASCAP). Arranged by Joel Jacklich (ASCAP). Contemporary. Score a...
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.723062 Composed by Joel Jacklich (ASCAP). Arranged by Joel Jacklich (ASCAP). Contemporary. Score and parts. 154 pages. Joel Jacklich #2075161. Published by Joel Jacklich (A0.723062). This is an arrangement by the composer of his Rondo in A minor (originally written for Guitar and Orchestra) for Viola and Orchestra. There is also a version arranged for Cello and Orchestra. In October, 2014, after my most recent commission, the creative juices were still flowing, and I felt the urge to write a work for guitar and orchestra (which I had always wanted to do, partly inspired by the memories Pepe Romero's performances with my orchestra forty years earlier). Amazingly, within two days I had, except for a few minor corrections, a completed work. The result was the Rondo in A minor for Guitar and Orchestra, which I dedicated to my friend, Sir Pepe Romero, with the greatest respect and admiration. In December of 2014, I realized the work was easily accessible for either viola or cello and created versions of the piece for solo cello and orchestra, and also a version for solo viola and orchestra. The work is rondo-like in form, but does not strictly follow all the rules. The form of the work is a kind of a musical palindrome: A B A C A D A C A B A (including a cadenza in the final rondo statement). The presence of castanets gives the work a bit of a Spanish flair. The piece is scored for pairs of flutes, oboes, clarinets in A, bassoons, horns, and trumpets in C; with timpani, castanets, and strings (8,8,5,5,3). Parts for clarinets and trumpets in B-flat are included in the set for those orchestras lacking clarinets in A or trumpets in C.
$65.00 ≈
£49.35
Rondo in A minor for Cello and Orchestra
Rondo in A minor for Cello and Orchestra
#
Chamber Orchestra
#
ADVANCED
#
Contemporary
#
Joel Jacklich
#
Joel Jacklich (ASCAP)
#
Rondo in A minor for Cello and
#
Joel Jacklich
#
SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.723064 Composed by Joel Jacklich (ASCAP). Arranged by Joel Jacklich (ASCAP). Contemporary. Score a...
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.723064 Composed by Joel Jacklich (ASCAP). Arranged by Joel Jacklich (ASCAP). Contemporary. Score and parts. 157 pages. Joel Jacklich #2075225. Published by Joel Jacklich (A0.723064). His is an arrangement by the composer of his Rondo in A minor (originally written for Guitar and Orchestra) for Cello and Orchestra. There is also a version arranged for Viola and Orchestra. In October, 2014, after my most recent commission, the creative juices were still flowing, and I felt the urge to write a work for guitar and orchestra (which I had always wanted to do, partly inspired by the memories Pepe Romero's performances with my orchestra forty years earlier). Amazingly, within two days I had, except for a few minor corrections, a completed work. The result was the Rondo in A minor for Guitar and Orchestra, which I dedicated to my friend, Sir Pepe Romero, with the greatest respect and admiration. In December of 2014, I realized the work was easily accessible for either viola or cello and created versions of the piece for solo cello and orchestra, and also a version for solo viola and orchestra. The work is rondo-like in form, but does not strictly follow all the rules. The form of the work is a kind of a musical palindrome: A B A C A D A C A B A (including a cadenza in the final rondo statement). The presence of castanets gives the work a bit of a Spanish flair. The piece is scored for pairs of flutes, oboes, clarinets in A, bassoons, horns, and trumpets in C; with timpani, castanets, and strings (8,8,5,5,3). Parts for clarinets and trumpets in B-flat are included in the set for those orchestras lacking clarinets in A or trumpets in C.
$65.00 ≈
£49.35
The Glastry Pearl. Tone Poem Elegy For My Mum.
The Glastry Pearl. Tone Poem Elegy For My Mum.
#
Orchestra
#
ADVANCED
#
Geraldine
#
The Glastry Pearl. Tone Poem E
#
Geraldine
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468...
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldine (Denny) Green at Oakmountmusic #904077. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1315331). Duration : Approx. 30 minutesInstrumentationFlutes 1&2Piccolo/Flute 3Oboes 1&2Cor AnglaisClarinets 1&2 in BflatBass Clarinet in Bflat (To Low C)Bassoons 1&2Horns 1 – 4 in FTrumpets 1&2 in BflatTenor Trombones 1&2Bass TromboneTubaTimpani – 4Bass Drum, Sleigh Bells, Temple Blocks, Maracas, Cymbals – Crash and Suspended Snare Drum,Tambourine Triangle Tubular Bell (only 1 B bell required) Glockenspeil XylophoneCelestaHarpViolins 1&2ViolasCellosDouble BassesAbout The WorkOn Tuesday March 24th 2020, one day into the first UK national Lockdown at the start of the worldwide Covid-19 Pandemic, my Mum died! She was 91 and had been poorly with many different illnesses for the previous 6 months, so we knew it was coming. But the timing and unfathomable sadness of her death, together with the start of a worldwide pandemic, little did I know it at the time, was to bring forth from me a tsunami of music the likes of which I hadn’t written for many years. A set of six solo studies for various members of the clarinet family came first, written between March 20th and April 20th. As I wrote them they were orchestrating themselves in my head and forming something else as well. That “something else†grew and grew, as the Six Studies intertwined themselves around each other and expanded together, joining forces with two brand new themes to form what soon was to become an immense orchestral work. The title was easy. Glastry is a tiny district in the middle of the Co.Down countryside of Northern Ireland, where my Mum was born and brought up. And Pearl was her name. Her full name was actually Margaret Mary Ward (eventually to become Denny when she married my Dad, Colum Denny, from Belfast), but everyone always called her Pearl. The nickname was bestowed upon her just after she was born on February 28th 1929 and stuck ever since.The Glastry Pearl is a tribute to my Mum and the great and mighty person she was to me and all who knew her. It employs at least one theme or motif from each of the Six Studies For Various Solo Clarinets and uses them throughout the work in the from of Leitmotifs. It was only when the work was nearing completion that I began to wonder how to describe it. Freddy Naftel, a good composer friend of mine, suggested that Tone Poem was a fitting description and I immediately agreed. The music itself is completely tonal and highly Romantic, yet also peppered with exciting contemporary disonance. I believe it to be a good, and hopefully fun, challenge to symphony orchestras, both professional and high standard amateur alike. It offers everything from the the somber opening to the hilarious and wildly energetic central Waltz, to the glorious soaring final section, so plenty of variety to please many palates.
$200.00 ≈
£151.84
Symphony in C minor - Full Score - Score Only
Symphony in C minor - Full Score - Score Only
#
Orchestra
#
ADVANCED
#
Alice Mary Smith
#
edited by John M Laverty
#
Symphony in C minor - Full Sco
#
zephyrwindmusic.com
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1395044 Composed by Alice Mary Smith. Arranged by edited by John M Laverty. 19th Century,Classical. 1...
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1395044 Composed by Alice Mary Smith. Arranged by edited by John M Laverty. 19th Century,Classical. 147 pages. Zephyrwindmusic.com #978510. Published by zephyrwindmusic.com (A0.1395044). British composer Alice Mary Smith (1839-1884) was in her early 20’s when she wrote her first major work, Symphony in C minor. Despite the many challenges faced by a female composer in Victorian era Great Britain, Smith’s composition received a high level of praise from the British press following the work’s premiere by the Musical Society of London in 1863. Despite this early praise, Smith never received the long-term recognization her talents deserved. Due to a number of factors, her orchestral compositions were not even published until the early 2000s.This edition is based entirely on Smith’s original manuscript. The edition is highly edited including an update to modern instrumentation and the addition of missing/inconsistent dynamics and articulations. The original hand-written manuscript contains many additional markings in pencil (also included in this edition), apparently added after the inked manuscript was complete.Parts are also available, and as with all Zephyrwindmusic publications, parts come with an Unlimited Copy License, thus removing any potential copyright issues. Parts can be used in analog form – printed on paper – or uploaded as a digital part onto a reading device such as an iPad for performance. Parts can also be legally uploaded onto a website for players to download.Instrumentation:2 Flutes2 Oboes2 Clarinets in B-flat2 Bassoons2 Horns in F2 Trumpets in C3 TrombonesTimpaniStrings.
$50.00 ≈
£37.96
Der Tanz in der Dorfschenke | Mephisto Waltz No. 1 (Score) - Score Only
Der Tanz in der Dorfschenke | Mephisto Waltz No. 1 (Score) - Score Only
#
Concert band
#
ADVANCED
#
Franz Liszt
#
Michael Barrera
#
Der Tanz in der Dorfschenke |
#
Michael Barrera
#
SheetMusicPlus
Concert Band - Level 5 - Digital Download SKU: A0.1463453 Composed by Franz Liszt. Arranged by Michael Barrera. 19th Century,Classical,Romantic Period. 4...
(+)
Concert Band - Level 5 - Digital Download SKU: A0.1463453 Composed by Franz Liszt. Arranged by Michael Barrera. 19th Century,Classical,Romantic Period. 42 pages. Michael Barrera #1042149. Published by Michael Barrera (A0.1463453). Https://www.michaelbarreraflute.com/shop/p/mephisto-waltz1-band-scoreTwo Episodes from Lenau’s Faust | Mephisto Waltz No. 1Program NotesFranz Liszt’s first Mephisto Waltz is a programmatic work based on an episode from Nikolaus Lenau’s 1836 verse drama Faust. The program note that appears in the original printed score is noted here:There is a wedding feast in progress in the village inn, with music, dancing, carousing. Mephistopheles and Faust pass by, and Mephistopheles induces Faust to enter and take part in the festivities. Mephistopheles snatches the fiddle from the hands of a lethargic fiddler and draws from it indescribably seductive and intoxicating strains. The amorous Faust whirls about with a full-blooded village beauty in a wild dance; they waltz in mad abandon out of the room, into the open, away into the woods. The sounds of the fiddle grow softer and softer, and the nightingale warbled his love-laden song. Mephisto Waltz No. 1 is paired with a work preceding it, Midnight Procession (Der Nächtliche Zug), however this piece is not as widely performed. Liszt later transcribed the waltz into a piano duet and a virtuosic solo piano work. Each of these versions were written around the same time, roughly 1859-62. The orchestral version also has an alternate ending, which is softer and fades away. This arrangement features both endings. This work was then followed by three more Mephisto Waltzes. No. 2 was also written as both an orchestral and piano work, while Nos. 3 and 4 were for piano only. Of the four, the first is the most popular, although the third is also praised as highly musically. InstrumentationWritten for Wind Ensemble of any size (Number indicates how many parts - some parts include divisi)1 Piccolo (doubles Flute 3) 2 Flutes2 Oboes2 Bassoons1 Clarinet (E flat)3 Clarinets (B flat)1 Bass Clarinet (B flat)1 Contrabass Clarinet (B flat)2 Alto Saxophones1 Tenor Saxophone1 Baritone Saxophone3 Trumpets (B flat)4 Horns (F)2 Trombones1 Bass Trombone1 Euphonium1 Tuba1 String BassTimpaniMarimbaCymbalTriangle.
$29.99 ≈
£22.77
Der Tanz in der Dorfschenke | Mephisto Waltz No. 1 (Set of Parts)
Der Tanz in der Dorfschenke | Mephisto Waltz No. 1 (Set of Parts)
#
Concert band
#
ADVANCED
#
Franz Liszt
#
Michael Barrera
#
Der Tanz in der Dorfschenke |
#
Michael Barrera
#
SheetMusicPlus
Concert Band - Level 5 - Digital Download SKU: A0.1463454 Composed by Franz Liszt. Arranged by Michael Barrera. 19th Century,Classical,Romantic Period. 2...
(+)
Concert Band - Level 5 - Digital Download SKU: A0.1463454 Composed by Franz Liszt. Arranged by Michael Barrera. 19th Century,Classical,Romantic Period. 251 pages. Michael Barrera #1042150. Published by Michael Barrera (A0.1463454). Https://www.michaelbarreraflute.com/shop/p/mephisto-waltz1-band-partsTwo Episodes from Lenau’s Faust | Mephisto Waltz No. 1Program NotesFranz Liszt’s first Mephisto Waltz is a programmatic work based on an episode from Nikolaus Lenau’s 1836 verse drama Faust. The program note that appears in the original printed score is noted here:There is a wedding feast in progress in the village inn, with music, dancing, carousing. Mephistopheles and Faust pass by, and Mephistopheles induces Faust to enter and take part in the festivities. Mephistopheles snatches the fiddle from the hands of a lethargic fiddler and draws from it indescribably seductive and intoxicating strains. The amorous Faust whirls about with a full-blooded village beauty in a wild dance; they waltz in mad abandon out of the room, into the open, away into the woods. The sounds of the fiddle grow softer and softer, and the nightingale warbled his love-laden song. Mephisto Waltz No. 1 is paired with a work preceding it, Midnight Procession (Der Nächtliche Zug), however this piece is not as widely performed. Liszt later transcribed the waltz into a piano duet and a virtuosic solo piano work. Each of these versions were written around the same time, roughly 1859-62. The orchestral version also has an alternate ending, which is softer and fades away. This arrangement features both endings. This work was then followed by three more Mephisto Waltzes. No. 2 was also written as both an orchestral and piano work, while Nos. 3 and 4 were for piano only. Of the four, the first is the most popular, although the third is also praised as highly musically. InstrumentationWritten for Wind Ensemble of any size (Number indicates how many parts - some parts include divisi)1 Piccolo (doubles Flute 3) 2 Flutes2 Oboes2 Bassoons1 Clarinet (E flat)3 Clarinets (B flat)1 Bass Clarinet (B flat)1 Contrabass Clarinet (B flat)2 Alto Saxophones1 Tenor Saxophone1 Baritone Saxophone3 Trumpets (B flat)4 Horns (F)2 Trombones1 Bass Trombone1 Euphonium1 Tuba1 String BassTimpaniMarimbaCymbalTriangle.
$79.99 ≈
£60.73
Spirits of Big Bend
Spirits of Big Bend
#
Concert band
#
ADVANCED
#
Dan Cook
#
Spirits of Big Bend
#
Pecan Valley Music
#
SheetMusicPlus
Concert Band - Level 5 - Digital Download SKU: A0.1177761 Composed by Dan Cook. Classical,Contemporary,Contest,Festival,Instructional. Score and parts. 1...
(+)
Concert Band - Level 5 - Digital Download SKU: A0.1177761 Composed by Dan Cook. Classical,Contemporary,Contest,Festival,Instructional. Score and parts. 188 pages. Pecan Valley Music #777724. Published by Pecan Valley Music (A0.1177761). Grade 5Duration; 10:05I) Into the Chisos (3:15)II) Terlingua Nights (4:38)III) Red Ancho (2:12)Piccolo, Flutes 1 & 2, Oboes 1 & 2, Bassoons 1 & 2, Bb Clarinets 1, 2 & 3, Bass Clarinet, Alto Saxes 1 & 2, Tenor Sax, & Baritone SaxBb Trumpets 1, 2 & 3, Horns in F 1, 2 ,3 & 4, Trombones 1 & 2, Bass Trombone, Euphonium, & TubaTimpani, Chimes, Bells, Vibraphone, Xylophone, & MarimbaSnare Drum, Bass Drum, Sus. Cymbal, Triangle, Vibraslap, (3)Tenor DrumsSpirits. According to the Editors of Encyclopædia Britannica, Chisos may be a Native American word meaning “ghost†or “spiritâ€. The Chizo Indians were a nomadic group that used to inhabit Northern Mexico and the Big Bend area of Texas. The Chisos Mountains are the only mountain range contained entirely within the boundaries of a national park.Spirits. The Terlingua Ghost Town was once the home of thousands of Mexican mercury miners. It is said that the spirits of those miners return to the Terlingua Cemetery annually during Dia de los Muertos to enjoy an evening of celebration and remembrance with their loved ones.Spirits. Red Ancho. A bowl of red. Each fall, hundreds of spirited culinary adventurers travel to the Big Bend area to extract magic and good times from dried, ruby-red chili pods.Big Bend National Park and the surrounding area is like no other place on Earth. The people who call this part of Texas home are also like no other. This piece is dedicated to all of them, past and present, and to the land they cherish.
$100.00 ≈
£75.92
Kol Nidrei, Op. 47 (saxophone quintet version)
Kol Nidrei, Op. 47 (saxophone quintet version)
#
Saxophone Quintet: 5 Saxophones
#
ADVANCED
#
Max Bruch
#
James Pybus
#
Kol Nidrei, Op. 47
#
James Pybus
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.7...
(+)
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.764659 Composed by Max Bruch (1838-1920). Arranged by James Pybus. Contest,Festival,Jewish,Romantic Period. 26 pages. James Pybus #36999. Published by James Pybus (A0.764659). Kol Nidrei, Op. 47, is a composition originally written for cello and orchestra by Max Bruch. He completed the composition in Liverpool before it was first published in Berlin in 1881. It is styled as an Adagio on two Hebrew Melodies for Cello and Orchestra with Harp and consists of a series of variations on two main themes of Jewish origin. Bruch scored the work for solo cello, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, harp and strings. In the present arrangement for Solo Alto Saxophone and SATB Saxophone Quartet, the 1st alto takes the solo cello line, while the remaining four voices cover the orchestral accompaniment. Special thanks go to Mr. Marino Galluzzo, leader of the Three Rivers Saxophone Quartet, based in Pittsburgh, Pennsylvania, for suggesting the arrangement and providing encouragement. The premiere performance took place at the 23rd Annual Saxophone and Woodwind Workshop, hosted by the TRSQ at California University in California, Pennsylvania, in June 2013. Duration 9:25 contact me at james.pybus56@gmail.com.
$19.00 ≈
£14.42
The Magic Flute Overture
The Magic Flute Overture
#
Orchestra
#
ADVANCED
#
Classical
#
Wolfgang Amadeus Mozart
#
John M
#
The Magic Flute Overture
#
zephyrwindmusic.com
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1141372 Composed by Wolfgang Amadeus Mozart. Arranged by John M. Laverty. Classical. Score and parts....
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1141372 Composed by Wolfgang Amadeus Mozart. Arranged by John M. Laverty. Classical. Score and parts. 93 pages. Zephyrwindmusic.com #741693. Published by zephyrwindmusic.com (A0.1141372). Mozart’s The Magic Flute Overture is one of the most popular works by one of the world’s greatest composers. This edition is based entirely on the original orchestra publication and can involve as many players as a conductor chooses. In order to do so, the owner is granted an unlimited Copy License for the individual parts, thus removing any copyright issues. Each part in this bound edition has a one-inch border allowing for greater ease in order to legally copy or scan parts. Instrumentation: 2 Flutes 2 Oboes 2 Clarinets in B-flat 2 Horns in F 2 Trumpets in B-flat 3 Trombones Timpani Strings.
$30.00 ≈
£22.78
Il est né
Il est né
#
Piano solo
#
ADVANCED
#
Christmas
#
Michael Swedberg
#
Terrence Niska
#
Il est né
#
Niska Music Publishing
#
SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1125770 By Michael Swedberg. By Traditional French Carol. Arranged by Terrence Niska. Christmas,Contempor...
(+)
Piano Solo - Level 5 - Digital Download SKU: A0.1125770 By Michael Swedberg. By Traditional French Carol. Arranged by Terrence Niska. Christmas,Contemporary,Holiday. Score. 8 pages. Niska Music Publishing #726510. Published by Niska Music Publishing (A0.1125770). This song has a long history with me. I first wrote a five-part vocal to be sung by the group Five By Design (of which I was a member) back in the late 1990s or early 2000s. Unfortunately, it never found its way in to our repertoire. It sat on my computer for quite a few years before I revised it to be sung as a trio with my brother, Kurt, and his wife, Lorie. I had written a vocal arrangement of the carol for us to sing at some Christmas concerts and a few years later, when putting this album together, I returned to the first chart and adapted it for piano solo. The meter of the song moves back and forth between 3/4 and 2/4 and conveys the joy and hopefulness of the opening lyrics: “He is born, the Divine Child, Play the oboe, resound the bagpipes. He is born, the Divine Child, Let us all sing of his arrival.†It is this combination of instruments that I tried to emulate in the introduction, with the bagpipes in the left hand and the oboes in the right. When the tune proper begins, there is a definite rhythmic vitality that is maintained throughout the prelude as it celebrates the long-awaited birth of Jesus as foretold by the prophets over 4,000 years ago. From start to finish, the influence of both George Winston and Mannheim Steamroller can be heard in the music.
$3.99 ≈
£3.03
Seattle (Set of Orchestral Parts)
Seattle (Set of Orchestral Parts)
#
Orchestra
#
ADVANCED
#
Contemporary
#
Seattle Choral Company, Fred C
#
Choir (4S, 4A, 4T, 4B)
#
Seattle
#
William Hawley
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1144146 By Seattle Choral Company, Fred Coleman, Director. By William Hawley. Classical,Contemporary....
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1144146 By Seattle Choral Company, Fred Coleman, Director. By William Hawley. Classical,Contemporary. Score and parts. 141 pages. William Hawley #744464. Published by William Hawley (A0.1144146). This is the Complete Set of Orchestral Parts for William Hawley's oratorio Seattle, in the Composer's Edition. The work is in four movements, for four Vocal Soloists (Soprano, Mezzo-Soprano, Tenor, and Bass), Women's Choir (SSA), Large Mixed Chorus (SSAATTBB), and orchestra. Instrumentation: 3 Flutes (third doubles Piccolo) 2 Oboes 2 Clarinets in Bb English Horn 2 Bassoons Contrabassoon 4 Horns in F 2 Trumpets in Bb 2 Trombones Bass Trombone Tuba Timpani 2 Percussion Harp Strings (with permission to copy multiple String Parts as required. Suggested minimum strings: 6,6,4,4,2 for a Choir of 16 singers and Chorus of 32 singers): Violin I Violin II Viola Violoncello Contrabass The following PDF and mp3 files are also available at this site: 1. Full Score 2. Vocal Score with Piano Reduction, with permission to make multiple copies as needed for the Conductor, Rehearsal Pianist, Soloists (S, M-S, T, B); Choir (4S, 4A, 4T, 4B); and Chorus. Suggested Chorus size: 32 Singers (8S, 8A, 8T, 8B). 3. Live mp3 Recording of the Premiere Performance by the Seattle Choral Company, Fred Coleman, Conductor. The audio clip contains the opening and closing sections of the work Approximate complete performance duration: 40'. ASCAP https://williamhawley.net.
$9.99 ≈
£7.58
Tales of Rainforest for Full Orchestra
Tales of Rainforest for Full Orchestra
#
Orchestra
#
ADVANCED
#
Contemporary
#
Gabrielle Liriano
#
Tales of Rainforest for Full O
#
Art Haus Music Publishing
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1183112 Composed by Gabrielle Liriano. 20th Century,Contemporary. Score and parts. 57 pages. Art Haus...
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1183112 Composed by Gabrielle Liriano. 20th Century,Contemporary. Score and parts. 57 pages. Art Haus Music Publishing #782834. Published by Art Haus Music Publishing (A0.1183112). This piece is about all the soul searching that can be done when one steps away from the city and all their goals for just a moment to be surrounded by beauty and nature, a pause where permission is granted to wonder, reflect, feel, and discover.Instrumentation: 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 Horns in F, 2 Trumpets in C, 2 Trombones, 1 Tuba, 4 Timpani, Hi Hat, Cymbal, 2 Wood blocks, 3 Tom-Toms, Rain Stick, Harp, Violin I, Violin II, Viola, Cello, ContrabassFormat: Transposed Score Tabloid (11 x 17)Duration: Approx. 4 minutes.
$150.00 ≈
£113.88
<
1
26
Ted 3 Oboes
