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You've selected:
Ahead By A Century
Sheetmusic to print
81 sheet music found
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1
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51
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Ahead By A Century
Ahead By A Century
#
Choral SATB
#
EASY
#
a Century by The Tragically Hi
#
Gord Downie
#
Scott Pietrangelo
#
Ahead By A Century
#
Scott Pietrangelo
#
SheetMusicPlus
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.879047 Composed by Gord Downie. Arranged by Scott Pietrangelo. Contemporary. Octavo. 11 pages. S...
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.879047 Composed by Gord Downie. Arranged by Scott Pietrangelo. Contemporary. Octavo. 11 pages. Scott Pietrangelo #6331691. Published by Scott Pietrangelo (A0.879047). Need some Can-con for your choir concert? Look no further than this smooth SATB arrangement of Ahead By a Century by The Tragically Hip.
$1.99 ≈
1.81€
Ahead By A Century
Ahead By A Century
#
Choral SATB
#
EASY
#
Contemporary
#
Gord Downie
#
Jane Berry
#
Ahead By A Century
#
SheetMusicPlus
(SATB) - Level 2 - Digital Download Composed by Gord Downie. Arranged by Jane Berry. A Cappella. Octavo. 8 pages. Jane Berry #5337073. Published by J...
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(SATB) - Level 2 - Digital Download Composed by Gord Downie. Arranged by Jane Berry. A Cappella. Octavo. 8 pages. Jane Berry #5337073. Published by Jane Berry
$4.50 ≈
4.08€
Ahead By A Century
Ahead By A Century
#
Choral 3-part
#
INTERMEDIATE
#
Gord Downie
#
Jim Duff
#
Ahead By A Century
#
Jim Duff
#
SheetMusicPlus
Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.900703 Composed by Gord Downie. Arranged by Jim Duff. Contemporary,Pop. Octavo. 22 pages. Jim Duf...
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Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.900703 Composed by Gord Downie. Arranged by Jim Duff. Contemporary,Pop. Octavo. 22 pages. Jim Duff #506959. Published by Jim Duff (A0.900703). Popular hit by Tragically Hip. Arranged for SSA choir and Piano. 16 pages. Time: 3:25 – Intermediate level. Optional parts for Guitar, Bass and Bongos are included.
$3.00 ≈
2.72€
A Rose E'er Blooming
A Rose E'er Blooming
#
1 Piano, 4 hands
#
INTERMEDIATE
#
ES IST EIN ROS
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Dillon Ekle
#
A Rose E'er Blooming
#
Dillon Ekle
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.966752 Composed by ES IST EIN ROS. Arranged by Dillon Ekle. 20th Century,C...
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Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.966752 Composed by ES IST EIN ROS. Arranged by Dillon Ekle. 20th Century,Christian,Christmas,Sacred. Score and parts. 9 pages. Dillon Ekle #6104539. Published by Dillon Ekle (A0.966752). A Rose E'er Blooming is a quiet arrangement of the popular Christmas carol, Lo! How a Rose E'er Blooming, which would fit well into either a contemplative moment of worship or an intimate moment of a concert. The gentle treatment lends itself to both the Advent and Christmas seasons.Beginning with an ebb and flow of both dynamics and tempo, this arrangement comes back to a flowing eighth note motif between verses and at its conclusion. The first verse features a baroque-style treatment as it plays with the third line of the melody before returning to the first style in its conclusion. The second verse is carried by a staccato accompaniment as the melody moves ahead in 3/4.The PDF file is formatted to be printed double-sided. Once printed and bound, odd numbered pages (including the cover page) should be on the right (where the primo player sits), and even numbered pages should be on the left (where the secondo player sits). Alternatively, if two pianos are being used, the file can be printed single-sided and the parts separated out; the primo player will have the odd numbered pages, and the secondo player will have the even numbered pages.
$4.99 ≈
4.53€
A WINTER'S LAMENT FOR STRING ORCHESTRA
A WINTER'S LAMENT FOR STRING ORCHESTRA
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Violin
#
INTERMEDIATE
#
Garth M
#
spring with its new beginning
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A WINTER'S LAMENT FOR STRING O
#
Garth M. Williams
#
SheetMusicPlus
Violin Solo - Level 3 - Digital Download SKU: A0.837262 Composed by Garth M. Williams. 20th Century,Celtic,Folk,Irish,Standards. 7 pages. Garth M. Willia...
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Violin Solo - Level 3 - Digital Download SKU: A0.837262 Composed by Garth M. Williams. 20th Century,Celtic,Folk,Irish,Standards. 7 pages. Garth M. Williams (Socan) #3093633. Published by Garth M. Williams (Socan) (A0.837262). A Winter's Lament was written during our western Canada winter of 2015. Â Although British Columbia boasts that it has a very favourable climate with little snow, it also tends, at times, to be very grey and wet during the winter months. Â With that in mind, I wrote this fiddles ballad which records, in the opening, my thoughts about the bright, warm, spring and fall months which we have just left. Â The middle section however, tends to be somewhat melancholic surrounded by the greyness of our winter, but it, in turn, is followed by a recipe of what lies ahead when winter actually departs; spring with its new beginning. Â This is an exceptional piece for fiddler's around the world.
$20.95 ≈
19.01€
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) - D MAJOR VERSION
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) - D MAJOR VERSION
#
Piano solo
#
INTERMEDIATE
#
Classical
#
Jean-Philippe Rameau
#
Rameau: Les Boréades: "The Ar
#
Flavio Regis Cunha
#
SheetMusicPlus
Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by Trancribed by Flavio Regis Cunha. Baroque Period, Ea...
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Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by Trancribed by Flavio Regis Cunha. Baroque Period, Early Music, Wedding, Graduation, Recital. Score. 12 pages. Published by Flavio Regis Cunha
Les Boréades is a tragédie lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706?1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Boréades are the descendants of Boréas.
'The Arts and The Hours' interlude from Rameau?s final opera, ?Les Boréades?, written in 1763 when Rameau was 80. Ólafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: ?The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.? As all these mythical beings summoned to the stage have something to do with the arts and with time?s passing, Ólafsson allowed himself to call my transcription simply ?The Arts and the Hours?, with a nod to the Greek aphorism best known in its Latin version as ?Ars longa, vita brevis?. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity.
$7.99 ≈
7.25€
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) Db MAJOR R*E*CORD VERSION
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) Db MAJOR R*E*CORD VERSION
#
Piano solo
#
INTERMEDIATE
#
Classical
#
Jean-Philippe Rameau
#
Rameau: Les Boréades: "The Ar
#
Flavio Regis Cunha
#
SheetMusicPlus
Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by Transcribed by Flavio Regis Cunha. Baroque Perio...
(+)
Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by Transcribed by Flavio Regis Cunha. Baroque Period, Early Music, Funeral, Graduation, Recital. Score. 12 pages. Published by Flavio Regis Cunha
Les Boréades is a tragédie lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706–1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Boréades are the descendants of Boréas.
'The Arts and The Hours' interlude from Rameau’s final opera, ‘Les Boréades’, written in 1763 when Rameau was 80. Ólafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: “The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.” As all these mythical beings summoned to the stage have something to do with the arts and with time’s passing, Ólafsson allowed himself to call my transcription simply ‘The Arts and the Hours’, with a nod to the Greek aphorism best known in its Latin version as “Ars longa, vita brevis”. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity.
https://youtu.be/qTwqBVt2Clw
$7.99 ≈
7.25€
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) C# MAJOR VERSION
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) C# MAJOR VERSION
#
Piano solo
#
INTERMEDIATE
#
Classical
#
Jean-Philippe Rameau
#
Rameau: Les Boréades: "The Ar
#
Flavio Regis Cunha
#
SheetMusicPlus
Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by Transcribed and arranged by Flavio Regis Cunha. ...
(+)
Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by Transcribed and arranged by Flavio Regis Cunha. Baroque Period, Renaissance, Wedding, Graduation, Recital. Score. 12 pages. Published by Flavio Regis Cunha
Les Boréades is a tragédie lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706–1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Boréades are the descendants of Boréas.
'The Arts and The Hours' interlude from Rameau’s final opera, ‘Les Boréades’, written in 1763 when Rameau was 80. Ólafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: “The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.” As all these mythical beings summoned to the stage have something to do with the arts and with time’s passing, Ólafsson allowed himself to call my transcription simply ‘The Arts and the Hours’, with a nod to the Greek aphorism best known in its Latin version as “Ars longa, vita brevis”. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity.
$7.99 ≈
7.25€
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) C MAJOR VERSION
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) C MAJOR VERSION
#
Piano solo
#
INTERMEDIATE
#
Classical
#
Jean-Philippe Rameau
#
Rameau: Les Boréades: "The Ar
#
Flavio Regis Cunha
#
SheetMusicPlus
Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by Transcribed and arranged by Flavio Regis Cunha. ...
(+)
Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by Transcribed and arranged by Flavio Regis Cunha. Baroque Period, Early Music, Funeral, Graduation, Recital. Score. 9 pages. Published by Flavio Regis Cunha
Les Boréades is a tragédie lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706–1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Boréades are the descendants of Boréas.
'The Arts and The Hours' interlude from Rameau’s final opera, ‘Les Boréades’, written in 1763 when Rameau was 80. Ólafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: “The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.” As all these mythical beings summoned to the stage have something to do with the arts and with time’s passing, Ólafsson allowed himself to call my transcription simply ‘The Arts and the Hours’, with a nod to the Greek aphorism best known in its Latin version as “Ars longa, vita brevis”. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity.
$7.99 ≈
7.25€
The Journey Ahead
The Journey Ahead
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Concert band
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INTERMEDIATE
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Ray Flores
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The Journey Ahead
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Flo Flo Music LLC
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1436991 Composed by Ray Flores. 21st Century,Classical,Contemporary,Contest,Festival,Traditional. 58 pa...
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Concert Band - Level 3 - Digital Download SKU: A0.1436991 Composed by Ray Flores. 21st Century,Classical,Contemporary,Contest,Festival,Traditional. 58 pages. Flo Flo Music LLC #1017057. Published by Flo Flo Music LLC (A0.1436991). Commissioned by Mr. Marcus Roberts for the Navasota JH Symphonic Band in Navasota ISD in honor of his retirement. Mr. Roberts celebrates his many years of teaching public school in the state of Texas and he will be missed in the classroom. This concert piece is a reflection of his past and hopes for a bright future. “The Journey Ahead” will premiere in May 2024.www.RayFloresMusic.com.
$49.99 ≈
45.37€
One Jump Ahead (reprise)
One Jump Ahead (reprise)
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Choral TTBB
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EASY
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Walt Disney
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Children
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Alan Menken and Tim Rice
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Gabriel Lawson
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One Jump Ahead
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Gabriel Lawson
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.1306563 Composed by Alan Menken and Tim Rice. Arranged by Gabriel Lawson. 20th Century,A ...
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Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.1306563 Composed by Alan Menken and Tim Rice. Arranged by Gabriel Lawson. 20th Century,A Cappella,Film/TV. 2 pages. Gabriel Lawson #895916. Published by Gabriel Lawson (A0.1306563). “One Jump Ahead (Reprise)†is from the 1992 Disney classic animated film, Aladdin. Arranged for a cappella four-part Men's Chorus (TTBB) with the melody in the Tenor 2 part.Original Key.Difficulty 4/10.Tenor 1 G3-Bb4.Tenor 2 F3-F4.Baritone D3-D4.Bass Eb2-Bb3.
$1.99 ≈
1.81€
Full Steam Ahead
Full Steam Ahead
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Piano solo
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INTERMEDIATE
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Sharon Wilson
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Sharon Wilson
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Full Steam Ahead
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Sharon Wilson
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1079012 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Children,Contemporary...
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Piano Solo - Level 3 - Digital Download SKU: A0.1079012 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Children,Contemporary,Instructional. Score. 2 pages. Sharon Wilson #683213. Published by Sharon Wilson (A0.1079012). This song is quick with a solid rhythm simulating a fast, rumbling steam train. Come along and enjoy the ride; it's so much fun, you may even want to play this piece twice (it's easy to do; just start from the beginning again after playing measure 28). This arrangement is one of the five songs in the collection Railroad Days. Other titles in the collection include: Waiting at the Station, All Aboard, Chugging Along, and Caboose on the Loose. Duration: 0:45 Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/SharonWilsonMusicKeywords: recital pieces, supplemental piano instruction materials, student repertoire, elementary teacher curriculum, train music, train travel, the good old days, toot toot, choo choo, chug-a chug chug
$3.99 ≈
3.62€
Country Ahead, Country Behind
Country Ahead, Country Behind
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Marimba
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INTERMEDIATE
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Jeremy Barnett
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Country Ahead, Country Behind
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Jeremy Barnett
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SheetMusicPlus
Marimba Solo - Level 3 - Digital Download SKU: A0.797635 Composed by Jeremy Barnett. 20th Century,Contemporary. Individual part. 7 pages. Jeremy Barnett ...
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Marimba Solo - Level 3 - Digital Download SKU: A0.797635 Composed by Jeremy Barnett. 20th Century,Contemporary. Individual part. 7 pages. Jeremy Barnett #6306123. Published by Jeremy Barnett (A0.797635). This piece began life as an improvisation inspired by personal stories. With simple pulsating rhythm and undulating harmonies, the music grows from nothing into a moment of heartfelt contemplation before dissipating into the aether.Once the performer is comfortable with the flow of the music, they are free to adapt (improvise) the length of phrases and repetitions, as long as the overall arch shape of the music is not lost.Mallets should be as soft and warm as possible while still allowing for some articulation at louder dynamics. At no time should they sound harsh.
$7.00 ≈
6.35€
Unfolding of a Rose
Unfolding of a Rose
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Piano solo
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INTERMEDIATE/ADVANCED
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Cody Weinmann
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Cody Weinmann
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Unfolding of a Rose
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Cody Weinmann
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1286910 By Cody Weinmann. By Cody Weinmann. Arranged by Cody Weinmann. 21st Century,Classical,Contemporar...
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Piano Solo - Level 4 - Digital Download SKU: A0.1286910 By Cody Weinmann. By Cody Weinmann. Arranged by Cody Weinmann. 21st Century,Classical,Contemporary. Score. 5 pages. Cody Weinmann #877914. Published by Cody Weinmann (A0.1286910). This piece was six or so years in the making. It was my first major original piano piece possibly composed in that long. This has a little bit of Beethoven's sound and flowing chromatic lines in the bulk of the part. It begins solemn in C minor. Then it transitions to A-flat major where it culminates in a bursting forth in the melodic and harmonic texture as well as two tempo changes. The end is a finale that ends using at least three octaves of the piano to end. Go ahead and take a look at the YouTube video below to hear it.
$4.99 ≈
4.53€
Ahead by a Century by The Tragically Hip - Guitar TAB Transcription
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Guitar notes and tablatures
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a Century
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Ahead
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Musicnotes
Performed by: The Tragically Hip: Ahead by a Century Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Guitar Tab;Guitar/V...
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Performed by: The Tragically Hip: Ahead by a Century Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Guitar Tab;Guitar/Vocal/Chords, instruments: Voice;Guitar 1;Guitar 2;Backup Vocals; 7 pages -- Alternative Pop/Rock~~Folk-Rock
$5.50 ≈
4.99€
Madrigal Pavane / Timburibá
Madrigal Pavane / Timburibá
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburibá
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digit...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95 ≈
7.21€
Jesus Shall Reign Where'er the Sun
Jesus Shall Reign Where'er the Sun
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Piano solo
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ADVANCED
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John Hatton
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Paul Thurmond
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Jesus Shall Reign Where'er the
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Paul Thurmond
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. ...
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Piano Solo - Level 5 - Digital Download SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Thurmond #4968929. Published by Paul Thurmond (A0.828227). Tune: DUKE STREETUse: Prelude, PostludeOne Sunday my church was singing Jesus Shall Reign Where’er the Sun as the opening hymn. It’s our tradition that the last stanza of a hymn is sung in unison, so that I as the organist can change the harmonization and keep things interesting. Sometimes I know ahead of time what I’m going to do, and sometimes I make it up on the spot.On this particular morning I planned on being spontaneous. (Can spontaneity be planned?) When we got to the final stanza, I threw on the 16′ pedal reed and went to town.I don’t know if this is the case for all musicians, but while I’m playing my brain is working on several different levels. Most of these are involved in actually playing the music, but there’s also a running commentary on how things are going. This commentary is usually really boring: It’s going okay. It’s going okay. It’s going okay. Sometimes the messages are more interesting: Uh-oh. She just dropped her mute. I missed that chord; remember to circle it when we’re done. My page turner appears to be on fire.So: We’re in the final stanza of Jesus Shall Reign Where’er the Sun. Big, majestic hymn. Over a hundred congregants and choir members are enthusiastically singing in unison. I’m leading them from the organ with an improvised accompaniment that involves all of my limbs. It’s fair to say that I was concentrating hard.Suddenly the commentary part of my brain breaks in: Dude, your feet are totally playing Canon in D. Cool!Canon in D is the most famous work of Johann Pachelbel, a German composer who preceded Bach by a few decades. It’s overused at weddings, but it’s actually a really good piece of music. The original is for three violins and a basso continuo part, which would usually have been played by harpsichord and cello. In this case, the basso continuo plays the same eight measures again and again throughout the piece. This technique of repetition is called a ground bass. While that’s going on, the violins play several different themes on top of it.When I was improvising that Sunday, my feet had accidentally wandered into that ground bass part, which happened to fit nicely with the melody we were singing. During the sermon (sorry Pastor!) I started going through the violin themes in my head, seeing if any of them could also match up with the hymn tune. Some of them worked and some didn’t. I decided to write a sort of theme and variations, where the hymn tune appears in various forms. Sometimes it’s played along with one of the violin themes, and sometimes a violin theme serves as an interlude on its own. And except for one passage, the left hand is always playing some version of the basso continuo theme. I also changed the meter from 4/4 to 3/4 to make it more interesting. It culminates in a climax worthy of a king. I hope you enjoy it.
$4.99 ≈
4.53€
Four Short Single Focus Compositions for Guitar Solo
Four Short Single Focus Compositions for Guitar Solo
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Guitar
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EASY
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Contemporary
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Scott A
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Four Short Single Focus Compos
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Ponticello Music
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SheetMusicPlus
Solo Guitar - Level 2 - Digital Download SKU: A0.1028891 Composed by Scott A. Niebauer. 20th Century,Contemporary. Individual part. 7 pages. Ponticello M...
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Solo Guitar - Level 2 - Digital Download SKU: A0.1028891 Composed by Scott A. Niebauer. 20th Century,Contemporary. Individual part. 7 pages. Ponticello Music #4364608. Published by Ponticello Music (A0.1028891). A suite of short pieces for solo guitar intended to capture a unique yet popular idiosyncratic sound. Some of these are new works, some have been re-worked from older ideas. They all incorporate the idea of popular rock style guitar music being combined with standard classical guitar technique and notation.Andante Tremolo creates an eerie yet nostalgic mood with a sixteenth note tremolo figure at the beginning that bursts into a middle section utilizing pull offs to open strings and a more rapid tremolo. It features a descending melodic figure that leads to nowhere... Anniversary Theme is a half-remembered hum-along melody at the end of the formal celebration when the chairs are being put away but the decorations are still up. It uses simple harmonies that don't really make sense but just follow that same half-forgotten melody, cadencing here and there when they feel like it. Cloudburst Arpeggio focuses on the chime-like campanella effect produced by a descending slur pulled-off to an open string, and then hammering it back on again. It begins with a straight-ahead arpeggio pattern going through a standard chord change, and then jumps off the edge of the cliff into other areas...Mobile is a perpetual motion machine that rocks its way into an Arabic sounding riff in the middle. The low D tuning allows utilization of a drone on the high open D string that produces interesting sonic effects allowing for unique sounds to pull off to open strings.
$5.00 ≈
4.54€
Salute to the Queen
Salute to the Queen
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Concert band
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Contemporary
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Graham Hickey
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Salute to the Queen
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Graham Hickey
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SheetMusicPlus
Concert Band - Digital Download SKU: A0.998310 Composed by Graham Hickey. 20th Century,Contemporary. Score and parts. 36 pages. Graham Hickey #6708249. P...
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Concert Band - Digital Download SKU: A0.998310 Composed by Graham Hickey. 20th Century,Contemporary. Score and parts. 36 pages. Graham Hickey #6708249. Published by Graham Hickey (A0.998310). A March for Concert Wind Band.Elizabeth became queen on the death of her father,King George VI, who passed away on 6 February 1952 when she was in Kenya - Prince Philip learning the news first from a reporterafter the coded message failed to arrive. Commenorating this date the Queen said As I look ahead with a sense of hope and optimism to the year of my Platinum Jubilee, I am reminded of how much we can be thankful for, The MarchThe opening heralds that fateful message given to her and the first minor section (A) is the frantic journey back to be with her people.Section (B) is joyous and celebrates welcoming heras our monach.Section (C) is a fanfaric reminder of the coronation before section (D) is the long years of reign throughmany highs and lows her service has remained faithfulto her people. Section (E) brings us summoned to Buckingham Palaceand the last last section repeats the hope she brings to the country with a final bass drum as a salute at the end.
$20.00 ≈
18.15€
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