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All Of Me A Violin Piano solo
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You've selected:
All Of Me A Violin Piano solo
SheetMusicPlus
Sheetmusic to print
289 sheet music found
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51
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276
Create In Me a Clean Heart ~ Psalm 51 (for Solo with Piano accompaniment)
Create In Me a Clean Heart ~ Psalm 51 (for Solo with Piano accompaniment)
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Piano Accompaniment
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EASY
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Sacred music
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Sharon Wilson
#
Sharon Wilson
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Create In Me a Clean Heart ~ P
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Sharon Wilson
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SheetMusicPlus
Small Ensemble Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.565166 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. Contemporary,...
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Small Ensemble Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.565166 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. Contemporary,Easter,Praise & Worship,Sacred,Wedding. Score. 13 pages. Sharon Wilson #3504317. Published by Sharon Wilson (A0.565166). This Scripture song based on Psalm 51 verses 10-12 is formatted as a vocal solo with piano accompaniment (3 staff piano-vocal score). This solo arrangement is written in the key of F major and has a vocal range of one octave, from middle C to high C (C4 to C5). The purchase price includes a 6-page combined score plus a 2-page solo score and a 4-page piano accompaniment score. This Psalm is a prayer of King David and presented here for meditation and reflection, drawing the listeners into an atmosphere of prayer and recommitment. The simplicity of the melody allows the soloist to focus on the words and vocal dynamics as the audience is drawn to the beauty of God's Word expressed musically.Though the piece is written for voice it also makes a beautiful instrumental piece with a C-instrument playing the solo part (such as the violin). For the violin, all notes can be played in the first position on the G, D, and A strings making this an excellent selection for a beginning violin student.The lyrics were adapted from the King James Version (KJV) and the World English Version (WEB) and are printed below:Lyrics:Create in me a clean heart, O God.Renew a right spirit within me.Cast me not away from Thy presence, O Lord;And take not Thy Holy Spirit from me.Restore unto me the joy of Thy salvation;And uphold me with Thy willing spirit.Then will I teach transgressors Thy ways;And sinners shall be converted unto Thee.Create in me a clean heart, O God.Renew a right spirit within me.Cast me not away from Thy presence, O Lord;And take not Thy Holy Spirit from me.Create in me a clean heart, O God.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$4.99 ≈
$6.80
"DREAM OF LOVE"
"DREAM OF LOVE"
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Cello, Piano
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ADVANCED
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Classical
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Franz Liszt
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VICTORIA FOUST
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"DREAM OF LOVE"
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SalutConcert
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SheetMusicPlus
Cello,Piano - Level 5 - Digital Download SKU: A0.1013561 Composed by Franz Liszt. Arranged by VICTORIA FOUST. Romantic Period. Score and part. 16 pages. ...
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Cello,Piano - Level 5 - Digital Download SKU: A0.1013561 Composed by Franz Liszt. Arranged by VICTORIA FOUST. Romantic Period. Score and part. 16 pages. SalutConcert #6272207. Published by SalutConcert (A0.1013561). DREAM OF LOVE -Duo for Cello & PianoA true work of art, fantastically beautiful and perfect,that reaches the maximum point of the sense of Love. Lord of the Violin -Mstro. Graf Mourja / RussiaThe work Dream of Love, originally written for Piano Solo and titled by the composer Liszt Liebestraum No.3, relives in the XXI century its intense romance in the version of a loving Duo, starring by Cello and Piano, created by Victoria Foust.It represents a dialogue that leads to discovering the meaning of Love in all its expressions.Preserving the passionate romantic atmosphere, this Duo version demands great technical and musical professional ease for both instruments, in order to achieve a complete and transcendent musical experience for both the soloists and their audience.The cello part has a mature technical exigency that requires a high-performance flight to reach the door of the spiritual, of the metaphysical, proposed in this arrangement for duo. - Mr. J. Hennessey Brown / Brown Music Agency / UKApart from offering a virtuous sample for each interpreter, it also provides a very effective tool to discover the world of chamber music and develop a greater sensitivity for each soloist and the duo itself.Approximately 5 minutes long, the composition, accompanied by an original poem, written by its author and translated into two languages ​​(Spanish and English), invites you to discover the dimensions of Love through a musical journey that leads to the union of all senses.Love…Are you a necessity or a luxury?A truth or an illusion?Love…Are you just a Dream? To complete the enjoyment of this beautiful musical gem, Victoria Foust has created the Videoclip Dream of Love - a love story, starring by music, Lipizzan imperial horses and the exuberant nature of southern Chile.A beauty from a fairy tale, turned into reality, that invites you to see it indefinitely. - Mstro. Peter Guth / Strauss Orchestra / Viennahttps://youtu.be/jLWxkmg_Ld0 To musically unite the Love Story part of the VideoClip with it Credits part, the creator has specially composed a new piece of music There was once - a fantasy about Liszt's melodies, which fuses classical piano with Latin-American rhythms and jazz touches, interacting with saxophone, cello and percussion.https://youtu.be/i-_gWb1u-zABoth works are also part of the CD Pulse of the Life with the compositions by Victoria Foust.https://www.victoriafoust.com/cd-pulso-de-la-vida/More details about the Project of the Videoclip Dream of Love can be found here:https://www.victoriafoust.com/sueno-de-amor/I very much wish that you can enjoy this musical arrangement and I will be very grateful if you could share with me your experiences related to this work.Music with Love,VictoRia · www.victoriafoust.com· https://www.youtube.com/channel/UC6sgzGtmZ0WluhJkz_pmrRQ· Facebook: https://www.facebook.com/victoria.foust.581· Instagram: https://www.instagram.com/pianistvictoriafoust· Linkedin: https://www.linkedin.com/in/victoria-foust-3a268859/· Wikipedia: https://es.m.wikipedia.org/wiki/Victoria_Foust It is published under Label SalutConcertwww.salutconcert.com
$18.00 ≈
$24.54
All I Really Want is Peace on Earth - Solo with Piano
All I Really Want is Peace on Earth - Solo with Piano
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Piano, Vocal and Guitar
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EASY
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Lytingale
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Lois J Henrickson (Lytingale)
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All I Really Want is Peace on
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Lytingale Music
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1449528 By Lytingale. By Lois J Henrickson (Lytingale). Arranged by Lois J Henrickson (Lyti...
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1449528 By Lytingale. By Lois J Henrickson (Lytingale). Arranged by Lois J Henrickson (Lytingale). Christmas,Folk,Pop,Singer/Songwriter,Spiritual. Score. 4 pages. Lytingale Music #1029284. Published by Lytingale Music (A0.1449528). A non-exclusive song for the winter holidays that expresses the giving spirit of the season without referencing any specific religion. (OK, there's a musical nod to Silent Night.) My challenge to myself was to write a spiritual holiday song without ever mentioning Christmas... to celebrate EVERY baby's birth and the season of giving.The song is available for Solo voice, SSA choir with solos, SSA (no solos), and optional Violin or Flute part. Formats: with written piano part (simple - please embellish!) or Lead Sheet (melody, words, chord names - less pages to print!), lead sheet for Violin or Flute. Whew!Lyrics:All I Really Want is Peace on Earth(c)2017 Lois J Henrickson (Lytingale) When they ask me what I wish forOn this holy holiday,I can only think of all the waysThe world has lost its way.And I hope that we will see the LightIn every baby’s birth,And expand our love to everyone.All I really want is peace on earth, peace on earth.Yesterday I saw an angel.She was teaching kids to read.And another one gave up his coatFor somebody in need.Oh, it’s all around the cityAnd in every single town,Lots of people helping people.All they really want is peace on earth, peace on earth.And if you search the whole world over,This is what you’ll see:People just want to take care of their family.And when we realize our differences areReally very small,Every person is a part of us all. Everybody has a purpose,Their place is guaranteed.Doesn’t matter what they look like,Or what holy books they read.Oh, we all belong togetherIn one caring family.We are here to love each other.All we really want is peace on earth,Peace on earth,Sweet peace on earth,Peace.
$3.33 ≈
$4.54
Trio 803 (2020) for clarinet, cello and piano
Trio 803 (2020) for clarinet, cello and piano
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Clarinet, Cello, Piano (trio)
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INTERMEDIATE/ADVANCED
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Contemporary
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Thomas Oboe Lee
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Trio 803
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Thomas Oboe Lee
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SheetMusicPlus
Instrumental Duet,Piano Cello,Clarinet,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.869648 Composed by Thomas Oboe Lee. 20th Century,Cont...
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Instrumental Duet,Piano Cello,Clarinet,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.869648 Composed by Thomas Oboe Lee. 20th Century,Contemporary. Score and parts. 43 pages. Thomas Oboe Lee #5648535. Published by Thomas Oboe Lee (A0.869648). I met Deok Yong Kim as a member of the Nico Quartet at the New England Conservatory of Music, in Boston, Massachusetts. I saw her on two occasions performing in Jordan Hall: once as the soloist in a Shostakovich Cello Concerto in Jordan Hall with Hugh Wolff and the NEC Philharmonic and then in an Honors String Quartet concert with Nico in Jordan Hall. Both concerts were in the spring of 2019, and they were fantastic. I was so impressed with her and her quartet that I wrote a string quartet for them that summer, NICO. They recorded it for me @ NEC in the fall and I love the recording. The next thing I did was to write a violin sonata for Minami Yoshida, the first violinist of Nico. It is called Mi-la-mi, after her name. Then I wrote this work for Claire, Kim’s American name. When I asked her what was the meaning of 803 in her email address, she said that is the street number of her apartment in Korea. So, that is how the title Trio 803 came about. Trio 803 (2020) is in five movements. 1. Adagio, Andante moderato 2. Adagio 3. Allegro con moto, TRIO 4. Adagio 5. Vivace, TRIO Enjoy!
$9.99 ≈
$13.62
Concerto
Concerto
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Piano and Orchestra
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ADVANCED
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Contemporary
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. D...
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
$32.71
Les cloches de Rouen for violin, bassoon and piano
Les cloches de Rouen for violin, bassoon and piano
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Violin and Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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David Warin Solomons
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Les cloches de Rouen for violi
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David Warin Solomons
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SheetMusicPlus
Bassoon,Piano,Violin - Level 4 - Digital Download SKU: A0.576480 Composed by David Warin Solomons. Contemporary. 15 pages. David Warin Solomons #26919. P...
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Bassoon,Piano,Violin - Level 4 - Digital Download SKU: A0.576480 Composed by David Warin Solomons. Contemporary. 15 pages. David Warin Solomons #26919. Published by David Warin Solomons (A0.576480). This is my composition from several movements written by various composer members of the Delian Society to illustrate the novel Le Horla by Guy de Maupassant Details, pdf files and mp3 files of the whole suite can be found at:https://dwsolo.com/le-horla-2012-after-the-novel-by-guy-de-maupassant/ This movement is introduced by the narrator as follows: On the left, down yonder, lies Rouen, populous Rouen with its blue roofs massing under pointed, Gothic towers. Innumerable are they, delicate or broad, dominated by the spire of the cathedral, full of bells which sound through the blue air on fine mornings, sending their sweet and distant iron clang to me, their metallic sounds, now stronger and now weaker, according as the wind is strong or light. The protagonist is still in a happy mood, before the madness of Le Horla descends upon him. The sogetto cavato on the name of Guy de Maupassant, used in all of the compositions, is taken as part of the Dorian scale initially, to be transmogrified halfway through into the major scale, representing the optimistic mood of our anti-hero at the outset as he listens to the cheerful bells of Rouen and thinks all is well with his world. In counterpoint to the sogetto cavato you can also hear the first quarter of the hourly chime of Rouen Cathedral played on the bassoon, both themes interweaving playfully in four time, in seven time and in two-two-three time throughout the movement. The misleadingly cheerful scene is set.
$8.00 ≈
$10.91
Variations on Gilderoy for violin and piano
Variations on Gilderoy for violin and piano
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Violin and Piano
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INTERMEDIATE/ADVANCED
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Traditional
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David Warin Solomons
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it shakes my heart
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Variations on Gilderoy for vio
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David Warin Solomons
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SheetMusicPlus
Piano,Violin - Level 4 - Digital Download SKU: A0.1450517 Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. 6 pages. D...
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Piano,Violin - Level 4 - Digital Download SKU: A0.1450517 Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. 6 pages. David Warin Solomons #1030205. Published by David Warin Solomons (A0.1450517). The pdf file contains the score and separate violin part.Based on the old Scottish ballad Gilderoy, about a handsome highwayman who was eventually betrayed by his mistress.The last, the dreaded hour is come,That bears my love from me:I hear the dead note of the drum,I mark the fatal tree.The bell has toll'd; it shakes my heart;The trumpet speaks thy name:And must my Gilderoy depart,To bear a death of shame!No bosom trembles for thy doom;No mourner wipes a tear;The gallows' foot is all they tomb,The sledge is all thy bier.Oh Gilderoy! I bethought we thenSo soon, so sad to part,When first in Roslin's lovely glenYou triumph'd o'er my heart?Your locks they glitter'd to the sheen,Your hunter garb was trim;And graceful was the ribbon green,That bound your many limb!Ah! little thought I to deploreThose limbs in fetters bound;Or hear, upon the scaffold floor,The midnight hammer sound.Ye cruel, cruel, that combinedThe guiltless to pursue;My Gilderoy was ever kind,He could not injure you!A long adieu! but where shall flyThy widow all forlorn,When ev'ry mean and cruel eyeRegards my wo with scorn?Yes! they will mock thy widow's tears,And hate thine orphan boy;Alas! his infant beauty wearsThe form of Gilderoy.Then will I seek the dreary moundThat wraps thy mouldering clay,And weep and linger on the ground,And sigh my heart away.
$5.50 ≈
$7.50
All Of Me
All Of Me
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Violin and Piano
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INTERMEDIATE
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John Legend
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Wendy Hellmann
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All Of Me
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Gwendolyn Hellmann
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SheetMusicPlus
Piano,Violin - Level 3 - Digital Download SKU: A0.1307685 By John Legend. By John Stephens and Toby Gad. Arranged by Wendy Hellmann. Pop,R & B,Wedding. 1...
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Piano,Violin - Level 3 - Digital Download SKU: A0.1307685 By John Legend. By John Stephens and Toby Gad. Arranged by Wendy Hellmann. Pop,R & B,Wedding. 11 pages. Gwendolyn Hellmann #896947. Published by Gwendolyn Hellmann (A0.1307685). This sweet arrangement of All Of Me by John Legend is for solo violin and piano. The piano part is a true accompaniment and does not double the melody in the violin throughout. The violin part can be played entirely in 1st position and has been transposed from its original key to A Major for ease of playing. Thoughtful bowings and dynamics have been included. This is perfect to add to your popular repertoire and is great to use at weddings and cocktail hour events! The PDF download contains both a full score and a set of individual parts - Violin and Piano.
$5.99 ≈
$8.17
Charles Gounod Funeral March for a Marionette, for violin and piano
Charles Gounod Funeral March for a Marionette, for violin and piano
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Violin and Piano
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EASY
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Classical
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Charles Francois Gounod
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Charles Gounod Funeral March f
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Yoel Epstein
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SheetMusicPlus
Piano Solo, Violin - Digital Download Composed by Charles Francois Gounod (1818-1893). Arranged by Yoel Epstein. Romantic Period, Repertoire, Halloween, Ch...
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Piano Solo, Violin - Digital Download Composed by Charles Francois Gounod (1818-1893). Arranged by Yoel Epstein. Romantic Period, Repertoire, Halloween, Children's Music, Fairy Tales. Score, Set of Parts. 6 pages. Published by Yoel Epstein
Funeral March for a Marionette is,perhaps, composer Charles Gounod's most famous composition. This is largelybecause it was used as the theme song of the popular 1950s television series AlfredHitchkok Presents.
Gounod wrote the piece in 1872. Thepiece, originally for piano, describes the story of a marionette who is killedin a duel. In the original score, Gounod included comments in French matchingthe action in the story to the music:
· La Marionnette est cassée!!!(The marionette is broken!!!)
· Murmure de regrets de la troupe(Murmurs of regret from the troupe)
· Le Cortège (The procession)
· Ici plusieurs des principaux personnages de la troupes'arrêtent pour se rafraîchir (Here many of the principalpersonages stop for refreshments)
· Retour à la maison (Return to the house)
The picture on the cover is thefirst page of the original publication.
You are welcome to try some of myother arrangements. In addition to the songs offered on this site (you can seethem at http://www.sheetmusicplus.com/search?Ntt=Yoel Epstein), I have arranged three songs from the Holocaust, which I arranged anddistribute for free on IMSLP. You can find them at http://imslp.org/wiki/Category:Ravpapa.If you need arrangements of any of these songs for specialcombinations of instruments, feel free to contact and#8233;me,and I will try to accommodate. Write me at yoelepst@gmail.com. Hope you enjoy.
$4.99 ≈
$6.80
The Scottish banana for violin and piano
The Scottish banana for violin and piano
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Violin and Piano
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INTERMEDIATE/ADVANCED
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David Warin Solomons
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The Scottish banana for violin
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David Warin Solomons
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SheetMusicPlus
Piano,Violin - Level 4 - Digital Download SKU: A0.1450569 Composed by David Warin Solomons. Comedy,Contemporary. 4 pages. David Warin Solomons #1030211. ...
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Piano,Violin - Level 4 - Digital Download SKU: A0.1450569 Composed by David Warin Solomons. Comedy,Contemporary. 4 pages. David Warin Solomons #1030211. Published by David Warin Solomons (A0.1450569). The pdf file contains the score and separate violin part.Instrumental re-working of my folksong based on the enjoyment of the deep fried banana in ScotlandYoung Hamish he went out to buy him some chipsand ordered a haddock and good saucy dipsHis eyes then did wander and he licked his lips'Cause he'd spotted a Scottish bananaOch aye! that'll do me!The deep fried banana's just right for my tea!So Hamish he emptied his wallet right thereand all for the Scottish banana.all for the Scottishall for the Scottishall for the Scottish bananaNow everyone knows deep fried food does you goodProvided you have a wee apple for pudBut Hamish just kept all that under his hoodPreferring his Scottish banana.Och aye! that'll do me!Cos deep fried bananas are all I can see!So Hamish he picked up his package of foodincluding the Scottish banana.all for the Scottishall for the Scottishall for the Scottish bananaYoung Hamish went home now with all of his haulSat down on the sofa with TV and allHe opened the package and started to bawlThere was fish and chips but no banana!Och nay! I'll check where I wentIt surely was stolen by some passing gentOr else it escaped while my money was spentOh where is my Scottish banana?all for the Scottishall for the Scottishall for the Scottish bananaBut Hamish just couldn't account for his lossHe looked in the heather, he looked in the mossHe questioned a passing great white albatrossBut nary a sign of banana!Oh nay, where can it be?Bananas don't vanish, bananas don't flee!So Hamish he turned and then quite suddenlyHe slipped on his Scottish banana!all for the Scottishall for the Scottishall for the Scottish banana.
$5.50 ≈
$7.50
The Best Hymns of All Time (for Strings) Book 3
The Best Hymns of All Time (for Strings) Book 3
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String Quartet: 2 violins, viola, cello
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EASY
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Sacred music
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Various
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The Best Hymns of All Time
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Quartet, String Orchestra, Playable by any size string ensemble from quartet upwards - Early Intermediate - Digital Download Composed by Vario...
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String Quartet, String Orchestra, Playable by any size string ensemble from quartet upwards - Early Intermediate - Digital Download Composed by Various. Arranged by Colin Kirkpatrick. Christian, Sacred, Praise & Worship, General Worship. Score, Set of Parts. 65 pages. Published by Colin Kirkpatrick Publications
The Best Hymns of All Time
Arranged for Strings by Colin Kirkpatrick
Book 3
We’re really excited to present the third and last book of our collection of sixty of the best-loved hymns ever composed. The hymns are scored in four parts and could be used with virtually any combination of stringed instruments: string quartet or quintet or any size string ensemble. They are presented in a set of three books and include full four-part instrumental scores plus four separate parts for 1st violin, 2nd violin, viola and cello (and double bass). The bass part is also optional because it doubles the cello part an octave lower. There’s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. The piano part too means that you can use the arrangements as solos, duets or trios. To make the music accessible to less experienced players, the range of the notes has been kept fairly low so that many of the arrangements can be played in first position. However, to produce a brighter and richer sound, a few of the more experienced violinists could play an octave higher. You can hear this effect in the audio samples.
These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. This is essential music for schools and many churches and contains probably all the hymns you’ll ever need. The scores and all the parts of Book 2 are contained in a single 65-page PDF file.
Book 3 contains the following twenty popular hymns: All Hail the Power of Jesus’ Name (Miles Lane); All things Bright and Beautiful (Bright and Beautiful); Alleluia, Sing to Jesus (Hyfrydol); Blessed Assurance (Assurance); Come, Ye Thankful People, Come (St George’s Windsor); Father, Hear the Prayer we Offer (Sussex & Gott Will's Machen); For the Beauty of the Earth (Dix); Glorious Things of Thee are Spoken (Austrian hymn); How Firm a Foundation (Foundation); Jesu, Lover of my Soul (Hollingside); Jesus Loves Me, This I Know (Jesus Loves Me); Joyful, Joyful, We Adore Thee (Hymn to Joy); Kum Ba Yah (Afro-American folksong); Mine Eyes have Seen the Glory (Battle Hymn of the Republic); O God, Our Help In Ages Past (St. Anne); Morning has Broken (Bunessan); Praise to the Lord the Almighty (Lob den Herren); Shall We Gather at the River? (Hanson Place); The God of Abraham Praise (Leoni); When Peace Like a River (Ville du Havre).
The audio samples include (1) All things Bright and Beautiful, (2) How Firm a Foundation, (3) Kum Ba Yah and (4) Morning has Broken. The music has been set in string-friendly keys so they are not compatible with the brass collection of the same name.
$25.99 ≈
$35.43
Three Psalms: (Movement 2) Psalm 3 Deliver Me!
Three Psalms: (Movement 2) Psalm 3 Deliver Me!
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Violin and Piano
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INTERMEDIATE/ADVANCED
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Sacred music
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Stephen R Dalrymple
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Three Psalms:
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Stephen R Dalrymple
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SheetMusicPlus
Piano,Violin - Level 4 - Digital Download SKU: A0.818259 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Classical,Contemporary. 64 p...
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Piano,Violin - Level 4 - Digital Download SKU: A0.818259 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Classical,Contemporary. 64 pages. Stephen R Dalrymple #3628761. Published by Stephen R Dalrymple (A0.818259). Three Psalms (Movement 2) Psalm 3 Deliver Me! ♫ Tone Poem for Violin and Piano by Stephen R Dalrymple♫ transcribed for solo flute, clarinet, trumpet, euphonium/trombone, & cello ♫ music © 2015 Stephen R Dalrymple♫ recording ℗ 2020 Stephen R Dalrymple♫ presentation © 2023 Stephen R Dalrymple  ♫ sequenced by the composer ♫ Psalm 3 is classed as a Psalm of Lament. The most basic pattern of the Psalm of Lament is the complaint followed by a statement of confidence. The Psalm of Lament progresses from the pain, doubt, and confusion caused by problems and suffering to a statement of belief that God knows and understands and will act for the good of the psalmist. This statement of confidence is not given after God has rescued, but while the psalmist is still in crisis. This is what makes the words a Psalm and not faithless murmurings that God condemns.♫ The opening words of the Psalm, “A Psalm of David, when he fled from Absalom his son,†(NASB) are actually the first verse of the Psalm 3 in the Hebrew Bible, not merely an editorial comment by a current scholar. The grief and pain that David felt in this time of his life (mixed in with the guilt of David’s adultery and murder which led to these events) were overpowering and crippling.♫ The movements of the tone poem “Three Psalms†are written using contemporary classical music composition techniques.♫ David’s complaint is set in the Phrygian Mode; David’s statement of confidence, the Mixolydian Mode.♫ This .pdf file includes 14 score choices • Letter size score for Violin & piano • Letter size solo parts for Flute, Clarinet, Trumpet, Euphonium (or trombone), & Cello • 10 inch tablet size score for violin & piano • 10 inch tablet size score for the same solo parts. ♫ (Tell your computer which pages you want to print. Programs online that will allow you to split pdf files so that you can choose which pages to print.)
$6.50 ≈
$8.86
Against All Odds (take A Look At Me Now)
Against All Odds (take A Look At Me Now)
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Piano Quintet: piano, 2 violins, viola, cello
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INTERMEDIATE
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Phil Collins
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Eric Stern
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Against All Odds
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Nerds of Paradise Music
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SheetMusicPlus
Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.1110343 By Phil Collins. By Phil Collins. Arranged by Eric St...
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Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.1110343 By Phil Collins. By Phil Collins. Arranged by Eric Stern. 20th Century,Film/TV. Score and parts. 13 pages. Nerds of Paradise Music #712679. Published by Nerds of Paradise Music (A0.1110343). Against All Odds (Take a Look at Me Now) (also titled Against All Odds) is a song by English drummer, singer and songwriter Phil Collins. It was recorded for the soundtrack to the 1984 film of the same name. It is a power ballad in which its protagonist implores an ex-lover to take a look at me now, knowing that reconciliation is against all odds, but worth the gamble. The single reached No. 1 on the Billboard Hot 100 in the United States, the first of seven US No. 1's for Collins in his solo career. Against All Odds (Take a Look At Me Now) also topped the charts in Canada, Ireland, and Norway, while peaking at No. 2 in the United Kingdom.
$21.99 ≈
$29.98
Jesus Paid It All
Jesus Paid It All
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Piano solo
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EASY
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E
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Luis Villamizar II
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Jesus Paid It All
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LUIS O VILLAMIZAR II
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SheetMusicPlus
Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.1448524 Composed by E.M. Hall & J. Grape (1865 ). Arranged by Luis Villamizar II. Christian,...
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Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.1448524 Composed by E.M. Hall & J. Grape (1865 ). Arranged by Luis Villamizar II. Christian,Sacred,Traditional. Score and individual part. 12 pages. LUIS O VILLAMIZAR II #1028437. Published by LUIS O VILLAMIZAR II (A0.1448524). This piece is very dear to me because I wrote it as a response to my daughter's performance at a laymans convention. It was her first time playing the piano as a accompanyist for a violin soloist. She performed so well that I got inspired to write this piece. It starts with a very soft sublime section of the classic song's theme Jesus Paid It All and it ends with a victorious proclamation of this powerful phrase.
$9.99 ≈
$13.62
O The Deep, Deep Love of Jesus for Solo Violin and Piano
O The Deep, Deep Love of Jesus for Solo Violin and Piano
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Violin and Piano
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ADVANCED
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Sacred music
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Thomas John Williams, 1890
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Grace Joy Reid, 2021
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O The Deep, Deep Love of Jesus
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Creating Music Joy
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SheetMusicPlus
Piano,Violin - Level 5 - Digital Download SKU: A0.1005690 Composed by Thomas John Williams, 1890. Arranged by Grace Joy Reid, 2021. Christian,Sacred,Spir...
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Piano,Violin - Level 5 - Digital Download SKU: A0.1005690 Composed by Thomas John Williams, 1890. Arranged by Grace Joy Reid, 2021. Christian,Sacred,Spiritual. 8 pages. Creating Music Joy #6356583. Published by Creating Music Joy (A0.1005690). The text was written in 1875 by Samuel Trevor Francis. A Welsh hymn tune, Ebenezer, composed by Thomas John Williams. Legend has it that as a young man, Samuel Trevor Francis contemplated committing suicide by jumping into the Thames River from the Hungerford Bridge in London. Experiencing the love of Jesus, he wrote these lyrics and went on to write many poems, hymns, and became a preacher, in addition to being a merchant sailor. Hymn Lyrics1 O the deep, deep love of Jesus!Vast, unmeasured, boundless, free,rolling as a mighty oceanin its fullness over me.Underneath me, all around me,is the current of thy love;leading onward, leading homeward,to thy glorious rest above.2 O the deep, deep love of Jesus!Spread his praise from shore to shore;how he loveth, ever loveth,changeth never, nevermore;how he watches o'er his loved ones,died to call them all his own;how for them He intercedeth,watcheth o'er them from the throne.3 O the deep, deep love of Jesus!Love of ev'ry love the best:'tis an ocean vast of blessing,'tis a haven sweet of rest.O the deep, deep love of Jesus!'Tis a heav'n of heav'ns to me;and it lifts me up to glory,for it lifts me up to thee.Source: Trinity Psalter Hymnal #463
$11.95 ≈
$16.29
Sparrowhawk Tango. (Piano Solo Arrangement)
Sparrowhawk Tango. (Piano Solo Arrangement)
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Piano solo
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INTERMEDIATE
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Tango
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Geraldine Green
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Geraldine Green
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Sparrowhawk Tango.
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Geraldine
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1300144 By Geraldine Green. By Geraldine (Denny) Green. Arranged by Geraldine Green. 21st Century,Chamber...
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Piano Solo - Level 3 - Digital Download SKU: A0.1300144 By Geraldine Green. By Geraldine (Denny) Green. Arranged by Geraldine Green. 21st Century,Chamber,Children,Classical. Score. 7 pages. Geraldine (Denny) Green at Oakmountmusic #889885. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1300144). ALL PURCHASES COME WITH SCORE AND PARTSDuration 3 minutes.This short piece was inspired by my many sightings and observations of sparrowhawks in their behaviour,  hunting techniques and how they fly and soar. They appear to “Tango†with their prey. For me the Tango is a passionately agressive dance with no negotiation. If you are a small creature caught by a sparrowhawk there is also no negotiation!There are now 7 different arrangements of this piece available;No.1 – School arrangement; for violins 1, 2 and 3, cello 1 and 2.No.2 – Standard Arrangement; for violins 1 and 2, viola, cello and double bassNo.3 – Youth OrchestraThe instrumentation for the youth orchestra arrangement is as follows:Flutes 1&2, 1 Oboe, Clarinets 1&2 in Bflat, 1 Bass Clarinet in Bflat (to low C), 1 Bassoon, 1 Eflat Alto Saxophone.Trumpets 1&2 in Bflat2 Pedal Timpani, Side Drum, Bongos – 1 set, 1 Conga, 1 Suspended Cymbal (played with soft stick throughout), Maracas, Tambourine, Triangle.Violins 1,2 & 3, Cello 1 & 2No.4 – Flute, violin and pianoNo.5 – Flute, cello and pianoNo.6 – Flute, clarinet (Bflat), violin and pianoNo.7 – Flute, clarinet (Bflat) and pianoNo.8 – Piano Solo.
$9.00 ≈
$12.27
Sparrowhawk Tango. (Flute, Cello and Piano Arrangement)
Sparrowhawk Tango. (Flute, Cello and Piano Arrangement)
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Flute, Cello, Piano (trio)
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INTERMEDIATE
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Tango
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Geraldine Green
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Geraldine Green
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Sparrowhawk Tango.
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Geraldine
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SheetMusicPlus
Instrumental Duet,Piano Cello,Flute,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.1300131 By Geraldine Green. By Geraldine (Denny) Green. ...
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Instrumental Duet,Piano Cello,Flute,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.1300131 By Geraldine Green. By Geraldine (Denny) Green. Arranged by Geraldine Green. 21st Century,Chamber,Children,Classical. 13 pages. Geraldine (Denny) Green at Oakmountmusic #889873. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1300131). ALL PURCHASES COME WITH SCORE AND PARTSDuration 3 minutes.This short piece was inspired by my many sightings and observations of sparrowhawks in their behaviour,  hunting techniques and how they fly and soar. They appear to “Tango†with their prey. For me the Tango is a passionately agressive dance with no negotiation. If you are a small creature caught by a sparrowhawk there is also no negotiation!There are now 7 different arrangements of this piece available;No.1 – School arrangement; for violins 1, 2 and 3, cello 1 and 2.No.2 – Standard Arrangement; for violins 1 and 2, viola, cello and double bassNo.3 – Youth OrchestraThe instrumentation for the youth orchestra arrangement is as follows:Flutes 1&2, 1 Oboe, Clarinets 1&2 in Bflat, 1 Bass Clarinet in Bflat (to low C), 1 Bassoon, 1 Eflat Alto Saxophone.Trumpets 1&2 in Bflat2 Pedal Timpani, Side Drum, Bongos – 1 set, 1 Conga, 1 Suspended Cymbal (played with soft stick throughout), Maracas, Tambourine, Triangle.Violins 1,2 & 3, Cello 1 & 2No.4 – Flute, violin and pianoNo.5 – Flute, cello and pianoNo.6 – Flute, clarinet (Bflat), violin and pianoNo.7 – Flute, clarinet (Bflat) and pianoNo.8 – Piano Solo.
$20.00 ≈
$27.27
You Raise Me Up (for Flute and/or Violin Duet with Piano accompaniment) ~ Weddings/Valentine's Day
You Raise Me Up (for Flute and/or Violin Duet with Piano accompaniment) ~ Weddings/Valentine's Day
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Violin and Piano
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INTERMEDIATE
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Rock
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Wedding/Ballad
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Selah
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Sharon Wilson
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You Raise Me Up
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Sharon Wilson
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SheetMusicPlus
By Selah. Arranged by Sharon Wilson. Score, Set of Parts. 15 pages. Published by Sharon Wilson...
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By Selah. Arranged by Sharon Wilson. Score, Set of Parts. 15 pages. Published by Sharon Wilson
This beloved, popular song by BRENDAN GRAHAM and ROLF LOVLAND is arranged as an instrumental trio (for two C-instruments with piano accompaniment). The beautiful, lyrical style of this instrumental piece creates a peaceful, endearing atmosphere.
Though notated with FLUTE on part 1 and VIOLIN on part 2, the ranges are also accessible for other combinations of C instruments (2 violins, 2 flutes, etc.). Ranges for each instrument are as follows: FLUTE (Part 1) ~ G4 to B5; VIOLIN (Part 2) ~ E4 to E5. For violin players, all notes on both parts are playable in the first position making this piece an excellent choice for early-intermediate string players.
Both the FLUTE and VIOLIN get to lead with the melody at times making it enjoyable and equally challenging for both players while adding variety for the listeners. For the first verse, the two parts alternate playing the melody as a solo followed by playing as a duet for the chorus. For the second verse, the FLUTE and VIOLIN play as a duet, alternating between melody and harmony. The audio sample begins in measure 14, at the beginning of the first chorus where both instruments are playing.
The purchase price includes these printing options:
1. a grand staff (5 pages) with all parts on each page
2. separate scores for the FLUTE and VIOLIN (2 pages each) and PIANO (3 pages)
3. a combined FLUTE and VIOLIN score (3 pages)
$12.99 ≈
$17.71
Lullaby for Violin, Piano & Double Bass
Lullaby for Violin, Piano & Double Bass
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Violin and Piano
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INTERMEDIATE
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Keith Terrett
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Lullaby for Violin, Piano & Do
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Keith Terrett
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SheetMusicPlus
Piano,Violin - Level 3 - Digital Download SKU: A0.746725 Composed by Keith Terrett. Contemporary,Multicultural,World. 5 pages. Keith Terrett #2917515. Pu...
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Piano,Violin - Level 3 - Digital Download SKU: A0.746725 Composed by Keith Terrett. Contemporary,Multicultural,World. 5 pages. Keith Terrett #2917515. Published by Keith Terrett (A0.746725). An original composition of mine entitled ’’Lullaby’’, arranged here for solo Violin, Keyboards & Double/E. Bass. A great piece for the more reflective part of your concert. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$10.00 ≈
$13.63
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All Of Me A Violin Piano solo
