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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Classical
#
Claude Debussy/Robert Orledg
#
Debussy Inconnu: Album of work
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76...
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95 ≈
35.13€
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Classical
#
Claude Debussy/Robert Orledg
#
Debussy Inconnu: Album of work
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. ...
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95 ≈
35.13€
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
#
Orchestra
#
Classical
#
Claude Debussy
#
Arkady Leytush
#
Claude Debussy ‒ Estamp
#
Arkady Leytush
#
SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady...
(+)
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00 ≈
22.55€
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
#
Orchestra
#
Classical
#
Claude Debussy
#
Arkady Leytush
#
Claude Debussy ‒ Estamp
#
Arkady Leytush
#
SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady...
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00 ≈
22.55€
Clair De Lune- Debussy-Simplified version- Advanced intermediate
Clair De Lune- Debussy-Simplified version- Advanced intermediate
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Piano solo
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INTERMEDIATE/ADVANCED
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Classical
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C Debussy
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Grant Horsley
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Clair De Lune- Debussy-Simplif
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Grant Horsley Music
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SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by C Debussy. Arranged by Grant Horsley. Impressionistic, Repertoire, Anniversary, Wedding, ...
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Piano Solo - Advanced Intermediate - Digital Download Composed by C Debussy. Arranged by Grant Horsley. Impressionistic, Repertoire, Anniversary, Wedding, Recital. Sheet Music Single. 8 pages. Published by Grant Horsley Music
Claire De Lune by Debussy- needs no words.
I have arranged this firstly in the key of C. I tried to keep as much of the original as possible in terms of detail and some of the difficult octaves and hard to reach chords have been carefully arranged. What I wanted to do was to give intermediate pianists who were perhaps not quite ready for the full version, an opportunity to play a version of it, also for pianists who would appreciate a slightly modified approach.
I didn't want an "easy" version as such,but one that retains the qualities of the original. It is a beautiful piece which can be used for concerts, recitals, weddings,celebrations etc
I have listed this as Advanced intermediate, but it crosses the line to Intermediate on a number of ocassions.
$5.50 ≈
4.96€
Three Debussy Preludes for Euphonium Quartet
Three Debussy Preludes for Euphonium Quartet
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Euphonium
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy
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Phil Thrift
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Three Debussy Preludes for Eup
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Phil Thrift
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SheetMusicPlus
Euphonium Solo - Level 4 - Digital Download SKU: A0.955741 Composed by Claude Debussy. Arranged by Phil Thrift. 20th Century,Classical. Individual part. ...
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Euphonium Solo - Level 4 - Digital Download SKU: A0.955741 Composed by Claude Debussy. Arranged by Phil Thrift. 20th Century,Classical. Individual part. 55 pages. Phil Thrift #6362953. Published by Phil Thrift (A0.955741). Claude Debussy’s two sets of Préludes for piano have always been among my favorites and I have selected these three from Livre 1 because they work well on low instruments. If you are unfamiliar with the Préludes, I suggest you listen to some recordings first to get an idea of what these pieces are all about. You can then perhaps introduce your own ideas. Debussy specified the very slow tempo for Footprints…, but the other tempos are just my suggestions. Likewise, the translations of the less familiar French terms are mine, and you may wish to rethink them. These pieces will really test your quartet’s ability to play together.The score is in bass clef, but alternative treble clef parts are included.
$7.99 ≈
7.21€
Three Debussy Preludes for Bassoon Quartet
Three Debussy Preludes for Bassoon Quartet
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4 Bassoons
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ADVANCED
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Classical
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Claude Debussy
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Phil Thrift
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Three Debussy Preludes for Bas
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Phil Thrift
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon - Level 5 - Digital Download SKU: A0.955717 Composed by Claude Debussy. Arranged by Phil Thrift. 20th Century....
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Woodwind Ensemble,Woodwind Quartet Bassoon - Level 5 - Digital Download SKU: A0.955717 Composed by Claude Debussy. Arranged by Phil Thrift. 20th Century. 38 pages. Phil Thrift #5310217. Published by Phil Thrift (A0.955717). Claude Debussy’s two sets of Préludes for piano have always been among my favorites and I have selected these three from Livre 1 because they work well on low instruments. The first and third preludes can be played on four bassoons, but the second requires the fourth player to switch to contrabassoon, although an alternative bassoon part is included. If you are unfamiliar with the Préludes, I suggest you listen to some recordings first to get an idea of what these pieces are all about. You can then perhaps introduce your own ideas. Debussy specified the very slow tempo for Footprints…, but the other tempos are just my suggestions. Likewise, the translations of the less familiar French terms are mine, and you may wish to rethink them.
$7.99 ≈
7.21€
Claude Debussy: Petite Valse for solo piano, completed by Robert Orledge
Claude Debussy: Petite Valse for solo piano, completed by Robert Orledge
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Piano solo
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INTERMEDIATE
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Claude Debuss /Robert Orledge
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Claude Debussy: Petite Valse f
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.534655 Composed by Claude Debuss /Robert Orledge. 20th Century,Concert,Romantic Period,Standards. Score. ...
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Piano Solo - Level 3 - Digital Download SKU: A0.534655 Composed by Claude Debuss /Robert Orledge. 20th Century,Concert,Romantic Period,Standards. Score. 4 pages. Musik Fabrik Music Publishing #5727025. Published by Musik Fabrik Music Publishing (A0.534655). Recorded by Nicolas Horvath for Grand Piano records (GP822)Together with other manuscript sketches from Debussy’s last productive summer of 1915, the Hotel Drouot sale in Paris, on 7 December 2004 included the start of an unknown piano piece. The 18-bar outline suggested a Petite Valse (‘Little Waltz’) in the accessible style of Debussy’s La Plus que lente of 1910, to which astute pianists will recognise passing allusions both during and at the end of my completion. The waltz is simply meant to be enjoyed by pianists seeking what might be termed a novelty by a great composer, as well as by its audience.
$7.95 ≈
7.17€
String Quartet No.1 in G minor - Claude Debussy (Arranged for Saxophone Quartet)
String Quartet No.1 in G minor - Claude Debussy (Arranged for Saxophone Quartet)
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Saxophone Quartet: 4 saxophones
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ADVANCED
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Classical
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Claude Debussy
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Aadarsh Balireddy
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String Quartet No.1 in G minor
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Aadarsh Balireddy
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.1016123 Compo...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.1016123 Composed by Claude Debussy. Arranged by Aadarsh Balireddy. 20th Century,Romantic Period. 38 pages. Aadarsh Balireddy #5223223. Published by Aadarsh Balireddy (A0.1016123). Movement one of Debussy's beautiful string quartet arranged for Saxophone.One of the first works in which he struck out in a new artistic direction was the Quartet in G Minor, which, along with L’après-midi d’un faune from the same time, established what is called the Impressionist style in music. Its varied tonal effects, soulful beauty, and freedom of form and structure provide an excellent musical counterpart to the Impressionist paintings and Symbolist poetry of the time. - Stanford.edu
$10.00 ≈
9.02€
The Snow is Dancing (Debussy) - String Quartet
The Snow is Dancing (Debussy) - String Quartet
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy
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Rob Bushnell
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The Snow is Dancing
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RBMusic
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1255600 Composed by Claude Debussy. Arranged by Rob Bushnell. 20th ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1255600 Composed by Claude Debussy. Arranged by Rob Bushnell. 20th Century,Chamber,Christmas,Classical,Romantic Period. 19 pages. RBMusic #849113. Published by RBMusic (A0.1255600). Composed between 1906 and 1908, Children’s Corner is a six-movement suite for solo piano by Claude Debussy. His daughter, Claude-Emma, was born in 1905 and he dedicated the suite to her in 1908, saying: “A ma chère petite Chouchou, avec les tendres excuses de son Père pour ce qui va suivre. C. D.†or “To my dear little Chouchou, with tender apologies from her father for what follows). C. D.†Each of the six movements were given English titles, possibly due to his daughter’s English governess.The Snow is Dancing is the 4th movement.
$15.99 ≈
14.42€
Debussy – La plus que lente (for Saxophone Quartet SATB)
Debussy – La plus que lente (for Saxophone Quartet SATB)
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Saxophone Quartet: 4 saxophones
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ADVANCED
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Classical
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Claude Debussy
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Kenneth Abeling
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Debussy – La plus que lente
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble - Level 5 - Digital Download SKU: A0.514546 Composed by Claude Debussy. Arranged by Kenneth Abeling. 20th Century,Cla...
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Saxophone Quartet,Woodwind Ensemble - Level 5 - Digital Download SKU: A0.514546 Composed by Claude Debussy. Arranged by Kenneth Abeling. 20th Century,Classical. 14 pages. LINCOLN MUSIC PUBLICATIONS #3421099. Published by LINCOLN MUSIC PUBLICATIONS (A0.514546). Claude Debussy’s lovely La plus que lente for Saxophone Quartet. This is an advanced intermediate to advanced transcription. Technically none of the individual parts are extremely demanding, but it does require a somewhat mature ensemble to play musically. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com. Playing time: 4:05
$13.99 ≈
12.62€
The Cakewalk from The Children's Corner, L.113 - C Debussy (Violin & Cello)
The Cakewalk from The Children's Corner, L.113 - C Debussy (Violin & Cello)
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Violin, Cello (duet)
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INTERMEDIATE
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Classical
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Claude Debussy
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Peet du Toit
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The Cakewalk from The Children
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Peet du Toit
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SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.802584 Composed by Claude Debussy. Arranged by Peet du Toit. Contem...
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Instrumental Duet Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.802584 Composed by Claude Debussy. Arranged by Peet du Toit. Contemporary. Score and parts. 1 pages. Peet du Toit #5805657. Published by Peet du Toit (A0.802584). Children's Corner, L. 113, is a six-movement suite for solo piano by Claude Debussy. It was published by Durand in 1908, and was first performed by Harold Bauer in Paris on 18 December that year. In 1911, an orchestration by André Caplet was premiered and subsequently published.At the time of its composition, Golliwoggs were in fashion, due partly to the popularity at that time of the novels of Florence Kate Upton (golliwog is a later usage). They were stuffed black dolls with red pants, red bow ties and wild hair, somewhat reminiscent of the blackface minstrels of the time. The cakewalk was a dance or a strut, and the dancer with the most elaborate steps won a cake (took the cake). The piece is a ragtime with its syncopations and banjo-like effects. The dynamic range is quite large and very effective.
$13.00 ≈
11.73€
Debussy – La plus que lente (for Woodwind Quartet)
Debussy – La plus que lente (for Woodwind Quartet)
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Flute, Oboe, Clarinet, Bassoon
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ADVANCED
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Classical
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Claude Debussy
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Kenneth Abeling
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Debussy – La plus que lente
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 5 - Digital Download SKU: A0.514549 Composed by Claude Debussy. Arranged by Kennet...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 5 - Digital Download SKU: A0.514549 Composed by Claude Debussy. Arranged by Kenneth Abeling. 20th Century,Classical. 14 pages. LINCOLN MUSIC PUBLICATIONS #3421121. Published by LINCOLN MUSIC PUBLICATIONS (A0.514549). Claude Debussy’s lovely La plus que lente for Woodwind Quartet. This is an advanced intermediate to advanced transcription. Technically none of the individual parts are extremely demanding, but it does require a somewhat mature ensemble to play musically. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com. Playing time: 4:05
$13.99 ≈
12.62€
Debussy – La plus que lente (for String Quartet)
Debussy – La plus que lente (for String Quartet)
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String Quartet: 2 violins, viola, cello
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ADVANCED
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Classical
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Claude Debussy
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Kenneth Abeling
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Debussy – La plus que lente
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.514548 Composed by Claude Debussy. Arranged by Kenneth Abeling. 20t...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.514548 Composed by Claude Debussy. Arranged by Kenneth Abeling. 20th Century,Classical. 14 pages. LINCOLN MUSIC PUBLICATIONS #3421119. Published by LINCOLN MUSIC PUBLICATIONS (A0.514548). Claude Debussy’s lovely La plus que lente for String Quartet. This is an advanced intermediate to advanced transcription. Technically none of the individual parts are extremely demanding, but it does require a somewhat mature ensemble to play musically. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com. Playing time: 4:05 Â
$13.99 ≈
12.62€
Debussy – La plus que lente (for Woodwind Quintet)
Debussy – La plus que lente (for Woodwind Quintet)
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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ADVANCED
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Classical
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Claude Debussy
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Kenneth Abeling
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Debussy – La plus que lente
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.514550 Composed by Claude Debussy. Arranged by K...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.514550 Composed by Claude Debussy. Arranged by Kenneth Abeling. 20th Century,Classical. 18 pages. LINCOLN MUSIC PUBLICATIONS #3421125. Published by LINCOLN MUSIC PUBLICATIONS (A0.514550). Claude Debussy’s lovely La plus que lente for Woodwind Quintet. This is an advanced intermediate to advanced transcription. Technically none of the individual parts are extremely demanding, but it does require a somewhat mature ensemble to play musically. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com. Playing time: 4:05
$14.99 ≈
13.52€
Debussy – La plus que lente (for Saxophone Quintet SATTB)
Debussy – La plus que lente (for Saxophone Quintet SATTB)
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Saxophone Quintet: 5 Saxophones
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ADVANCED
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Classical
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Claude Debussy
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Kenneth Abeling
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Debussy – La plus que lente
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble - Level 5 - Digital Download SKU: A0.514547 Composed by Claude Debussy. Arranged by Kenneth Abeling. 20th Century,Cla...
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Saxophone Quintet,Woodwind Ensemble - Level 5 - Digital Download SKU: A0.514547 Composed by Claude Debussy. Arranged by Kenneth Abeling. 20th Century,Classical. 18 pages. LINCOLN MUSIC PUBLICATIONS #3421115. Published by LINCOLN MUSIC PUBLICATIONS (A0.514547). Claude Debussy’s lovely La plus que lente for Saxophone Quintet. This is an advanced intermediate to advanced transcription. Technically none of the individual parts are extremely demanding, but it does require a somewhat mature ensemble to play musically. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com. Playing time: 4:05
$14.99 ≈
13.52€
Debussy - Clair de Lune - (Key Map Tablature)
Debussy - Clair de Lune - (Key Map Tablature)
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Piano solo
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ADVANCED
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Classical
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Claude Debussy
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John M
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Debussy - Clair de Lune -
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Music Innovators Workshop
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.984718 Composed by Claude Debussy. Arranged by John M. Honeycutt. Romantic Period. Score. 10 pages. Music...
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Piano Solo - Level 5 - Digital Download SKU: A0.984718 Composed by Claude Debussy. Arranged by John M. Honeycutt. Romantic Period. Score. 10 pages. Music Innovators Workshop #4359409. Published by Music Innovators Workshop (A0.984718). This piece is notated on a vertically oriented tablature called a key map. Key maps are intended to SHOW you (visually) which keys to play by matching (mapping) the locations of the keys on the keyboard. >>> The group of 12 keys from Middle C up to B form what we call the green Octave Group. (There are 7 of these identical groups on the piano distinguished by their colors and locations.)
$2.00 ≈
1.80€
Debussy ? La plus que lente (for Clarinet Quartet)
Debussy ? La plus que lente (for Clarinet Quartet)
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Clarinet Quartet: 4 clarinets
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INTERMEDIATE
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Classical
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Claude Debussy
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Kenneth Abeling?
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Debussy ? La plus que lente
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Composed by Claude Debussy (1862-1918). Arranged by Kenneth Abeling?. Impressionistic. Score, Set of Parts. 14 pages. Published by LINCOLN MUSIC PUBLICATIONS (S...
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Composed by Claude Debussy (1862-1918). Arranged by Kenneth Abeling?. Impressionistic. Score, Set of Parts. 14 pages. Published by LINCOLN MUSIC PUBLICATIONS (S0.305171). - Score,Set of Parts - Impressionistic - LINCOLN MUSIC PUBLICATIONS
Claude Debussy?s lovely La plus que lente for Clarinet Quartet. This is an advanced intermediate to advanced transcription. Technically none of the individual parts are extremely demanding, but it does require a somewhat mature ensemble to play musically. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com. Playing time: 4:05
$13.99 ≈
12.62€
What Child Is This? (in the style of Claude Debussy) (arr. Carol Klose)
What Child Is This? (in the style of Claude Debussy) (arr. Carol Klose)
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Piano solo
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Christmas
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Carol Klose
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What Child Is This?
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Hal Leonard - Digital
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SheetMusicPlus
Digital Download SKU: HX.472780 Arranged by Carol Klose. Carol,Christmas,Classical,Sacred. Piano Solo. 2 pages. Published by Hal Leonard - Digital (HX.47...
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Digital Download SKU: HX.472780 Arranged by Carol Klose. Carol,Christmas,Classical,Sacred. Piano Solo. 2 pages. Published by Hal Leonard - Digital (HX.472780).
$4.99 ≈
4.50€
The Journey of Water - Opus 2
The Journey of Water - Opus 2
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Piano solo
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Contemporary
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Eamon Mukhopadhyay
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The Journey of Water - Opus 2
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Eamon Mukhopadhyay
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SheetMusicPlus
Piano Solo - Digital Download SKU: A0.1117641 Composed by Eamon Mukhopadhyay. Contemporary. Score. 28 pages. Eamon Mukhopadhyay #719183. Published by Eam...
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Piano Solo - Digital Download SKU: A0.1117641 Composed by Eamon Mukhopadhyay. Contemporary. Score. 28 pages. Eamon Mukhopadhyay #719183. Published by Eamon Mukhopadhyay (A0.1117641). This piece is a homage to what Debussy, Ravel, and their counterparts have done for the musical world, but I do aim to display multiple original writing components across this work. I will mainly let the score and the music present the specific description of this piece. As it may suggest, “The Journey of Water†will musically demonstrate what water is like in a comprehensive format. I want to musically convey not only the color and environment of water across different settings, but also the story behind its flow and overall uniqueness.
$1.99 ≈
1.79€
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