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You've selected:
A Toye
Sheetmusic to print
23 sheet music found
<
1
A Toye
A Toye
#
Renaissance
#
Spencer Bundy
#
Spence Bundy
#
A Toye
#
Spencer Bundy
#
SheetMusicPlus
Woodwind Ensemble Bass Clarinet - Level 2 - Digital Download SKU: A0.1118970 By Spencer Bundy. By Giles Farnaby. Arranged by Spence Bundy. Renaissance. 1...
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Woodwind Ensemble Bass Clarinet - Level 2 - Digital Download SKU: A0.1118970 By Spencer Bundy. By Giles Farnaby. Arranged by Spence Bundy. Renaissance. 13 pages. Spencer Bundy #720376. Published by Spencer Bundy (A0.1118970). A lively early piece which makes a great opening for any concert.
$4.50 ≈
¥31.58
A Toye
A Toye
#
Ukulele
#
INTERMEDIATE
#
Anonymous
#
Enea Acco
#
A Toye
#
Enea Acco
#
SheetMusicPlus
Ukulele - Level 3 - Digital Download SKU: A0.900817 Composed by Anonymous (16th Century). Arranged by Enea Acco. Baroque,Classical,Renaissance. Score. 2 ...
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Ukulele - Level 3 - Digital Download SKU: A0.900817 Composed by Anonymous (16th Century). Arranged by Enea Acco. Baroque,Classical,Renaissance. Score. 2 pages. Enea Acco #6567535. Published by Enea Acco (A0.900817). Arranged for Ukulele with TAB.
$1.99 ≈
¥13.97
A Toye
A Toye
#
Guitar
#
EASY
#
Anonymous
#
A Toye
#
Schott Music - Digital
#
SheetMusicPlus
Guitar - easy to intermediate - Digital Download SKU: S9.Q46858 From: The Jane Pickering Lute Book (1616). Composed by Anonymous. This edition: Sh...
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Guitar - easy to intermediate - Digital Download SKU: S9.Q46858 From: The Jane Pickering Lute Book (1616). Composed by Anonymous. This edition: Sheet music. Copyright 2017 Schott Music GmbH & Co. KG, Mainz. Downloadable. 1 pages. Schott Music - Digital #Q46858. Published by Schott Music - Digital (S9.Q46858). Digital publication of the piece found in the following print music collection: Preludio - 130 Easy Concert Pieces from 6 Centuries for Guitar (easy).
$2.99 ≈
¥20.99
A Toye
A Toye
#
Brass quartet : 2 trumpets, trombone, tuba
#
INTERMEDIATE/ADVANCED
#
Renaissance
#
Spence Bundy
#
Spence Bundy
#
A Toye
#
Spencer Bundy
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1152051 By Spence Bundy. By Giles Farnaby. Arranged by Spence Bundy. Renai...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1152051 By Spence Bundy. By Giles Farnaby. Arranged by Spence Bundy. Renaissance. Score and parts. 12 pages. Spencer Bundy #752261. Published by Spencer Bundy (A0.1152051). This lively, lovely piece by Giles Farnaby would make an excellent opening for any concert. It also gives every member of the group to shine and will be enjoyed by audiences everywhere.
$5.99 ≈
¥42.04
A Toye
A Toye
#
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
#
Renaissance
#
Spence Bundy
#
Spence Bundy
#
A Toye
#
Spencer Bundy
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Digital Download SKU: A0.1153009 By Spence Bundy. By Giles Farnaby. Arranged by Spe...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Digital Download SKU: A0.1153009 By Spence Bundy. By Giles Farnaby. Arranged by Spence Bundy. Renaissance. 14 pages. Spencer Bundy #753252. Published by Spencer Bundy (A0.1153009). This lovely, lively piece would be ideal for opening any concert. It will be enjoyed by both the performers and the audience.
$5.99 ≈
¥42.04
A Toye
A Toye
#
Saxophone Quintet: 5 Saxophones
#
INTERMEDIATE
#
Renaissance
#
Spence Bundy
#
Spence Bundy
#
A Toye
#
Spencer Bundy
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1152578 By Spence Bundy. By Gi...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1152578 By Spence Bundy. By Giles Farnaby. Arranged by Spence Bundy. Renaissance. 13 pages. Spencer Bundy #752806. Published by Spencer Bundy (A0.1152578). This lively, lovely piece would make an excellent opening for any concert. It would be enjoyed by audiences everywhere.
$5.99 ≈
¥42.04
Giles Farnaby Suite 1 for Clarinet Quintet
Giles Farnaby Suite 1 for Clarinet Quintet
#
Clarinet Ensemble
#
INTERMEDIATE/ADVANCED
#
Renaissance
#
Giles Farnaby
#
James Haynor
#
Giles Farnaby Suite 1 for Clar
#
James Haynor
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 4 - Digital Download SKU: A0.782290 Composed by Giles Farnaby. Arranged by James Haynor. Renaissance. 16 pages. James ...
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Woodwind Ensemble Clarinet - Level 4 - Digital Download SKU: A0.782290 Composed by Giles Farnaby. Arranged by James Haynor. Renaissance. 16 pages. James Haynor #4610501. Published by James Haynor (A0.782290). Giles Farnaby was an English composer and virginalist of the Renaissance and Baroque periods. This is a suite of three of his delightful keyboard pieces. They are Conceit, Dreame and A Toye. They are scored here for clarinet quintet. ( Duration 2:30 )
$10.00 ≈
¥70.18
Giles Farnaby Suite 1 for Brass Quintet
Giles Farnaby Suite 1 for Brass Quintet
#
Brass quartet : 2 trumpets, trombone, tuba
#
INTERMEDIATE/ADVANCED
#
Giles Farnaby
#
James Haynor
#
Giles Farnaby Suite 1 for Bras
#
James Haynor
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.782289 Composed by Giles Farnaby. Arranged by James Haynor. Classical,Rena...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.782289 Composed by Giles Farnaby. Arranged by James Haynor. Classical,Renaissance. Score and parts. 15 pages. James Haynor #4608861. Published by James Haynor (A0.782289). Giles Farnaby was an English composer and virginalist of the Renaissance and Baroque periods. This is a suite of three of his delightful keyboard pieces. They are Conceit, Dreame and A Toye. They are scored here for brass quintet. ( Duration 2:30 )
$10.00 ≈
¥70.18
Giles Farnaby Suite 1 for Woodwind Quintet
Giles Farnaby Suite 1 for Woodwind Quintet
#
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
#
INTERMEDIATE/ADVANCED
#
Renaissance
#
Giles Farnaby
#
James Haynor
#
Giles Farnaby Suite 1 for Wood
#
James Haynor
#
SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.782291 Composed by Giles Farnaby. Arranged by James Haynor. Renaissa...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.782291 Composed by Giles Farnaby. Arranged by James Haynor. Renaissance. Score and parts. 16 pages. James Haynor #4611287. Published by James Haynor (A0.782291). Giles Farnaby was an English composer and virginalist of the Renaissance and Baroque periods. This is a suite of three of his delightful keyboard pieces. They are Conceit, Dreame and A Toye. They are scored here for woodwind quintet. ( Duration 2:30 )
$10.00 ≈
¥70.18
TELEMANN: OVERTURE À 5 in F MAJOR
TELEMANN: OVERTURE À 5 in F MAJOR
#
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
#
INTERMEDIATE/ADVANCED
#
Georg Philipp Telemann
#
Pat Spence
#
TELEMANN: OVERTURE À 5 in F M
#
Piper Publications
#
SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.811816 Composed by Georg Philipp Telemann (1681 - 1767). Arranged by...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.811816 Composed by Georg Philipp Telemann (1681 - 1767). Arranged by Pat Spence. Baroque,Concert,Graduation,Standards. Score and parts. 38 pages. Piper Publications #6509201. Published by Piper Publications (A0.811816). This six movement suite was composed between 1700 and 1750 - most likely near to the beginning of the 18th century when Telemann was using older style titles for the 6 movements - Overture, Chasse, Menuet, La Toye, Sarabande and Loure. Telemann did not indicate any dynamics, instead relying on contrasting pairs of players and the full ensemble. Advanced intermediate players will enjoy the well contrasted, mostly lively movements. Horn players may prefer to transpose some passages down an octave. Some trills have been added and dashed slurs to match the few indicated in the original set of parts. The Suite is very likely to have been performed at outside and inside events and the mode of performance adapted accordingly.
$20.00 ≈
¥140.37
There is a fountain
There is a fountain
#
Choral SATB
#
INTERMEDIATE
#
Funmi Olaoye
#
Taye Akintoye
#
There is a fountain
#
Funmi Olaoye
#
SheetMusicPlus
Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.997219 Composed by Funmi Olaoye. Arranged by Taye Akintoye. Classical,Easter,Gospel,Sacred. Oct...
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Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.997219 Composed by Funmi Olaoye. Arranged by Taye Akintoye. Classical,Easter,Gospel,Sacred. Octavo. 1 pages. Funmi Olaoye #5286215. Published by Funmi Olaoye (A0.997219). Hymn, CM & REF, There is a fountain, new tune.
$3.00 ≈
¥21.06
Jésù Kaabo (Jesus, welcome) A Yoruba Christmas song.
Jésù Kaabo (Jesus, welcome) A Yoruba Christmas song.
#
Choral SATB
#
Clement Kunle Oyafemi
#
Tolu Atoyebi
#
Jésù Kaabo
#
Clem Oyafemi
#
SheetMusicPlus
Choral Choir (SATB divisi) - Digital Download SKU: A0.1030261 Composed by Clement Kunle Oyafemi. Arranged by Tolu Atoyebi. African,Christian,Christmas,Sa...
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Choral Choir (SATB divisi) - Digital Download SKU: A0.1030261 Composed by Clement Kunle Oyafemi. Arranged by Tolu Atoyebi. African,Christian,Christmas,Sacred. Octavo. 3 pages. Clem Oyafemi #6141397. Published by Clem Oyafemi (A0.1030261). This a beautiful Christmas song composed in Yoruba language. Written in December 2019, this song welcomes Jesus, the son of God, the Light of the World and invites the whole world to receive him with joy and dancing which is very typical of African people. .
$3.99 ≈
¥28.00
O for a thousand tongues
O for a thousand tongues
#
Easy Piano
#
INTERMEDIATE
#
Funmi Olaoye
#
Taye Akintoye
#
O for a thousand tongues
#
Funmi Olaoye
#
SheetMusicPlus
Easy Piano - Level 3 - Digital Download SKU: A0.997213 Composed by Funmi Olaoye. Arranged by Taye Akintoye. Classical,Gospel,Holiday,Sacred. Score. 1 pag...
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Easy Piano - Level 3 - Digital Download SKU: A0.997213 Composed by Funmi Olaoye. Arranged by Taye Akintoye. Classical,Gospel,Holiday,Sacred. Score. 1 pages. Funmi Olaoye #5286191. Published by Funmi Olaoye (A0.997213). Hymn, CM tune, O for a thousand tongues, new tune.
$3.00 ≈
¥21.06
Haunted Ballroom
Haunted Ballroom
#
Concert band
#
EASY
#
Geoffrey Toye
#
John Ivor Holland
#
Haunted Ballroom
#
John Ivor Holland
#
SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.1290288 By Geoffrey Toye. By Reginald King. Arranged by John Ivor Holland. 20th Century,Romantic Period...
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Concert Band - Level 2 - Digital Download SKU: A0.1290288 By Geoffrey Toye. By Reginald King. Arranged by John Ivor Holland. 20th Century,Romantic Period. Score and Parts. 41 pages. John Ivor Holland #880995. Published by John Ivor Holland (A0.1290288). The Haunted Ballroom is a one-act ballet, in three scenes and an interlude, with music and libretto by Geoffrey Toye (former musical director for the D'Oyly Carte Opera Company) and choreography by Ninette de Valois. It was first produced in London in 1934, and was revived several times, but much of the choreography is now lost. The ballet is a Gothic melodrama about a fatal family curse, involving dancing with ghostly partners. The original cast included Robert Helpmann (The Child Catcher from 'Chitty Chitty Bang Bang') and a young Margot Fonteyn. This arrangement for modern concert band of the main theme from the ballet has been prepared from the piano transcription by Reginald King. A charming slice of British light music for a more gentle addition to a Hallowe'en concert.
$49.99 ≈
¥350.85
Ruddigore Overture for concert band
Ruddigore Overture for concert band
#
Concert band
#
INTERMEDIATE
#
Geoffrey Toye
#
Bill Malcolm
#
Ruddigore Overture for concert
#
Bill Malcolm
#
SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1116488 Composed by Geoffrey Toye. Arranged by Bill Malcolm. 19th Century,Broadway,Holiday,Musical/Show...
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Concert Band - Level 3 - Digital Download SKU: A0.1116488 Composed by Geoffrey Toye. Arranged by Bill Malcolm. 19th Century,Broadway,Holiday,Musical/Show,Opera,Thriller. Score and Parts. 140 pages. Bill Malcolm #718137. Published by Bill Malcolm (A0.1116488). I have generated a Contrabass Clarinet part, at the request of the commissioning organization. It isn't included in the score because most high school and many college band don't have one, but the part mirrors the tuba and from letter E to letter G should supplant it. A condensed score is included with the full score. The ads in some parts make the page turns come out correctly. This is a fine addition to the Hallowe'en literature. Duration about 7 minutes.
$50.00 ≈
¥350.92
Ruddigore Overture for wind quintet
Ruddigore Overture for wind quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE/ADVANCED
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Geoffrey Toye
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Bill Malcolm
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Ruddigore Overture for wind qu
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Bill Malcolm
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1223636 Composed by Geoffrey Toye. Arranged by B...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1223636 Composed by Geoffrey Toye. Arranged by Bill Malcolm. 19th Century,Chamber,Classical,Holiday,Romantic Period. 35 pages. Bill Malcolm #819784. Published by Bill Malcolm (A0.1223636). This arrangement includes program/performance notes. A similar arrangement is available for concert band. Performance time is about 7 minutes. This is a good piece for the Halloween season, as is Der Vampyr Overture. If printed front to back the pages should come out with the page turns in the correct locations on all parts.
$20.00 ≈
¥140.37
Sonata No. 6 "Kharkiv", Op. 48
Sonata No. 6 "Kharkiv", Op. 48
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Guitar
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ADVANCED
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Classical
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published b...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95 ≈
¥55.80
Jishou Mushoku
Jishou Mushoku
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Pop music
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Sasanomaly
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Gloria Atoyebi
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Jishou Mushoku
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Gloria Atoyebi
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SheetMusicPlus
Percussion Septet Drum Set,Glockenspiel,Marimba,Vibraphone - Digital Download SKU: A0.1416968 By Sasanomaly. By Marii Sasno. Arranged by Gloria Atoyebi. ...
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Percussion Septet Drum Set,Glockenspiel,Marimba,Vibraphone - Digital Download SKU: A0.1416968 By Sasanomaly. By Marii Sasno. Arranged by Gloria Atoyebi. Pop. 12 pages. Gloria Atoyebi #998558. Published by Gloria Atoyebi (A0.1416968). A shorter version of my full percussion ensemble arrangement of Jishou Mushoku! Hope you enjoy!
$15.00 ≈
¥105.28
If Not Now, When?
If Not Now, When?
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Contemporary
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Chris Gordon
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If Not Now, When?
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Cool Wind Music Digital
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SheetMusicPlus
Large Ensemble Cello,Clarinet,Flute,Piano,Piccolo,Viola,Violin - Level 3 - Digital Download SKU: A0.841258 Composed by Chris Gordon. 20th Century. Score ...
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Large Ensemble Cello,Clarinet,Flute,Piano,Piccolo,Viola,Violin - Level 3 - Digital Download SKU: A0.841258 Composed by Chris Gordon. 20th Century. Score and parts. 39 pages. Cool Wind Music Digital #3056419. Published by Cool Wind Music Digital (A0.841258). Full set of parts: Please contact Chris Gordon at the email address on the first page of music for details.IF NOT NOW, WHEN? If Not Now, When? gets its title from the novel by Primo Levi, the Italian author who both survived life in Auschwitz and fought the continued German military presence in Italy with the Resistance after the Italian surrender to the Allies in September 1943. Levi meant that revolution and the overthrow of tyranny should never be 'put off until tomorrow'. If you believe you are on the side of right, then 'seize the day'- tomorrow may be too late. The inspiration for INNW? grew from research I was doing into an early song by Alban Berg called An Leukon which Berg wrote in 1907 while a student of Arnold Schoenberg. In delving into the kind of world which Berg inhabited in the Vienna of 100 years ago, I was fascinated by the café culture* which played a pivotal role in the lives of most artists: not only composers, but also writers, painters, architects and journalists. They swirled around the fashionable 'watering holes' sucking up current thoughts and ideas, high on Viennese coffee, cigar smoke and idealism! I envisaged a play which tried to encapsulate all this and wrote a few scenes with characters such as Schoenberg, Berg, Webern, Steuermann, Pisk, Kraus, Gropius and Altenberg heatedly discussing music, art and poetry over large cups of milky coffee. This grew into the framework for INNW? which, to paraphrase Pirandello's play about characters seeking an author, is a 'play without words in several scenes'. The piece is organised into 8 short movements or 'scenes' showing the 'Schoenberg cirle' sharing their radical and daring ideas and the shock or delight (or both simultaneously) with which those ideas are greeted. The first, which happens to be the longest, is rooted in conventional tonality. It begins with a fanfare in D flat major ('aux armes, citoyens!'), then seeks a 'freer' tonality by means of the 'emancipation of the semitone' only to capitulate in the central section and, finally, to 'fall back to earth' by winding down in G sharp minor. These 'scenes' are not meant to represent particular composers. They are, however, meant to represent the kinds of directions in which music could progress, given the 'breakdown' or 'stretching to its limits' of traditional harmony which had occurred in the previous 10 to 20 years. So many ways forward were promulgated, with one after another extraordinary, and often unexpected, futuristic musical panoramas glimpsed momentarily. My aim is to demonstrate which directions they decided they could head in having cleared the 'overgrown' path before them. * I even discovered that, around this time, in the Café Central, a certain Leon (Lev) Bronstein, otherwise known as Leon Trotsky, banished by the Okhrana (Imperial secrect police) from his native Russia, would spend all day in a back room playing chess. How delicious, I thought, if Schoenberg had ever brushed passed Trotsky or, indeed, had ever spoken to him: the one planning political and the other musical revolution!
$25.00 ≈
¥175.46
Nevermore
Nevermore
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Saxophone
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INTERMEDIATE/ADVANCED
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Craig Wadley
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Nevermore
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Wadley Publications
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SheetMusicPlus
Instrumental Solo,Saxophone - Level 4 - Digital Download SKU: A0.983172 Composed by Craig Wadley. 21st Century,Contemporary,Contest,Festival,Halloween. I...
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Instrumental Solo,Saxophone - Level 4 - Digital Download SKU: A0.983172 Composed by Craig Wadley. 21st Century,Contemporary,Contest,Festival,Halloween. Individual part. 18 pages. Wadley Publications #4638491. Published by Wadley Publications (A0.983172). Nevermore for Unaccompanied Saxophone by Craig Wadley. As this is an unaccompanied piece, ANY saxophone is acceptable. While most soloists will undoubtedly opt to use alto or soprano, the composer welcomes renditions of this piece on any of the larger saxes as well. This piece was inspired by Nevermore: An Evening With Edgar Allen Poe, a single act play featuring Jeffrey Combs. My good friend, Dr. Brent Bristow of Arkansas State University, Beebe, convinced me to go see the play when it was presented there in March of 2018. That performance by the legendary Mr. Combs inspired this piece. Why unaccompanied saxophone? Brent Bristow and I have been close friends since high school, and since he is the one who convinced me to see this show, and given that he plays classical saxophone (yes, that IS a thing!), I figured saxophone would kill two birds with one reed… or something like that. The show itself is a one-man performance, so that’s why this piece is unaccompanied. I toyed with the notion of including some text from the show. Eventually, I decided to go with The Raven, which is featured prominently in Combs’ monologue. But I didn’t want to RELY on The Raven, so I wrote the piece in such a way that it can be performed with OR without the narrator. I took a bit of inspiration from Bach’s cello music and brought in some more modern elements such as shifting meters and limited use of slap-tongue and multiphonics to keep things interesting. No altissimo is used.This work would make for excellent solo repertoire at the collegiate level, while still being potentially accessible to advanced high school players. If the narrator is used, this work would also be great as part of a Halloween/horror variety show!You may note that the mp3 demo preview uses a cello sound (placing the transposition in the range of the baritone sax, though again, any saxophone is acceptable). A cello sound is used because samples of saxophone sounds generally leave much to be desired, and they are most commonly based on jazz tone qualities which would be completely inappropriate for this piece.
$17.99 ≈
¥126.26
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A Toye
