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Musique de chambre
Sheetmusic to print
12 sheet music found
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1
Nocturne
Nocturne
#
Harp
#
EASY
#
Laurent Jacquier
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Nocturne
#
Ljmusique
#
SheetMusicPlus
Flute,Guitar,Harp - Level 2 - Digital Download SKU: A0.1216983 Composed by Laurent Jacquier. Chamber,Contemporary. 14 pages. Ljmusique #813504. Published...
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Flute,Guitar,Harp - Level 2 - Digital Download SKU: A0.1216983 Composed by Laurent Jacquier. Chamber,Contemporary. 14 pages. Ljmusique #813504. Published by Ljmusique (A0.1216983). Musique de chambre, 4e Année : Pour flûte, harpe, 2 guitares.
$5.00 ≈
4.59€
Le Basque
Le Basque
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Horn Ensemble
#
EASY
#
Marin Marais
#
Alessandro Macrì
#
Le Basque
#
Music Macri Editions
#
SheetMusicPlus
Horn Ensemble Horn - Level 2 - Digital Download SKU: A0.1294767 Composed by Marin Marais. Arranged by Alessandro Macrì. Classical,Contest,Festival. 10...
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Horn Ensemble Horn - Level 2 - Digital Download SKU: A0.1294767 Composed by Marin Marais. Arranged by Alessandro Macrì. Classical,Contest,Festival. 10 pages. Music Macri Editions #885126. Published by Music Macri Editions (A0.1294767). Le Basque for Horn Solo and Horn Quartet is dedicated to Dennis Brain.A must for aspiring Horn players.Marin Marais was the central figure in the French school of bass-viol composers and performers that flourished during the late 17th and early 18th centuries. He spent his entire life in Paris, and the greater part of it in royal service. First appointed as Ordinaire de la Musique de la Chambre du Roi in 1685, he retained that post throughout the reign of Louis XIV and from 1715 to 1725 served under the Regency and Louis XV. His contemporaries recognized him as an outstanding performer and a composer of stature whose works for viols and the operatic stage were known beyond the boundaries of France.
$8.00 ≈
7.35€
Reverie Op 61
Reverie Op 61
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Bassoon, Piano (duet)
#
Eugene Jancourt
#
Reverie Op 61
#
Imagine Music - Digital
#
SheetMusicPlus
Bassoon & Piano - Digital Download SKU: IZ.PDP073 Composed by Eugene Jancourt. Score and Parts. 9 pages. Imagine Music - Digital #PDP073. Published by Im...
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Bassoon & Piano - Digital Download SKU: IZ.PDP073 Composed by Eugene Jancourt. Score and Parts. 9 pages. Imagine Music - Digital #PDP073. Published by Imagine Music - Digital (IZ.PDP073). 9 x 12 inches.Jancourt's Reverie op. 61 was composed in the early 1880s. He dedicated it to his friend and colleague Frarn;ois Villaufret (1833-1888), one of the original bassoonists in the Societe de musique de chambre pour instruments a vent. The two men also played together in the Societe des Concerts du Conservatoire. The Reverie, op. 61 has been commercially recorded by bassoonist William D. Davis and fortepianist Beverly Dutton for the Bravura compact disc label.
$10.00 ≈
9.18€
Les Indes Galantes - Prologue (Overture)
Les Indes Galantes - Prologue (Overture)
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Chamber Orchestra
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ADVANCED
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Jean Phillipe Rameau
#
Arte Nova Music Lab
#
Les Indes Galantes - Prologue
#
Arte Nova Music Lab
#
SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.742472 Composed by Jean Phillipe Rameau. Arranged by Arte Nova Music Lab. Baroque,Concert,Standard...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.742472 Composed by Jean Phillipe Rameau. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 15 pages. Arte Nova Music Lab #4600759. Published by Arte Nova Music Lab (A0.742472). Les Indes galantes (French: The Amorous Indies) Opéra-ballet with a prologue and two entrées. Choreography: Louis Dupré. Music: Jean-Philippe Rameau. Libretto: Louis Fuzelier. Sets: Giovanni-Niccolò Servandoni. First performance: 23 August 1735, Théâtre de l'Académie de Musique, Paris. Principals: David Dumoulin, Louis Dupré, M. le Breton, M. Javellier, Marie Sallé. The premiere, including only the prologue and the first two of its four entrées (acts), was staged by the Académie Royale de Musique at itstheatre in the Palais-Royal in Paris on 23 August 1735, starring the leading singers of the Opéra, Marie Antier, Marie Pélissier, Mlle Errémans, Mlle Petitpas, Denis-François Tribou, Pierre Jélyotte, and Claude-Louis-Dominique Chassé de Chinais, and the dancers Marie Sallé and Louis Dupré. Michel Blondy provided the choreography. The ballet's Premier Menuet was used in the soundtrack of the 2006 film Marie Antoinette. Prologue: The palace of Hebe in the background and her gardens in the wings Hebe, goddess of youth, summons her followers to take part in a festival (Air: Vous, qui d'Hébé suivez les lois). Young French, Spanish, Italians and Poles rush to celebrate with a series of dances, including a musette. The ballet is interrupted by the noise of drums and trumpets. It is Bellona, goddess of war, who arrives on the stage accompanied by warriors bearing flags. Bellona calls on the youths to seek out military glory (Air and chorus: La Gloire vous appelle). Hebe prays to Cupid (L'Amour) to use his power to hold them back. Cupid descends on a cloud with his followers. He decides to abandon Europe in favour of the Indies, where love is more welcome. Taken from https://en.wikipedia.org/wiki/Les_Indes_galantes
$20.00 ≈
18.37€
Psyché
Psyché
#
Erik Marchelie
#
Psyché
#
Les Productions d'OZ - Digital
#
SheetMusicPlus
Musique de chambre - Advanced - Digital Download SKU: ZZ.DZ-3329 Composed by Erik Marchelie. Score. 29 pages. Les Productions d'OZ - Digital #DZ 3329. Pu...
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Musique de chambre - Advanced - Digital Download SKU: ZZ.DZ-3329 Composed by Erik Marchelie. Score. 29 pages. Les Productions d'OZ - Digital #DZ 3329. Published by Les Productions d'OZ - Digital (ZZ.DZ-3329). ISBN 9782897952464.
$10.95 ≈
10.06€
Concertino facile
Concertino facile
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Adrian Andrei
#
Concertino facile
#
Les Productions d'OZ - Digital
#
SheetMusicPlus
Musique de chambre - Intermédiare - Digital Download SKU: ZZ.DZ-3339 Composed by Adrian Andrei. Score and parts. 82 pages. Les Productions d'OZ - Digi...
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Musique de chambre - Intermédiare - Digital Download SKU: ZZ.DZ-3339 Composed by Adrian Andrei. Score and parts. 82 pages. Les Productions d'OZ - Digital #DZ 3339. Published by Les Productions d'OZ - Digital (ZZ.DZ-3339). ISBN 9782897952563.
$25.95 ≈
23.83€
Algiers
Algiers
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Nathan Kolosko
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Algiers
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Les Productions d'OZ - Digital
#
SheetMusicPlus
Musique de chambre - Advanced - Digital Download SKU: ZZ.DZ-3403 Composed by Nathan Kolosko. Score and parts. 26 pages. Les Productions d'OZ - Digital #D...
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Musique de chambre - Advanced - Digital Download SKU: ZZ.DZ-3403 Composed by Nathan Kolosko. Score and parts. 26 pages. Les Productions d'OZ - Digital #DZ 3403. Published by Les Productions d'OZ - Digital (ZZ.DZ-3403). ISBN 9782897953201.
$10.95 ≈
10.06€
Concertino - for clarinet, mandolin and symphony orchestra
Concertino - for clarinet, mandolin and symphony orchestra
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Chamber Orchestra
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Klezmer
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Ofer Ben-Amots
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praise Him in the heights
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Concertino - for clarinet, man
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The Composer's Own Press
#
SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own...
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Chamber Orchestra - Digital Download SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029. Published by The Composer's Own Press (A0.944032). CONCERTINO, for Clarinet, Mandolin, and Orchestra CONCERTINO was officially commissioned in 2011 by the Geneva Chamber Orchestra. The composition explores the sound combination of two, seemingly opposing, instruments and sound characters: the clarinet and the mandolin. Thus, the three-movement work is a short double-concerto for clarinet and mandolin, accompanied by a chamber orchestra. The first movement, titled Psalm 148 and is a mixture of a coronation fanfare and a wild improvisatory-like dance. The music is based on the structure and ideas expressed in the 148th Psalm. For the transformation of this Psalmodic text into music I was concerned with two elements: first, the linguistic pulse of the ancient Biblical Hebrew gives the music its ever-changing meters and vibrant rhythms. The second element was the poetic concept presented in the text: Heaven vs. Earth, Universe vs. Planet, or Heights vs. Depths. The contrasting nature of these elements is described in the following verses: Hallelujah, Praise ye the LORD from the heavens; praise Him in the heights. (Psalm 148, verse 1) Praise the LORD from the earth, ye sea-monsters, and all deeps. (Psalm 148, verse 7) Finally, both Heaven and Earth join in praise together: Let them praise the name of the LORD, for His name alone is exalted; His glory is above the earth and heaven. (Psalm 148, verse 13) The musical expression of these contraries is reflected and the use of high-range and soprano instruments (flutes, clarinet, trumpets, violins) versus low-range instruments (trombone, bassoons, cellos and basses.) The second movement, Romacero Viejo (and old love song) is a slow, lyrical dirge-like melody in a Sephardic Judeo-spanish style. In this movement the mandolin plays in the manner of an Oud – a traditional pear-shaped Arabic lute. The harmony sits mostly on a single pedal note while the clarinet imitates the chant with rhythmically free ornatmental patterns. The third and final movement, Allegro con brio, is a festive klezmer dance with a traditional Bulgar (or Freylech) rhythm, where the regular 8/8 meter is constantly divided into the irregular count of: 3+3+2. In the middle of this movement the two soloists play a cadenza, which allows them to present their contrasting yet complementary instrumental characters. The movement is titled The Geneva Bulgar in honor of the City of Geneva and the wonderful memories I have been carrying with me ever since my time there as a young student at the Conservatoire de Musique. Total duration: ca. 23 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00 ≈
49.59€
Madrigal Pavane / Timburibá
Madrigal Pavane / Timburibá
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburibá
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Les Productions d'OZ - Digital
#
SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digit...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95 ≈
7.30€
D'un feu secret je me sens consumer
D'un feu secret je me sens consumer
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Voice solo
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Classical
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Michel Lambert
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Early Music Scores
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D'un feu secret je me sens con
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Early Music Scores
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SheetMusicPlus
Vocal Solo,Voice - Digital Download SKU: A0.791597 Composed by Michel Lambert. Arranged by Early Music Scores. Baroque,Classical. 2 pages. Early Music Sc...
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Vocal Solo,Voice - Digital Download SKU: A0.791597 Composed by Michel Lambert. Arranged by Early Music Scores. Baroque,Classical. 2 pages. Early Music Scores #5330149. Published by Early Music Scores (A0.791597). Twos voices and continuo. Composed by Michel Lambert (1610-1696). Baroque period. From Les Airs de Monsieur Lambert, maistre de la musique de la chambre du roy, gravez par Richer (1669). Edited by Felipe Dias. 3 pages.
$6.99 ≈
6.42€
MARAIS SUITE EN TRIO IN D MAJOR IMM19 FOR FLUTE, OBOE & CLARINET IN A
MARAIS SUITE EN TRIO IN D MAJOR IMM19 FOR FLUTE, OBOE & CLARINET IN A
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Flute, Oboe, Clarinet (trio)
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INTERMEDIATE
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Marin Marais
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Edited & arranged by Pat Spenc
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MARAIS SUITE EN TRIO IN D MAJO
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Piper Publications
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.811772 Composed by Marin Marais (1656 - 1728). Arranged by Edite...
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Woodwind Ensemble,Woodwind Trio Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.811772 Composed by Marin Marais (1656 - 1728). Arranged by Edited & arranged by Pat Spence. Baroque,Concert,Graduation,Wedding. 38 pages. Piper Publications #6132023. Published by Piper Publications (A0.811772). This is the third of a set of three Pièces en trio published in Paris in 1692 which have previously been attributed to Jean Baptiste Lully. The scoring indicated was ‘ Pour les Flutes, violin, & Dessus ve Viole Composées par M. Marais, Ordinaire, de la Musique de la Chambre du Roy.’ The dedication was to Mademoiselle Roland.The Suite has thirteen separate movements though the Double is a variation of the preceding Gavotte and the four Menuets would have been played without a break. In editing the Suite I have modernised the musical notation e.g. notes tied over bar/measure lines indicated by a dot are shown as tied notes of the correct value. All editings are shown in parentheses ( ) or dashed lines. No dynamic markings are indicated in the original edition and, as these are very much a matter of individual taste, I have left them to your discretion.The suite is for three equal players of intermediate standard and above. The movements are, Prelude, Sarabande, Fantaisie champetre, Gavotte en rondeau, Double, Gigue, Bransle Village, Rigaudon, 4 Menuets & Symphonie.The arrangement includes a clarinet, an instrument which was being developed from the chalumeau in the late seventeenth century by Johan Denner and his son in Nuremburg.
$15.00 ≈
13.77€
Chopin, Frédéric : Nocturne n°20 Opus posthume (Collection Anacrouse)
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Piano solo
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French Songs
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Chopin, Frédéric
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Nocturne n°20 Opus posthume
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Note4Piano
La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d’œuvres classiques, allant de la Renaissance à l’époq...
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La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d’œuvres classiques, allant de la Renaissance à l’époque moderne.<br><br>Proposer tout à la fois des « incontournables » du répertoire classique et des pièces de compositeurs parfois oubliés, toutes d’une valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à l’unité, a fait l’objet d’un travail éditorial attentif, tant sur le plan de l’établissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces œuvres.<br><br>Les partitions sont proposées sous la forme d’ouvrages traditionnels (feuillets papier), et disponibles également par téléchargement.<br><br><br><br>Le terme Nocturne a un sens différent suivant les époques. Au 17ème et au 18ème siècle, c’est une pièce de musique de chambre, instrumentale ou vocale qui convient au jeu en plein air ou à une interprétation nocturne. Au 19ème siècle, le créateur du « nocturne pour piano » au sens technique est le compositeur irlandais John Field. Ces nocturnes sont des morceaux élégants avec une mélodie simple, nostalgique et méditative. Chopin adopte cette appellation et son idée générale pour ces phrases poétiques à l’accompagnement développé et cadencé. Il écrit vingt et un nocturnes qui ont contribué à développer sa célébrité. Le nocturne n° 20 en ut dièse mineur composé en 1830 est une pièce d’une grande originalité dans l’alliance du sentiment et de l’esprit. C’est une pièce beaucoup moins condensée que les autres nocturnes mais qui nous fait ressentir une beauté qui nous ensorcelle. Cette œuvre a été trouvée parmi les papiers du compositeur après sa mort et a été éditée seulement 26 ans plus tard. Il utilise dans son œuvre la notation d’un thème pris à son concerto pour piano en fa mineur, pièce antérieure. Dans la première version, qu’il abandonne plus tard, la mélodie est composée sur une mesure à 3/4 comme dans le concerto avec un accompagnement à 4/4, mesure qui domine dans le nocturne. Cette notation est très étonnante pour les années 1830, cependant la façon de combiner des tempi différents se développe surtout au 20ème siècle. Chopin nous confie une partie de son journal intime à travers ces pages mélancoliques, d’une sensibilité communicative. Les pianistes romantiques pourront naturellement expimer leurs états d’âme à travers ce nocturne d’une grande expressivité. Partition + Biographie + Notes sur l'oeuvre
3.30€
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