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Schoenberg century
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47 sheet music found
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26
Two Scenes from the Lodz Ghetto: 1. At the Clothing Department; 2. To Get a Ration
Two Scenes from the Lodz Ghetto: 1. At the Clothing Department; 2. To Get a Ration
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Piano, Voice
#
ADVANCED
#
Stanley M Hoffman
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2
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Two Scenes from the Lodz Ghett
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stanleymhoffman.com
#
SheetMusicPlus
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1435089 Composed by Stanley M Hoffman. 21st Century,Classical,Opera. Score. 48 pages. Stanleymhoff...
(+)
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1435089 Composed by Stanley M Hoffman. 21st Century,Classical,Opera. Score. 48 pages. Stanleymhoffman.com #1015189. Published by stanleymhoffman.com (A0.1435089). Opera Scenes 1. At the Clothing Department (3:00); 2. To Get a Ration (9:00) - vocal soloists & piano or chamber ensemble (cl, bn, tpt, tbn, perc, vln, vc) with live or prerecorded crowd noise - 2021, 2024. The libretto is comprised of the insightful observations of a young Jewish boy—Abraham “Abramek” Koplowicz—who was trapped by the Nazis in the Lodz ghetto and who later died in Auschwitz. The libretto appears before each scene in the scores.This may be a relatively brief piece, but it is a major one for me and posthumously for the author. I am fortunate to be the only person given blanket gratis permission to set the words of Abraham Koplowicz to music. He composed a book of poetry, plays, and artwork while imprisoned in the Lodz Ghetto before perishing later in Auschwitz before he could become a Bar Mitzvah. The contents of that book are quite good, sophisticated for his age. Abraham's late half-brother, Eliezer Grynfeld—who found the book in the 1990s—and I eventually became good friends. The Pope once kissed Eliezer's hand. That is how highly regarded this collection is and, by some stroke of luck or fate, I have got exclusive musical rights to the book until it enters the public domain. In my settings of AT THE CLOTHING DEPARTMENT and TO GET A RATION, I combine the musical language of Schoenberg's A SURVIVOR FROM WARSAW very nearly with the instrumentation of Stravinsky's A SOLDIER'S TALE - only the percussion instruments differ. The musical language of these brief opera scenes is appropriately terse, very much in keeping with the oppressiveness of imprisonment. Please have a look and a listen. Thank you for your consideration. ---Words originally in Polish by Abraham (“Abramek”) Koplowicz (b. 1930, Lodz, Poland, d. 1944, Auschwitz-Birkenau) Translation by Sarah Lawson and Małgorzata Koraszewska Adapted by Stanley M. Hoffman Translation by Sarah Lawson and Małgorzata Koraszewska. © Copyright 1993 by Eliezer Grynfeld. All rights reserved. Used by permission of Eliezer Grynfeld. Adapted by permission of Sarah Lawson and Małgorzata Koraszewska. Libretto by Stanley M. Hoffman. Music by Stanley M. Hoffman. NotePerfomer 4 Audio and Scrolling Score Video Seeking Live Performances Music: © Copyright 2021, 2024 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)com All rights reserved.
$12.00 ≈
¥86.66
Two Scenes from the Lodz Ghetto - Chamber Version: 1. At the Clothing Department; 2. To Get a Ration
Two Scenes from the Lodz Ghetto - Chamber Version: 1. At the Clothing Department; 2. To Get a Ration
#
Stanley M Hoffman
#
2
#
Two Scenes from the Lodz Ghett
#
stanleymhoffman.com
#
SheetMusicPlus
Mixed Percussion Bassoon,Clarinet,Double Bass,Trombone,Trumpet,Violin - Level 5 - Digital Download SKU: A0.1435098 Composed by Stanley M Hoffman. 21st Ce...
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Mixed Percussion Bassoon,Clarinet,Double Bass,Trombone,Trumpet,Violin - Level 5 - Digital Download SKU: A0.1435098 Composed by Stanley M Hoffman. 21st Century,Classical,Opera. 240 pages. Stanleymhoffman.com #1015206. Published by stanleymhoffman.com (A0.1435098). Opera Scenes 1. At the Clothing Department (3:00); 2. To Get a Ration (9:00) - vocal soloists & piano or chamber ensemble (cl, bn, tpt, tbn, perc, vln, vc) with live or prerecorded crowd noise - 2021, 2024. The libretto is comprised of the insightful observations of a young Jewish boy—Abraham “Abramek” Koplowicz—who was trapped by the Nazis in the Lodz ghetto and who later died in Auschwitz. The libretto appears before each scene in the scores.This may be a relatively brief piece, but it is a major one for me and posthumously for the author. I am fortunate to be the only person given blanket gratis permission to set the words of Abraham Koplowicz to music. He composed a book of poetry, plays, and artwork while imprisoned in the Lodz Ghetto before perishing later in Auschwitz before he could become a Bar Mitzvah. The contents of that book are quite good, sophisticated for his age. Abraham's late half-brother, Eliezer Grynfeld—who found the book in the 1990s—and I eventually became good friends. The Pope once kissed Eliezer's hand. That is how highly regarded this collection is and, by some stroke of luck or fate, I have got exclusive musical rights to the book until it enters the public domain. In my settings of AT THE CLOTHING DEPARTMENT and TO GET A RATION, I combine the musical language of Schoenberg's A SURVIVOR FROM WARSAW very nearly with the instrumentation of Stravinsky's A SOLDIER'S TALE - only the percussion instruments differ. The musical language of these brief opera scenes is appropriately terse, very much in keeping with the oppressiveness of imprisonment. Please have a look and a listen. Thank you for your consideration. ---Words originally in Polish by Abraham (“Abramek”) Koplowicz (b. 1930, Lodz, Poland, d. 1944, Auschwitz-Birkenau) Translation by Sarah Lawson and Małgorzata Koraszewska Adapted by Stanley M. Hoffman Translation by Sarah Lawson and Małgorzata Koraszewska. © Copyright 1993 by Eliezer Grynfeld. All rights reserved. Used by permission of Eliezer Grynfeld. Adapted by permission of Sarah Lawson and Małgorzata Koraszewska. Libretto by Stanley M. Hoffman. Music by Stanley M. Hoffman. NotePerfomer 4 Audio and Scrolling Score Video Seeking Live Performances Music: © Copyright 2021, 2024 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)com All rights reserved.
$60.00 ≈
¥433.29
Symphony No 22 "Galaxymbion" Opus 33-36 - 1st Movement Opus 33 - (1 of 7) - Score Only
Symphony No 22 "Galaxymbion" Opus 33-36 - 1st Movement Opus 33 - (1 of 7) - Score Only
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Orchestra
#
ADVANCED
#
Grahame Gordon Innes
#
Symphony No 22 "Galaxymbion" O
#
Grahame Gordon Innes
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1425941 Composed by Grahame Gordon Innes. 21st Century,Classical,Contemporary,Film/TV. 43 pages. Grah...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1425941 Composed by Grahame Gordon Innes. 21st Century,Classical,Contemporary,Film/TV. 43 pages. Grahame Gordon Innes #1006730. Published by Grahame Gordon Innes (A0.1425941). Symphony No 22 Galaxymbion is a 7-movement symphonic setting of scenes from my novel The Galaxymbion Odyssey MOVEMENT 1 – The Kytonian Expanse TOTAL NUMBER OF BARS = 2670 TOTAL DURATION = 125 minutes General methodology of composition;1. No fixed tonal centre2. Each movement inherits material from its predecessor3. The work is modular. This means that the 1st, 4th and 7th movements can be presented together as the symphony proper if full staging is not possible. The movements that double as concertos can be presented separately in their own right, hence their individual opus numbers.1. The work has developed from a highly individualized harmonic language that establishes its own laws independent from and additional to conventional harmonic practice. The same is true of the work’s unusual tonality. Central to this approach is the use of dodecaphonic principles in both the melodic and harmonic content. The intent here is to incorporate Schoenberg’s theoretical model of tone rows in an inclusive way, so that it is part of the work’s musical language and an additional tool in structuring and developing ideas. As a result the work remains tonal, albeit inhabiting a distinct and exotic aural landscape.There is no rigid adherence to conventional forms or methods of symphonic development, rather the work takes an entirely eccentric and highly individual approach. Whilst this is the ‘spark’ or heart of the work there is still an intention to create music instead of noise. Discords are therefore used as elsewhere in my more conventionally tonal works; as a natural consequence of the work itself instead of a forced snub at tonal music.
$45.00 ≈
¥324.97
Symphony No 22 "Galaxymbion" Opus 33-36 - 4th Movement (4 of 7) - Score Only
Symphony No 22 "Galaxymbion" Opus 33-36 - 4th Movement (4 of 7) - Score Only
#
Orchestra
#
ADVANCED
#
Grahame Gordon Innes
#
Symphony No 22 "Galaxymbion" O
#
Grahame Gordon Innes
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1425953 Composed by Grahame Gordon Innes. 21st Century,Classical,Contemporary,Film/TV. 37 pages. Grah...
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1425953 Composed by Grahame Gordon Innes. 21st Century,Classical,Contemporary,Film/TV. 37 pages. Grahame Gordon Innes #1006742. Published by Grahame Gordon Innes (A0.1425953). Symphony No 22 Galaxymbion is a 7-movement symphonic setting of scenes from my novel The Galaxymbion Odyssey MOVEMENTS 4 – The Sirantiga Disaster TOTAL NUMBER OF BARS = 2670 TOTAL DURATION = 125 minutes General methodology of composition;1. No fixed tonal centre2. Each movement inherits material from its predecessor3. The work is modular. This means that the 1st, 4th and 7th movements can be presented together as the symphony proper if full staging is not possible. The movements that double as concertos can be presented separately in their own right, hence their individual opus numbers.4. The work has developed from a highly individualized harmonic language that establishes its own laws independent from and additional to conventional harmonic practice. The same is true of the work’s unusual tonality. Central to this approach is the use of dodecaphonic principles in both the melodic and harmonic content. The intent here is to incorporate Schoenberg’s theoretical model of tone rows in an inclusive way, so that it is part of the work’s musical language and an additional tool in structuring and developing ideas. As a result the work remains tonal, albeit inhabiting a distinct and exotic aural landscape.There is no rigid adherence to conventional forms or methods of symphonic development, rather the work takes an entirely eccentric and highly individual approach. Whilst this is the ‘spark’ or heart of the work there is still an intention to create music instead of noise. Discords are therefore used as elsewhere in my more conventionally tonal works; as a natural consequence of the work itself instead of a forced snub at tonal music.
$45.00 ≈
¥324.97
Notturno
Notturno
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Piano solo
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INTERMEDIATE
#
Arnold Schoenberg
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John Tellez
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Notturno
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John Tellez
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1421903 By Arnold Schoenberg. By Arnold Schoenberg. Arranged by John Tellez. 20th Century,Classical,Conte...
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.1421903 By Arnold Schoenberg. By Arnold Schoenberg. Arranged by John Tellez. 20th Century,Classical,Contemporary,Romantic Period. Score. 4 pages. John Tellez #1003235. Published by John Tellez (A0.1421903). Arnold Schönberg - Notturno for Strings and Harp transcribed for piano by John Tellez.
$4.00 ≈
¥28.89
Romance
Romance
#
Tenor Saxophone and Piano
#
EASY
#
Classical
#
Alexander Scriabin
#
Steven Nunes
#
Romance
#
Nagamon Publications
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1394925 Composed by Alexander Scriabin. Arranged by Steven Nunes. 19th Century,Classical,Roman...
(+)
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1394925 Composed by Alexander Scriabin. Arranged by Steven Nunes. 19th Century,Classical,Romantic Period. Score and part. 5 pages. Nagamon Publications #978411. Published by Nagamon Publications (A0.1394925). Alexander Nikolayevich Scriabin was a Russian composer and virtuoso pianist. Before 1903, Scriabin was greatly influenced by the music of Frédéric Chopin and composed in a relatively tonal, late-Romantic idiom. Later, and independently of his influential contemporary Arnold Schoenberg, Scriabin developed a much more dissonant musical language that had transcended usual tonality but was not atonal, which accorded with his personal brand of metaphysics. This short tuneful work can be easily added to any recital.
$8.00 ≈
¥57.77
Romance
Romance
#
Baritone Saxophone, Piano
#
EASY
#
Classical
#
Alexander Scriabin
#
Steven Nunes
#
Romance
#
Nagamon Publications
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1394927 Composed by Alexander Scriabin. Arranged by Steven Nunes. 19th Century,Classical,Ro...
(+)
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1394927 Composed by Alexander Scriabin. Arranged by Steven Nunes. 19th Century,Classical,Romantic Period. Score and part. 5 pages. Nagamon Publications #978413. Published by Nagamon Publications (A0.1394927). Alexander Nikolayevich Scriabin was a Russian composer and virtuoso pianist. Before 1903, Scriabin was greatly influenced by the music of Frédéric Chopin and composed in a relatively tonal, late-Romantic idiom. Later, and independently of his influential contemporary Arnold Schoenberg, Scriabin developed a much more dissonant musical language that had transcended usual tonality but was not atonal, which accorded with his personal brand of metaphysics. This short tuneful work can be easily added to any recital.
$8.00 ≈
¥57.77
Romance
Romance
#
Alto Saxophone and Piano
#
EASY
#
Classical
#
Alexander Scriabin
#
Steven Nunes
#
Romance
#
Nagamon Publications
#
SheetMusicPlus
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1394924 Composed by Alexander Scriabin. Arranged by Steven Nunes. 19th Century,Classical,Romant...
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1394924 Composed by Alexander Scriabin. Arranged by Steven Nunes. 19th Century,Classical,Romantic Period. Score and part. 5 pages. Nagamon Publications #978410. Published by Nagamon Publications (A0.1394924). Alexander Nikolayevich Scriabin was a Russian composer and virtuoso pianist. Before 1903, Scriabin was greatly influenced by the music of Frédéric Chopin and composed in a relatively tonal, late-Romantic idiom. Later, and independently of his influential contemporary Arnold Schoenberg, Scriabin developed a much more dissonant musical language that had transcended usual tonality but was not atonal, which accorded with his personal brand of metaphysics. This short tuneful work can be easily added to any recital.
$8.00 ≈
¥57.77
Romance
Romance
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Treble (Alto) Recorder
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INTERMEDIATE
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Classical
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Steven Nunes
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Steven Nunes
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Romance
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Nagamon Publications
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SheetMusicPlus
Alto Recorder,Recorder Solo - Level 3 - Digital Download SKU: A0.1388193 By Steven Nunes. By Alexander Scriabin. Arranged by Steven Nunes. 19th Century,C...
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Alto Recorder,Recorder Solo - Level 3 - Digital Download SKU: A0.1388193 By Steven Nunes. By Alexander Scriabin. Arranged by Steven Nunes. 19th Century,Classical,Romantic Period. Individual part. 5 pages. Nagamon Publications #971789. Published by Nagamon Publications (A0.1388193). Alexander Nikolayevich Scriabin was a Russian composer and virtuoso pianist. Before 1903, Scriabin was greatly influenced by the music of Frédéric Chopin and composed in a relatively tonal, late-Romantic idiom. Later, and independently of his influential contemporary Arnold Schoenberg, Scriabin developed a much more dissonant musical language that had transcended usual tonality but was not atonal, which accorded with his personal brand of metaphysics. This short tuneful work can be easily added to any recital.
$8.00 ≈
¥57.77
Romance
Romance
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Oboe, Piano (duet)
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INTERMEDIATE
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Classical
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Steven Nunes
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Steven Nunes
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Romance
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Nagamon Publications
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SheetMusicPlus
Oboe,Piano - Level 3 - Digital Download SKU: A0.1388190 By Steven Nunes. By Alexander Scriabin. Arranged by Steven Nunes. 19th Century,Classical,Romantic...
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Oboe,Piano - Level 3 - Digital Download SKU: A0.1388190 By Steven Nunes. By Alexander Scriabin. Arranged by Steven Nunes. 19th Century,Classical,Romantic Period. Score and part. 5 pages. Nagamon Publications #971787. Published by Nagamon Publications (A0.1388190). Alexander Nikolayevich Scriabin was a Russian composer and virtuoso pianist. Before 1903, Scriabin was greatly influenced by the music of Frédéric Chopin and composed in a relatively tonal, late-Romantic idiom. Later, and independently of his influential contemporary Arnold Schoenberg, Scriabin developed a much more dissonant musical language that had transcended usual tonality but was not atonal, which accorded with his personal brand of metaphysics. This short tuneful work can be easily added to any recital.
$8.00 ≈
¥57.77
Romance
Romance
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Flute and Piano
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INTERMEDIATE
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Classical
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Steven Nunes
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Steven Nunes
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Romance
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Nagamon Publications
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SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.1388188 By Steven Nunes. By Alexander Scriabin. Arranged by Steven Nunes. 19th Century,Classical,Romanti...
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Flute,Piano - Level 3 - Digital Download SKU: A0.1388188 By Steven Nunes. By Alexander Scriabin. Arranged by Steven Nunes. 19th Century,Classical,Romantic Period. Score and part. 5 pages. Nagamon Publications #971785. Published by Nagamon Publications (A0.1388188). Alexander Nikolayevich Scriabin was a Russian composer and virtuoso pianist. Before 1903, Scriabin was greatly influenced by the music of Frédéric Chopin and composed in a relatively tonal, late-Romantic idiom. Later, and independently of his influential contemporary Arnold Schoenberg, Scriabin developed a much more dissonant musical language that had transcended usual tonality but was not atonal, which accorded with his personal brand of metaphysics. This short tuneful work can be easily added to any recital.
$8.00 ≈
¥57.77
Three Bassoon Solos
Three Bassoon Solos
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Bassoon
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INTERMEDIATE/ADVANCED
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Robert A
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Three Bassoon Solos
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Robert A. Howard
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SheetMusicPlus
Bassoon Solo - Level 4 - Digital Download SKU: A0.998889 Composed by Robert A. Howard. 20th Century,Classical,Contemporary,Contest,Festival,Instructional...
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Bassoon Solo - Level 4 - Digital Download SKU: A0.998889 Composed by Robert A. Howard. 20th Century,Classical,Contemporary,Contest,Festival,Instructional. Individual part. 7 pages. Robert A. Howard #6496061. Published by Robert A. Howard (A0.998889). This is a set of three solo bassoon works. The first piece, Pierrot, develops the notion of 'line'. It explores various facets of the instrument (as in the more complex nature of Pierrot's Commedia Dell'Arte character). The piece features a serial 'note-row' procedure but in a relaxed manner, more akin to Berg than either Schoenberg or Webern. The second piece, Folk Lament, alludes to a folk idiom by using modality (characterised by the flattened seventh degree of the scale) within a sonata form structure. The two main themes give a broad feel of being improvised and, particularly in the case of the second subject, includes composed-out forms of folk-like ornamentation. The final piece, The Clown, employs bluesy inflections, an irregular time signature (5/4) and a clear rondo structure. Varied repetitions of the main, jaunty theme, alternate with contrasting episodes in related keys, one of which is even a derivation of the 12-bar Blues. The set is highly accessible and suitable for more advanced bassoonists including students and professionals. Each movement within this set is also available to purchase individually via Sheet Music Plus.Duration: 8 minutes 40 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$5.49 ≈
¥39.65
Six Little Pieces, op. 19 for Tuba or Bass Trombone & Piano
Six Little Pieces, op. 19 for Tuba or Bass Trombone & Piano
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Tuba and Piano
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ADVANCED
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Arnold Schoenberg
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Ralph Sauer
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Six Little Pieces, op. 19 for
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Gordon Cherry
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SheetMusicPlus
Piano,Tuba - Level 5 - Digital Download SKU: A0.792482 Composed by Arnold Schoenberg. Arranged by Ralph Sauer. 20th Century,Contemporary. Score and part....
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Piano,Tuba - Level 5 - Digital Download SKU: A0.792482 Composed by Arnold Schoenberg. Arranged by Ralph Sauer. 20th Century,Contemporary. Score and part. 8 pages. Gordon Cherry #4988259. Published by Gordon Cherry (A0.792482). Arnold Schoenberg's Six Little Pieces, Opus 19, originally for Piano, were published in 1913 at a time when the composer was reacting to his feelings of the excesses of the Romantic Period. They were composed concurrently with his gigantic work Gurre-Lieder. The first five pieces were written in one day and the last one shortly after the death of Gustav Mahler as a rumored tombeau or memorial.Mr. Sauer has deftly arranged these six short pieces of around 5 minutes in length for advanced performers.
$20.00 ≈
¥144.43
Six Little Pieces, op. 19 for Euphonium and Piano
Six Little Pieces, op. 19 for Euphonium and Piano
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Euphonium, Piano (duet)
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ADVANCED
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Arnold Schoenberg
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Ralph Sauer
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Six Little Pieces, op. 19 for
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - Digital Download SKU: A0.811089 Composed by Arnold Schoenberg. Arranged by Ralph Sauer. 20th Century,Romantic Period. Score a...
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.811089 Composed by Arnold Schoenberg. Arranged by Ralph Sauer. 20th Century,Romantic Period. Score and part. 12 pages. Gordon Cherry #5010383. Published by Gordon Cherry (A0.811089). Arnold Schoenberg's Six Little Pieces, Opus 19, originally for Piano, were published in 1913 at a time when the composer was reacting to his feelings of the excesses of the Romantic Period. They were composed concurrently with his gigantic work Gurre-Lieder. The first five pieces were written in one day and the last one shortly after the death of Gustav Mahler as a rumored tombeau or memorial. Mr. Sauer has deftly arranged these six short pieces of around 5 minutes in length for advanced performers. Parts are supplied for bass and treble readers.
$20.00 ≈
¥144.43
Sonata Hymnica No. 1
Sonata Hymnica No. 1
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Piano solo
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INTERMEDIATE/ADVANCED
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James Siddons
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James Siddons Music and Writin
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Sonata Hymnica No. 1
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.972645 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk...
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Piano Solo - Level 4 - Digital Download SKU: A0.972645 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Score. 19 pages. James Siddons Music and Writings #4350561. Published by James Siddons Music and Writings (A0.972645). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. All three pedals on an American piano (damper, sostenuto, and sustain) are needed. The orchestral and cinematic structure of this music requires extensive use of three staffs, which may consist of two treble and one bass staff, or one treble and two bass staffs. In basic grand-staff passages, the two staffs may both be treble or both bass. The musical influences in these sonatas include religious song in rural America, the chromaticism and Expressionism of Arnold Schoenberg and his followers, and the tone colors of the music of Japanese composer Toru Takemitsu.DurationsSonata Hymnica No. 1 --- 15 minutes.Sonata Hymnica No. 2 --- 11 minutes. Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
$9.50 ≈
¥68.60
Gregory Sullivan Isaacs: Henry Faust for tenor and piano
Gregory Sullivan Isaacs: Henry Faust for tenor and piano
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Tenor voice, Piano
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ADVANCED
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Contemporary
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Henry
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Musik Fabrik Music Publishing
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SheetMusicPlus
Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.534399 Composed by Gregory Sullivan Isaacs. 20th Century,Opera,Romantic Period,Standards. 126...
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Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.534399 Composed by Gregory Sullivan Isaacs. 20th Century,Opera,Romantic Period,Standards. 126 pages. Musik Fabrik Music Publishing #3424583. Published by Musik Fabrik Music Publishing (A0.534399). Described as a « tour de force« during the operaâ??s initial run of performances â??Henry Faustâ? by Gregory Sullivan Isaacs is a three-act, one character opera based on Goëtheâ??s play as translated by Anna Swanwich (1859) with a libretto by the composer. It was premièred at the Circle Theatre in Chicago on April 11, 1993 with the Composer as Faust and Kevin Hinton, pianistâ??Henry Faustâ? started out as a thought about the â??essenceâ? of opera. Isaacs thought that one singer, one piano, and a black box theater were all that was really needed to achieve â??opera-nessâ?. Goetheâ??s play, â??Faust,â? immediately came to mind. The tale of the professor who makes a deal with the devil for infinite knowledge and the restoration of youth, only to betray himself by lust, seemed perfect. The three-act opera is for tenor and piano and in a Goethe-era English translation by Anna Swanwick. She was the leading translator of Goethe of her day and one of the first advocates for womenâ??s rights. Every word Faust sings is a line from the play.The opera is set in a miserable single-occupancy hotel room furnished with an iron cot, a beat-up dresser and a tattered arm chair. Faust, disheveled and in his pajamas, lives out the drama. The ensuing events, the feverish creations of an addled brain, are all real to Faust. He sees and interacts with the other two characters â?? the devil and Gretchen â?? and flies to hell to dance at the Witches Sabbath. Both the tenor and piano parts are equally demanding and require artists of the first order. The tenor part covers a great range â?? both vocally and dramatically. The piano part requires a virtuoso and musically expresses all of the imaginary characters.SOME SELECTED HENRY FAUST REVIEWS â??You can add Henry Faust to that short list of successful single-singer operas (Schoenbergâ??s Ewartung and Poulencâ??s La Voix Humaine) ... it proved to be a moving experience. Isaacsâ?? music, cast in traditional forms, such as fugue, passacaglia, rondo and variation, is always accessible... often strikingly beautiful, as in the Ländler that closes act two.â? THE DETROIT FREE PRESS (John Guinn) - Detroitâ??Written in what Isaacs calls â??refreshed tonality,â?? this lush, supplely intense music serves the drama well ... from the despairing agitato of Faust's opening agonies to the lyrical frenzy of his first glimpse of Gretchen to a hushed declaration of love as tender as we could wish... Isaacs' tour de force certainly has a future.â? THE CHICAGO READER (Larry Bommer) - Chicagoâ??...the first (full evening) operatic monodrama ever promises to give Goethe's thrice-told tale a fresh contemporary slantâ?¦ a theater piece that uses opera as its language... a prototype of a new kind of small theater piece, eminently practical at a time of reduced opera company budgets... (Isaacs) brings solid professional credits ... an experienced conductor as well as composer/performer.â? THE CHICAGO TRIBUNE (John von Rhein) â?? Chicago
$65.95 ≈
¥476.26
Transfigured Night (Verklärte Nacht, Op. 4)
Transfigured Night (Verklärte Nacht, Op. 4)
Brass Choir or Ensemble,(1 B-flat piccolo trumpet,3 B-flat trumpets,2 horns,2 trombones,2 tubas)
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Contemporary
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Arnold Schoenberg
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Craig Garner
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Transfigured Night
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Dorm 40 Music
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SheetMusicPlus
Composed by Arnold Schoenberg (1874-1951). Arranged by Craig Garner. 21st Century, Post-Romantic. Score, Set of Parts. 57 pages. Published by Dorm 40 Music (S0....
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Composed by Arnold Schoenberg (1874-1951). Arranged by Craig Garner. 21st Century, Post-Romantic. Score, Set of Parts. 57 pages. Published by Dorm 40 Music (S0.171403). - Score,Set of Parts - 21st Century,Post-Romantic - Dorm 40 Music
$30.00 ≈
¥216.64
Ghosts in the Cave
Ghosts in the Cave
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Percussion Ensemble
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INTERMEDIATE
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Jerod Nunley
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Ghosts in the Cave
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Jerod Nunley
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SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.1011451 Composed by Jerod Nunley. 20th Century,Standards. Score and parts. 2 pages. Jerod Nunley...
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.1011451 Composed by Jerod Nunley. 20th Century,Standards. Score and parts. 2 pages. Jerod Nunley #3377699. Published by Jerod Nunley (A0.1011451). Written for Glockenspiel duet, the spooky nature of this piece is represented through a tone row built off of Prime: D-Flat, F, E-Flat, A-Flat, G-Flat, E, A, D, B-Flat, C, G, B. The piece is strictly serial in nature, following the existing permutations of a tone row first experimented with by Arnold Schoenberg.The piece gives off a mysterious and spooky feel. Good for any small chamber ensemble.
$3.99 ≈
¥28.81
Six Little Pieces, op. 19 for Trombone and Piano
Six Little Pieces, op. 19 for Trombone and Piano
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Trombone and Piano
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ADVANCED
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Contemporary
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Arnold Schoenberg
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Ralph Sauer
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Six Little Pieces, op. 19 for
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Gordon Cherry
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SheetMusicPlus
Small Ensemble - Level 5 - Digital Download SKU: A0.792480 Composed by Arnold Schoenberg. Arranged by Ralph Sauer. 20th Century,Contemporary. Score and p...
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Small Ensemble - Level 5 - Digital Download SKU: A0.792480 Composed by Arnold Schoenberg. Arranged by Ralph Sauer. 20th Century,Contemporary. Score and parts. 8 pages. Gordon Cherry #4988245. Published by Gordon Cherry (A0.792480). Arnold Schoenberg's Six Little Pieces, Opus 19, originally for Piano, were published in 1913 at a time when the composer was reacting to his feelings of the excesses of the Romantic Period. They were composed concurrently with his gigantic work Gurre-Lieder. The first five pieces were written in one day and the last one shortly after the death of Gustav Mahler as a rumored tombeau or memorial. Mr. Sauer has deftly arranged these six short pieces of around 5 minutes in length for advanced performers.
$20.00 ≈
¥144.43
Notturno for Trombone Ensemble
Notturno for Trombone Ensemble
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Trombone ensemble
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ADVANCED
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Arnold Schoenberg
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Hayden Stellges
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Notturno for Trombone Ensemble
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Gordon Cherry
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SheetMusicPlus
Bass Trombone,Tenor Trombone - Level 5 - Digital Download SKU: A0.1148190 Composed by Arnold Schoenberg. Arranged by Hayden Stellges. 19th Century,Romant...
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Bass Trombone,Tenor Trombone - Level 5 - Digital Download SKU: A0.1148190 Composed by Arnold Schoenberg. Arranged by Hayden Stellges. 19th Century,Romantic Period. 10 pages. Gordon Cherry #748359. Published by Gordon Cherry (A0.1148190). Notturno was composed in 1895 by Arnold Schoenberg, originally for Strings and Harp. Hayden Stellges has exquisitely arranged the composer's early work for 7-part Trombone Ensemble. The atmosphere is calm and serene, with rich textures emotionally tugging at your heartstrings as the work builds and builds, exploding into a giant climax before settling down into the final bars. This 3 minute work is appropriate for advanced performers.
$25.00 ≈
¥180.54
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