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Agnus Dei King Of Kings
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You've selected:
Agnus Dei King Of Kings
Sheetmusic to print
5 sheet music found
<
1
Agnus Dei / King Of Kings
Agnus Dei / King Of Kings
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Hillsong Worship
#
Amy J
#
Agnus Dei / King Of Kings
#
Amy J. Snyder
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1464185 By Hillsong Worship. By Brooke Ligertwood, Jason Ingram, Michael W. Smith, and Scott Ligertwood. ...
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1464185 By Hillsong Worship. By Brooke Ligertwood, Jason Ingram, Michael W. Smith, and Scott Ligertwood. Arranged by Amy J. Snyder. Christian,Easter,Praise & Worship. Score. 8 pages. Amy J. Snyder #1042906. Published by Amy J. Snyder (A0.1464185). Agnus Dei / King of Kings is a powerful contemporary Christian song that combines Michael W. Smith's anointed song Agnus Dei with Hillsong's King of Kings by Jason Ingram, Scott Ligertwood, and Brooke Ligertwood. This song is a must for Easter or any other time! The lyrics tell the redemption story from Jesus' birth through the resurrection and the birth of the church. This arrangement is for piano solo in advanced intermediate level and includes the lyrics and chord symbols in the piano score. Key of D Major, fingering suggestions included. If you enjoy this arrangement, check out Amy's other arrangements such as: The Goodness of God, Living Hope, Build My Life, Gratitude, I Speak Jesus, Graves Into Gardens, Do It Again, I Can Only Imagine, and more! Visit Amy at https://www.facebook.com/amyjsnyder7
$5.99 ≈
5.40€
Agnus Dei / King Of Kings
Agnus Dei / King Of Kings
#
Alto Saxophone
#
BEGINNER
#
Hillsong Worship
#
VANDERLEI GONÇALVES DE SOUZA
#
Agnus Dei / King Of Kings
#
VanderleiJr
#
SheetMusicPlus
Alto Saxophone Solo - Level 1 - Digital Download SKU: A0.1496848 By Hillsong Worship. By Brooke Ligertwood, Jason Ingram, Michael W. Smith, and Scott Lig...
(+)
Alto Saxophone Solo - Level 1 - Digital Download SKU: A0.1496848 By Hillsong Worship. By Brooke Ligertwood, Jason Ingram, Michael W. Smith, and Scott Ligertwood. Arranged by VANDERLEI GONÇALVES DE SOUZA JÚNIOR. Christian. Individual part. 1 pages. VanderleiJr #1073333. Published by VanderleiJr (A0.1496848). Arranjo para Sax Alto.
$5.00 ≈
4.51€
Agnus Dei
Agnus Dei
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Michael W
#
Amy J
#
Agnus Dei
#
Amy J. Snyder
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1472116 Composed by Michael W. Smith. Arranged by Amy J. Snyder. Christian,Praise & Worship. Score. 7 pag...
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1472116 Composed by Michael W. Smith. Arranged by Amy J. Snyder. Christian,Praise & Worship. Score. 7 pages. Amy J. Snyder #1049815. Published by Amy J. Snyder (A0.1472116). Agnus Dei, Michael W. Smith's classic Contemporary Christian worship song, arranged for the advanced end of advanced intermediate level piano solo. This arrangement is written in F Major, contains L.H. arpeggios, R.H. melody in single-melody line as well as 3-4 note chords, an original intro and ending, contains lyrics and chord symbols in score, and lots of helpful fingering. A must for your worship collection, appropritate for church solos, offertories, retirement home concerts, and your own personal worship. If you enjoy this arrangement, check out Amy's other worship arrangements such as Goodness of God, You Raise Me Up, Amazing Grace, I Can Only Imagine, O the Deep Deep Love,Gratitude, King of Kings (with or withour Agnus Dei intro), I Speak Jesus, No One Ever Cared for Me Like Jesus, His Eye Is On the Sparrow, and more!(Also Patriotic and Christmas selections). Visit Amy at https://www.facebook.com/amyjsnyder7
$5.99 ≈
5.40€
Missa Solemnis, op. 27 (vocal score)
Missa Solemnis, op. 27 (vocal score)
#
Choral SATB
#
ADVANCED
#
Adrian Gagiu
#
Missa Solemnis, op. 27
#
Adrian Gagiu
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adr...
(+)
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99 ≈
79.36€
Missa Solemnis, op. 27 - Score Only
Missa Solemnis, op. 27 - Score Only
#
Orchestra
#
ADVANCED
#
Adrian Gagiu
#
Missa Solemnis, op. 27 - Score
#
Adrian Gagiu
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #86...
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00 ≈
90.20€
<
1
Agnus Dei King Of Kings
