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You've selected:
A Night At The Club B Flat Clarinet and Piano
Sheetmusic to print
5 sheet music found
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1
A Night At The Club - B Flat Clarinet and Piano
A Night At The Club - B Flat Clarinet and Piano
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Clarinet and Piano
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Charles E
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A Night At The Club - B Flat C
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Charles E. & Maria A. Davis
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SheetMusicPlus
Composed by Charles E. Davis. Jazz, Blues, Repertoire, General Instructional, Recital. Set of Parts. 7 pages. Published by Charles E. & Maria A. Davis (S0.10452...
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Composed by Charles E. Davis. Jazz, Blues, Repertoire, General Instructional, Recital. Set of Parts. 7 pages. Published by Charles E. & Maria A. Davis (S0.104527). - Set of Parts - Jazz,Blues,Repertoire,General Instructional,Recital - Charles E. & Maria A. Davis
$3.99 ≈
¥29.03
Two Scenes from The Rubáiyát of Omar Khayyám (Trio for Bb Clarinet, Violin and Piano)
Two Scenes from The Rubáiyát of Omar Khayyám (Trio for Bb Clarinet, Violin and Piano)
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Violin, Clarinet, Piano (trio)
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ADVANCED
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Adam Lenhart
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Two Scenes from The Rubáiyát
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Adam Lenhart
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SheetMusicPlus
B-Flat Clarinet,Piano,Violin - Level 5 - Digital Download SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 p...
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B-Flat Clarinet,Piano,Violin - Level 5 - Digital Download SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 pages. Adam Lenhart #806841. Published by Adam Lenhart (A0.1208741). Introduction to The Rubáiyát of Omar KhayyámThe Rubaiyat of Omar Khayyam is a Persian poetry collection first put together in 1460 in Shiraz.  It consists of quatrains, four-line poems, with a set of unconventional themes.  The poetry is irreligious and questions the afterlife and God's providence.  It shows keen awareness of the shortness of life and the finality of death. It advises therefore that every fleeting moment of every day should be savored, with wine, lovers and song. The combination of a serious philosophy of life and a carefree attitude has made the poetry popular for centuries.  In 1859, Edward FitzGerald brought out a loose English translation that took the world by storm.  It became the most beloved and widely known poem in the English language for decades until its popularity finally faded in the late twentieth century. Although they were attributed to the great mathematician and astronomer, Omar Khayyam (d. 1131), the poems were by many anonymous hands, and he was just a frame author, akin to Scheherezade in the Arabian Nights.- Dr. Juan Cole, Richard P. Mitchell Collegiate Professor of History at the University of MichiganAbout the CompositionTwo Scenes from The Rubáiyát of Omar Khayyám explores and embodies two of the main themes that carry throughout the quatrains of the poem collection. In FitzGerald's translation, the quatrains follow a day to night cycle. The two movements reflect this by starting off with an abrupt wake up section and ending the piece with a nocturne.  The first movement, Wine, celebrates the camaraderie, joy and chaos that comes through the physical joy of being with friends. The clarinet, violin and piano interact in a conversational way, talking, laughing, and insulting one another in their own independent lines.The second movement is entitled Intimacy and explores the emotional joy of connecting with one another. The movement is set in a waltz style dance and draws influence from Chopin, Liszt and other romantic era composers. This is juxtaposed by youthful and energetic phrases so that the piece embodies all forms of love: young love, years of marriage and even friendship. Each movement has a sense of urgency and density which is present in the rubá'iyát as well, expressing to the reader that our time on Earth is so short and to make the most of each day.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition, and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$14.99 ≈
¥109.07
Don't Let The Sun Go Down On Me
Don't Let The Sun Go Down On Me
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Clarinet and Piano
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INTERMEDIATE
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Rock
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Elton John
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James M
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Piano. Duration: 5'27
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Don't Let The Sun Go Down On M
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.547804 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Po...
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B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.547804 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 13 pages. Jmsgu3 #3053403. Published by jmsgu3 (A0.547804). Elton John: Don't Let The Sun Go Down On Me arranged for Clarinet & Piano. Duration: 5'27 Score: 7 pages. Solo part: 2 pages. Piano part: 4 pages. Co-written by Elton John and Bernie Taupin in January of 1974, this song was originally recorded in 1974 for Elton's studio album Caribou. It was released as a single that peaked at number two on the Billboard Hot 100 chart. In the US, the single was certified Gold on 6 September 1974 by the RIAA. Many consider this to be Elton John's greatest song. The melody fits well in the tessitura of the solo instrument and features some challenging rhythms for sight-reading. The arrangement is well suited for performance in church, nightclub or recital stage.
$53.95 ≈
¥392.56
Goodbye Yellow Brick Road
Goodbye Yellow Brick Road
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Clarinet and Piano
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INTERMEDIATE
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Rock
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Elton John
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James M
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Goodbye Yellow Brick Road
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jmsgu3
#
SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.547881 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Po...
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B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.547881 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 11 pages. Jmsgu3 #3073401. Published by jmsgu3 (A0.547881). CLARINET in Bb & PIANOScore: 6 pages, solo part: 2 pages, piano part: 3 pages., Duration 3' 11 at half note = 60. Length: 51 measures. One of Elton John's greatest songs, this mega-hit is suitable for performance in church, nightclub, or recital hall. This song contains many advanced songwriting techniques and shows a complete mastery of advanced tonal harmony and voice leading. The verses are syllabic and arranged in 8 regular phrases. The last phrase is elided with a contrasting melismatic bridge that suddenly modulates to the lowered mediant, causing a foreign chromatic mediant relation. (F major to Ab major). Further drama is evoked by the voice-leading where an ascending leap of a minor 9th signals the beginning of the bridge. The bridge then modulates back to the original key for the refrain, which, like the verses is arranged in 8 regular phrases and elides once again into a final version of the bridge which functions this time as a coda.Â
$53.95 ≈
¥392.56
Come Sail Away
Come Sail Away
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Clarinet and Piano
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INTERMEDIATE
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Rock
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Styx
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James M
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Come Sail Away
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549292 By Styx. By Dennis Deyoung. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and pa...
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B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549292 By Styx. By Dennis Deyoung. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 16 pages. Jmsgu3 #3483797. Published by jmsgu3 (A0.549292). Duration: 4:25, score: 10 pages, 62 measures, solo part: 2 pages, piano part: 4 pages. Suitable for the recital stage or nightclub performance. Come Sail Away is a song by American progressive rock group Styx, featured on the band's seventh album The Grand Illusion (1977). Upon its release as the lead single from the album, Come Sail Away charted at #8 on the Billboard Hot 100, and helped The Grand Illusion achieve multi-platinum sales in 1978. It is one of the biggest hits of Styx's career.
$27.95 ≈
¥203.37
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A Night At The Club B Flat Clarinet and Piano
