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You've selected:
Abstraction 2
Sheetmusic to print
90 sheet music found
<
1
26
51
76
Abstraction 2
Abstraction 2
#
Guitar
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Philip Lashley
#
Abstraction 2
#
Philip Lashley
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1008729 Composed by Philip Lashley. Contemporary. Individual part. 2 pages. Philip Lashley #5019737. Pub...
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1008729 Composed by Philip Lashley. Contemporary. Individual part. 2 pages. Philip Lashley #5019737. Published by Philip Lashley (A0.1008729). Abstraction 2 is one fifth of Five Abstractions for solo guitar. It is suitable for intermediate to advance players. It can be played separately or with all Five Abstractions in their entirety. This Abstraction has some percussive effects and dissonant harmonies.
$1.99 ≈
1.83€
Concerto grosso in F major op. 6 no. 2
Concerto grosso in F major op. 6 no. 2
#
String Quartet: 2 violins, viola, cello
#
Classical
#
George Frideric Handel
#
Adrian Gagiu
#
Concerto grosso in F major op.
#
Adrian Gagiu
#
SheetMusicPlus
String Quartet String Quartet - Digital Download SKU: A0.1150513 Composed by George Frideric Handel. Arranged by Adrian Gagiu. Baroque,Chamber. 42 pages....
(+)
String Quartet String Quartet - Digital Download SKU: A0.1150513 Composed by George Frideric Handel. Arranged by Adrian Gagiu. Baroque,Chamber. 42 pages. Adrian Gagiu #750689. Published by Adrian Gagiu (A0.1150513). Handel’s great set of 12 Concerti grossi (= Grand Concertos, in the first edition) op. 6 are somehow a bit related in spirit, through their power and diversity, with Beethoven’s string quartets. Therefore, here they are arranged for the more ‘abstract’ and ‘timeless’ medium of the string quartet, allowing also for an addition to the repertoire of the respective ensembles. Articulation, tempo and dynamics indications were specified or added where needed, and all the trills were indicated to start with the upper auxiliary note, not only according to the Baroque performance practice but also fitting to the melodic contour. The movements of Concerto grosso in F major, op. 6 no. 2: 1. Andante larghetto - noble, rich and soulful 2. Allegro ma non tanto – agitated, in D minor 3. Largo – Larghetto andante – in two alternating sections and moods (stately, and then mysterious and gentle) 4. Allegro, ma non troppo – a vigorous and fun fugato, with a broad and lyrical second theme. Total duration 11 min. The mp3 clip is the final movement. Performing Rights Organization: SOCAN.
$20.00 ≈
18.42€
Abstraction 3
Abstraction 3
#
Guitar
#
INTERMEDIATE/ADVANCED
#
Philip Lashley
#
Abstraction 3
#
Philip Lashley
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1008728 Composed by Philip Lashley. Contemporary. Individual part. 2 pages. Philip Lashley #5019741. Pub...
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1008728 Composed by Philip Lashley. Contemporary. Individual part. 2 pages. Philip Lashley #5019741. Published by Philip Lashley (A0.1008728). Abstraction 3 is one fifth of Five Abstractions for solo guitar. It is suitable for intermediate to advanced players. It can be played desperately or as a part of Five Abstractions for solo guitar. It has a light texture and a happy, upbeat melody.
$1.99 ≈
1.83€
Op. 1, No. 2: Barque légère, mon coeur from Songs of Gouvy, V2 (Downloadable)
Op. 1, No. 2: Barque légère, mon coeur from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voice
#
INTERMEDIATE
#
MeeAe Cecilia Nam and Theodore
#
Op. 1, No. 2: Barque légère,
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-26E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer M...
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-26E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-26E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-26E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00 ≈
2.76€
Op. 45, No. 2: Je te l’avais bien dit from Songs of Gouvy, V2 (Downloadable)
Op. 45, No. 2: Je te l’avais bien dit from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voice
#
INTERMEDIATE
#
MeeAe Cecilia Nam and Theodore
#
Op. 45, No. 2: Je te l’avais
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-02E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer M...
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-02E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - Digital #8492-02E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-02E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00 ≈
2.76€
Op. 21, No. 2: Consolation from Songs of Gouvy, V2 (Downloadable)
Op. 21, No. 2: Consolation from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voice
#
INTERMEDIATE
#
MeeAe Cecilia Nam and Theodore
#
Op. 21, No. 2: Consolation fro
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-20E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer M...
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-20E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - Digital #8492-20E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-20E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00 ≈
2.76€
Abstract
Abstract
#
C Instruments
#
EASY
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Julian Hartwell Project
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Julian Horner
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Abstract
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Julian Hartwell Music
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SheetMusicPlus
C Instrument - Level 2 - Digital Download SKU: A0.1130200 By Julian Hartwell Project. By Julian Horner. Arranged by Julian Horner. Contemporary,Jazz,Stan...
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C Instrument - Level 2 - Digital Download SKU: A0.1130200 By Julian Hartwell Project. By Julian Horner. Arranged by Julian Horner. Contemporary,Jazz,Standards. Lead Sheet / Fake Book. 4 pages. Julian Hartwell Music #730562. Published by Julian Hartwell Music (A0.1130200).
$4.99 ≈
4.59€
Prelude (The Abstract Number 1)
Prelude (The Abstract Number 1)
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Piano solo
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INTERMEDIATE
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Friedrich Stern
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Prelude
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Vicente Trompieri
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1015765 Composed by Friedrich Stern. Concert,Contemporary,Instructional,Standards. Score. 2 pages. Vicent...
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Piano Solo - Level 3 - Digital Download SKU: A0.1015765 Composed by Friedrich Stern. Concert,Contemporary,Instructional,Standards. Score. 2 pages. Vicente Trompieri #5017563. Published by Vicente Trompieri (A0.1015765). A prelude .
$2.00 ≈
1.84€
Fugue Op.92 N.2 for Double Reed Quintet
Fugue Op.92 N.2 for Double Reed Quintet
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Max Reger
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Cristiano Vecchi
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Fugue Op.92 N.2 for Double Ree
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Cristiano Vecchi
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,English Horn,Oboe - Level 2 - Digital Download SKU: A0.963342 Composed by Max Reger. Arranged by Cristiano Vec...
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Woodwind Ensemble,Woodwind Quintet Bassoon,English Horn,Oboe - Level 2 - Digital Download SKU: A0.963342 Composed by Max Reger. Arranged by Cristiano Vecchi. 20th Century,Instructional,Romantic Period,Sacred,Standards. 14 pages. Cristiano Vecchi #4799477. Published by Cristiano Vecchi (A0.963342). Version for Double Reed Quintet : Oboes 1&2 - English Horn - Bassoons 1&2 . Duration: 3'30'' .This supernatural, esoteric, abstract, contemplative and minimal first fugue takes place after the intimate prelude in the Suite for Organ Op.92 (1905) by Max Reger, masterwork of the late Romanticism that anticipates so many trends of the Expressionism period: loss of the tonal sense, exasperating contrasts, giant spots of vibrating timbrical color. Plus, the all-pervading memories and attitudes of the baroque period (specially the Bach's lesson) give to this music an irresistible charme, emotional and intellectual. SCORE and PARTS. MP3 also purchasable on this website.
$3.99 ≈
3.67€
Fugue Op.92 N.2 for Double Reed Quintet MP3
Fugue Op.92 N.2 for Double Reed Quintet MP3
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Cristiano Vecchi
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Fugue Op.92 N.2 for Double Ree
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Cristiano Vecchi
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SheetMusicPlus
Woodwind Quintet Bassoon,English Horn,Oboe - Digital Download SKU: A0.1066273 Arranged by Cristiano Vecchi. 20th Century,Instructional,Romantic Period,Sa...
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Woodwind Quintet Bassoon,English Horn,Oboe - Digital Download SKU: A0.1066273 Arranged by Cristiano Vecchi. 20th Century,Instructional,Romantic Period,Sacred,Standards. Full Performance. Duration 215. Cristiano Vecchi #4799487. Published by Cristiano Vecchi (A0.1066273). Version for Double Reed Quintet : Oboes 1&2 - English Horn - Bassoons 1&2 . Duration: 3'30'' .This supernatural, esoteric, abstract, contemplative and minimal first fugue takes place after the intimate prelude in the Suite for Organ Op.92 (1905) by Max Reger, masterwork of the late Romanticism that anticipates so many trends of the Expressionism period: loss of the tonal sense, exasperating contrasts, giant spots of vibrating timbrical color. Plus, the all-pervading memories and attitudes of the baroque period (specially the Bach's lesson) give to this music an irresistible charme, emotional and intellectual. SCORE and PARTS also purchasable on this website.
$1.99 ≈
1.83€
Devotion No. 2, With Wonder
Devotion No. 2, With Wonder
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Piano, Voice
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Joan Bujacich
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This
Devotion
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Devotion No. 2, With Wonder
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Joan Bujacich
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SheetMusicPlus
Piano,Vocal,Voice - Digital Download SKU: A0.893914 Composed by Joan Bujacich. 20th Century,Contemporary,Sacred,Spiritual. Score. 7 pages. Joan Bujacich ...
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Piano,Vocal,Voice - Digital Download SKU: A0.893914 Composed by Joan Bujacich. 20th Century,Contemporary,Sacred,Spiritual. Score. 7 pages. Joan Bujacich #6212183. Published by Joan Bujacich (A0.893914). This is the Devotion No. 2, With Wonder from : Three Devotions For Classical Voice and Piano by Joan Bujacich. This Devotion is mysterious and humbling as it depicts the beauty of God's creation. It is the most advanced musically of the three with the piano looping rhythmic figures that create tension and intrigue, while the voice floats above melodiously. The video set to the music, linked below to Youtube, features abstract paintings and photographs chosen are by various artists. They demonstrate the unifying message of love and respect for life, our planet, the universe and God. Though this Devotion can be performed on its own, it does balance nicely between the other two if an artist performed all three. It can also be purchased here on SMP with the other two under the title Three Devotions For Voice and Piano. All Three Devotions were recorded by mezzo soprano, Kathy Knittel, and the composer, Joan Bujacich on piano.
$4.99 ≈
4.59€
Clarinet Sight-Reading 2
Clarinet Sight-Reading 2
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Clarinet
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Clarinet Sight-Reading 2
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Schott Music - Digital
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SheetMusicPlus
Clarinet - easy to intermediate - Digital Download SKU: S9.Q19496 A fresh approach. This edition: Sheet music. Schott Sight-Reading Series. Downlo...
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Clarinet - easy to intermediate - Digital Download SKU: S9.Q19496 A fresh approach. This edition: Sheet music. Schott Sight-Reading Series. Downloadable. Op. 2. Schott Music - Digital #Q19496. Published by Schott Music - Digital (S9.Q19496). English • French • German.- An approach based based upon self-learning and recognition of rhythmic and melodic patterns - Original tunes not abstract sight-reading exercises. - 163 carefully graduated pieces in a range of musical styles. - Five sections related to the technical development of the clarinettist. - Tunes progress to eventually include all key signatures up to four sharps and flats; whole tone, chromatic, modal and atonal elements are also incorporated. - Each section concludes with duets and accompanied pieces for practice of ensemble sight-reading. - Tunes range from grade 3 to grade 6.
$15.99 ≈
14.72€
Sonata No. 2
Sonata No. 2
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Guitar
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ADVANCED
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Olli Mustonen
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Sonata No. 2
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Schott Music - Digital
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SheetMusicPlus
Guitar - advanced - Digital Download SKU: S9.Q50413 For guitar. Composed by Olli Mustonen. This edition: single sheet. Guitar Archive. Für Gita...
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Guitar - advanced - Digital Download SKU: S9.Q50413 For guitar. Composed by Olli Mustonen. This edition: single sheet. Guitar Archive. Für Gitarre. Downloadable, Separate edition. Duration 10 minutes. Schott Music - Digital #Q50413. Published by Schott Music - Digital (S9.Q50413). Unlike its predecessor Jehkin Iivana, which draws its inspiration from the world of Finnish myths and the ancient tradition of poet singers, the sources of the Sonata N° 2 are more abstract. The first movement starts with dissonant intervals, full of drama and conflict while the second has a dream-like atmosphere as if the guitar has been left alone in the forest. After a nightmarish episode, more hopeful music suddenly starts to appear. In the last movement the guitar returns to fight its tormentors from the first movement with renewed energy and takes its way heroically through all obstacles to a triumphant end. Olli Mustonen.
$7.99 ≈
7.36€
Piano Sonata No. 1 Movement 2 "A Saunter"
Piano Sonata No. 1 Movement 2 "A Saunter"
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Piano solo
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BEGINNER
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Contemporary
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Samuel Warren Hatch
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Piano Sonata No. 1 Movement 2
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Samuel Warren Hatch
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SheetMusicPlus
Piano Solo - Level 1 - Digital Download SKU: A0.1025432 Composed by Samuel Warren Hatch. 20th Century,Contemporary. Score. 5 pages. Samuel Warren Hatch #...
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Piano Solo - Level 1 - Digital Download SKU: A0.1025432 Composed by Samuel Warren Hatch. 20th Century,Contemporary. Score. 5 pages. Samuel Warren Hatch #4764151. Published by Samuel Warren Hatch (A0.1025432). Piano Sonata No. 1 in E Major is the first series of concert piano works by S. Warren Hatch, written during his undergraduate study at Campbell University. Each movement is distinct, in that each of them is composed in a different form, utilizes different key changes and scales, and takes influence from a different period in classical music. While there is no theme that connects them to one another, they are all in the key of E Major and consist mostly of a waltz-like feeling. II. A Saunter is a piano work based on the thoughts/feelings gained from a somber walk through a beautiful city. It embraces the duality of the abstract and the concrete, mirroring how a walk can be one admiring his/her surroundings and reflecting on life’s sufferings, simultaneously.
$3.99 ≈
3.67€
Symphony No. 9 1st movement for Brass Quintet and Percussion (optional)
Symphony No. 9 1st movement for Brass Quintet and Percussion (optional)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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ADVANCED
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Contemporary
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Dmitri Shostakoich
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Wes Ballenger
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Symphony No. 9 1st movement fo
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble - Level 5 - Digital Download SKU: A0.792740 Composed by Dmitri Shostakoich. Arranged by Wes Ballenger. 20th Century,Classical. Score and p...
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Brass Ensemble - Level 5 - Digital Download SKU: A0.792740 Composed by Dmitri Shostakoich. Arranged by Wes Ballenger. 20th Century,Classical. Score and parts. 38 pages. Gordon Cherry #6190513. Published by Gordon Cherry (A0.792740). After the Second World War, Shostakovich was expected to compose a great Ninth Symphony with giant forces to be dedicated to the great leader, Stalin and the greatness of the Russian people. Instead, he wrote an abstract, almost Neoclassical work full of mockery, playfulness, and bombastic gestures.The first movement of this great work is featured in a fantastic arrangement by Wes Ballenger for Brass Quintet with optional Percussion (only one performer needed) and can be performed by advanced artists. The instrumentation is for: 2 Trumpets in C, Horn in F, Trombone, F Tuba or Bass Trombone and Percussion (snare drum and triangle). The arrangement is about 4 1/2 minutes in length.Cherry Classics is indebted to the Shostakovich Estate for giving permission to publish this arrangement.
$35.00 ≈
32.23€
Concerto grosso in B minor op. 6 no. 12
Concerto grosso in B minor op. 6 no. 12
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Classical
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George Frideric Handel
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Adrian Gagiu
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Concerto grosso in B minor op.
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Adrian Gagiu
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SheetMusicPlus
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1156597 Composed by George Frideric Handel. Arranged by Adrian Gagiu. Baroque,Chamber....
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1156597 Composed by George Frideric Handel. Arranged by Adrian Gagiu. Baroque,Chamber. 44 pages. Adrian Gagiu #756921. Published by Adrian Gagiu (A0.1156597). Handel’s great set of 12 Concerti grossi (= Grand Concertos, in the first edition) op. 6 are somehow a bit related in spirit, through their power and diversity, with Beethoven’s string quartets. Therefore, here they are arranged for the more ‘abstract’ and ‘timeless’ medium of the string quartet, allowing also for an addition to the repertoire of the respective ensembles. Articulation, tempo and dynamics indications were specified or added where needed, and all the trills were indicated to start with the upper auxiliary note, not only according to the Baroque performance practice but also fitting to the melodic contour. Concerto grosso in B minor, op. 6 no. 12: 1. Largo-Allegro moderato – dramatic introduction, like in a French overture, then agitated and brilliant; 2. Aria (Larghetto) – soothing, with 2 variations; 3. Largo-Allegro – brief, tragic transition, then an animated fugue on a gigue-like theme. The mp3 audio clip is the final movement (Allegro). Total duration: 11 min. Performing Rights Organization: SOCAN.
$20.00 ≈
18.42€
Feitiço - Bezauberung - Enchantment (Brass)
Feitiço - Bezauberung - Enchantment (Brass)
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Brass Quartet: 2 trumpets, horn, trombone
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EASY
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Rudesindo Soutelo
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Feitiço - Bezauberung - Encha
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Publisher by Rudesindo Soutelo
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1013234 Composed by Rudesindo Soutelo. Contemporary,Instructional,Multicultural...
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Brass Ensemble Horn,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1013234 Composed by Rudesindo Soutelo. Contemporary,Instructional,Multicultural,Standards,World. Score and parts. 18 pages. Publisher by Rudesindo Soutelo #6094679. Published by Publisher by Rudesindo Soutelo (A0.1013234). This enchantment is a brass trio –there is one version for woodwind instruments and another for strings– and is built on four notes, the four most emblematic notes in the history of Western Music, the notes that constitute the name of BACH (Bb-A-C-B). These four notes establish a complex {1,3,1} and its complement {3,1,3}. With these complexes, rigorously elaborated in a counterpoint texture of increasing tension, emotions are aroused which open us to a different perception. The enchantment may be Bach or the contemplation of any other sublime beauty, but the listener does not need to know the sound material used to feel bewitched. The enchantment is an abstract emotional state that each listener experiences in a particular and different way.
$7.00 ≈
6.45€
I've Gotta Get A Message To You
I've Gotta Get A Message To You
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Brass quartet : 2 trumpets, trombone, tuba
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EASY
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Bee Gees
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Peet du Toit
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I've Gotta Get A Message To Yo
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Peet du Toit
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.802647 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.802647 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Peet du Toit. Dance,Disco. Score and parts. 23 pages. Peet du Toit #6197563. Published by Peet du Toit (A0.802647). I've Gotta Get a Message to You is a song by the Bee Gees. Released as a single on 7 September 1968, it was their second number-one single on the UK Singles Chart and their first US Top 10 hit.The song is about a man who, awaiting his execution in the electric chair, begs the prison chaplain to pass a final message on to his wife. Robin Gibb, who wrote the lyrics, said that the man's crime was the murder of his wife's lover, though the lyrics do not explicitly allude to the identity of the victim. Robin said, This is about a prisoner on Death Row who only has a few hours to live. He wants the prison chaplain to pass on a final message to his wife. There's a certain urgency about it. Myself and Barry wrote it. It's a bit like writing a script. Sometimes you can sit there for three hours with your guitar and nothing will happen. Then in the last ten minutes something will spark. The song was written with Percy Sledge in mind to record it. Sledge did record it in February 1970 but Atlantic did not issue his version in the United States at the time.Barry recalled, In those days, the lyrics were almost pretty well done on the spot. I don't remember the fundamentals on how the lyrics were formed, except that we were writing about a guy on death row. That was it.Robin adds:It was like acting, you see, we said, let's pretend that somebody, his life is on the line, somebody's going to the chair. What would be going through their mind? Let's not make it doom and gloom but sort of an appeal to the person he loves. Because right now that's all he cares about. Regardless of whether he's done a bad thing, he is a human being, and he's sending out this last message. There's someone out there whom he loves. It's a torch song, but within a very sort of theatrical sense. Not sort of abstract, but definitely somebody in a very bad situation whose life is going to end. What would they be saying, you know? This is it: 'Gotta get a message to you, hold on.Revive this hit on your brass instruments and enjoy!
$17.00 ≈
15.65€
Concerto grosso in F major op. 6 no. 9
Concerto grosso in F major op. 6 no. 9
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Classical
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George Frideric Handel
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Adrian Gagiu
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Concerto grosso in F major op.
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Adrian Gagiu
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SheetMusicPlus
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1156587 Composed by George Frideric Handel. Arranged by Adrian Gagiu. Baroque,Chamber....
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1156587 Composed by George Frideric Handel. Arranged by Adrian Gagiu. Baroque,Chamber. 45 pages. Adrian Gagiu #756911. Published by Adrian Gagiu (A0.1156587). Handel’s great set of 12 Concerti grossi (= Grand Concertos, in the first edition) op. 6 are somehow a bit related in spirit, through their power and diversity, with Beethoven’s string quartets. Therefore, here they are arranged for the more ‘abstract’ and ‘timeless’ medium of the string quartet, allowing also for an addition to the repertoire of the respective ensembles. Articulation, tempo and dynamics indications were specified or added where needed, and all the trills were indicated to start with the upper auxiliary note, not only according to the Baroque performance practice but also fitting to the melodic contour. Concerto grosso in F major, op. 6 no. 9: 1. Largo-Allegro – a stark introduction and a joyful, virtuoso Allegro, one of his best instrumental movements; 2. Larghetto – a gentle, nostalgic siciliana; 3. Allegro molto moderato – an animated, vigorous fugue; 4. Menuet – peculiar and rather complex; 5. Gigue (Allegro) – merry, reminding of Corelli. The mp3 audio clip is the fourth movement (Menuet). Total duration 13 min 30 sec. Performing Rights Organization: SOCAN.
$20.00 ≈
18.42€
Concerto grosso in E minor op. 6 no. 3
Concerto grosso in E minor op. 6 no. 3
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String Quartet: 2 violins, viola, cello
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Classical
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George Frideric Handel
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Adrian Gagiu
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Concerto grosso in E minor op.
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Adrian Gagiu
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SheetMusicPlus
String Quartet String Quartet - Digital Download SKU: A0.1150516 Composed by George Frideric Handel. Arranged by Adrian Gagiu. Baroque,Chamber. 46 pages....
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String Quartet String Quartet - Digital Download SKU: A0.1150516 Composed by George Frideric Handel. Arranged by Adrian Gagiu. Baroque,Chamber. 46 pages. Adrian Gagiu #750692. Published by Adrian Gagiu (A0.1150516). Handel’s great set of 12 Concerti grossi (= Grand Concertos, in the first edition) op. 6 are somehow a bit related in spirit, through their power and diversity, with Beethoven’s string quartets. Therefore, here they are arranged for the more ‘abstract’ and ‘timeless’ medium of the string quartet, allowing also for an addition to the repertoire of the respective ensembles. Articulation, tempo and dynamics indications were specified or added where needed, and all the trills were indicated to start with the upper auxiliary note, not only according to the Baroque performance practice but also fitting to the melodic contour. The movements of Concerto grosso in E minor, op. 6 no. 3: 1. Larghetto – a serious sarabande 2. Andante – a tragic fugato, reminding of J.S. Bach’s style (and of the theme of D. Scarlatti’s so-called ‘Cat Fugue’) 3. Allegro – stern, Italianate and a bit strange 4. Polonaise (Andante) – pastoral, yet courtly, in G major 5. Allegro, ma non troppo – serious again, with some surprises. Total duration 10 min 30 sec. The mp3 audio clip is the fifth movement. Performing Rights Organization: SOCAN.
$20.00 ≈
18.42€
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