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3 AM Light music
Sheetmusic to print
128 sheet music found
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126
I Am Light, I Am Life, I Am Love
I Am Light, I Am Life, I Am Love
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Choral SATB
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Gospel/Spiritual
#
Mary McDonald
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I Am Light, I Am Life, I Am Lo
#
Jubilate Music Group
#
SheetMusicPlus
SATB chorus - Digital Download Composed by Mary McDonald. Christian. Choral Score. 8 pages. Jubilate Music Group #JMG1070. Published by Jubilate Musi...
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SATB chorus - Digital Download Composed by Mary McDonald. Christian. Choral Score. 8 pages. Jubilate Music Group #JMG1070. Published by Jubilate Music Group
This gentle 3/4 communion anthem flows with smooth beauty and profound simplicity. Mary McDonald's words and music are deeply heartfelt and encourage the listener to engage in the solemn remembrance of Christ's ultimate sacrifice. It closes with a hushed, moving setting of the beloved Let Us Break Bread Together.
$2.40 ≈
2.21€
I Am in Need of Music (SAB)
I Am in Need of Music (SAB)
#
Choral 3-part
#
EASY
#
Christopher Alexander
#
I Am in Need of Music
#
Christopher Alexander
#
SheetMusicPlus
Choral Choir,Choral,SAB Chorus - Level 2 - Digital Download SKU: A0.1414651 By Christopher Alexander. By Christopher Alexander. Classical,Contest,Festiva...
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Choral Choir,Choral,SAB Chorus - Level 2 - Digital Download SKU: A0.1414651 By Christopher Alexander. By Christopher Alexander. Classical,Contest,Festival. 12 pages. Christopher Alexander #996430. Published by Christopher Alexander (A0.1414651). The timeless words of Elizabeth Bishop receive a classical treatment with this lyrical melody supported by light, arpeggiated accompaniment (though written in 3/4 meter feels like 9/8 meter because of the consistant triplets). Suitable for any occasion and concert performance.Also available in SATB.
$2.00 ≈
1.84€
Concerto
Concerto
#
Piano and Orchestra
#
ADVANCED
#
Contemporary
#
Gyorgy Ligeti
#
Concerto
#
Schott Music - Digital
#
SheetMusicPlus
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. D...
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
22.09€
A Hymn A Day Volume 3
A Hymn A Day Volume 3
#
Harp, Voice
#
INTERMEDIATE/ADVANCED
#
Sacred music
#
Hugh Callison
#
A Hymn A Day Volume 3
#
SheetMusicPlus
Voice, Harp - Advanced Intermediate - Digital Download Arranged by Hugh Callison. Christian, Sacred, General Worship. 108 pages. Published by Afghan ...
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Voice, Harp - Advanced Intermediate - Digital Download Arranged by Hugh Callison. Christian, Sacred, General Worship. 108 pages. Published by Afghan Press Music for the Harp
This valuable collection of hymns is the third in a series of five! You will find many wonderful titles arranged for harp, from well-known favorites to songs that are lesser known yet equally important. Mr. Callison came to the harp as an adult after retiring from 40 years as a music educator. His arrangements are interesting and have lovely harmonies. The left hand in a few of the tunes is quite active.
Table of Contents: Lord Jesus Think on Me, Blessed Jesus, at Thy Word, All Praise to Thee, My God This Night, From Greenland’s Icy Mountains, Cleanse Me, Praise the Savior, Ye Who Know Him, O Master Let Me Walk with Thee, More Love to Thee, O Christ, Nearer, My God, to Thee, Come, Thou Font of Every Blessing, Rise Up, O Men of God, Sun of My Soul, My Faith has Found a Resting Place, The King of Love, My Shepherd Is, Savior, Like a Shepherd Lead Us, How Sweet the Name of Jesus Sounds, May the Grace of Christ Our Savior, At the Name of Jesus, Glorious Things of Thee Are Spoken, A Charge to Keep I Have, Join All the Glorious Names, Almighty God, Thy Lofty Throne, What a Friend We Have in Jesus, Blessing and Honor and Glory and Power, Great God, Attend, While Zion Sings, How Lovely Is Thy Dwelling Place, Trust and Obey, I Am Not Skilled to Understand, Jesus Loves Me, Brethren, We Have Met to Worship, Come, Let Us Tune Our Loftiest Song, Rescue the Perishing, Have Thine Own Way, Lord!, Thy Faithfulness, Lord, Each Moment We Find, To God Be the Glory, Fill Thou My Life, O Lord My God, God of Our Fathers, Known of Old, Jesus Call Us, Let Thy Blood in Mercy Poured, O Jesus, King Most Wonderful, Not What These Hands Have Done, Under His Wings I Am Safely Abiding, Shepherd of Eager Youth, Lamb of God!, Just a Closer Walk with Thee, Open My Eyes, That I May See, O Splendor of God’s Glory Bright, The Lord Is King, For All the Saints, A Mighty Fortress Is Our God, Thy Works, Not Mine, Thee Will I Love, My Strength, My God, How Wonderful Thou Art, O Christ, Our True and Only Light, Teach Me, My God and King, Zion to Thy Savior Singing, O Christ, Our King, Creator, Lord, God of the Earth, the Sky, the Sea, In Christ, There Is No East or West, How Lovely Shines the Morning Star, God, in the Gospel of His Son, Praise, My Soul, the King of Heaven, Gentle Jesus, Meek and Mild, Songs of Thankfulness and Praise, Who is This So Weak and Helpless, Savior of the Nations, Come, O Dearest Jesus, O Lord, How Shall I Meet Thee, O Lord of Heaven and Earth and Sea, Jesus, Thou Joy of Loving Hearts, O Perfect Love, I Heard the Voice of Jesus Say
$25.00 ≈
23.02€
The Claims of the Son 1: The Word, the Life, the Light
The Claims of the Son 1: The Word, the Life, the Light
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Choral SATB
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INTERMEDIATE
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Sacred music
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Stephen R Dalrymple
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Stephen R Dalrymple (Dalrymple
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The Claims of the Son 1: The W
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Stephen R Dalrymple
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.818360 By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalrymple (D...
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.818360 By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalrymple (Dalrymple Designs). Christian,Sacred. 25 pages. Stephen R Dalrymple #6645249. Published by Stephen R Dalrymple (A0.818360). The Claims of the Son 1: The Word, the Light, the Lifeoriginal song for SATB choir and piano by Stephen R Dalrymple♫ based on John 1♫ The purpose of this collection is to look closely at the I Am’s of the Gospel of John. The individual titles have been composed over many years in various ensemble types. The songs have been added to, reworked, expanded, and made consistent in this publication for SATB choir with piano. A narration has been added to unify the themes of the songs. Of course, each of these songs can be performed separately as stand-alone choral works.♫ This song is not based on an “I Am†statement but refers to Apostle John’s opening portrait of Christ.♫ These claims of Jesus Christ are very much like a series of portraits of a person. Instead of calling “The Claims of the Son†a cantata, the composer chose the term “polyptych†[pu LIP tich]. A polyptych is a work of art consisting of 4 or more pieces or panels, that together create a single presentation. [A diptych is divided into 2 sections, a triptych into 3 sections etc.]♫ music © 1999, 2022♫ recording ℗ 2022 Stephen R Dalrymple♫ presentation © 2023 Stephen R Dalrymple♫ sequenced by the composer♫ This.pdf file includes 1) full score 2) SATB choir parts on 2 staves 3) full score for 10 inch tablet. (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)♫ YouTube channel: @DalrympleDesigns.
$2.00 ≈
1.84€
I Am the Light of the World, I Am the Light of the World 3
I Am the Light of the World, I Am the Light of the World 3
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Choral SATB
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INTERMEDIATE
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Sacred music
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Stephen R Dalrymple
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Stephen R Dalrymple (Dalrymple
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I Am the Light of the World, I
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Stephen R Dalrymple
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.818362 By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalrymple (D...
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.818362 By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalrymple (Dalrymple Designs). Christian,Sacred. 26 pages. Stephen R Dalrymple #6663435. Published by Stephen R Dalrymple (A0.818362). The Claims of the Son 3: I Am the Light of the Worldoriginal song for SATB choir and piano Stephen R Dalrymple♫ based on John 8 and 9♫ This collection of songs focuses on the Claims of Jesus Christ based on the “I Am’s of the Gospel of John. ♫ The claim “I Am the Light of the World†came from Jesus’ encounter with a man born blind. It is also found in another context – possibly at the Feast of Lights when the Temple was illuminated with a plethora of lights. With electric lights, we are used to seeing many, sometimes intense lights at night. But night light was limited in the first century to oil lamps. Light in the dark represents visibility (understanding, knowledge) safety (confidence), and the ability to navigate.  ♫ music © 1999, 2022♫ recording ℗ 2022 Stephen R Dalrymple♫ presentation © 2024 Stephen R Dalrymple♫ sequenced by the composer♫ This.pdf file includes 1) full score 2) SATB choir parts on 2 staves 3) full score for 10 inch tablet. (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)♫ YouTube Channel: @Dalrymple Designs.
$2.00 ≈
1.84€
Behold, I Am the Light, a sacred hymn
Behold, I Am the Light, a sacred hymn
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Choral SATB
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INTERMEDIATE/ADVANCED
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Sacred music
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Kevin G
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I have set an example for you
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Behold, I Am the Light, a sacr
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1379122 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worsh...
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1379122 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 3 pages. Kevin G. Pace #963800. Published by Kevin G. Pace (A0.1379122). A dramatic, beautiful, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:Behold, I Am the Light“Behold, I am the light; I have set an example for you.†(3 Nephi 18:16)Storms of darkness may descend like a winter sky.Clouds of gloom may dominate; sun may be disguised.Walking step by step with Me through mortalityLessens shadows flawlessly; trusting is my plea:Behold, I am the Light . . . a light that has no end.I will lend my power; I will be thy Friend.I can brighten ev’ry path like a blazing torch.I can lighten loads because Father is my source.Behold, I am God’s Light; His love shines through Me.Never to be darkened, feel this love and see.I will faithful be . . . trust Me perfectly.Days of trial might seem long like the darkest night.Tests of patience may endure ev’n in Father’s sight.Trusting in each morning sun is a blessed choice,for bright truth will ever shine. Hear my faithful voice:Behold, I am the Light . . . a light that has no end.I will lend my power; I will be thy Friend.I can brighten ev’ry path like a blazing torch.I can lighten loads because Father is my source.Behold, I am God’s Light; His love shines through Me.Never to be darkened, feel this love and see.God’s light shines through Me, shining endlessly.
$1.99 ≈
1.83€
I Am Light (arr. Mark Hayes and Kimberly Lilley)
I Am Light (arr. Mark Hayes and Kimberly Lilley)
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Choral 3-part
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Pop music
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India
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Kimberly Lilley and Mark Hay
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I Am Light
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Hal Leonard - Digital
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SheetMusicPlus
(SSA) - Digital Download By India.Arie. Arranged by Kimberly Lilley and Mark Hayes. Pop. Choral. 15 pages. Published by Hal Leonard - Digital...
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(SSA) - Digital Download By India.Arie. Arranged by Kimberly Lilley and Mark Hayes. Pop. Choral. 15 pages. Published by Hal Leonard - Digital
$2.25 ≈
2.07€
I Am Light (arr. Mark Hayes and Kimberly Lilley)
I Am Light (arr. Mark Hayes and Kimberly Lilley)
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Choral 3-part
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Pop music
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India
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Kimberly Lilley and Mark Hay
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I Am Light
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Hal Leonard - Digital
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SheetMusicPlus
(SAB) - Digital Download By India.Arie. Arranged by Kimberly Lilley and Mark Hayes. Pop. Choral. 15 pages. Published by Hal Leonard - Digital ...
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(SAB) - Digital Download By India.Arie. Arranged by Kimberly Lilley and Mark Hayes. Pop. Choral. 15 pages. Published by Hal Leonard - Digital
$2.25 ≈
2.07€
Am Anfang war das Wort
Am Anfang war das Wort
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Harald Weiss
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Am Anfang war das Wort
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Schott Music - Digital
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SheetMusicPlus
Schlagzeug (4 Spieler): I gr. Tr. · Trgl. · Amboss - II Kieselsteine in 3 Säckchen · Crot. (ad lib. Glsp.) - III Donnerblech · Tamt. · Glasspl...
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Schlagzeug (4 Spieler): I gr. Tr. · Trgl. · Amboss - II Kieselsteine in 3 Säckchen · Crot. (ad lib. Glsp.) - III Donnerblech · Tamt. · Glassplitter - IV Röhrengl. mixed choir (SSATBarB), children's voice, percussion and organ - intermediate - Digital Download SKU: S9.Q21339 Für gemischten Chor (SSATBarB), Kinderstimme, Schlagzeug und Orgel. Composed by Harald Weiss. This edition: score. Downloadable, Score. Duration 14 minutes. Schott Music - Digital #Q21339. Published by Schott Music - Digital (S9.Q21339). German.As a child, I sometimes closed my eyes for an extended period of time and imagined what it would be like to experience the world exclusively through my ears. In doing this exercise, I found over and over, with increasing intensity, that my sense of hearing enabled a far denser differentiation of images and information to penetrate my soul. It is my wish that audiences listen to my composition with their eyes closed, at least partially. Perhaps this would permit a few particles of light to appear in their mind’s eye. Harald WeissAls Kind schloss ich manchmal für längere Zeit meine Augen, um mir vorzustellen, wie es wohl wäre, wenn man die Welt vorwiegend durch seine Ohren an sich heranliesse. Bei dieser Übung machte ich immer wieder und zunehmend intensiver die Feststellung, dass über den auditiven Sinn eine viel dichtere Differenzierung an Bildern und Informationen in mein Innerstes gelangten. Ich wünsche mir, dass der Hörer meine Komposition mit geschlossenen Augen, zumindest teilweise, wahrnehmen würde. Möglicherweise könnten dabei auch ein paar Lichtpartikel in seinem inneren Auge entstehen. Harald Weiss.
$25.99 ≈
23.93€
The Worship Series Volume 3 (NFMC) (Sacred Piano Solos for Early Intermediates)
The Worship Series Volume 3 (NFMC) (Sacred Piano Solos for Early Intermediates)
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Easy Piano
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EASY
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Sacred music
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Various
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The Worship Series Volume 3
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Pamela Turner
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SheetMusicPlus
Composed by Various. Arranged by Pam Turner. Christian, Contemporary Christian, Sacred, Repertoire, Recital. Sheet Music Single. 38 pages. Published b...
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Composed by Various. Arranged by Pam Turner. Christian, Contemporary Christian, Sacred, Repertoire, Recital. Sheet Music Single. 38 pages. Published by Pamela Turner
Piano teachers, this book contains the NFMC 2020-2024 Bulletin piece 'My Jesus, I Love Thee'. Twelve sacred arrangements for the advancing early intermediate! This collection of familiar and well-loved hymns, arranged by Pam Turner, is appropriate for students of all ages and will be a great addition for those who would like to play sacred music. Contains Be Thou My Vision; All Creatures of Our God and King; Come, Thou Fount of Every Blessing; My Jesus, I Love Thee; Blest Be the Tie; Blessed Assurance; Softly Now the Light of Day; I Have Decided to Follow Jesus; The Old Rugged Cross; For the Beauty of the Earth; Abide With Me; Just As I Am. Connect with Pam at www.pamturnerpiano.com or www.facebook.com/pamturnerpiano
$9.95 ≈
9.16€
India Arie: I Am Light (arr. Mark Hayes and Kimberly Lilley) - choir (SSA: soprano, alto)
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Choral 3-part
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INTERMEDIATE
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Pop music
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India Arie
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Virtualsheetmusic
Instantly printable sheet music by India Arie for choir (SSA: soprano, alto) of MEDIUM skill level. / pop
Instantly printable sheet music by India Arie for choir (SSA: soprano, alto) of MEDIUM skill level. / pop
$6.23 ≈
5.74€
India Arie: I Am Light (arr. Mark Hayes and Kimberly Lilley) - choir (SAB: soprano, alto, bass)
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Choral 3-part
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INTERMEDIATE
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Pop music
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India Arie
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Virtualsheetmusic
Instantly printable sheet music by India Arie for choir (SAB: soprano, alto, bass) of MEDIUM skill level. / pop
Instantly printable sheet music by India Arie for choir (SAB: soprano, alto, bass) of MEDIUM skill level. / pop
$6.23 ≈
5.74€
Rock - a Roger Jones musical
Rock - a Roger Jones musical
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Choral SATB
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INTERMEDIATE
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Sacred music
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Roger Jones, Alison Fuggle
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Annie Routley
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Rock - a Roger Jones musical
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Christian Music Ministries
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Music...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise & Worship,Sacred. Octavo. 98 pages. Christian Music Ministries #6135917. Published by Christian Music Ministries (A0.927456). Rock - a worship musical.Full piano score with SATB choir, solo parts and narration.Starting in Caesarea, Peter's story unfolds in flashback.From fishing, his 3 years on the road alongside Jesus and the disciples, his triumphs and failures. Jesus calls Peter 'the Rock' - but we see that only in Christ, and filled with His Spirit, is Peter on solid ground.Synopsis Traditional words introduce the theme of the Musical: Jesus is our ROCK OF AGES, but the story starts IN CAESAREA BESIDE THE SEA. Here, centurion Cornelius declares I’ve had a vision - but who can explain it, who can help? Cornelius’ household tell of Simon Peter, a disciple of Jesus, and we are taken back to Galilee when Peter, a fisherman, WORKING IN THE FAMILY BUSINESS, hears Jesus’ call to leave your nets and leave your boats. He responds I WILL FOLLOW YOU. For three years Peter follows Jesus, and when challenged declares YOU ARE MESSIAH, the Son of the living God! Jesus replies On this rock I will build my church, then, ominously, points towards Jerusalem. He and his followers eventually arrive in the city at Passover, and during the meal they wonder IN THIS BREAD, IN THIS WINE, is there love for me? At first reluctant, Peter allows Jesus to wash his feet. Events turn against Jesus; he is arrested, and Peter is afraid. The taunt SURELY YOU MUST HAVE BEEN WITH HIM sees Peter denying he ever knew Jesus. Then their eyes meet across the courtyard, and Peter is devastated by his own failure. But even at such an awful time as this, THE LOOK OF LOVE contains acceptance and hope. WERE YOU THERE WHEN THEY CRUCIFIED MY LORD? Peter wasn’t - he was in hiding along with many of the disciples. But after the resurrection, Jesus greets Peter and the others in Galilee: THIS IS THE PLACE – I am the Lord who comes to meet you here. Jesus asks: SIMON PETER, DO YOU LOVE ME? After being asked three times Peter reaches reality: Lord, you know everything … you know how much I love you! and receives the commission Feed my sheep. Peter and the disciples return to Jerusalem, and wait for the promised Holy Spirit. At Pentecost the Spirit comes, and as A CHOSEN PEOPLE, the followers of Jesus receive his power. Peter preaches, and thousands believe and respond JUST AS I AM … O Lamb of God I come. The Church is born and in the power of the Spirit begin WORKING IN THE FATHER’S BUSINESS, doing the things that Jesus did! Peter eventually arrives IN CAESAREA BESIDE THE SEA. He shares his vision with Cornelius and his household, and declares God has no favourites … you can be saved too … if you believe in Jesus. They believe, receive the power of the Spirit, and Gentiles also become members of the Chosen People, called out of darkness into wonderful light! Peter’s vision is fulfilled – the Gospel is for all who believe in Jesus. Peter declares HE IS THE STONE that the builders rejected … on Jesus the ROCK I will build my life! .
$9.99 ≈
9.20€
Celestial Light (Think Celestial), a sacred hymn
Celestial Light (Think Celestial), a sacred hymn
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Choral SATB
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INTERMEDIATE/ADVANCED
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Sacred music
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Kevin G
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the way will be made clear
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Celestial Light
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1355292 Composed by Kevin G. Pace (ASCAP), Kristi Lords Kent. Christian,Praise & Worship,...
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1355292 Composed by Kevin G. Pace (ASCAP), Kristi Lords Kent. Christian,Praise & Worship,Religious,Sacred,Spiritual. 3 pages. Kevin G. Pace #940011. Published by Kevin G. Pace (A0.1355292). A beautiful hymn with music by Kevin G. Pace and text by Kristi Lords Kent.Text:While we abide on earth in our familiesDiscouragement can strike and bring us to our knees.I will turn to Heaven for the answers that I need.I will turn to Heaven when I am in need.Oh, let me see with Celestial LightOh, let me feel with Celestial LightOh, let me think with Celestial Light.Oh, let me serve with Celestial Light.Jesus lifts the darkness, so we can find His ways.God’s promises are true, remember and obey.Sufficient to meet the challenges today.Sufficient for me and the challenges today.Oh, let me see with Celestial LightOh, let me feel with Celestial LightOh, let me think with Celestial Light.Oh, let me serve with Celestial Light.Dear Kind, Heavenly Father, and Jesus Christ so dearPromptings from the Holy Ghost, Heaven is so near.Repentance is a gift; the way will be made clear.Repentance I will do so Thy way will be made clear.Oh, let me see with Celestial LightOh, let me feel with Celestial LightOh, let me think with Celestial Light.Oh, let me serve with Celestial Light.
$1.99 ≈
1.83€
Here I Am To Worship (light Of The World)
Here I Am To Worship (light Of The World)
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Cello (band part)
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INTERMEDIATE
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Sacred music
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Tim Hughes
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Sarah Cellobat Chaffee
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Here I Am To Worship
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Sarah Cellobat Chaffee
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SheetMusicPlus
Cello Solo - Level 3 - Digital Download SKU: A0.526308 By Tim Hughes. By Tim Hughes. Arranged by Sarah Cellobat Chaffee. Contemporary,Praise & Worship. I...
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Cello Solo - Level 3 - Digital Download SKU: A0.526308 By Tim Hughes. By Tim Hughes. Arranged by Sarah Cellobat Chaffee. Contemporary,Praise & Worship. Individual part. 1 pages. Sarah Cellobat Chaffee #6442643. Published by Sarah Cellobat Chaffee (A0.526308). Here I Am To Worship was written by Tim Hughes in 1999, with lyrics describing the humility of Jesus Christ as he came down from Heaven and sacrificed Himself for us. The song has since become a ubiquitously popular worship anthem, and was #1 on the Christian Copyright Licensing charts for two years in a row -- so you can't go wrong having this one in your gig books! I originally wrote this arrangement for solo cello to play for a funeral, but it will also be perfect for church services or any other occasion you need some soul-stirring worship music. Rated intermediate; this will be playable for students and easily sightreadable for professionals. Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat
$7.99 ≈
7.36€
Fear Not, For I Am With You
Fear Not, For I Am With You
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Piano Accompaniment
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INTERMEDIATE
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David Kai
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David Kai
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Fear Not, For I Am With You
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David Kai
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SheetMusicPlus
Piano Accompaniment - Level 3 - Digital Download SKU: A0.1105093 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary. Full Performa...
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Piano Accompaniment - Level 3 - Digital Download SKU: A0.1105093 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary. Full Performance. Duration 176. David Kai #708339. Published by David Kai (A0.1105093). This contemporary hymn of comfort is based on Isaiah 41:10. Words and Music: David Kai © 2021 Chorus: Fear not, for I am with you, Be not dismayed, for I am near, I will strengthen, I will help you, Uphold you, cast away your fear. In the night of weeping I am with you, Holding ‘til you reach the morning bright, In the day of storms I am beside you, Guiding ‘til you find the rainbow’s light. Chorus: Enemies surround you, do not fear them, They can never harm the hope within, Friends will soon abound to hold, support you, Love in just community will win. Chorus: Cruelty and selfishness astound you; When will we perceive the kindom come? All the world’s injustices confound you, We shall overcome working as one. Chorus:.
$1.99 ≈
1.83€
Fear Not, For I Am With You (instrumental)
Fear Not, For I Am With You (instrumental)
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David Kai
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David Kai
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Fear Not, For I Am With You
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David Kai
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SheetMusicPlus
Electric Bass Guitar,Flute,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1105095 By David Kai. By David Kai. Arranged by David Kai. Christian,...
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Electric Bass Guitar,Flute,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1105095 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary. Accompaniment. Duration 163. David Kai #708341. Published by David Kai (A0.1105095). This contemporary hymn of comfort is based on Isaiah 41:10. This version can be used to accompany a soloist or congregation. Words and Music: David Kai © 2021 Chorus: Fear not, for I am with you, Be not dismayed, for I am near, I will strengthen, I will help you, Uphold you, cast away your fear. In the night of weeping I am with you, Holding ‘til you reach the morning bright, In the day of storms I am beside you, Guiding ‘til you find the rainbow’s light. Chorus: Enemies surround you, do not fear them, They can never harm the hope within, Friends will soon abound to hold, support you, Love in just community will win. Chorus: Cruelty and selfishness astound you; When will we perceive the kindom come? All the world’s injustices confound you, We shall overcome working as one. Chorus:.
$1.99 ≈
1.83€
I Am The Way
I Am The Way
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Choral SATB
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INTERMEDIATE
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Sacred music
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Kevin Longley
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I Am The Way
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Kevin Longley
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1019362 Composed by Kevin Longley. Christian,Praise & Worship,Sacred. Octavo. 10 pages. Kevin Lo...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1019362 Composed by Kevin Longley. Christian,Praise & Worship,Sacred. Octavo. 10 pages. Kevin Longley #6322993. Published by Kevin Longley (A0.1019362). I Am The Way, Church Anthem for Tenor Solo, SATB and Piano composed in March 2017. Inspiration Each of us, throughout our lives, are faced with choices where the path forward is unclear. Where the decision maybe a crossroad for our lives. Who can guide us? Who should we turn to? Jesus said I Am The Way? The Music A rousing church anthem that begins with the Tenor Soloist searching for answers. Presented with a difficult choice he asks Jesus what should I do now?, who will be my guide?. The choir responds with I Am The Way, offering the response in a polyphonic round, so to speak. Once completed, the opening melody returns sung by the choir followed by a repeat of the chorus. A C section is then introduced, in a minor key, reminding us to follow the Light as Darkness can deceive. The Tenor soloist returns with the opening melody, now with minimal accompaniment, giving a retrospective feeling to the music. The anthem closes with a repeat of the chorus followed by the Tenor soloist giving the piece a finality.
$1.99 ≈
1.83€
Herzliebster Jesu from St. Matthew Passion (Am)
Herzliebster Jesu from St. Matthew Passion (Am)
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Choral SATB
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INTERMEDIATE
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Classical
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Johann Sebastian Bach
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Alex E
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Herzliebster Jesu from St. Mat
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Müller Publishing company
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1324263 Composed by Johann Sebastian Bach. Arranged by Alex E. Advent,Baroque,Classical,R...
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1324263 Composed by Johann Sebastian Bach. Arranged by Alex E. Advent,Baroque,Classical,Religious,Sacred. 3 pages. Müller Publishing company #912461. Published by Müller Publishing company (A0.1324263). Herzliebster Jesu - High-Resolution Digital Score for Choir (Am)Bring to life the majestic work of the St. Matthew Passion with the digital score of Herzliebster Jesu. This musical treasure, in high-resolution digital format, is specially designed for choirs looking to explore the profound expressiveness of the composition in A minor.**Why choose this digital score?****Impeccable Quality:** Enjoy a high-resolution score that highlights every musical detail, ensuring a clear and engaging visual experience for all choir members.**Adapted for Lower Voices:** Designed for choirs with lower voices, this score allows each choir member to delve into the harmonies without vocal discomfort, making the interpretation accessible and enjoyable.**Deep Emotional Atmosphere:** Herzliebster Jesu is known for its deep and engaging emotions. Feel the intensity of passion and the beauty of melodies as your choir brings this masterpiece to life.**Convenient Digital Format:** Eliminate the worry of lost or damaged physical scores. The versatility of the digital score allows for easy sharing among choir members, encouraging efficient and collaborative preparation.**Ideal for Choral Performance:** The tuning in A minor provides an ideal sonic environment for choirs, allowing voices to harmonize in an impactful way, creating a memorable experience for the audience.**Deep Musical Exploration:** Allow your choir to explore the emotional nuances of St. Matthew's work with a score that highlights harmonic and melodic complexities.**How to Acquire:**Don't miss the opportunity to enrich your choral repertoire with this magnificent digital score of Herzliebster Jesu. Elevate the expressiveness and musical quality of your choir. Purchase now and embark on a unique emotional journey through the pages of this classical piece.
$1.99 ≈
1.83€
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