All site ▾
All site▾
Free sheet music
Sheet music books
Digital sheet music
Musical equipment
My account
(log-in)
¥
¥
EUR €
USD $
GBP £
CAD $
CNY ¥
Français
Free Sheet Music ▾
▽ INSTRUMENTS
ACCORDION
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET M…
BOOKS
BOUZOUKI
CELLO - VIOLO…
CHARANGO
CHOIR - VOCAL
CLARINET
CORNET
DOBRO - GUIT.…
DOUBLE BASS
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEORB
MANDOLIN
MARCHING BAND
MARIMBA
OBOE
ORCHESTRA - B…
ORGAN - ORGAO
OTHER INSTRUM…
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLA DA GAMB…
VIOLIN - FIDD…
XYLOPHONE
ZITHER
NEW ADDITIONS
|
GENRES
|
20th century
Afro-americans
Ballad
Baroque
Bluegrass
Blues
Brazilian/Choro
Celtic
Celebrations
Classical
Classical modern
Contemporary
National Anthems
Jazz
New age
Opera
Ragtime
Renaissance
Romantic
Sonata
Tango
Traditional
Waltz
Occitan song
Song
Chinese traditional
Ethnic
Klezmer
Flamenco
Folk
Japanese traditional
March
Medieval
Musette
Orientale
Pasodoble
French popular
Popular Dance
Reggae
Swing
Latin/World
INSTRUCTIONAL
:
Blank sheet music
Children
Dictionaries
Instructional methods
Music theory
Musicology
Rhythmic Solfege
Solfeges
Studies
SACRED
:
African Hymns
Chassidic
Christian
Christmas
Gospel
Gregorian
Israeli
Sacred Hymns
Wedding
DIFFICULTY
|
Beginner
Easy
Intermediate
Intermediate/advanced
Advanced
TOP DOWNLOADS
|
TOP DOWNLOADS
TOP 100 SOCIAL RANKING
COMPOSERS
|
Member composers
Historical composers
All composers
INSTRUMENTATIONS
|
SOLO
DUET
TRIO
QUARTET
QUINTET
ENSEMBLE
ALL
ADVANCED SEARCH
|
Digital Sheet Music
HOME
|
NEW ADDITIONS
|
PIANO
|
Piano sheet music
Piano solo
Piano, Voice, Guitar
Piano duet
Easy Piano
Piano Method
Methods
Studies
Organ sheet music
Organ solo
Organ duet
INSTRUMENTAL
|
Strings
Violin
Viola
Cello
Doublebass
Harp
Woodwinds
Flute
Clarinet
Oboe
Saxophone
Bassoon
Brass
Trumpet
Horn
Trombone
Tuba
Guitar
Guitar Tabs
Piano, Voice, Guitar
Bass
Folk
Accordion
Banjo
Dulcimer
Ukulele
Mandolin
Chamber music
String quartet
Wind quintet
Brass quintet
Handbells
ORCHESTRA
|
Concert Band
Jazz Ensemble
Jazz combo
Brass band
Marching band
Methods
Orchestra
String orchestra
CHOIR / VOICE
|
Choir
SATB
TTBB
SSAA
3-parts
2-parts
Voice
Piano, Voice, Guitar
Piano, Voice
Voice solo
Voice duet
GENRES
|
20th century
Asian
Bluegrass
Blues
Broadway / Musicals
Celtic
Christmas
Classical
Children
Country
Fingerpicking
Flamenco
Folk Rock
French songs
Funk
Gospel
Halloween
Instructional
Instructional - Studies
Jazz
Klezmer
Latin / World
Latin Pop
Medieval / Renaissance
Metal / Hard
Movie / TV
Movie Walt Disney
New Age
Patriotic
Pop
Reggae
Rock
Rock Alt.
Sacred / Church
Soul / Rap
Tango
Traditional
Video Game
Wedding / Love
CHRISTMAS
|
All Christmas
Christmas Piano
Christmas Guitar
Christmas Voice/Choir
Halloween
DIFFICULTY
|
Beginner
Easy
Intermediate
Intermediate/advanced
Advanced
Music Sheet Library ▾
HOME
|
NEW ADDITIONS
|
PIANO
|
Piano (all)
Beginner Piano
Easy Piano
Piano Solo
PVG
Best Sellers
New additions
GUITAR
|
Guitar (all)
Beginner Guitar
Easy Guitar
Guitar TAB
Guitar (without TAB)
Best Sellers
New additions
VOICE/CHORAL
|
Choral & Voice (all)
Solo voice
Choral 2-Part
Choral 3-Part
Choral SATB
Choral TTBB
Choral SSAA
Choral UNISON
Best Sellers
New additions
INSTRUMENTATIONS
|
BEST SELLERS
|
CHRISTMAS
|
GENRES
|
20th century
African
Asian
Bluegrass
Blues
Broadway / Musical
Celtic
Christmas
Classical
Country
Children
Eastern Europe
Exams
Fingerpicking
Flamenco
Folk Rock
French songs
Funk
Gypsy jazz
Gospel
Halloween
Instructional
Instructional - Studies
Instructional - Chords/Scales
Jazz
Klezmer
Latin / World
Latin Pop
Medieval / Renaissance
Metal
Movie / TV
Movie Walt Disney
New Age
Patriotic
Pop
Reggae
Rock
Rock Alternative
Sacred / Church
Soul / Rap
Tango
Traditional
Video Games
Wedding / Love
SECTIONS
|
ARTISTS
PUBLISHERS
CLASSROOM
GIFT IDEAS
BOOKS ABOUT MUSIC
PLAY-ALONG
ADV.SEARCH
Musical Equipment ▾
GUITAR
|
KEYBOARD
|
PERCU.
|
STUDIO
|
SOFT
|
PA
|
LIGHT
|
DJ
|
MIC
|
EFFECTS
|
WINDS
|
TRAD.
|
FLIGHT
|
CABLES
|
ACC.
|
GIFT
|
BRANDS
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
above all century
Not classified
8
Piano & keyboards
Piano solo
13
Piano, Voice
1
Piano Trio: piano, violin, cello
1
Organ
1
Guitars
Guitar
2
Voice
Choral SATB
2
Woodwind
2 Clarinets (duet)
2
Tenor Saxophone and Piano
2
Alto Saxophone and Piano
2
Clarinet
1
Clarinet Ensemble
1
Oboe
1
2 Flutes (duet)
1
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
1
Flute and Piano
1
+ 4 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
3
French Horn and Piano
2
Trombone and Piano
1
Brass quartet : 2 trumpets, trombone, tuba
1
Trumpet, Piano
1
French horn
1
+ 1 instrumentations
-
Retract
Strings
Violin and Piano
2
String Quartet: 2 violins, viola, cello
1
Cello, Piano
1
Viola, Piano
1
Percussion & orchestra
Orchestra
6
Concert band
3
Chamber Orchestra
2
Brass ensemble
1
Others
Home
Best Sellers
New releases
Methods
Studies
Sellers
Sellers
Americans
At Musicnotes
At Sheetmusicplus
At Virtualsheetmusic
Europeans
At Tomplay
At Prof-Editions
At Note4piano
At Noviscore
At Quickpartitions
International artists list
French artists list
Top artists
Top artists
POP
Adele
Daft Punk
Avicii
Pharrel Williams
Bruno Mars
Lily Allen
Birdy
John Legend
Passenger
Emeli Sand�
Beatles
NEW AGE / CLASSICAL
Yiruma
Ludovico Einaudi
John Williams
Piazzolla
John Rutter
Dmitri Shostakovich
Benjamin Britten
Ennio Morricone
Paul Mealor
John Rutter
Eric Whitacre
John Tavener
Christmas
Halloween
Easter
Wedding
Sacred
FREE SHEET MUSIC
187,000+ free sheet music
SHEET MUSIC LIBRARY
1,500,000+ buy and delivery
DIGITAL SHEET MUSIC
2,000,000+ buy and print
MUSICAL INSTRUMENTS
200,000+ buy and delivery
Sheet Music Membership ($37.75/year)
Digital sheet music, access after purchasing
Post mailing
Digital sheet music
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
You've selected:
above all century
expert
Sheetmusic to print
67 sheet music found
<
1
26
51
From Above, One World
From Above, One World
#
Concert band
#
ADVANCED
#
J
#
From Above, One World
#
JADF Publications
#
SheetMusicPlus
Concert Band - Level 5 - Digital Download SKU: A0.1359744 Composed by J. Abelardo D. Flores. 21st Century. 36 pages. JADF Publications #944220. Published...
(+)
Concert Band - Level 5 - Digital Download SKU: A0.1359744 Composed by J. Abelardo D. Flores. 21st Century. 36 pages. JADF Publications #944220. Published by JADF Publications (A0.1359744). Upon seeing the planet Earth from space, astronauts have reportedly experienced a self-transcendental awe at the realization that all humanity share common ground, as it were. This prelude for concert band attempts to depict that feeling of triumph at our conquest of space, combined with a humility about our place in the vast universe.
$60.00 ≈
¥427.60
Hommages and Prelude No. 1
Hommages and Prelude No. 1
#
Piano solo
#
ADVANCED
#
Classical
#
David Fraser
#
Hommages and Prelude No. 1
#
David Fraser
#
SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1383996 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 178 pages. ...
(+)
Piano Solo - Level 5 - Digital Download SKU: A0.1383996 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 178 pages. David Fraser #968350. Published by David Fraser (A0.1383996). This volume contains five solo piano pieces expertly crafted and meticulously edited for accuracy. Advanced pianists will welcome the technical challenges and heights of musicality these works require. Music terminology for â??Le Cygne noirâ?? and â??L'océanâ?? are in French, with regard to the dedications of these pieces. All other works use conventional music terminology in Italian. 178 pages. ISMN 979-0-800277-00-9.David Fraser wrote the first 41 measures of â??Rhapsody No. 1â?? in 1997 and subsequently completed this piece and all other works in this volume over the course of six months in 2019. When playing the original 41 measures of â??Rhapsody No. 1â?? in 2019, Fraser noted that the music had some resemblance to works by Sergei Rachmaninoff. This encouraged Fraser to compose the remainder of this piece in a manner reminiscent of Rachmaninoff and, consequently, author a suite of solo piano pieces as homages to some of his favorite composers. In Rachmaninoffâ??s famous â??Rhapsody on a Theme of Paganini, Op. 43â??, variation 18, the composer uses an upside-down inversion of a small melody by Paganini. Similarly, Fraser uses a backwards inversion of a small melody from Rachmaninoffâ??s variation for the Rhapsodyâ??s â??Adagioâ? section, which starts on Page 3.Le Cynge noir {The Black Swan} is the second piece Fraser authored, dedicated to his beloved piano composer, Maurice Ravel. In this piece, Fraser wrote in his own style while evoking images such as a swan gliding on a lake, peering at its reflection in the water, and taking flight into the clouds with its wings rustling in the wind. Fraser gleaned inspiration for this piece from Ravelâ??s song for voice and piano â??Histoires naturelles - Le cygneâ??, set to a poem by Jules Renard. In addition, Fraser alternates between the keys of C-sharp major and A major as a depiction of the magical swanâ??s internal conflict in choosing to exist as a black or white swan.Fraserâ??s third composition is â??Sonata No.1 Gothicâ??, dedicated to Sergei Prokofiev, not as a representation of this genre of music, but in form. Specifically, Fraser uses a similar structure in Movement 1, starting at Measure 72 marked â??più mosso e con abbandonoâ?, to the notoriously difficult â??colossaleâ? section of Prokofievâ??s â??Piano Concerto No. 2, Op. 16â??, Movement 1. The sonataâ??s Movement 3 also follows a structure parallel to Movement 4 of Prokofievâ??s aforementioned piano concerto, employing fiendishly challenging syncopated jumps in both hands. Written in ternary form, Movements 1 and 3 of Fraserâ??s sonata are in C minor; Movement 2 is in E-flat minor, instead of the expected relative or dominant key. This work has explosive sentiments of rage that elicit a sense of immensity and darkness, touching on the macabre yet maintaining an alluring nature. The fourth piece of this suite, â??L'océan {The Ocean}â?? dedicated to Claude Debussy, uses whole-tone scales throughout as lyrical motifs. The composition unfolds with the allusion of the sun glimmering on ocean waves, followed by the playfulness of eddies and gusts of wind. These themes merge into one another as the wind increases in ferocity, culminating in the start of a storm with sudden strikes of lightning preceded by the reverberation of thunder. The pitter-patter of rain on the water steadily evolves into a full tempest that engulfs the middle section of the piece. As the storm subsides and the ocean calms, night has fallen and the twinkling of stars in the firmament are reflecting upon the water. The piece ends with the return of the opening theme as the sun swiftly rises above the ocean on the horizon.Prelude No. 1 L'adieu {The Farewell} offers rich and lush harmonies with an enticing melody. This piece was written in memoriam to Fraser's mother.
$29.99 ≈
¥213.73
Loquebantur, -bantur, -bantur
Loquebantur, -bantur, -bantur
#
Choral SATB
#
ADVANCED
#
the end, the joyful combinatio
#
Thomas Tallis
#
John Ross
#
Loquebantur, -bantur, -bantur
#
John Ross
#
SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1402556 Composed by Thomas Tallis. Arranged by John Ross. 21st Century,A Capp...
(+)
Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1402556 Composed by Thomas Tallis. Arranged by John Ross. 21st Century,A Cappella,Religious,Renaissance,Sacred. 45 pages. John Ross #985777. Published by John Ross (A0.1402556). “Loquebantur, -bantur, -bantur†is based on 'Loquebantur variis linguis' by Thomas Tallis. The words are from the responsory for 1st Vespers at Pentecost and tell of the Apostles beginning to speak in many tongues, proclaiming the great works of God. In this reworking, vocal parts gradually move away from the Tallis original, taking musical ideas from the soprano saxophone part and “speaking in tonguesâ€. The opening interplay between sax and solo tenor uses notes from the Intonation, creating the “-bantur, -bantur†figure which gives this arrangement its title. As the piece proceeds individual vocal lines gradually speak in the tongues suggested by the sax. By the end, the joyful combination of many musical ideas is crowned by the ecstatic saxophone part. The “tongues†ideas are shown in the score by added phrasing and by using lyrics in italics. These fragments should be sung a little more prominently, allowing them to pop out above the overall texture. An additional tenor line has been added, making the piece’s scoring SSAATTBB plus saxophone.
$1.99 ≈
¥14.18
Canto III.1 for Soprano and Bass Clarinets
Canto III.1 for Soprano and Bass Clarinets
#
2 Clarinets (duet)
#
ADVANCED
#
James Marshall
#
Canto III.1 for Soprano and Ba
#
James Marshall Music
#
SheetMusicPlus
Instrumental Duet Bass Clarinet,Instrumental Duet - Level 5 - Digital Download SKU: A0.913608 Composed by James Marshall. 20th Century,World. Score and p...
(+)
Instrumental Duet Bass Clarinet,Instrumental Duet - Level 5 - Digital Download SKU: A0.913608 Composed by James Marshall. 20th Century,World. Score and parts. 2 pages. James Marshall Music #3410345. Published by James Marshall Music (A0.913608). Cantos (I-IX) were composed in 1977 and revised in 2017.They are for solo clarinet or bass clarinet for all levels: student, leisure playing, andconcert. Although they were originally used with school students in the Greater Dallasarea, they are intended for concert and leisure playing also. Each Canto (song) has aunique melodic ambience and musical palate. Canto III.1 (Three-point one) extends the rangeabove the break creating an expanded musical sound as well as technical challenge.small set of songs.
$2.99 ≈
¥21.31
The Fire of Innocence in the Darkness of the World
The Fire of Innocence in the Darkness of the World
#
Enjott Schneider
#
The Fire of Innocence in the D
#
Schott Music - Digital
#
SheetMusicPlus
Soloists (CtTTBB), men's choir and organ - difficult - Digital Download SKU: S9.Q22589 Symphonic Poem for Solo Singers (CtTTBB), Male Choir and Organ
(+)
Soloists (CtTTBB), men's choir and organ - difficult - Digital Download SKU: S9.Q22589 Symphonic Poem for Solo Singers (CtTTBB), Male Choir and Organ. Composed by Enjott Schneider. This edition: score. Downloadable, Score. Duration 30 minutes. Schott Music - Digital #Q22589. Published by Schott Music - Digital (S9.Q22589). English.William Blake was a highly versatile universal genius – poet, painter, copper engraver and philosopher – who in the face of the rationally based Enlightenment put the worship of ecstasy, energy, intuition and imagination above all reason. He was inspired by a vision of the prophet Ezekiel as a child and went on to construct a creative cosmos consisting of myths, opposing forces and uninhibited psychic painting. Misunderstood by his contemporaries, he only began to be rediscovered at the beginning of the twentieth century, for example by W. B. Yeats, and subsequently also during the 1960s by various figures including the “beat poets†associated with Allen Ginsberg, filmmakers and numerous modern poets. Enjott Schneider.
$29.99 ≈
¥213.73
Portals of Catedral de Orihuela.
Portals of Catedral de Orihuela.
#
Dr Anthony Costandius
#
Portals of Catedral de Orihuel
#
Anthony Costandius Music
#
SheetMusicPlus
Small Ensemble Cello,Double Bass,Saxophone,Viola,Violin - Level 5 - Digital Download SKU: A0.938331 Composed by Dr Anthony Costandius. Christian,Contempo...
(+)
Small Ensemble Cello,Double Bass,Saxophone,Viola,Violin - Level 5 - Digital Download SKU: A0.938331 Composed by Dr Anthony Costandius. Christian,Contemporary,Sacred. Score and parts. 72 pages. Anthony Costandius Music #14899. Published by Anthony Costandius Music (A0.938331). A piece for solo Alto Saxophone and String Orchestra. The church was made a cathedral in 1564 when the city was granted its bishopric. The cathedral was built on the site of the Aljama Mosque in the first third of the 14th century. The name of this structure, El Salvador Cathedral, literally means the Cathedral of the Transfiguration. The cathedral has three portals: the Puerta de las Cardenas (Portal of the Chains, 14th century) is in Islamic style, the Puerta de Loreto (mid-15th century) is Gothic, and Puerta de la Anunciación (Portal of the Annunciation, built in 1588 by Juan Inglés), which has a Renaissance-style triumphal arch-shape. Part 1: Introitis. The saxophone mimics a chant based on the metre of the Introitis: Rorate, caeli, desuper, et nubes pluant iustum: aperiatur terra, et germinet Salvatorem (Bedew us, heavens, from above; ye clouds, rain down the Just One. Let the earth be opened up, and produce the Saviour. The intervals 1 (tonic), 5 (dominant), 6 (super-dominant) and 4 (subdominant), based on the year 1564 referred to in the section above, are used as the basis for the harmony progression for the string section. Part 2: Puerta de las Cardenas Acts 12:3–19 says that Peter was put into prison by King Herod, but the night before his trial an angel appeared to him, and told him to leave. Peter's chains fell off, and he followed the angel out of prison, thinking it was a vision (verse 9). The prison doors opened of their own accord, and the angel led Peter into the city. The visit from the angel, release from the chains and the prison, as well as the journey into the city is expressed against the background of the Islamic design of the portal, hence the referral to Arabian rhythms and scales in the music. Part 3: Puerta de Loreto The Puerta de Loreto is of gothic design. Loreto refers to the Italian city of Loreto in the province of Ancona. It is said that the holy house where the Mother Mary lived in Nazareth was translated miraculously to Loreto on December 19, 1294 - more than 700 years ago. The house did not go straight to Loreto, but in the year 1291 it was miraculously transported from Nazareth to the town of Tersatto in Dalmatia (Croatia). The local population, filled with astonishment, did not know how to explain its sudden appearance. Their Bishop, who was gravely ill, now appeared in their midst cured. He had prayed to the Virgin Mary that he might be strong enough to see the prodigy for himself, and the Mother of God appeared to him, surrounded by Angels, saying: My son, you have called for me, and here I am. I came to give you succor and to reveal to you the mystery [of the translation of the Holy House] you desire to know. The holy dwelling is the very house where I was born and raised. It was there that I received the good news brought by the Archangel Gabriel and I conceived the Divine Infant by the operation of the Holy Ghost. It was there that the Word was made flesh... For you to bear witness to all that I am telling you now, you will suddenly be cured and return to full health after the long illness you have borne, so that through you all will believe in this miracle. Part 4: Puerta de la Anunciación The Annunciation is the Christian celebration of the announcement by the angel Gabriel to the Virgin Mary that she would conceive and become the mother of Jesus, the Son of God, marking his Incarnation. Gabriel told Mary to name her son Jesus, meaning Saviour. Part 5: Exit The work ends with a re-interpretation of the first section, the Introitis. This is to bind the work together, but also to again reflect on the text, as stated: Rorate, caeli, desuper, et nubes pluant iustum: a periatur terra, et germinet Salvatorem, and to comtemplate how that gives meaning to the being, essence and history of the Catedral de Orihuela.
$10.00 ≈
¥71.27
Canto IV.1 for Soprano and Bass Clarinets
Canto IV.1 for Soprano and Bass Clarinets
#
2 Clarinets (duet)
#
ADVANCED
#
James Marshall
#
Canto IV.1 for Soprano and Bas
#
James Marshall Music
#
SheetMusicPlus
Instrumental Duet Bass Clarinet,Instrumental Duet - Level 5 - Digital Download SKU: A0.913610 Composed by James Marshall. 20th Century,World. Score and p...
(+)
Instrumental Duet Bass Clarinet,Instrumental Duet - Level 5 - Digital Download SKU: A0.913610 Composed by James Marshall. 20th Century,World. Score and parts. 2 pages. James Marshall Music #3410349. Published by James Marshall Music (A0.913610). Cantos (I-IX) were composed in 1977 and revised in 2017.They are for solo clarinet or bass clarinet for all levels: student, leisure playing, andconcert. Although they were originally used with school students in the Greater Dallasarea, they are intended for concert and leisure playing also. Each Canto (song) has aunique melodic ambience and musical palate. Canto IV.1 (Four-point one) extends the rangeabove the break creating an expanded musical sound as well as technical challenge.
$2.99 ≈
¥21.31
Anima Christi
Anima Christi
#
Choral SATB
#
ADVANCED
#
Nicholas White
#
Anima Christi
#
Nicholas White Music
#
SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1252976 Composed by Nicholas White. 21st Century,A Cappella,Classical. Octavo. 12 pages. ...
(+)
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1252976 Composed by Nicholas White. 21st Century,A Cappella,Classical. Octavo. 12 pages. Nicholas White Music #846729. Published by Nicholas White Music (A0.1252976). Written for Father Scott A. Haynes, SJC and the choir of St. John Cantius Parish, Chicago, IL and First performed on Sunday, September 10, 2017.Anima Christi, sanctifica me.Corpus Christi, salva me. Sanguis Christi, inebria me. Aqua lateris Christi, lava me. Passio Christi, conforta me. O bone Jesu, exaudi me. Intra tua vulnera absconde me. Ne permittas me separari a te. Ab hoste maligno defendeme. In hora mortis meae voca me. Et iube me venire ad te, Ut cum Sanctis tuis laudem te, In saecula saeculorum. AmenSoul of Christ, be my sanctification; Body of Christ, be my salvation; Blood of Christ, fill all my veins; Water of Christ's side, washout my stains; Passion of Christ, my comfort be; O good Jesus, listen to me; In Thy wounds I fain would hide; Ne'er to be parted from Thy side; Guard me, should the foe assail me; Call me when my life shall fail me; Bid me come to Thee above, With Thy saints to sing Thy love, World without end. Amen.14thCentury.
$2.00 ≈
¥14.25
Prelude a l'apres-midi d'un faune by Debussy
Prelude a l'apres-midi d'un faune by Debussy
#
Brass ensemble
#
ADVANCED
#
Classical
#
Claude Debussy
#
Phil Lawrence
#
Prelude a l'apres-midi d'un fa
#
Phillip Lawrence
#
SheetMusicPlus
Brass Ensemble - Level 5 - Digital Download SKU: A0.883769 Composed by Claude Debussy. Arranged by Phil Lawrence. 20th Century,World. Score and parts. 76...
(+)
Brass Ensemble - Level 5 - Digital Download SKU: A0.883769 Composed by Claude Debussy. Arranged by Phil Lawrence. 20th Century,World. Score and parts. 76 pages. Phillip Lawrence #3565825. Published by Phillip Lawrence (A0.883769). I recently published Romeo & Juliet Tchiakovsky which is a big bridge musically technically and and needs a big chunk of stamina. Before I did this there was another work on my mind of an opposite challenge for band in the orch rep dep.An impressionist work of great delicacy, subtle beyond belief, the fabric is fragile like lace with a feeling of transparency and lucidity and must move as if played by one person, colour and timbre, light, lithe, the orchestration a masterpiece, utilising fx from all dep’s often at ppp and most difficult to replicate at all for brass band.And, it’s a fair cop! The purists outsiders will say that this is the last piece that should be arranged for a brass band. So why arrange the greatest impressionist work ever written, for Brass Band?Well, because it’s there, and I believe it can be played with the above requirements by band. The work was written in the summer of 1894, and finished in the September. Three months later in December the Societe Nationale de Musique conducted by Gustave Doret with Marcel Moyse playing the opening flute solo gave the first performance. The concept of the piece was built around a poem by Stephan Mallarme, who describes the wishes and dreams of a faun in the heat of a summer afternoon. Prep for tres difficile?
$34.99 ≈
¥249.36
"LEGEND" No.1 from Tryptych For Organ Op.141
"LEGEND" No.1 from Tryptych For Organ Op.141
#
Clarinet Ensemble
#
ADVANCED
#
Sigfrid Karg-Elert
#
Stephen Davies
#
"LEGEND" No.1 from Tryptych Fo
#
Stephen Davies
#
SheetMusicPlus
Clarinet Ensemble,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 5 - Digital Download SKU: A0.1311910 Composed by Sigfrid Karg-Elert. Arranged b...
(+)
Clarinet Ensemble,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 5 - Digital Download SKU: A0.1311910 Composed by Sigfrid Karg-Elert. Arranged by Stephen Davies. 20th Century,Chamber,Classical,Historic,Multicultural,World. 32 pages. Stephen Davies #900807. Published by Stephen Davies (A0.1311910). The music of Karg-Elert is renowned all over the world and cherished by Organists, his use of unusual harmony, bursts of frantic and passionate passages, with sensuous and vast chordal images never fails to deserve the many plaudits amassed by this composer, and above all never dull a moment.Carefully extracting the strands of music from the original is no easy task, but it does give us mere mortals a chance to view and listen to the music of Sigfrid Karg-Elert from a different angle.
$16.99 ≈
¥121.08
Serenade for Woodwind Quintet
Serenade for Woodwind Quintet
#
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
#
ADVANCED
#
Pauline Viardot
#
Ted R
#
Serenade for Woodwind Quintet
#
Ted R. Marcus
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.1304437 Composed by Pauline Viardot. Arranged by...
(+)
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.1304437 Composed by Pauline Viardot. Arranged by Ted R. Marcus. 19th Century,Chamber,Classical,Contest,Festival,Romantic Period. 19 pages. Ted R. Marcus #893928. Published by Ted R. Marcus (A0.1304437). Pauline Garcia Viardot's Sérénade is a piquant Spanish dance imbued with Flamenco rhythms and Andalusian cadences. Although she was a French composer, singer, and teacher born in Paris, Viardot's Spanish heritage lends the piece a special authenticity. Sérénade was originally conceived as a virtuosic showpiece for piano. This version for an advanced woodwind quintet retains just enough bravura to make it exciting for players and audiences. But above all, it's a hauntingly melodic and colorful souvenir of a time when French composers and their audiences were infatuated with all things Spanish. Duration: approx. 3:00Please visit my Web site to explore more classics for adventurous woodwind quintets.
$15.00 ≈
¥106.90
DIRECTIONS FOR SINGING, Text John Wesley Bass Baritone & Piano
DIRECTIONS FOR SINGING, Text John Wesley Bass Baritone & Piano
#
Piano, Voice
#
ADVANCED
#
Text: John Wesley, - Digital K
#
Original composition
#
DIRECTIONS FOR SINGING, Text J
#
Francis Osentowski
#
SheetMusicPlus
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1082668 By Text: John Wesley, - Digital KB performance plus live by Blake Davidson. By Francis Ose...
(+)
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1082668 By Text: John Wesley, - Digital KB performance plus live by Blake Davidson. By Francis Osentowski, DMA University of North Texas. Arranged by Original composition. 20th Century,Contemporary,Praise & Worship,Spiritual. Score. 62 pages. Francis Osentowski #686837. Published by Francis Osentowski (A0.1082668). DIRECTIONS FOR SINGING is my setting of the well-known text by John Wesley giving a litany of advice to congregational singers. My colleague at North Lake College was an outstanding bass/baritone and a church choir director. He handed me a copy of Wesley's directions for singers...found in many old hymnals...and we both enjoyed good laughs at how accurate the words are to modern congregations. My song is a type of theater presentation...or a short cantata and portrays the contrasting emotions in the text. For example: Sing lustily and with good courage ...singing the songs of Satan! Will be a dramatic high point! But, Wesley's beautiful ending makes a great conclusion. Above all sing spiritually. Have and eye to God in every word you sing Directions requires a good pianist but the voice part doesn't require a huge range. Note: there is a Mezzo Soprano score enclosed.
$14.99 ≈
¥106.83
Ikarus - Score Only
Ikarus - Score Only
#
Orchestra
#
ADVANCED
#
Contemporary
#
Benedikt Brydern
#
Ikarus - Score Only
#
ConSordino Music Publishing
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.751143 Composed by Benedikt Brydern. 20th Century,Contemporary. Score and parts. 25 pages. ConSordino...
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.751143 Composed by Benedikt Brydern. 20th Century,Contemporary. Score and parts. 25 pages. ConSordino Music Publishing #4633239. Published by ConSordino Music Publishing (A0.751143). Ikarus started life as a composition for 9 solo string instruments but soon grew into a fully orchestrated piece. On one hand it tells the classic story of Ikarus who, ignoring the warnings of his father, flew too close to the sun and died. On the other hand it pays homage to the inventiveness of the human spirit and embraces mankind’s ability, through the creation of complicated machines, to achieve more than our mortal bodies would allow.The music starts softly with Ikarus preparing for his take-off. Slowly the huge wings unfold and the piece lifts off with a majestic theme/motif. The nervous sixteen notes in the string section symbolize the constant flow of air and motion needed by Ikarus to fly.The joy of movement is mirrored by the cellos and bassoons, gliding in and out of the orchestra. Sounds of birds, clouds and impressions of earth from above are represented by various short melodic or rhythmic fragments throughout the first phase of his flight.Slowly the intensity and excitement builds until we are completely swept away and have lost all sense of reason or danger. Then, in the climax of the composition, Ikarus and his wings crash to the ground and the orchestra brakes down with him, loosing feather after feather until all has been destroyed. After this violent moment, the compositions quiets down gradually and reflects on the failure of Ikarus.Performed and recorded by Robert Ian Winstin and the Kiev Philharmonicon July 14, 2005Orchestral Material for Performance available as Rental Only.
$17.99 ≈
¥128.21
Dies Irae Dodecaphonic
Dies Irae Dodecaphonic
#
Piano solo
#
ADVANCED
#
Contemporary
#
Peter Daniel Klein
#
Dies Irae Dodecaphonic
#
Peter Daniel Klein
#
SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1029561 Composed by Peter Daniel Klein. 20th Century,Contemporary. Score. 13 pages. Peter Daniel Klein #6...
(+)
Piano Solo - Level 5 - Digital Download SKU: A0.1029561 Composed by Peter Daniel Klein. 20th Century,Contemporary. Score. 13 pages. Peter Daniel Klein #6401141. Published by Peter Daniel Klein (A0.1029561). This musical piece is comprised of two twelve-tone rows, atonal music based on synthetic scales unique to each composition, which are based on medieval plainsong chants whose systemization was begun by Pope Gregory I during the sixth century AD. A simple explanation of this composition is that it is the world's oldest notated music combined with modern 20th-century music theory that eschews traditional melody and harmony for synthetic scales unique to each composition. The music is complex and dissonant, although the conversion of the two plainsong chants to twelve-tone rows retains a semblance of a tonal center at given points throughout. Still, the entire piece of music is that same melody utilized harmonically: just forward, backward, upside-down, backward and upside-down, rhythmically altered, transposed, displaced up or down, or split into smaller cells and then reprocessed in the same way mentioned above. I have also borrowed the Baroque Period techniques of the two-part invention and four-voice fugue combined with serial musical techniques that may offend the average listener's traditional musical sensibilities but make logical structural sense. I used the Dies Irae (The Day of Wrath) and Tuba Mirum (The Last Trumpet Call). The authorship of the chants has been attributed to many saints from Gregory to Thomas of Celano but probably evolved from early Jewish psalmody carried forward by the earliest Jewish converts to Christianity, which further developed into trochaic metered poetry by successive monks. It was set to memorized plainsong heralding back, in part, to Jewish worship. The text of the Dies Irae is very similar to Zephaniah 1:16​. The last trumpet call that raises the dead in Christ is comparable to the Apostle Paul's account written in his first epistle to the Corinthians Chapter 15 and first epistle to the Thessalonians Chapter 4. The two epistles may, or may not, be related to the Final of the Seven Trumpets bringing God's Judgement on the earth spoken of in Revelation 11. The relationship of the trumpet mentioned in the epistles to those written about in Revelation divides theologians, but I digress into unrelated matters. Despite the modern theory, the music is still movingly visceral because of its conceptually descriptive nature. It is full of aural symbolism following the Dies Irae and the Tuba Mirum, making it a type of program music ala Hector Berlioz of the Romantic Period. The music is, therefore, genuinely eclectic because it has blended qualities of several musical periods. The final section of the video explains the symbolism. The music difficulty is virtuosic, extremely taxing to play.
$5.99 ≈
¥42.69
Building a Hypercube (for Brass Quintet)
Building a Hypercube (for Brass Quintet)
#
Brass Quintet: 2 trumpets, horn, trombone, tuba
#
ADVANCED
#
Dr
#
Building a Hypercube
#
https://gildedmusicpress.com/
#
SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1158195 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Film/TV,Instruc...
(+)
Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1158195 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Film/TV,Instructional. 41 pages. Https://gildedmusicpress.com/ #758471. Published by https://gildedmusicpress.com/ (A0.1158195). A hypercube is a theoretical cuboid-like fourth-dimensional object. In an attempt to explain spatial dimentions, I created an 18-minute video presentation titled “Dimensions Unfurled†exposing some initial fallacies of common thought, which can be seen on YouTube. All of the music for the above-mentioned video is original. There are two trumpet duets in the section that depicts a hypercube net folding into a hypercube model, starting at 13’20†and 14’51, respectively. Both duets are published in a collection titled “Fifteen-Course Dinner for Two†(available through Gilded Music Press). The two duets share thematic material, and are combined and greatly expanded for this present major six-minute work for brass quintet, “Building a Hypercubeâ€. The first short duet, “Drawing a Hypercube Netâ€, is presented as the quintet’s introduction, quite faithfully to the original, shared through five parts with harmonic expansion. The material from the second duet is essentially unadulterated starting at measure 27, spanning through measure 70 (up to letter D). From there, the development of thematic material is extensive and interesting, morphing into Escher-types of additional themes and melodies, many of which overlap and intertwine in a fascinatingly complex manner. This unsettling compositional style is indicative of years of profound pondering to fathom the mysterious matter of the fourth spatial dimension. Musically the piece is motivically and thematically unified. All the parts share in the rhythmic complexity fitting for the ponderous topic. The form is roughly sonata form with an introduction and coda, though the recapitulation (Del Segno) occurs in its original key. The majority of the piece (about three minutes, almost exactly half) is the symbolically explorative development section, from D to O. A point of interest: in spite of the piece’s high harmonic rhythm, the introduction is diatonically modal (G Mixolydian). The exposition, after a brief building transition, shifts to the relative D Dorian mode. The lengthy development section shifts tonal centers throughout, visiting various major and minor keys. Beginning at letter O, modality returns for a smooth transition into the recapitulation. The piece ends with an exhilarating coda.
$29.95 ≈
¥213.44
String Quartet No. 3: Among Friends
String Quartet No. 3: Among Friends
#
String Quartet: 2 violins, viola, cello
#
ADVANCED
#
Contemporary
#
Robert M
#
String Quartet No. 3: Among Fr
#
Robert M. Greenberg
#
SheetMusicPlus
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.987847 Composed by Robert M. Greenberg. 20th Century. Score and parts. 178 pages. Robe...
(+)
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.987847 Composed by Robert M. Greenberg. 20th Century. Score and parts. 178 pages. Robert M. Greenberg #90283. Published by Robert M. Greenberg (A0.987847). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 33 minutes Year of composition: 1995 Program Note: I. With Friends Like These II. Inner Voices III. Little Hands and Little Feet IV. Freund Barry V. Friendly Persuasion VI. All For One and One For All I've known the Alexander String Quartet since 1987. More than just colleagues, they have become my friends: I've traveled with them, performed with them, watched them rehearse, dined with them in their homes and they in mine; I know their children and they know my children. Throughout the time I've known the members of the quartet I have observed the relationship between them, that special bond shared by the members of any touring band, described by one pundit as being like a bad marriage with no sex. Such issues notwithstanding, this particular marriage works. A string quartet represents, perhaps, the ultimate musical compromise between individual incentive and the common good. In a string quartet, by definition, four distinct instrumental voices and four different instrumental roles unite to create a whole greater than its parts. And, lest we forget, behind each instrument is a person, with his own particular attitudes, feelings, needs, and, yes, issues, all of which must be tempered and blended for the common good of a good performance. Among Friends is, its liberties aside, about the four people behind the instruments of the Alexander String Quartet and their relationships with one another; the way they play, rehearse, get along and, on occasion, not get along. The first movement, With Friends Like These is gritty and contentious in tone. The players argue, debate, annoy, tease, irk, cajole, abuse, harass, form brief alliances, heap merde upon, gang up on, and otherwise find endless ways to irritate each other. It is in this movement that the individual characters of the four instrumental parts stand in highest relief: the first violin as coloratura prima donna, forever attempting to soar above it all; the second violin as the voice in the wilderness, the viola as the voice of reason and the 'cello as mover and shaker. The opening of the movement is marked argument in progress; with greatest intensity. The second, third and fourth movements are a series of portraits, played without a break. In movement two, Inner Voices, the second violin and viola are featured in a collegial and decidedly non-contentious dialogue. Movement three, Little Hands and Little Feet, is the quiet center of the quartet. It is here that the first violin finally attains the lyric heights vainly sought in the first movement. The fourth movement is a vigorous dance entitled Freund Barry. This movement honors three great friends: Dr. Barry Gardiner, whose friendship and support made the writing of this quartet possible; Gustav Mahler, whose Symphony No. 4, second movement (Freund Heine) inspired this one; and Sandy Wilson, who first encouraged me to compose my second string quartet (Child's Play) for the Alexander in 1987 and whose boisterous 'cello is Freund Barry's alter-ego. The fifth movement is entitled Friendly Persuasion. Rapid fire repeated notes, accompanimental figures and melodic lines are shuttled about from voice to voice, each time elaborated or altered in some way. In this way the music slowly metamorphoses, ultimately arriving at a version of the argumentative music that concluded the first movement. Movement six, All For One and One For All is a fast, brief coda/finale, during which the quartet plays primarily in unison, the musical antithesis of the contentious argument that began the quartet. Among Friends was commissioned by the Koussevitzky Foundation in the Library of Congress and the Alexander String Quartet. Among Friends i.
$36.00 ≈
¥256.56
Hommages IV. L'océan {The Ocean}
Hommages IV. L'océan {The Ocean}
#
Piano solo
#
ADVANCED
#
Classical
#
David Fraser
#
Hommages IV. L'océan {The Oce
#
David Fraser
#
SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1384073 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 40 pages. D...
(+)
Piano Solo - Level 5 - Digital Download SKU: A0.1384073 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 40 pages. David Fraser #968434. Published by David Fraser (A0.1384073). The fourth piece David Fraser wrote, â??L'océan' {The Ocean}, dedicated to Claude Debussy, uses whole-tone scales throughout as lyrical motifs. The composition unfolds with the allusion of the sun glimmering on ocean waves, followed by the playfulness of eddies and gusts of wind. These themes merge into one another as the wind increases in ferocity, culminating in the start of a storm with sudden strikes of lightning preceded by the reverberation of thunder. The pitter-patter of rain on the water steadily evolves into a full tempest that engulfs the middle section of the piece. As the storm subsides and the ocean calms, night has fallen and the twinkling of stars in the firmament are reflecting upon the water. The piece ends with the return of the opening theme as the sun swiftly rises above the ocean on the horizon.This is the full version of â??L'océan' which is the fourth piece from 'Hommages: Suite pour le Piano'. 40 pages. ISMN 979-0-800277-00-9.
$9.99 ≈
¥71.19
Greensleeves 2012
Greensleeves 2012
#
Piano solo
#
ADVANCED
#
Classical
#
Public Domain, as performed
#
Isadar
#
Greensleeves 2012
#
Mainya Music Publishing
#
SheetMusicPlus
Composed by Public Domain, as performed and recorded by Isadar. Arranged by Isadar. Contemporary Classical, Neo- Classical, Christmas, Recital, New Age...
(+)
Composed by Public Domain, as performed and recorded by Isadar. Arranged by Isadar. Contemporary Classical, Neo- Classical, Christmas, Recital, New Age. Sheet Music Single. 8 pages. Published by Mainya Music Publishing
Contains:
"Greensleeves 2012"
- taken from the Isadar solo piano collection, "O Christmas" (also available on SMP)
Sounds like: Vince Guaraldi's "A Charlie Brown Christmas," Liz Story's "The Gift," George Winston's "December," legacy Windham Hill solo piano artists, "A Winter's Solstice" compilations.
Note: “Greensleeves 2012” is a revisited and evolved arrangement which like my earlier version, was inspired by – and also pays ‘homage’ to – Liz Story’s brilliant take on this timeless piece.
Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording
Album review by: Michael Diamond (http://michaeldiamondmusic.com):
Fresh on the heels of his highly acclaimed chart-topping CD, Reconstructed, Isadar gifts us with a sparkling new album of holiday-themed instrumental music for solo piano, entitled “O Christmas.” Given the proximity to his recent release, one might assume that this one was quickly produced, but in reality O Christmas has been 7 years in the making. Various circumstances including other recording projects, a segue into the field of video production, and a cross country move from NYC to the west coast and later back again, created delays with the completion of the album. But as they say, “good things come to those who wait.”
One of the most interesting things about this album is the fact that the selections are traditional Christmas songs, yet some were chosen because they are less well known, or “off the beaten path” as Isadar characterizes them. This follows the pattern set by his 1999 Christmas album “In Search For The Meaning Of Christmas,” yet this new CD mines even deeper in its quest for interesting and unusual choices.
The album begins with a track called “Good Christian Men.” Steeped in history, the song dates back to 14th century Germany and its Latin title was originally “In Dulci Jubilo” before it was translated into English in the 1800’s. Isadar’s interpretation creates a lively and festive air that makes a perfect portal to the recording. The high-spirited mood continues on the next song, “Teddy Bears Picnic,” which although not technically a Christmas song, has been interwoven by Isadar with “March Of The Toys” to tie it in with the holidays – a clever arrangement of these intriguing melodies. One of the more well-known carols on the album is “O Christmas Tree” and is sure to have listeners humming along with it’s familiar refrain.
A track entitled “Still” is an innovative rendition of the classic “Still, Still, Still” which Isadar has put his own spin on, or as he jokingly puts it “jazzed up shamelessly.” No such liberties were taken on the classic “O Come, O Come, Emmanuel,” however. This song provides a showcase for Isadar’s accomplished grand piano work, featuring lush left hand arpeggios creating a strong foundation for his more delicate right hand melodies to dance upon – a powerful and moving combination. Another of the less well known, yet equally inspiring tunes is a Puerto Rican carol entitled “Song Of The Wise Men.” It has been said that: “Christmas is, above all, a children’s holiday, and many hymns are addressed to children, reminding them that the real reason for the sugarplums and Christmas trees is the celebration of the birth of the Christ Child.” This theme is well reflected in Isadar’s choice of “O Come Little Children,” based on a carol from the 1800’s.
Among my favorite tracks on the album are the wistful strains of “Greensleeves 2012,” which Isadar interprets with elegance and grandeur and also pays ‘homage’ to Liz Story’s brilliant take on this enduring composition. This is followed by a rendition of “Masters In This Hall,” which can best be described as, well… “masterful.” The song dates back to the sixteenth century, and is another of the less well-known tunes that Isadar has chosen to feature. The album draws to a close with Isadar invoking artistic license on what is perhaps one of the most unique and liberal versions of a classic carol heard here yet. Based on “We Wish You A Merry Christmas,” Isadar characterizes it as “an uninhibited melancholy arrangement.” While I don’t know if “melancholy” is the word I would use to describe it, it does have a pensive quality and is presented more as a nocturne than usual lively carol it is known as. I really liked the interpretation and respect Isadar’s creativity and distinctive rendering of the song.
“O Christmas” is an exceptional holiday collection, not only for Isadar’s elegant grand piano artistry, but as well for the interesting and sometimes unexpected repertoire contained within. Like ornaments on a tree, the songs adorn the album, enhancing its beauty with their diversity, individuality, and timelessness. Given the well-deserved accolades and popularity of Isadar’s distinctive piano style, I’m sure that fans will want to include “O Christmas” in their collection and make it a part of their holiday tradition.
$5.99 ≈
¥42.69
Coming to a Close (Level 4 piano solo)
Coming to a Close (Level 4 piano solo)
#
Piano solo
#
ADVANCED
#
Rhonda Bradley
#
Coming to a Close
#
Miss Rhonda’s Piano Music
#
SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.876864 Composed by Rhonda Bradley. 20th Century,Contemporary,New Age,Pop. Score. 5 pages. Miss Rhondaâ...
(+)
Piano Solo - Level 5 - Digital Download SKU: A0.876864 Composed by Rhonda Bradley. 20th Century,Contemporary,New Age,Pop. Score. 5 pages. Miss Rhonda’s Piano Music #2907497. Published by Miss Rhonda’s Piano Music (A0.876864). Coming to a Close from the piano solo CD Where Everything is MusicAdvanced piano solo by Rhonda Bradley5 pages (including cover)This crowd-pleaser is worth every moment of your efforts because you'll continue playing it for a lifetime. Built on a strong and unforgettable melody, this song shines thanks to its' backdrop of busy and relentless harmony in the key of C minor. It's a combination of the Baroque, Classical, and New Age genres that never fails to stop passersby from asking What song is that?This piece does not include finger numbers but instead leaves them up to the choice of the performer. There are a handful of finger numbers written into the first two measures as a suggestion.Please check out the MP3 sample above -- it's listed just below the smaller thumbnail underneath the words look inside.Tips for learning this piece:- Write in the finger numbers as you choose them. Determining which finger numbers you'll use is the greatest challenge.- Memorize as you go. It won't be possible to read and perform this song at a professional level. Your hands will be all over the keyboard and you'll need your eyes to be there, too!Please let me know if there's any way I can help you in learning this piece. Enjoy!
$3.99 ≈
¥28.44
Valse
Valse
#
Piano solo
#
ADVANCED
#
Serafim Tulikov
#
Zellev
#
Valse
#
Zellev Music
#
SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1213711 Composed by Serafim Tulikov. Arranged by Zellev. 20th Century,Broadway,Classical,Contemporary,Mus...
(+)
Piano Solo - Level 5 - Digital Download SKU: A0.1213711 Composed by Serafim Tulikov. Arranged by Zellev. 20th Century,Broadway,Classical,Contemporary,Musical/Show,Patriotic. Score. 5 pages. Zellev Music #810909. Published by Zellev Music (A0.1213711). Key Signature: F♯ minorTime Signature: 3/4 (waltz)Tempo: Allegro affettuoso (Allegro with feelings)Difficulty: AdvancedSerafim Sergeyevich Tulikov (Russian: СерафиÌм СергеÌевич ТуÌликов; July 7, 1914 – January 29, 2004) was a Russian and Soviet composer, who was born in the Imperial Russia, and died in Russia. He was often credited as S. Tulikov in his musical works and his cameo appearance in Russian television series. Serafim Tulikov is known for his patriotic and officially ideological compositions.In his more lyrical songs of his early career, Tulikov developed his style of heartfelt and quiet melodies. Such songs include My Love, my Life (Жизнь моÑ, любовь моÑ) (lyrics by Anton Prishelets), I Love You, my Sea (Я люблю тебÑ, море) (lyrics by Anatoly Salnikov), Above the Moscow River (Ðад МоÑквою-рекой) (lyrics by Lev Kondyrev), and Golden Altai (Ðлтай золотой) (lyrics by Tsezar Solodar). The composer also made his contribution to a subgenre of the Soviet song, the army song. He authored a song dedicated to the Soviet Pacific Fleet, Above the Bleak Kuriles Range (Ðад Ñерой КурильÑкой грÑдою) (lyrics by Nikolai Bukin), a work which combined elements of heroic devotion to the Motherland with pensiveness and longing for the far-away family and its comforts.In reflecting on the sources of inspiration for his songs, Serafim Tulikov later confessed that it came mostly from the reminiscences of his homeland, Kaluga, and most of the elements within the songs were present in Kaluga. In the early 1960s, Tulikov would write a song dedicated to Kaluga, properly entitled The Town of My Youth (Город юноÑти моей) (lyrics by Mikhail Pliatskovsky), a sweet and unassuming yet sincere and heartfelt song.During Khrushchev's Virgin Lands Campaign of bringing the vast steppes of Kazakhstan and South Siberia into agricultural use, Tulikov composed another well known song, Komsomol Direction (КомÑомольÑÐºÐ°Ñ Ð¿ÑƒÑ‚ÐµÐ²ÐºÐ°) (lyrics by Tsezar Solodar), which declared: On the go! On the go! The Komsomol direction calls us! And the merry song at the threshold sees us off forward![https://en.wikipedia.org/wiki/Serafim_Tulikov].
$7.00 ≈
¥49.89
<
1
26
51
above all century
