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You've selected:
Action and Memory
Sheetmusic to print
17 sheet music found
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1
Action and Memory (Cello Part)
Action and Memory (Cello Part)
#
Cello
#
Contemporary
#
Lilianna Rolands
#
Action and Memory
#
Lilianna Rolands
#
SheetMusicPlus
Cello Solo - Digital Download SKU: A0.1016862 Composed by Lilianna Rolands. Contemporary. Individual part. 2 pages. Lilianna Rolands #5954739. Published ...
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Cello Solo - Digital Download SKU: A0.1016862 Composed by Lilianna Rolands. Contemporary. Individual part. 2 pages. Lilianna Rolands #5954739. Published by Lilianna Rolands (A0.1016862). Cello part for Action and Memory. A piece with two movements for Pierrot ensemble that captures the feeling of an action and the memory associated with it. The entire piece lasts approximately six minutes. Not affiliated with a PRO.
$3.00 ≈
2.70€
Action and Memory (Violin Part)
Action and Memory (Violin Part)
#
Violin
#
INTERMEDIATE
#
Contemporary
#
Lilianna Rolands
#
Action and Memory
#
Lilianna Rolands
#
SheetMusicPlus
Violin Solo - Level 3 - Digital Download SKU: A0.1016861 Composed by Lilianna Rolands. Contemporary. 2 pages. Lilianna Rolands #5954733. Published by Lil...
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Violin Solo - Level 3 - Digital Download SKU: A0.1016861 Composed by Lilianna Rolands. Contemporary. 2 pages. Lilianna Rolands #5954733. Published by Lilianna Rolands (A0.1016861). Violin part for Action and Memory. A piece with two movements for Pierrot ensemble that captures the feeling of an action and the memory associated with it. The entire piece lasts approximately six minutes. Not affiliated with a PRO.
$3.00 ≈
2.70€
Action and Memory (Piano Part)
Action and Memory (Piano Part)
#
Piano solo
#
INTERMEDIATE
#
Contemporary
#
Lilianna Rolands
#
Action and Memory
#
Lilianna Rolands
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1016860 Composed by Lilianna Rolands. Contemporary. Score. 3 pages. Lilianna Rolands #5954727. Published ...
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Piano Solo - Level 3 - Digital Download SKU: A0.1016860 Composed by Lilianna Rolands. Contemporary. Score. 3 pages. Lilianna Rolands #5954727. Published by Lilianna Rolands (A0.1016860). Piano part for Action and Memory. A piece with two movements for Pierrot ensemble that captures the feeling of an action and the memory associated with it. The entire piece lasts approximately six minutes. Not affiliated with a PRO.
$3.00 ≈
2.70€
Action and Memory (Score and Parts)
Action and Memory (Score and Parts)
#
Contemporary
#
Lilianna Rolands
#
Action and Memory
#
Lilianna Rolands
#
SheetMusicPlus
Small Ensemble Cello,Clarinet,Flute,Piano,Violin - Level 3 - Digital Download SKU: A0.1016858 Composed by Lilianna Rolands. Contemporary. Score and parts...
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Small Ensemble Cello,Clarinet,Flute,Piano,Violin - Level 3 - Digital Download SKU: A0.1016858 Composed by Lilianna Rolands. Contemporary. Score and parts. 34 pages. Lilianna Rolands #5954019. Published by Lilianna Rolands (A0.1016858). A piece with two movements for Pierrot ensemble that captures the feeling of an action and the memory associated with it. The entire piece lasts approximately six minutes. Not affiliated with a PRO. .
$11.00 ≈
9.89€
"Like a Whirling Sand Clock" - for Clarinet, Cello and Piano [Performance Score and Parts]
"Like a Whirling Sand Clock" - for Clarinet, Cello and Piano [Performance Score and Parts]
#
Clarinet, Cello, Piano (trio)
#
ADVANCED
#
Contemporary
#
Lior Navok
#
"Like a Whirling Sand Clock" -
#
Lior Navok Music
#
SheetMusicPlus
Small Ensemble Cello,Clarinet,Piano - Level 5 - Digital Download SKU: A0.976003 Composed by Lior Navok. 20th Century,Contemporary. Score and parts. 57 pa...
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Small Ensemble Cello,Clarinet,Piano - Level 5 - Digital Download SKU: A0.976003 Composed by Lior Navok. 20th Century,Contemporary. Score and parts. 57 pages. Lior Navok Music #4716983. Published by Lior Navok Music (A0.976003). LIKE A WHIRLING SAND CLOCKfor Clarinet, Cello and Piano (2006) Duration: 10:30 minutes Instrumentation: Clarinet, Cello and Piano PROGRAM NOTES: The composer writes about his work: While composing Like a Whirling Sand Clock for clarinet, cello and piano I was occupied with the notion of leaking time process which is a micro cosmos of a larger process, best to be described as going back in time.In September 2006, I feel that the world is standing on a pivot point: on one hand, the various religious and political forces insist on rooting themselves deeper and deeper into what they see as the only truth, while in reality such ideas and especially the religious ones are extremely fundamentalist, reactionary and ill-minded. For me, such clashes of ideas and ideals are reminiscences of the dark middle-ages days and the crusades, where people killed people because of blind belief. Yet, in our days, with sophisticated mass destruction tools as developed most efficiently by humanity, one asks himself towards where we are heading and what will bring tomorrow. The feeling of evaporating, leaking time gets stronger and stronger while our era's events remind more and more what history books tells us.While imagining an ever-whirling sand clock that drops its sand grains one by one while the sand pile is collected at the upper tube and not the lower one, (thus indicating a going back in time process), one can imagine visually what I have tried to portrait with sounds.Like a Whirling Sand Clock was generously commissioned in memory of Adele and John Gray for clarinetist Chen Halevi. INFO: Item: Full Score / Set of Parts Edition: 2nd Edition Copyright: Lior Navok Publisher: Lior Navok Music Pages: Score: 33 Parts: 24Ink: Black & White Paper Size:DIN A4 / Letter.
$18.95 ≈
17.04€
Gregory Sullivan Isaacs: Songs From Calamus for tenor voice and piano
Gregory Sullivan Isaacs: Songs From Calamus for tenor voice and piano
#
Tenor voice
#
ADVANCED
#
Gregory Sullivan Isaacs
#
Gregory Sullivan Isaacs: Songs
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.533282 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 21 pages. Musik Fabrik...
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Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.533282 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 21 pages. Musik Fabrik Music Publishing #2331251. Published by Musik Fabrik Music Publishing (A0.533282). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters†of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,†“manly love†or with the code word, “adhesiveness.†The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.†The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer
$16.95 ≈
15.24€
Gregory Sullivan Isaacs: Songs From Calamus for baritone voice and piano
Gregory Sullivan Isaacs: Songs From Calamus for baritone voice and piano
#
Gregory Sullivan Isaacs
#
Gregory Sullivan Isaacs: Songs
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Digital Download SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabri...
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Baritone Horn TC,Vocal Solo,Voice - Digital Download SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabrik Music Publishing #2803929. Published by Musik Fabrik Music Publishing (A0.533384). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters†of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,†“manly love†or with the code word, “adhesiveness.†The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.†The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer
$16.95 ≈
15.24€
Vichnaya Pamyat
Vichnaya Pamyat
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Various
#
Rob Bushnell
#
Vichnaya Pamyat
#
RBMusic
#
SheetMusicPlus
Brass Ensemble Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.752457 By Various. By Hildur Gudnadottir...
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Brass Ensemble Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.752457 By Various. By Hildur Gudnadottir. Arranged by Rob Bushnell. Contemporary,Film/TV,Folk,Sacred,Traditional. Score and parts. 17 pages. RBMusic #6504099. Published by RBMusic (A0.752457). In 1982, the Vladimir Ilyich Lenin Nuclear Power Plant started a series of tests to simulate an electrical power outage to help create procedures for maintaining the circulation of the reactor coolant for the 60-75 seconds needed until the back-up generators got to full power. This was key to ensure that the coolant pumps did not stop working; otherwise, it could lead to the core overheating or, worse, the core melting down. The first test was unsuccessful, and, after some modifications, the test was repeated in 1984 and 1985. On 25 April 1986, a fourth test was scheduled to take place at 1415hrs during a controlled power-down of one of the reactors. However, at 1400hrs, another regional power station went offline, causing the test to be delayed by 10-hours. With the well-prepared day and evening crews’ shifts over, the test was left to the unprepared night crew. Unbeknownst to them, safety systems and protocols had been disabled or ignored earlier in the day, power-output issues had left the reactor in an unstable condition and there were basic design flaws with the reactor when it was constructed. All of this led to an uncontrolled chain reaction and, at some point around 01:23:45 in the morning of 26 April 1986, explosions and a fire destroyed a reactor building of reactor number 4 at Chernobyl. Radioactive contamination was released into the surrounding areas, 100,000s of people were evacuated, a 30-kilometre exclusion zone was put in place and whilst, officially, only 31 people died from this disaster, it has been estimated that between 4,000 and 16,000 fatalities are related to the events of that day. The area is likely to be unsafe for the next 20,000 years. The soundtrack to the TV mini-series Chernobyl is by the Icelandic composer, Hildur Guðnadóttir. The music is made, almost entirely, from sounds that she recorded at a decommissioned Nuclear power plant in Lithuania, giving it a very raw quality. She says the show itself portrays the disaster with respect and realism, and I was adamant the score reflects this. I wanted to show the viewer how it would feel to be there, and to tell this story of fear, loss and, ultimately, human error. Vichnaya Pamyat translated to Memory Eternal in Ukrainian, but a better English equivalent would be Rest in Peace. It is a hymn used during Ukrainian Orthodox Christian church funerals and memorial services. Guðnadóttir’s arrangement is heard at the end of the final episode of the series. This arrangement is in the original key. A transposed version, making it easier to play, is available, item number H0.1100563-SC004126925. The arrangement also includes alternative parts for tenor horn, treble-clef trombone/euphonium and tuba. A recording of the music from the original soundtrack can be found on YouTube: https://www.youtube.com/watch?v=4Poc3MF8GFk.
$13.99 ≈
12.58€
Vichnaya Pamyat
Vichnaya Pamyat
#
Various
#
Rob Bushnell
#
Vichnaya Pamyat
#
RBMusic
#
SheetMusicPlus
Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.752458 By Various. By Hildur Gudnadottir. Arranged by R...
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Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.752458 By Various. By Hildur Gudnadottir. Arranged by Rob Bushnell. Contemporary,Film/TV,Folk,Religious,Sacred. 17 pages. RBMusic #6506025. Published by RBMusic (A0.752458). In 1982, the Vladimir Ilyich Lenin Nuclear Power Plant started a series of tests to simulate an electrical power outage to help create procedures for maintaining the circulation of the reactor coolant for the 60-75 seconds needed until the back-up generators got to full power. This was key to ensure that the coolant pumps did not stop working; otherwise, it could lead to the core overheating or, worse, the core melting down. The first test was unsuccessful, and, after some modifications, the test was repeated in 1984 and 1985. On 25 April 1986, a fourth test was scheduled to take place at 1415hrs during a controlled power-down of one of the reactors. However, at 1400hrs, another regional power station went offline, causing the test to be delayed by 10-hours. With the well-prepared day and evening crews’ shifts over, the test was left to the unprepared night crew. Unbeknownst to them, safety systems and protocols had been disabled or ignored earlier in the day, power-output issues had left the reactor in an unstable condition and there were basic design flaws with the reactor when it was constructed. All of this led to an uncontrolled chain reaction and, at some point around 01:23:45 in the morning of 26 April 1986, explosions and a fire destroyed a reactor building of reactor number 4 at Chernobyl. Radioactive contamination was released into the surrounding areas, 100,000s of people were evacuated, a 30-kilometre exclusion zone was put in place and whilst, officially, only 31 people died from this disaster, it has been estimated that between 4,000 and 16,000 fatalities are related to the events of that day. The area is likely to be unsafe for the next 20,000 years. The soundtrack to the TV mini-series Chernobyl is by the Icelandic composer, Hildur Guðnadóttir. The music is made, almost entirely, from sounds that she recorded at a decommissioned Nuclear power plant in Lithuania, giving it a very raw quality. She says the show itself portrays the disaster with respect and realism, and I was adamant the score reflects this. I wanted to show the viewer how it would feel to be there, and to tell this story of fear, loss and, ultimately, human error. Vichnaya Pamyat translated to Memory Eternal in Ukrainian, but a better English equivalent would be Rest in Peace. It is a hymn used during Ukrainian Orthodox Christian church funerals and memorial services. Guðnadóttir’s arrangement is heard at the end of the final episode of the series. This arrangement is not in the original key and has been transposed to make it easier to play. A version in the original key is available, item number H0.1099667-SC004126925. The arrangement also includes alternative parts for tenor horn, treble-clef trombone/euphonium and tuba. A recording of the music from the original soundtrack can be found on YouTube: https://www.youtube.com/watch?v=4Poc3MF8GFk.
$13.99 ≈
12.58€
It Stops Today
It Stops Today
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Colbie Caillat
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Amphibia Cultural Legacy
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It Stops Today
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Amphibia Cultural Legacy
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SheetMusicPlus
Mixed Percussion,Strings Acoustic Guitar,Bass Voice,Clarinet,Cymbals,Digital Keyboard,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electric Guitar,Electronic...
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Mixed Percussion,Strings Acoustic Guitar,Bass Voice,Clarinet,Cymbals,Digital Keyboard,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electric Guitar,Electronic Keyboard,Flute,Harp,Horn,Medium-High Voice,Oboe,Percussion,Piano,Suspended Cymbal,Synthesizer,Trumpet,Tuba - Digital Download SKU: A0.1153337 By Colbie Caillat. By Colbie Caillat and Jason Reeves. Arranged by Amphibia Cultural Legacy. Disco,Jazz,New Age,Pop,Singer/Songwriter. 11 pages. Amphibia Cultural Legacy #753588. Published by Amphibia Cultural Legacy (A0.1153337). It Stops Today is an incredible song remixed by Amphibia Cultural Legacy, adding additional instruments to make it even more inspiring. The original song was written and performed by Colbie Caillat, a talented musician known for uplifting and positive music. It has become one of the most popular songs in recent memory thanks to its powerful message of hope and determination.The remix by Amphibia Cultural Legacy takes this amazing song to new heights, adding layers of instrumentation that enhance the power of the lyrics. The result is a track that will inspire listeners to take action and make positive changes in their lives. Whether you are struggling with personal issues or want to make a difference in the world around you, this remix will motivate you to keep moving forward.
$50.00 ≈
44.96€
Keep Right On To The End Of The Road (Flute)
Keep Right On To The End Of The Road (Flute)
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Flute and Piano
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INTERMEDIATE
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Sir Harry Lauder
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David D
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Keep Right On To The End Of Th
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David D Mason
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SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.770293 Composed by Sir Harry Lauder. Arranged by David D. Mason. Celtic,Concert,Holiday. Score and part....
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Flute,Piano - Level 3 - Digital Download SKU: A0.770293 Composed by Sir Harry Lauder. Arranged by David D. Mason. Celtic,Concert,Holiday. Score and part. 4 pages. David D Mason #6662057. Published by David D Mason (A0.770293). Sir Harry Lauder wrote this song in memory of his son who was killed in action in World War 1.
$4.99 ≈
4.49€
Extinction
Extinction
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Choral SATB
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INTERMEDIATE/ADVANCED
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Adrienne Inglis
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Extinction
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1215070 Composed by Adrienne Inglis (ASCAP). 20th Century,A Cappella,Classical. Octavo. 3...
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Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1215070 Composed by Adrienne Inglis (ASCAP). 20th Century,A Cappella,Classical. Octavo. 30 pages. Adrienne Inglis (ASCAP) #811933. Published by Adrienne Inglis (ASCAP) (A0.1215070). Help fight the extinction crisis! Here's an important work for our times that's perfect for your nature/environmental program. It's an SATB (some divisi) a cappella choral piece with option soundscape, but stands alone with the singers making some nature sounds.Extinction by Adrienne Inglis (ASCAP)Soundscapes arranged by Seylon Stills in the audio sampleText : An Extinction by Kim Stafford (https://www.kimstaffordpoet.com) The poem “An Extinction†© 2022 Kim Stafford is unpublished and used with permission. An Extinction by Kim Stafford Not just the creature gone, not just the tattered feathers, dry leaf pressed thin. Not just the rendering from memory, not just the lost-list growing longer, a shape and hue from the field guide fled, not just a name that meant a life, a syllable that once was teeming glory, one bright flurry shimmering the sun. No. No. No. It’s one name gone from our happiness, one breath lost from our respiration, one thread frayed from our salvation, one plank gone from the ark that carried us. Be the songbird now and testify. Be the butterfly hinge of gold. Be the one with open hands these wonders to behold. Don’t let them fly. Be the songbird now and testify. Program note — Commissioned by Inversion Ensemble for its February 2023 Planet Home concert, Extinction sets the poem “An Extinction†(2022) by Kim Stafford for SATB mixed chorus. The three stanzas of the poem get distinct musical treatment: the first some text-painting and dissonance, the second rhythmic parts underpinning canonic melodic lines, the third a rich chorale. During my work on this piece, I happened to be traveling by train. The pitches of the train whistle snuck their way into the score as a dissonant chord. A nature soundscape may sometimes accompany this piece, although the tongue click sounds create a bit of their own aural ecosystem. Drawing attention to the unfolding catastrophe of mass extinction, Extinction hopes to inspire humans to action to prevent further loss of species biodiversity.
$1.99 ≈
1.79€
Keep Right On To The End Of The Road (Trumpet)
Keep Right On To The End Of The Road (Trumpet)
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Trumpet, Piano
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INTERMEDIATE
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Sir Harry Lauder
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David D
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Keep Right On To The End Of Th
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David D Mason
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SheetMusicPlus
Piano,Trumpet - Level 3 - Digital Download SKU: A0.770294 Composed by Sir Harry Lauder. Arranged by David D. Mason. Celtic,Concert,Graduation,Holiday. Sc...
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Piano,Trumpet - Level 3 - Digital Download SKU: A0.770294 Composed by Sir Harry Lauder. Arranged by David D. Mason. Celtic,Concert,Graduation,Holiday. Score and part. 4 pages. David D Mason #6662115. Published by David D Mason (A0.770294). Sir Harry Lauder wrote this song in memory of his son who was killed in action in World War 1.
$4.99 ≈
4.49€
Carol for St. Steven
Carol for St. Steven
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Choral SATB
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Alexander Goehr
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Carol for St. Steven
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Schott Music - Digital
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SheetMusicPlus
Mixed choir - Digital Download SKU: S9.Q6579 For SATB choir. Composed by Alexander Goehr. This edition: choral score. Choral Music of Our Time. Do...
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Mixed choir - Digital Download SKU: S9.Q6579 For SATB choir. Composed by Alexander Goehr. This edition: choral score. Choral Music of Our Time. Downloadable, choral score. Duration 4 minutes. Schott Music - Digital #Q6579. Published by Schott Music - Digital (S9.Q6579). English.Written in memory of Erich Fried (1921-1988), a writer who wrote the libretto for Goehr's opera Arden Must Die and whose poems were set in Warngedichte (op. 22), Carol for St Steven is a short and playful carol about St Steven as a servant boy in King Herod’s Hall. Seeing the Star and realising that Jesus has been born, the boy tells King Herod whose overreaction results in Steven being stoned to death (explaining why the Vigil of St Stephen takes place on Christmas Night). With a treble soloist singing the lines of Steven and a bass singing the parts of Herod, Goehr’s carol for St Steven is an alternative carol in many senses, but one that would be ideal for both amateur and professional choirs looking for new repertoire.
$4.99 ≈
4.49€
Look back on Time with kindly Eyes (Downloadable)
Look back on Time with kindly Eyes (Downloadable)
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Choral SATB
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INTERMEDIATE
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Kevin Uppercue
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Look back on Time with kindly
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Galaxy Music Corporation - Digital
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SheetMusicPlus
SATB choir (choir divisi) and piano - Medium - Digital Download SKU: MQ.1.3563-E Composed by Kevin Uppercue. 11 pages. Duration 3 minutes, 30 seconds. Ga...
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SATB choir (choir divisi) and piano - Medium - Digital Download SKU: MQ.1.3563-E Composed by Kevin Uppercue. 11 pages. Duration 3 minutes, 30 seconds. Galaxy Music Corporation - Digital #1.3563-E. Published by Galaxy Music Corporation - Digital (MQ.1.3563-E). English.The work opens with a sardonic take on the title line, the first reaction being one of malice towards recollection. The piece then transitions to a nostalgic perspective, as continued pondering gives way to softer sentiment and encompasses the climax of the setting. A long, languid section provides the ending material with an open-ended close in the piano depicting the dreamy haze of memory. The varied and thoughtful reading of the text yields varied textures in both the chorus and accompaniment, with each section of the chorus given equal measure. This work may be performed in conjunction with In this short Life (1.3562) to create a multi-movement setting titled Two Dickinson Poems on Time. Duration: 3:30.
$2.65 ≈
2.38€
Twinkle Pluto planet no more for string quartet
Twinkle Pluto planet no more for string quartet
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Contemporary
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Anonymous
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David Warin Solomons
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Twinkle Pluto planet no more f
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David Warin Solomons
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SheetMusicPlus
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.575837 Composed by Anonymous. Arranged by David Warin Solomons. Contemporary. Score an...
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.575837 Composed by Anonymous. Arranged by David Warin Solomons. Contemporary. Score and parts. 9 pages. David Warin Solomons #2028709. Published by David Warin Solomons (A0.575837). Originally written for a Delian suite for various composers remembering Schoenberg back in 2006, I have now revised it and provided separate parts. The piece is atonal and satirically based on Twinkle twinkle little star by way of a supposed reaction from Pluto after it was relegated from planet to dwarf planet by astronomers here on earth. I wrote the following introduction for the Delian suite version: 'Twinkle, Twinkle Little Star' (Jane Taylor's poem used for the tune to the French song Ah, vous dirai-je maman) is given an atonal treatment, for string quartet, in memory of the 'lost' planet of Pluto. Of course Pluto is still there, merely changed in the human taxonomy, which deems it to be no longer a planet. Similarly Twinkle, Twinkle is no longer a nursery rhyme but a strange atonal piece with memories of its past self moving towards an unknown space. It will be curious to know at which age a child recognises the twinkle-twinkle motif in this new, totally untraditional version. However, atonal though it is, it still appears to have some kind of 'home.' 'Ah, vous dirai-je maman, ce qui cause mon tourment,' ce n'est plus la petite chanson d'enfants, elle s'en va vers les étoiles dans un astronef de quatuor à cordes atonal. Son tourment?: Sa lamentation ne vise que la taxonomie humaine des planètes-Pluton, tu n'est plus planète? Maman! où se trouve la réalité, où se trouve notre domicile? Nous avons tous nos taxonomies, mais la réalité est en dehors... Le sens de tonalité est en dehors... Mais malgré tout, on reconnaît la mélodie... N'est-ce pas?.
$10.00 ≈
8.99€
Prayer of Jabez
Prayer of Jabez
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Choral Unison
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BEGINNER
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Carol Petersen
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Prayer of Jabez
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Carol Petersen
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SheetMusicPlus
Choral Choir (Unison) - Level 1 - Digital Download SKU: A0.1093877 Composed by Carol Petersen. Children,Contemporary,Folk. Octavo. 2 pages. Carol Peterse...
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Choral Choir (Unison) - Level 1 - Digital Download SKU: A0.1093877 Composed by Carol Petersen. Children,Contemporary,Folk. Octavo. 2 pages. Carol Petersen #697968. Published by Carol Petersen (A0.1093877). The popular Prayer of Jabez from I Chronicles 4:10 is a delightful setting for youth or adults in unison voice with piano. The repetitive rhythms and harmonies with optional actions blend well with the text. Sing the Bible for more memory verses!
$2.00 ≈
1.80€
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Action and Memory
