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You've selected:
A Different Path Viola and Piano
Sheetmusic to print
14 sheet music found
<
1
A Different Path - Viola and Piano
A Different Path - Viola and Piano
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Viola, Piano
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INTERMEDIATE
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Contemporary
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John Tweed
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A Different Path - Viola and P
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John Tweed
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SheetMusicPlus
Piano,Viola - Level 3 - Digital Download SKU: A0.1006092 Composed by John Tweed. Contemporary. Score and part. 5 pages. John Tweed #6572875. Published by...
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Piano,Viola - Level 3 - Digital Download SKU: A0.1006092 Composed by John Tweed. Contemporary. Score and part. 5 pages. John Tweed #6572875. Published by John Tweed (A0.1006092). A new Australian piece for viola and piano.
$4.99 ≈
4.61€
Tchaikovsky: Waltz of the Flowers from Nutcracker Suite for Viola & Piano
Tchaikovsky: Waltz of the Flowers from Nutcracker Suite for Viola & Piano
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Viola, Piano
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INTERMEDIATE
#
Classical
#
Peter Ilyich Tchaikovsky
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James M
#
Tchaikovsky: Waltz of the Flow
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - Digital Download SKU: A0.549814 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Rom...
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Piano,Viola - Level 3 - Digital Download SKU: A0.549814 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 47 pages. Jmsgu3 #3545591. Published by jmsgu3 (A0.549814). Duration: 6:12, Score: 29 pages, Solo part: 5 pages, Piano part: 12 pages. This is the grand finale of the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95 ≈
30.41€
Tchaikovsky: Overture from Nutcracker Suite for Viola & Piano
Tchaikovsky: Overture from Nutcracker Suite for Viola & Piano
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Viola, Piano
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INTERMEDIATE
#
Classical
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Overture from Nut
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jmsgu3
#
SheetMusicPlus
Piano,Viola - Level 3 - Digital Download SKU: A0.549613 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Rom...
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Piano,Viola - Level 3 - Digital Download SKU: A0.549613 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 24 pages. Jmsgu3 #3514625. Published by jmsgu3 (A0.549613). Duration: ca. 3:20 Score: 13 pages, solo part: 3 pages, piano part: 7 pages, 182 measures in 2/4. Overture in Miniature to Tchaikovsky's Nutcracker Suite. Program for a recital, church meditation, school plays, and Christmas presentations of all kinds. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.Â
$32.95 ≈
30.41€
Tchaikovsky: Dance of the Flutes from Nutcracker Suite for Viola & Piano
Tchaikovsky: Dance of the Flutes from Nutcracker Suite for Viola & Piano
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Viola, Piano
#
INTERMEDIATE
#
Classical
#
Peter Ilyich Tchaikovsky
#
James M
#
Tchaikovsky: Dance of the Flut
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jmsgu3
#
SheetMusicPlus
Piano,Viola - Level 3 - Digital Download SKU: A0.549792 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Rom...
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Piano,Viola - Level 3 - Digital Download SKU: A0.549792 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 16 pages. Jmsgu3 #3538867. Published by jmsgu3 (A0.549792). Duration: ca. 2:10. Score: 9 pages. 77 measures in 2/4. Solo part: 2 pages, Piano part: 4 pages. A favorite Christmas selection from the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most memorable melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five indeed rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95 ≈
30.41€
Tchaikovsky: Scene 10 from Swan Lake for Viola & Piano
Tchaikovsky: Scene 10 from Swan Lake for Viola & Piano
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Viola, Piano
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INTERMEDIATE
#
Classical
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Scene 10 from Swa
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jmsgu3
#
SheetMusicPlus
Piano,Viola - Level 3 - Digital Download SKU: A0.549592 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic...
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Piano,Viola - Level 3 - Digital Download SKU: A0.549592 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 16 pages. Jmsgu3 #3512769. Published by jmsgu3 (A0.549592). Duration: 2:30, score: 8 pages, solo part: 2 pages, piano part: 5 pages. A well-known favorite masterpiece suitable for a recital or school program. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Swan Lake Op. 20 Tchaikovsky composed Swan Lake in 1875-76. To begin with, most noteworthy the ballet failed to attract a positive reception. Over time, however, the ballet became probably one of the most popular of all of Tchaikovsky’s works. The ballet was certainly first performed by the Bolshoi Ballet in Moscow.
$32.95 ≈
30.41€
Tchaikovsky: Russian Dance from Nutcracker Suite for Viola & Piano
Tchaikovsky: Russian Dance from Nutcracker Suite for Viola & Piano
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Viola, Piano
#
INTERMEDIATE
#
Classical
#
Peter Ilyich Tchaikovsky
#
James M
#
Tchaikovsky: Russian Dance fro
#
jmsgu3
#
SheetMusicPlus
Piano,Viola - Level 3 - Digital Download SKU: A0.549699 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Rom...
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Piano,Viola - Level 3 - Digital Download SKU: A0.549699 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3529723. Published by jmsgu3 (A0.549699). Duration: ca. 58, score: 9 pages, solo part: 2 pages, piano part: 3 pages.This piece would be a perfect recital encore - short, energetic - leave your audience wanting more. Also, program this for your Christmas pageant. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95 ≈
30.41€
Tchaikovsky: Chinese Dance from Nutcracker Suite for Viola & Piano
Tchaikovsky: Chinese Dance from Nutcracker Suite for Viola & Piano
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Viola, Piano
#
INTERMEDIATE
#
Classical
#
Peter Ilyich Tchaikovsky
#
James M
#
Tchaikovsky: Chinese Dance fro
#
jmsgu3
#
SheetMusicPlus
Piano,Viola - Level 3 - Digital Download SKU: A0.549767 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Rom...
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Piano,Viola - Level 3 - Digital Download SKU: A0.549767 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 11 pages. Jmsgu3 #3534709. Published by jmsgu3 (A0.549767). Duration: ca 1:00 Score: 5 pages, Solo part: 2 pages, piano part: 3 pages. Short but fascinating Chinese Dance from the Nutcracker Suite. Program this for a recital encore or Christmas pageant. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95 ≈
30.41€
Almost May for Piano Solo
Almost May for Piano Solo
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Piano solo
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EASY
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Heidi Savoie
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Heidi Savoie
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Almost May for Piano Solo
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Heidi Savoie
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,...
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Piano Solo - Level 2 - Digital Download SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Score. 1 pages. Heidi Savoie #960870. Published by Heidi Savoie (A0.1376326). This is a solo piano arrangement of Almost May, best suited for an early intermediate player. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax.
$3.99 ≈
3.68€
Almost May Score and Parts
Almost May Score and Parts
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
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Heidi Savoie
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Heidi Savoie
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Almost May Score and Parts
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Heidi Savoie
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SheetMusicPlus
String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arrange...
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String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$24.99 ≈
23.06€
Moving Between for string quartet
Moving Between for string quartet
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String Quartet: 2 violins, viola, cello
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ADVANCED
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Haydn Reeder
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Moving Between for string quar
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Haydn Reeder
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SheetMusicPlus
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.953836 Composed by Haydn Reeder. Concert,Contemporary. Score and parts. 14 pages. Hayd...
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.953836 Composed by Haydn Reeder. Concert,Contemporary. Score and parts. 14 pages. Haydn Reeder #4575989. Published by Haydn Reeder (A0.953836). This string quartet movement is the first of three which can be played separately or as a set. The others are titled Breathing and Drama, also available here. Moving Between requires a modicum of theatrical movement / gestures by the players. Composed in 2010, Moving Between has its origins in the abstract thinking which characterized some of my earlier pieces such as Diasynthèse for piano or Chromatalea for small ensemble. A fuller title may have been Moving Between Extremes, as it deals with the contrast between monody (unaccompanied melody) and the simultaneous sounding of different pitches (harmony). Transforming one of these extreme types of texture into the other is achieved in a number of ways. There are areas where such a transformation is taking place; however, quite often a texture arrived at remains the same for some time. The piece has the potential to evolve further along its own free-wheeling path.
$7.50 ≈
6.92€
Almost May Lead Sheet
Almost May Lead Sheet
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C Instruments
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EASY
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Heidi Savoie
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Heidi Savoie
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Almost May Lead Sheet
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Heidi Savoie
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SheetMusicPlus
C Instrument - Level 2 - Digital Download SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructiona...
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C Instrument - Level 2 - Digital Download SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Lead Sheet / Fake Book. 1 pages. Heidi Savoie #960874. Published by Heidi Savoie (A0.1376331). This is a lead sheet for any instrument for the song Almost May. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$2.99 ≈
2.76€
Practice Journal for Beginning Music Students
Practice Journal for Beginning Music Students
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filling out a
weekly planne
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Victoria Voronyansky
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Practice Journal for Beginning
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Volidera Musica
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SheetMusicPlus
Large Ensemble Cello,Clarinet,Double Bass,English Horn,Flute,Guitar,Harp,Marimba,Oboe,Piano,Trumpet,Vibraphone,Viola,Violin,Xylophone - Level 1 - Digital Downlo...
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Large Ensemble Cello,Clarinet,Double Bass,English Horn,Flute,Guitar,Harp,Marimba,Oboe,Piano,Trumpet,Vibraphone,Viola,Violin,Xylophone - Level 1 - Digital Download SKU: A0.981990 Composed by Victoria Voronyansky. Children,Instructional. Score and parts. 40 pages. Volidera Musica #6451579. Published by Volidera Musica (A0.981990). The purpose of this journal is to help build a framework for practice sessions within which a young musician can thrive. By filling out a weekly planner and a daily practice journal, student is encouraged to plan, reflect, identify problems, and set goals. Included is also a progress chart for individual songs.Younger students may need help filling out the daily journal and for their teacher to assist in organizing the weekly planner, but over time student can get into a habit of writing in the journal independently.Every new song or unfamiliar skill will present different challenges, but with this practice journal a student can tackle each obstacle and celebrate every advance, while keeping track of progress, thinking about what works and what needs to change, all framed in a friendly and flexible manner.This journal is intended to allow students to follow their own path, advance at a pace which is most natural for them, and feel positive about their progress on the instrument.Keep Practicing and Enjoy your musical journey!Victoria Voronyanskywww.redviola.comhttps://www.youtube.com/redviolaVictoria
$9.99 ≈
9.22€
My Music Practice Journal
My Music Practice Journal
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Instructional
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filling out a weekly planner a
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Victoria Voronyansky
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My Music Practice Journal
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Volidera Musica
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SheetMusicPlus
Large Ensemble Bassoon,Cello,Clarinet,Double Bass,English Horn,Flute,Marimba,Oboe,Piano,Trumpet,Viola,Violin,Xylophone - Level 1 - Digital Download SKU: A0.9...
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Large Ensemble Bassoon,Cello,Clarinet,Double Bass,English Horn,Flute,Marimba,Oboe,Piano,Trumpet,Viola,Violin,Xylophone - Level 1 - Digital Download SKU: A0.981989 Composed by Victoria Voronyansky. Instructional. Score and parts. 40 pages. Volidera Musica #6447573. Published by Volidera Musica (A0.981989). Dear Students, Parents, and Teachers!The purpose of this journal is to help build a framework for practice sessions within which a young musician can thrive. By filling out a weekly planner and a daily practice journal, student is encouraged to plan, reflect, identify problems, and set goals. Younger students may need help filling out the daily journal and for their teacher to assist in organizing the weekly planner, but over time student can get into a habit of writing in the journal independently.Every new song or unfamiliar skill will present different challenges, but with this practice journal a student can tackle each obstacle and celebrate every advance, while keeping track of progress, thinking about what works and what needs to change, all framed in a friendly and flexible manner. This journal is intended to allow students to follow their own path, advance at a pace which is most natural for them, and feel positive about their progress on the instrument.Keep Practicing and Enjoy your musical journey!Victoria Voronyanskywww.redviola.comhttps://www.youtube.com/redviolaVictoria
$9.99 ≈
9.22€
Go The Distance
Go The Distance
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Violin
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Walt Disney
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Michael Bolton
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Keith McCauley
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Go The Distance
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Cantus Youth Choirs Publishing
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SheetMusicPlus
Cello,Choir,Double Bass,Drum Set,Piano,Suspended Cymbal,Timpani,Viola,Violin - Digital Download SKU: A0.1333793 By Michael Bolton. By Alan Menken and Dav...
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Cello,Choir,Double Bass,Drum Set,Piano,Suspended Cymbal,Timpani,Viola,Violin - Digital Download SKU: A0.1333793 By Michael Bolton. By Alan Menken and David Zippel. Arranged by Keith McCauley. Broadway,Film/TV,Musical/Show. 43 pages. Cantus Youth Choirs Publishing #920071. Published by Cantus Youth Choirs Publishing (A0.1333793). Cantus Youth Choirs presents Go the Distance from Walt Disney's HERCULES. Hercules has always wondered why he was different and didn't quite fit in. He discovers that he's a demi-god, the offspring of Zeus himself. This discovery sets him on the path of heroism and a life of purpose. For Leads, SATB choir, piano, violin 1, violin 2, viola, cello, double bass, drum set, timapani, and sus. cymbal.
$24.99 ≈
23.06€
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A Different Path Viola and Piano
