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A Race Against Time
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You've selected:
A Race Against Time
Sheetmusic to print
20 sheet music found
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1
A Race Against Time
A Race Against Time
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Piano solo
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BEGINNER
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Wyatt Beight
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A Race Against Time
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Wyatt Beight
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SheetMusicPlus
Piano Solo - Level 1 - Digital Download SKU: A0.1437494 Composed by Wyatt Beight. 21st Century,Contemporary,Singer/Songwriter. Score. 1 pages. Wyatt Beig...
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Piano Solo - Level 1 - Digital Download SKU: A0.1437494 Composed by Wyatt Beight. 21st Century,Contemporary,Singer/Songwriter. Score. 1 pages. Wyatt Beight #1017600. Published by Wyatt Beight (A0.1437494).
$5.00 ≈
4.53€
A Dance In TripleTime
A Dance In TripleTime
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Choral SSAA
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EASY
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Anastasio Rossi
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Anastasio Rossi
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A Dance In TripleTime
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Anastasio Rossi
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SheetMusicPlus
Voice (SSAA) - Level 2 - Digital Download SKU: A0.1240428 Composed by Anastasio Rossi. Arranged by Anastasio Rossi. A Cappella,Barbershop. Barbershop Qua...
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Voice (SSAA) - Level 2 - Digital Download SKU: A0.1240428 Composed by Anastasio Rossi. Arranged by Anastasio Rossi. A Cappella,Barbershop. Barbershop Quartet. 3 pages. Anastasio Rossi #835806. Published by Anastasio Rossi (A0.1240428). Think of the story behind this music as about a young lady who  just loves the waltz, and loves to sing and dance to its lilting triple time.  Her dancing partner is a dashing, ever so handsome young man, who sweeps her off her feet and takes her breath away with his charm and grace, as they float away on the wings of A Dance In Triple Time!I originally composed this piece as a little warm up ditty for my chorus, but as I worked the melody and the harmony, it grew into just a little bit more than a warm up exercise. We always enjoyed singing this little piece for our audiences. And they always enjoyed hearing it. One caveat; The lyrics go by quickly! Leads, use your best diction and pronunciation, so the story doesn't get lost. Harmony voices, keep the melody prominent, by always singing your la-las at least one dynamic notch below the melody!Choose the waltz tempo of your choice - very relaxed to very lilting in 1.  Base your choice on being able to deliver the lyrics with great clarity, especially in the faster passages. Be sure to observe the accelerandos, broadening tempos, a tempos, legatos, and staccatos. They all have much to do with delivering the style of this piece, especially the off beat la-las. Some pairs are staccato, in other pairs, the first la is legato, the second la is staccato.The metronome marks more accurately describe the accelerandos and broadenings. On the repeat at 11, a slight increase in the tempo will add urgency and intensity. Keep the melody prominent as it moves to different voices, beginning at 37. Maintain the crisp staccato harmony against the legato melody, and enjoy the change to full legato for all voices.  Anastasio Rossi May 2023Learning tracks are available at no cost from the composer: AAR@prodigy.net.
$12.99 ≈
11.76€
Stopwatch for Flute and Trombone
Stopwatch for Flute and Trombone
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Flute, Trombone (duet)
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ADVANCED
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Sy Brandon
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Stopwatch for Flute and Trombo
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Sy Brandon
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Trombone - Level 5 - Digital Download SKU: A0.755339 Composed by Sy Brandon. 20th Century,Concert,Contemporary....
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Instrumental Duet Flute,Instrumental Duet,Trombone - Level 5 - Digital Download SKU: A0.755339 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Score and parts. 5 pages. Sy Brandon #6620483. Published by Sy Brandon (A0.755339). This short composition represents a race against time.
$4.99 ≈
4.52€
Amazing Grace & Come Thou Fount for Solo Cello with Guitar Chords
Amazing Grace & Come Thou Fount for Solo Cello with Guitar Chords
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Cello, Piano
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INTERMEDIATE
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Sacred music
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Sacred music
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Traditional
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Mary Lindsay, AccessibleCello
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Amazing Grace & Come Thou Foun
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AccessibleCello.com
#
SheetMusicPlus
Cello,Piano - Level 3 - Digital Download SKU: A0.491440 Composed by Traditional. Arranged by Mary Lindsay, AccessibleCello.com. Celtic,Folk,Irish,Praise ...
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Cello,Piano - Level 3 - Digital Download SKU: A0.491440 Composed by Traditional. Arranged by Mary Lindsay, AccessibleCello.com. Celtic,Folk,Irish,Praise & Worship,Sacred. Score and part. 1 pages. AccessibleCello.com #106981. Published by AccessibleCello.com (A0.491440). AccessibleCello.com is very happy to present Amazing Grace, whose lyrics were written in the 1700s by a leader in the abolitionist movement against slavery. This timeless piece, paired with Come Thou Fount of Every Blessing (lyrics also written in the 1700's & serving as a sort of chorus and bridge) makes a lovely solo piece for cello. When played at a moderate tempo, embellishments which are appropriate to that time period have been included to add to the color and expression of these lovely songs. Suggested chords are included so that the piece may be easily performed with chart reading musicians on keys and/or guitar & bass.
$5.00 ≈
4.53€
Cat & Mouse Rag - Ragtime - Piano Duet For 4 Hands
Cat & Mouse Rag - Ragtime - Piano Duet For 4 Hands
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1 Piano, 4 hands
#
INTERMEDIATE
#
Olly Wedgwood
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Mouse Rag
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Cat & Mouse Rag - Ragtime - Pi
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OllysPianoSheets
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.961564 Composed by Olly Wedgwood. Concert,Ragtime,Standards. Score and par...
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Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.961564 Composed by Olly Wedgwood. Concert,Ragtime,Standards. Score and parts. 5 pages. OllysPianoSheets #5712083. Published by OllysPianoSheets (A0.961564). Cat & Mouse Rag is a playful ragtime duet for primo players at about the Grade 3 standard. With classic ragtime syncopation in the primo part against a 'stride' style in the secondo, this duet is sure to be a popular addition to any recital programme.For the introduction, the primo (perhaps the mouse?) starts things off with a bright opening statement that is answered by the secondo player (the cat?), and then the chase begins!During the opening theme, the primo has an opportunity to tease the cat with a cheeky staccato 'interjection'. Just before this high note is an acciaccatura grace note, which should be played as quickly as possible beforehand.The middle section then modulates to G minor for a variation on the theme, after which a rallentando culminates to a brief pause in the game. There is a break (a caesura) after the pause, so try to leave a good couple of seconds of suspense before launching back into the original theme a tempo.Keep and eye out for staccato and tenuto notes, which will help to communicate the playful feel of the piece.The duet ends with a call-and-response between the primo and secondo, then a crescendo to the ending hits - with a cheeky acciaccatura grace note from the mouse, of course :).
$4.95 ≈
4.48€
Grace Kelly
Grace Kelly
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Choral SSAA
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ADVANCED
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Mika
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Liz Garnett
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Grace Kelly
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Liz Garnett
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SheetMusicPlus
Choral Choir (SSAA) - Level 5 - Digital Download SKU: A0.856207 By Mika. By Dan Warner, Jodi Marr, John Merchant, and Mika. Arranged by Liz Garnett. Danc...
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Choral Choir (SSAA) - Level 5 - Digital Download SKU: A0.856207 By Mika. By Dan Warner, Jodi Marr, John Merchant, and Mika. Arranged by Liz Garnett. Dance,Pop. Octavo. 6 pages. Liz Garnett #4312139. Published by Liz Garnett (A0.856207). Mika's hit from 2007 is an exuberant (and at times petulant) critique of the way the music industry seeks out individuality and talent, then insists on working it over into safely commercial products. (Of course, that he had such success with it suggests that things aren't quite as bad as the song makes out.) But the song also works as a more general statement about everyone's personal stand against the tyranny of our peers' expectations.The original has a very rangy melody, which carries a considerable variety of vocal characterisation. The arrangement unfolds this onto the four different parts, each taking on certain aspects of the line's mercurial identity. Sharing the melody's vocal demands around does not necessarily make either the characterisation or the ranges easier, however, since it also means that every part is switching between lead and accompanying roles, at times quite quickly. So it needs generous ranges, quick-wittedness and - above all - performative swagger to carry it off.There is space for the snippets of dialogue from the original track; but whether (and how much) to use it would depend on the performance situation. My own feeling would be that the middle one ('getting angry won't solve anything') works just fine slotted in between the verses, but that the snippets at start and end would need more setting up to make sense to an audience unfamiliar with Mika's recording.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: E flat 4 - F5Lead: F3 - F5Bari: G3 - C5Bass: E flat 3 - B flat 4NB - the list price includes 4 copies of the music
$12.99 ≈
11.76€
First Mile, The
First Mile, The
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Piano solo
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INTERMEDIATE
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Aaron Corley
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First Mile, The
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Transdimensional Music
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1000929 Composed by Aaron Corley. Contemporary,New Age,Pop,Rock. Score. 4 pages. Transdimensional Music #...
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Piano Solo - Level 3 - Digital Download SKU: A0.1000929 Composed by Aaron Corley. Contemporary,New Age,Pop,Rock. Score. 4 pages. Transdimensional Music #6113521. Published by Transdimensional Music (A0.1000929). 'The First Mile' is a contemporary piano solo. It pairs a fast-paced (sixteenth-note) accompaniment with a driving melody that brings to mind a race. It is perfect for the student learning to play four-against-three rhythms. Approximate performance time is four minutes.
$2.50 ≈
2.26€
Reminiscence
Reminiscence
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Piano solo
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Contemporary
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Phil Young
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Reminiscence
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Phil Young
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SheetMusicPlus
Piano Solo - Digital Download SKU: A0.1000693 Composed by Phil Young. Contemporary. Score. 5 pages. Phil Young #6197837. Published by Phil Young (A0.1000...
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Piano Solo - Digital Download SKU: A0.1000693 Composed by Phil Young. Contemporary. Score. 5 pages. Phil Young #6197837. Published by Phil Young (A0.1000693). The music expresses a sort of sentimental feeling, a stream of fainted memories retraced from afar. Against accompaniment’s hazy harmony, the melody sings a song of nostalgia.
$6.99 ≈
6.33€
Shosholoza (South African)
Shosholoza (South African)
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Choral SATB
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BEGINNER
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Public Domain
#
Noemi Bretas
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Shosholoza
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Marcelo Borba
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SheetMusicPlus
Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.1273068 By Public Domain. By Public Domain. Arranged by Noemi Bretas. Country,Folk,Historic,Pop,...
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Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.1273068 By Public Domain. By Public Domain. Arranged by Noemi Bretas. Country,Folk,Historic,Pop,Traditional. Octavo. 15 pages. Marcelo Borba #865257. Published by Marcelo Borba (A0.1273068). Arrangement for 4 voices choir. Shosholoza is a popular South African folk song that has a rich history and cultural significance. The origins of the song can be traced back to the late 1800s and early 1900s, during the time of the South African gold and diamond mining boom.The word Shosholoza is believed to have been derived from the Ndebele and Zulu languages and translates roughly to go forward or make way for the next person. It was initially a call used by train drivers and mine workers to synchronize their movements while pushing and pulling railway cars or working in the mines.The song's lyrics and melody evolved over time through oral tradition, passed down among the workers as a form of communication, motivation, and solidarity. The rhythm and repetitive chanting helped the workers maintain a sense of unity and cooperation during physically demanding and often harsh conditions.During the era of racial segregation and oppression in South Africa, Shosholoza became an anthem of resilience and hope for the black South African population. It symbolized their spirit of endurance and unity in the face of adversity, and it came to be associated with the struggle against apartheid.With time, Shosholoza gained popularity beyond the confines of the mines and railway yards. It became a well-known folk song, performed by choirs, musicians, and cultural groups across South Africa and around the world. It embodies the spirit of ubuntu (the belief in the interconnectedness of all humanity) and has been used as a symbol of South African identity and pride.In modern times, Shosholoza continues to be celebrated as a cherished piece of South African musical heritage. It is often performed during sporting events, cultural festivals, and gatherings as a way to celebrate unity, strength, and resilience.Overall, Shosholoza remains a powerful reminder of South Africa's history, the struggles its people endured, and the enduring spirit of hope and solidarity that transcends adversity.
$1.99 ≈
1.80€
Warsaw Concerto
Warsaw Concerto
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Piano solo
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ADVANCED
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Richard Addinsell
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Timothy Stapay/Liberace
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Warsaw Concerto
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1394832 Composed by Richard Addinsell. Arranged by Timothy Stapay/Liberace. 20th Century,Classical,Film/T...
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Piano Solo - Level 5 - Digital Download SKU: A0.1394832 Composed by Richard Addinsell. Arranged by Timothy Stapay/Liberace. 20th Century,Classical,Film/TV,Singer/Songwriter,Standards. Score. 12 pages. Timothy Stapay #978316. Published by Timothy Stapay (A0.1394832). Warsaw Concerto is arranged as performed by legendary pianist, Liberace. This is the same version that he performed on his t.v. show and in concerts in Las Vegas and around the world.  Now for the first time; you can learn to play this awesome and dramatic music in the same flamboyant style as Liberace!The Warsaw Concerto is a short work for piano and orchestra by Richard Addinsell, written for the 1941 British film Dangerous Moonlight, which is about the Polish struggle against the 1939 invasion by Nazi Germany. In performance it normally lasts just under ten minutes. The concerto is an example of programme music, representing both the struggle for Warsaw and the romance of the leading characters in the film. It became very popular in Britain during World War II.The concerto is written in imitation of the style of Sergei Rachmaninoff.The composer, Richard Addinsell, was born in London and initially studied law before turning to a career in music. His time at the Royal College of Music was brief, as he was soon drawn to musical theatre, and he also wrote for radio, but his most memorable contributions are to a series of film scores beginning in 1936. He wrote the music for the 1939 film Goodbye, Mr. Chips, the original movie, Gaslight.Władziu Valentino Liberace(May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. He was born in Wisconsin to parents of Italian and Polish origin and enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!
$8.99 ≈
8.14€
Mountain Goats And Other Creatures
Mountain Goats And Other Creatures
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String Orchestra
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INTERMEDIATE/ADVANCED
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Vessela Stoyanova
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Mountain Goats And Other Creat
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Vessela Stoyanova
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1201464 By Vessela Stoyanova. By Vessela Stoyanova. Folk,Multicultural,World. Score and parts. 89 p...
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String Orchestra - Level 4 - Digital Download SKU: A0.1201464 By Vessela Stoyanova. By Vessela Stoyanova. Folk,Multicultural,World. Score and parts. 89 pages. Vessela Stoyanova #798931. Published by Vessela Stoyanova (A0.1201464). “Mountain Goats and Other Creatures†was Commissioned by Rachel Jayson and the Lexington High School Symphony Orchestra.It was inspired by the folk music of my native land of Bulgaria, informed by my experience as a rock musician, reimagined through the lense of my place inside of a community of like-minded artists and musicians, where I have made my real home today. The first movement - Mountain Goats - is a sort of celebration of renewal, promise, and hope. It represents the tenacious will of grass growing through the snow of early spring, the powerful longing for human connection, the warmth of the sun against your skin on a bright chilly day. It carries both the pristine optimism of youth, and the nervous energy of trying something for the first time. The second movement - Samodivi - in contrast is dark, heavy and full of passion and desire. According to Balkan myths, Samodivi are gorgeous nymphs who live in the woods and often seduce men with their beautiful song and dance. They are feared and envied at the same time. The music of the second movement represents the mysterious dark forest at night - lower strings create the moss under your feet, higher strings use extended techniques to simulate the noise of branches clicking the wind, a few soloists represent different creatures - both real and imaginary - scurry through the woods above your head. Then you hear the lone song of a Samodiva in the distance, your heart is beating hard, your steps are leading you straight towards the call against your better judgement. It is the ancient story of fear and desire, of self control and complete abandon. You, the listener, become witness to a wild dance, fire in the woods, snakes in their long blond hairs, slender bodies dressed in white clouds dancing to an imaginary beat.  Then it all ends abruptly and you left to wonder: Was it real? Did I see it? Am I safe?The third and final movement of the piece is based on a popular rhythmic folk dance in Bulgaria called Kopanitsa, while the melody creates a fugue between the different voices of the orchestra. The Kids are the little of the mountain goats - free to frolic high above tree line, above any human traces, as close to the clouds as one can get and still be touching the ground below. They are carefree, daring, and somewhat naive, yet safe under the watchful gaze of their parent. The movements ends in cascading repetitions of a musical motif in 5/8 representing the relentless passing of time or at least our perception of it.
$100.00 ≈
90.56€
Thérèse Brenet : Boustrophédon for flute, clarinet, violin, violoncello and piano
Thérèse Brenet : Boustrophédon for flute, clarinet, violin, violoncello and piano
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Therese Brenet
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Thérèse Brenet : Boustrophé
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Flute,Piano,Violin - Level 5 - Digital Download SKU: A0.532825 Composed by Therese Brenet. Contemporary,Standards. Score an...
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Small Ensemble Cello,Clarinet,Flute,Piano,Violin - Level 5 - Digital Download SKU: A0.532825 Composed by Therese Brenet. Contemporary,Standards. Score and parts. 67 pages. Musik Fabrik Music Publishing #44847. Published by Musik Fabrik Music Publishing (A0.532825). The word Boustrophédon is a 16th century expression which refers to an archaic type of writing in which, after having written a line from left to right, one continues the next line from right to left and then alternates directions. This is the way the oldest known latin inscriptions are written, as well as in the traditional writing of the Touaregs The etymology comes from the Greek “bous†or ox and the verbal form “trophéin†or the verb “to turnâ€. These two elements give the image that this writing is traced in the same way that the ox pulled the plow in the fields In the sub-title, there is an evocation of Rimbaud‘s famous “Vowel“ sonnet : : Oh, sublime trumpet full of strange piercing sounds The author wanted to suggest both musically and technically the manner of this style of writing in boustrophedon. The work begins thus with a sonorous strange sonorous background which suggests this type of writing. This strange atmosphere is created by glissandi on the piano strings as well as on the strings of the violin and the violoncello. These alternating movements create “strange piercing sounds†against which the flute and clarinet alternately play brief sequences which create the outline of a melody. Then the atmosphere changes : the violin, the cello and the piano come together in a percussive violent outburst, which creates a tragic, passionate feeling which may also be considered “strange piercing soundsâ€. Several long aleatoric phrases are then presented like a sonorous halo which intensify to bring the lister to an intense Chorale-like phrase which serves as the central pillar of the work. This phrase is repeated several times, each time gaining in intensity to bring the work to its summit. At the conclusion, the theme is presented again with a great violence, this time without the boustropedon but perhaps with “strange piercing soundsâ€. https://www.youtube.com/watch?v=-SdwCOr-wzA.
$29.95 ≈
27.12€
Forever Yours
Forever Yours
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Piano solo
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INTERMEDIATE
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Classical
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Jose Valladares
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Jose Valladares
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Forever Yours
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Circlesquare Music
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1368418 By Jose Valladares. By Jose Valladares. Arranged by Jose Valladares. Classical. Score. 3 pages. C...
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Piano Solo - Level 3 - Digital Download SKU: A0.1368418 By Jose Valladares. By Jose Valladares. Arranged by Jose Valladares. Classical. Score. 3 pages. Circlesquare Music #952765. Published by Circlesquare Music (A0.1368418). Introducing Forever Yours, a profoundly touching piano composition that whispers tales of unwavering commitment and heartfelt devotion. This enchanting piece, from the beloved album A Celebration of Love, and Life by the renowned artist and composer Jose Valladares, is an intimate serenade to the everlasting bond between souls.With a soothing tempo of 60, Forever Yours gently unfolds like the first light of dawn, ushering in a day filled with promise and affection. The composition is a tender narrative of love's enduring vows, a melody that flows like a timeless river through the landscapes of the heart. Each note is a delicate touch, a soft word of assurance, and a steadfast step side by side on life's journey.Forever Yours is not merely a piece of music; it's a heartfelt covenant set to the rhythm of life's most profound emotions. It invites listeners to delve into the depths of fidelity, to reminisce on moments of deep connection, and to celebrate the promise of a love that stands unwavering against the test of time. This piece is ideal for those who cherish the bonds of love, for pianists seeking to express the depth of their loyalty through the keys, and for anyone who treasures the beauty of a commitment that knows no end.Allow Forever Yours to cradle you in its gentle embrace, surrounding you with melodies that speak of a love that is steadfast, pure, and true. This composition is a testament to the bonds that flourish over time, a soothing lullaby for the heart, and a celebration of the constancy that true love brings.
$10.99 ≈
9.95€
Take Me To Church
Take Me To Church
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Choral SATB
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INTERMEDIATE
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Hozier
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Scott S
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Take Me To Church
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Scott S. Stewart
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1222074 By Hozier. By Andrew Hozier-Byrne. Arranged by Scott S. Stewart. Contemporary,Contest,Fe...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1222074 By Hozier. By Andrew Hozier-Byrne. Arranged by Scott S. Stewart. Contemporary,Contest,Festival,Multicultural,Singer/Songwriter,World. Octavo. 26 pages. Scott S. Stewart #818359. Published by Scott S. Stewart (A0.1222074). “Take Me To Church†(2013) by Irish born singer-songwriter ‘Hozier’ (Andrew Hozier-Bryne) addresses discrimination against sexuality by ‘asserting yourself and reclaiming your humanity through an act of love.’  It is his narrative based on the Catholic Church’s discrimination against homosexuality; a message embraced by the LGBTQ community.  This arrangement is for 4-part SATB ensemble with piano accompaniment.  An additional separate piano part is included for ease of page-turning in performance.  Performance time: 4:15+-  This is an excellent piece for any Pride Celebration.
$2.99 ≈
2.71€
Gliding Dance of the Maidens from Polovtsian Dances ("Stranger In Paradise")
Gliding Dance of the Maidens from Polovtsian Dances ("Stranger In Paradise")
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Brass ensemble
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INTERMEDIATE
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Alexander Borodin
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F
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Gliding Dance of the Maidens f
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.808675 Composed by Alexander Borodin (1833–1887). Arranged by F. Leslie Smith. Broadway,Holida...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.808675 Composed by Alexander Borodin (1833–1887). Arranged by F. Leslie Smith. Broadway,Holiday,Musical/Show,Romantic Period,Wedding. Score and parts. 19 pages. Sweetwater Brass Press #3130463. Published by Sweetwater Brass Press (A0.808675).     The defeat of Igor Svyatoslavich, a Rus’ prince, in his 1185 campaign against invading Cuman (Polovtsy) tribes was immortalized in the Russian epic, The Lay of Igor’s Campaign. Seven centuries later, Alexander Borodin started work on an opera based on that old tale. Borodin died before finishing, but Nikolai Rimsky-Korsakov and Alexander Glazunov completed Prince Igor, and it was performed for the first time in 1890. Sixty-three years later the Broadway production Kismet opened featuring songs adapted by Robert Wright and George Forrest from the music of Borodin. Arguably, the most popular of the show’s songs was Stranger in Paradise, which was based on the Gliding Dance of the Maidens from the Polovtsian Dances of Prince Igor.     This beautiful brass quintet arrangement of Gliding Dance of the Maidens was adapted from the orchestra score. The key is A major, time signature is 4/4 and tempo marking is Andantino at the opening, slowing to a suggested quarter note = 63 at measure 15. Trumpets, Horn in F and Trombone all play a few grace notes. Highest notes for Trumpets are their G-sharp just above the staff; for Trombone, E above the staff. While not particularly challenging technically, the key to playing this piece is interpretation and feeling.    This arrangement was completed in 2017, and performance time runs about 2 minutes, 38 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.00 ≈
6.34€
Jacques Leguerney: String Quartet in D for two violins, viola and cello
Jacques Leguerney: String Quartet in D for two violins, viola and cello
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String Quartet: 2 violins, viola, cello
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ADVANCED
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Contemporary
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Jacques Leguerney
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II. Intermezzo
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Jacques Leguerney: String Quar
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.534402 Composed by Jacques Leguerney. 20th Century,Standards. Score...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.534402 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 125 pages. Musik Fabrik Music Publishing #3457403. Published by Musik Fabrik Music Publishing (A0.534402). Jacques Leguerney (1906-1997) composed two string quartets. The Premier Quatuor à cordes was composed in 1925 during Leguerneyâ??s private piano and composition study with French pianist Thérèse Cahen. His second quartet, subject of this publication by Musik Fabrik, was written between November 1947 and September 1948. The four movements are: I. Allegro moderato; II. Intermezzo; III. Scherzando; IV. Presto-Andantino. This work was, in part, Leguerneyâ??s response to the Premier Quatuor à cordes (inédit) by his colleague, Henri Sauguet. Leguerney stated in a personal interview with Patrick Choukroun (18 May 1989) that: â??I wrote it a bit in opposition to Sauguetâ??s Premier Quatuor. It seemed to me that his quartet was without interest: just scratchings! I wanted to express my way of looking at it from the classical viewpoint of the past: it is almost in the spirit of Mozart, except for the harmonic language, of course. In fact, I wanted to fight against everything that has been done to a quartet since Beethovenâ??s last ones.â? The premiere of the Quatuor à cordes en ré mineur was by the Quatuor Pro Arte at the Abbaye de Royaumont. Before this performance, Poulenc sent Leguerney the following note: â??Fortunate man for whom twelve strings are enough to charm people, I wish you good luck and respectfully embrace you.â? (Handwritten letter, Reims, 4 September 1959). Leguerney was appointed artistic director of the Lumen recording company in 1951, and remained in this position until 1959. He produced four recordings of his music, including the Quatuor Pro Arteâ??s recording of the Quatuor à cordes en ré mineur (1947-1948) (Lumen, LD 2.440, 1958). This disc won the Grand Prix du Disque de lâ??Académie Charles Cros on 13 March 1959. The Pro Arteâ??s members were Suzanne Plazonich, Violin I; Chantal Beylier, Violin II; Nicole Gendreau, Viola; and Micheline Burtin, Cello. Francis Poulenc wrote to Leguerney concerning this recording: â??It is very good Leguerney. Of course, frivolous as I am and shall always remain, it is the 2nd movement that I prefer. Between us, I am like you: I prefer the scherzos after the andantes; that way one is not forced to write a Finale allegro. Yours pleases me very much, in fact, so to my ears it is III-IV-I-II, in the order of pleasure.â? (Manuscript letter, Bagnols, 14 October 1959) The radio station France I broadcast the Quatuor with on 11 July 1959 on the program Schola of the series Concert de musique contemporaine, again with the Quatuor Pro Arte. An archive recording of this broadcast exists on magnetic tape. Critic Claude Rostand wrote: â??Jacques Leguerney does not seem to have looked for special innovations either in form or language. His basic thought seems especially to have written a quartet, that is to say on one hand to have used the four voices with elegance and originality, clarity and homogeneity (four-part writing seems to always have come naturally to him, even at the piano), and on the other hand to exploit all of the supple cushioning that can result from the caress of a bow on a string.â? Critic Emile Vuillermoz wrote: â??His only ambition is to expresses clear and affectionate melodic ideas, in a highly distinguished, elegant and refined language, meaning an homage, in the beginning of our century, to the trios of the greatest stylists of our time. In fact, it is from the vocabulary of Fauré, Debussy and Ravel that he takes his grammar and syntax and that with which he carries out with his this harmonic writing that is both supple and sparse, that is so congenial to the association of four string instruments. This quartet, whose first movement is of a rare perfection, is a delicate enchantment.â? The Musik Fabrik edition of the Quatuor à cordes en ré mineur is taken from a photocopy of the composerâ??s manuscript of the full score. We also had access to the quartet parts found in Leg.
$38.95 ≈
35.27€
Double Concerto for Flute and Guitar (SCORE ONLY)
Double Concerto for Flute and Guitar (SCORE ONLY)
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Orchestra
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Apostolos Paraskevas
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Double Concerto for Flute and
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Silver Sickle Publications
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.942100 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Score and parts. 121 pages. Silver Si...
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Full Orchestra - Digital Download SKU: A0.942100 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Score and parts. 121 pages. Silver Sickle Publications #6253447. Published by Silver Sickle Publications (A0.942100). Constitution Article 91 (Double Concerto for flute and guitar in one movement). A quite demanding concerto from a technical point of view, unfolds many sonorities for both solo instruments as well as orchestra, including dense texture, polyphony, and a flavor of minimalism just before the end. After an agitated orchestra introduction, the flute enters with a lamenting and painful melody. The guitar takes over by introducing the core motivic elements of the work. Flute and guitar join in a chase-like duet with virtuosic passages in both instruments, accompanied by the orchestra in a frenzied commotion. The slow and almost distorted cadenza (with the snare drum) comes as a surprise and at the same time as a moment of relief. The tension increases as propulsive rhythms drive through the finale and build with rapid agitation to the end. The title of the work, Constitution Article 91, refers to a part of the former Greek constitution used by the dictatorship between 1967 and 1974 to abolish democracy in Greece. Certain rhythms in the work come from a fearsome and agitated speech that the dictator delivered to the academicians in 1973 following the students movement against the tyranny. Constitution Article 91 is a real tour de force for the soloists. In this colorful work, Apostolos Paraskevas shows us that a meeting point can be found between advanced contemporary idioms and evocations of an almost popular style. This music is notable for its rhythmic verve, its melodic grace, and its emotional depth. It has genuine substance, but speaks directly to the listener-a rare and welcome achievement. John Daverio/Musicologist
$35.00 ≈
31.69€
Cascade of Dreams
Cascade of Dreams
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Piano solo
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EASY
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Universe Waves
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Alexander Mastelyak
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Cascade of Dreams
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Alexander Mastelyak
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.1422048 By Universe Waves. By Alexander Mastelyak. Arranged by Alexander Mastelyak. 21st Century,Children...
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Piano Solo - Level 2 - Digital Download SKU: A0.1422048 By Universe Waves. By Alexander Mastelyak. Arranged by Alexander Mastelyak. 21st Century,Children,Contemporary,New Age,Pop. Score. 10 pages. Alexander Mastelyak #1003389. Published by Alexander Mastelyak (A0.1422048). As the sun dips below the horizon, casting a warm, golden glow over the tranquil beach, the world seems to hold its breath in anticipation of the night to come. Waves roll gently onto the shore, their rhythmic cadence a soothing lullaby to the soul. At the water's edge stands a grand piano, its elegant silhouette silhouetted against the fiery sky. Seated at the piano is a woman whose presence exudes an air of ethereal grace. Her fingers glide effortlessly over the keys, conjuring melodies that seem to echo the whispers of the sea. In this enchanted moment, time stands still, and the beauty of the sunset merges seamlessly with the enchanting music, creating a symphony of peace and wonder.
$2.50 ≈
2.26€
Soon We Will Be Done (Downloadable)
Soon We Will Be Done (Downloadable)
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Choral SATB
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INTERMEDIATE
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Gospel/Spiritual
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Kyle Pederson
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Soon We Will Be Done
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Galaxy Music Corporation - Digital
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SheetMusicPlus
SATB choir and Piano - Medium - Digital Download SKU: MQ.1.3610-E Composed by Kyle Pederson. African American Heritage. Instrument part. 22 pages. Galaxy...
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SATB choir and Piano - Medium - Digital Download SKU: MQ.1.3610-E Composed by Kyle Pederson. African American Heritage. Instrument part. 22 pages. Galaxy Music Corporation - Digital #1.3610-E. Published by Galaxy Music Corporation - Digital (MQ.1.3610-E). English. From the arranger, Kyle Pederson To me, spirituals are the most powerful type of music. Spirituals were birthed and rooted in the experience of chattel slavery in the United States—and arose out of, as Arthur C. Jones asserts, “deeply meaningful, archetypically human experiences, relevant not only to the specific circumstances of slavery but also to women and men struggling with issues of justice, freedom, and spiritual wholeness in all times and places.†The original text of Soon Ah Will Be Done is as follows: Soon ah will be done with the troubles of the world (repeat) Goin’ home to live with God No more weeping and a-wailing (repeat) Goin’ home to live with God I want t’ meet my mother (repeat) Goin’ home to live with God I want t’ meet my Jesus (repeat) Goin’ home to live with God When I sang this spiritual growing up, I was struck by both the withering sorrow and expectant hope throughout. The melody and emotion has stuck with me since. When approaching my own arrangement, I hoped to honor the voice of the original writers and their experience of slavery, and I also sought to extend a voice to people today who are suffering from oppression and discrimination. I hoped an appropriate way to honor the experience of the original writers might be to invite the contemporary listener to envision and commit to a better, more just world today—a world of inclusion, radical kindness, compassion, love, and grace—a world where we have the courage to champion the inherent dignity and value of all people, a world where we will be done with all the ways we deny a person’s worth. A world where “heaven has come to earth.†In this arrangement, spoken word is incorporated throughout, intended to heighten the intensity of the performance, and meant to give a sense of immediacy to the challenge for the choir and audience to work together for justice, equity, and wholeness. Spoken word has often been used as the language of protest—and I include it intentionally as a way of giving voice to the choir members (and listener)—where all can stand in solidarity against oppression and injustice. If desired, choir members are encouraged to write their own spoken word text that speaks to issues of inequity and injustice in their own communities. I am writing this program note not long after George Floyd was killed in Minneapolis, MN, on May 25, 2020. As a Minneapolis area resident for the past 25 years, I want to take a more active role in working towards justice in my community. All proceeds received from the sale and performance of Soon We Will Be Done will be directed to ISAIAH—a multi-racial, state-wide, nonpartisan coalition of faith communities fighting for racial and economic justice in Minnesota. You can read more about the phenomenal work ISAIAH is doing at isaiahmn.org.
$3.20 ≈
2.90€
Worship Series - "Nothing But The Blood Of Jesus" for Voice, Piano, and optional violin solo
Worship Series - "Nothing But The Blood Of Jesus" for Voice, Piano, and optional violin solo
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Piano, Vocal and Guitar
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INTERMEDIATE
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Fernando Ortega
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Kenneth Martin
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Worship Series - "Nothing But
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Martin Music Editions
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1414908 By Fernando Ortega. By Robert Lowry. Arranged by Kenneth Martin. 21st Century,Conte...
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1414908 By Fernando Ortega. By Robert Lowry. Arranged by Kenneth Martin. 21st Century,Contemporary,Praise & Worship,Religious,Sacred. Score. 7 pages. Martin Music Editions #996658. Published by Martin Music Editions (A0.1414908). In this stripped-down yet deeply emotive arrangement of Nothing But the Blood of Jesus, crafted in the style of Fernando Ortega and Jesus Culture, the focus is on the interplay between violin, voice, and piano. This rendition radiates a sense of intimacy and contemplation, drawing listeners into a sacred space of worship and reflection.The piano introduces the piece with gentle, lingering chords that evoke a sense of reverence. Its melodies are reminiscent of Fernando Ortega's contemplative style, creating a foundation that supports and uplifts the subsequent elements of the arrangement.As the vocalist begins, their voice carries the timeless lyrics with sincerity and warmth. Each word is infused with meaning, resonating against the piano's backdrop. The vocal delivery, reminiscent of Jesus Culture's heartfelt expression, conveys both vulnerability and deep conviction, inviting listeners to engage with the profound message of the hymn.The violin enters delicately, weaving its melodic lines around the vocal phrases. Its tone is expressive and soul-stirring, adding a poignant layer of emotion to the arrangement. The violin's presence evokes Fernando Ortega's introspective sensibility, enhancing the lyrical depth and drawing out the thematic richness of the hymn.As the arrangement progresses, the piano's role evolves, providing rhythmic support and harmonic depth. The vocal and violin melodies intertwine, creating a dialogue that reflects the spiritual journey depicted in the lyrics. The simplicity of the instrumentation allows each element to shine individually while blending harmoniously together.During the chorus, the arrangement swells with emotional intensity. The vocalist's delivery becomes more impassioned, emphasizing the profound truth encapsulated in the refrain. The piano responds with cascading arpeggios, underscoring the soaring declarations of faith and redemption.In the quieter moments, the violin takes center stage, offering introspective solos that invite contemplation. Its melodic lines soar above the piano's accompaniment, articulating the yearning and gratitude expressed in the hymn's verses.As the arrangement reaches its culmination, the trio of voice, violin, and piano unites in a transcendent climax. The vocal harmonies rise in unison, resonating with the instrumentation to create a moment of profound connection and worshipful response.In this arrangement of Nothing But the Blood of Jesus, the collaboration between voice, violin, and piano channels the spirit of Fernando Ortega and Jesus Culture. Rooted in simplicity yet imbued with deep emotion and spiritual depth, this rendition invites listeners to experience the transformative power of grace and redemption through music.
$7.99 ≈
7.24€
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A Race Against Time
