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Allegro 3 5 Oct. Digital Download
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You've selected:
Allegro 3 5 Oct. Digital Download
Sheetmusic to print
44 sheet music found
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26
Allegro 3-5 Oct.-Digital Download
Allegro 3-5 Oct.-Digital Download
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Handbells
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EASY
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Allegro 3-5 Oct.-Digital Downl
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Hope Publishing - Digital
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SheetMusicPlus
Handbells - Level 2 - Digital Download SKU: H1.2958DP Original, Celebration, Festival, General Worship, God, Hope, Joy, Light, Adoration & Praise, Worshi...
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Handbells - Level 2 - Digital Download SKU: H1.2958DP Original, Celebration, Festival, General Worship, God, Hope, Joy, Light, Adoration & Praise, Worship. Handbell score. 8 pages. Hope Publishing - Digital #2958DP. Published by Hope Publishing - Digital (H1.2958DP). Cynthia Dobrinski.Original composition from the late Cynthia Dobrinski This original composition is full of lively techniques. It is exciting from start to finish. A great option for a worship service, festival or concert.
$6.25 ≈
$8.52
Allegro Maestoso
Allegro Maestoso
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Handbells
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INTERMEDIATE
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G
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Frances Callahan
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Allegro Maestoso
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Hope Publishing - Digital
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SheetMusicPlus
Handbells 3-5 Octave Handbells - Level 3 - Digital Download SKU: H1.1041DP Arranged by Frances Callahan. Education, General Worship. Handbell score. 4 pa...
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Handbells 3-5 Octave Handbells - Level 3 - Digital Download SKU: H1.1041DP Arranged by Frances Callahan. Education, General Worship. Handbell score. 4 pages. Hope Publishing - Digital #1041DP. Published by Hope Publishing - Digital (H1.1041DP). By G.F. Handel.Classical piece by G.F. Handel This composition can be rung with 3 octaves; however, the optional notes use all of the 4th and/or 5th octaves.
$5.25 ≈
$7.16
Allegro molto Appassionato
Allegro molto Appassionato
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Handbells
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INTERMEDIATE
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Mitchell Eithun
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Mitchell Eithun
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Allegro molto Appassionato
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Chorister's Guild - Digital
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SheetMusicPlus
3, 4, or 5 octaves handbells - Level 3 - Digital Download SKU: C7.CGB1039 Composed by Mitchell Eithun. Arranged by Mitchell Eithun. General. With 3, 4 or...
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3, 4, or 5 octaves handbells - Level 3 - Digital Download SKU: C7.CGB1039 Composed by Mitchell Eithun. Arranged by Mitchell Eithun. General. With 3, 4 or 5 octaves handchimes. Score. 12 pages. Chorister's Guild - Digital #CGB1039. Published by Chorister's Guild - Digital (C7.CGB1039). UPC: 749193026786.This exciting arrangement of the first movement Mendelssohn's famous Violin Concerto is sure to bring some Romantic-era flair into your ensemble! The main theme is punctuated by mallets in the bass and lively sixteenth notes in the treble. The middle section presents a beautiful major-key theme on handchimes before returning to minor for a roaring-drive to the cadence. This piece is fun and faithfully captures the energy of a classical masterwork in an accessible arrangement for 3-5 oct. handbell ensemble.
$5.50 ≈
$7.50
Allegro Brillante
Allegro Brillante
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Handbells
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INTERMEDIATE/ADVANCED
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Cynthia Dobrinski
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Allegro Brillante
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Hope Publishing - Digital
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SheetMusicPlus
Handbells 3-5 Octave handbells - Level 4 - Digital Download SKU: H1.1497DP Composed by Cynthia Dobrinski. Agape Bronze - L4-5. Original, Education, Gener...
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Handbells 3-5 Octave handbells - Level 4 - Digital Download SKU: H1.1497DP Composed by Cynthia Dobrinski. Agape Bronze - L4-5. Original, Education, General Worship. Handbell score. 12 pages. Hope Publishing - Digital #1497DP. Published by Hope Publishing - Digital (H1.1497DP). An original composition Allegro Brillante is an original, sparkling composition in which one immediately feels the syncopated figure used throughout. The use of multiple ringing techniques adds interest and creates music which is enjoyed by ringers and audience alike. This 180-measure piece is scored in C Major.
$6.50 ≈
$8.86
Allegro Maestoso
Allegro Maestoso
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Handbells
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INTERMEDIATE
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McFadden
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Jane McFadden and Janet Linker
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Allegro Maestoso
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Hope Publishing - Digital
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SheetMusicPlus
Handbells handbell choir (3-5 octaves) - Level 3 - Digital Download SKU: H1.2061DP Composed by McFadden. Arranged by Jane McFadden and Janet Linker. Educ...
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Handbells handbell choir (3-5 octaves) - Level 3 - Digital Download SKU: H1.2061DP Composed by McFadden. Arranged by Jane McFadden and Janet Linker. Education, General Worship. Handbell score. 7 pages. Hope Publishing - Digital #2061DP. Published by Hope Publishing - Digital (H1.2061DP). Piece from Water Music by G.F. Handel G. F. Handel's masterpiece resounds in this setting for bells and organ or brass. Full chordal ringing with various techniques call for precision throughout the work. A more flowing section for bells only occurs highlighted by thumb damps in upper and lower registers. Brass ensemble consists of 2 trumpets, French Horn, Trombone, Tuba and Timpani. Set in the keys of D Major and b minor, this work is 76 measures without repeats.
$6.25 ≈
$8.52
Concerto
Concerto
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Piano and Orchestra
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ADVANCED
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Contemporary
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. D...
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
$32.71
Mozart Allegro
Mozart Allegro
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Handbells
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INTERMEDIATE
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Dan Edwards and Wolfgang Amade
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Dan Edwards and Wolfgang Amade
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Mozart Allegro
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Chorister's Guild - Digital
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SheetMusicPlus
3 or 5 octaves handbells - Level 3 - Digital Download SKU: C7.CGB828 Theme from Symphony No. 40. Composed by Dan Edwards and Wolfgang Amadeus Moza...
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3 or 5 octaves handbells - Level 3 - Digital Download SKU: C7.CGB828 Theme from Symphony No. 40. Composed by Dan Edwards and Wolfgang Amadeus Mozart. Arranged by Dan Edwards and Wolfgang Amadeus Mozart. General. Score. 8 pages. Chorister's Guild - Digital #CGB828. Published by Chorister's Guild - Digital (C7.CGB828). UPC: 749193019559.As the Wind Song is included in the new Presbyterian hymnal, Glory to God, with the tune by Swee Hong Lim (WAIRUA TAPU) and text by Shirley Erena Murray. The imagery found in the text is depicted by the combined sounds of handbells, chimes, flute and percussion. The instrumental parts are included in the full score.
$4.50 ≈
$6.14
Divertimento No 3 in E-Flat
Divertimento No 3 in E-Flat
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Handbells
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Martha Lynn Thompson and Wolfg
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Martha Lynn Thompson and Wolfg
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Divertimento No 3 in E-Flat
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Chorister's Guild - Digital
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SheetMusicPlus
3, 4 or 5 octaves handbells - Level 3+ - Digital Download SKU: C7.CGB296 Composed by Martha Lynn Thompson and Wolfgang Amadeus Mozart. Arranged by Martha...
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3, 4 or 5 octaves handbells - Level 3+ - Digital Download SKU: C7.CGB296 Composed by Martha Lynn Thompson and Wolfgang Amadeus Mozart. Arranged by Martha Lynn Thompson and Wolfgang Amadeus Mozart. General. Score. 12 pages. Chorister's Guild - Digital #CGB296. Published by Chorister's Guild - Digital (C7.CGB296). UPC: 749193007969.Divertimento No. 3 in E-Flat Major is said to have been written by Mozart when he was only seventeen years old. This Allegro (the final movement)was originally scored for oboes, clarinets, English Horns, Horns in Eb, and Bassoons. Filled with life and energy, the work has many phrases, which quickly alternate between rung notes and staccato notes and can be thumb damped, plucked, or played with mallets. This piece should be rung at a brisk tempo, cleanly damped, and have the clarity and lightness typical of Mozart's early writing. Achieving this will make the piece more difficult than it may first appear. Those familiar with MozartAEs The Sleigh Ride and his Alleluia from EXSULTATE JUBILATE, will be able to hear elements of both in this delightful piece.
$4.95 ≈
$6.75
Saxophone Quartet (2016)
Saxophone Quartet (2016)
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Contemporary
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Thomas Oboe Lee
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Saxophone Quartet
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Thomas Oboe Lee
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SheetMusicPlus
Alto Sax, Tenor Sax, Baritone Sax, Soprano Sax - Advanced Intermediate - Digital Download Composed by Thomas Oboe Lee. 21st Century, 20th Century, Ro...
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Alto Sax, Tenor Sax, Baritone Sax, Soprano Sax - Advanced Intermediate - Digital Download Composed by Thomas Oboe Lee. 21st Century, 20th Century, Romantic Period, Funk Jazz, Bebop. Score. 25 pages. Published by Thomas Oboe Lee
andstrings.
1.Octet in D, opus 144 (2012) for clarinet, horn, bassoon, 2 violins, viola,cello and doublebass
2. LaSerenissima (2013) for 2 flutes, 2 oboes, 2 clarinets, 2 horns and 2 bassoons
3.Requiem Octet ... In Memoriam Gunther Schuller (2015) for flute, clarinet, 2 bassoons,2 trumpets, 2 trombones
4.Alice (2015) for mezzo-soprano, clarinet, violin, viola and cello
Eric is also a superb saxophonist! This quartet is dedicated to him, in gratitudeof his many efforts in the service of my music. Thanks, Eric!!!
Saxophone Quartet (2016) is in five movements.
1a. Moderato– Allegro
1b. Moderato- Allegro
2. Moltoallegro
3. Adagio
4a. Allegro
4b. Funkout!
5. Adagio
Audio link. Copy and paste the URL link into your browser.
https://thomasoboelee.bandcamp.com/album/saxophone-quartet-2016
$9.99 ≈
$13.62
Clarinet Quintet, opus 155 (2013)
Clarinet Quintet, opus 155 (2013)
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Clarinet Quintet: Clarinet, String Quartet
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INTERMEDIATE/ADVANCED
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Contemporary
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Thomas Oboe Lee
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Clarinet Quintet, opus 155
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Thomas Oboe Lee
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SheetMusicPlus
Clarinet, String Quartet - Advanced Intermediate - Digital Download Composed by Thomas Oboe Lee. 21st Century, 20th Century, Romantic Period, Classical...
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Clarinet, String Quartet - Advanced Intermediate - Digital Download Composed by Thomas Oboe Lee. 21st Century, 20th Century, Romantic Period, Classical Period, Baroque Period. Score. With Allegro III. 28 pages. Published by Thomas Oboe Lee
Program note.
Clarinet Quintet, opus 155 is the fourth work I have written for Nancy Braithwaite. The first one was written on the occasion of her sister’s wedding in Vermont. Nancy premiered the solo clarinet piece “Trinca di Chôro” during the wedding ceremony. The second work was “Yo Picasso” (2007) for clarinet, viola, cello and piano. The work was tailor-made for the Arto Ensemble which consisted of two married couples: Oane (piano) and Nancy (clarinet), and Prunella (viola) and Guus (cello). The third work was “Octet in D, opus 144” (2012) scored for clarinet, horn, bassoon, string quartet and double bass. Nancy and her Dutch colleagues premiered the work in a program with the Schubert Octet in Bunnik, a small village west of Utrecht in the Netherlands.Many great composers have tackled the clarinet quintet, most notable Mozart and Brahms.
My Quintet is somewhat different in that there are a lot of jazz elements and something new that I have not tackled before: polymeter.
Clarinet Quintet, opus 155 is in seven movements.
I. Largo
II. Allegro
III. Interlude 1 … Presto
IV. Adagio
V. Reprise … a bit faster than before!
VI. Interlude 2 … Adagio
VII. Allegro con moto
The work begins with a clarinet meditation over pianissimo string chords. The music is very static … not unlike the sacred music of Arvo Pärt. This is followed by an allegro that is in 12/8 featuring a pizzicato jazzy bass figure played by the cello. The third movement is my experiment in polymeter. The ostinato pattern is grouped in a metrical scheme of 4, 3, 4 and 5; but the octave melody in the clarinet and first violin unfolds in standard duple meter of 4. The middle fourth movement is an adagio. This is an example of what I love about music, a soaring melody above slow haunting chords. A reprise of the jazzy Interlude 1 comes next, but in a slightly different guise with new elements, both melodically and harmonically.Interlude 2 is reminiscent of the meditative music of the first movement, but again it is quite different in mood and atmosphere.The finale is another experiment in polymeter. At first the metrical scheme is in a pattern of 4, 3, 4, 3, 2, 3 and 2. But eventually the meters get all scrambled up. Have fun trying to count. You’ll get lost! Above the “oom-pah oom-pah” accompaniment, the clarinet soars like a flying bird … diving, hovering, dipping and swooping!!!
ENJOY!!!
Audio link. Copy and paste the URL link into your browser.
https://thomasoboelee.bandcamp.com/album/clarinet-quintet-opus-155-2013
Video link: https://youtu.be/2fByM3tEAqc
$9.99 ≈
$13.62
Schubert: Wind Octet in F major, D.72 (Complete) - wind octet
Schubert: Wind Octet in F major, D.72 (Complete) - wind octet
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Classical
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Franz Schubert / Ray Thompson
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Ray Thompson
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Schubert: Wind Octet in F majo
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Horn,Oboe - Level 4 - Digital Download SKU: A0.1082372 Composed by Franz Schubert / Ray Thompson. Arranged by Ray Thompso...
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Large Ensemble Bassoon,Clarinet,Horn,Oboe - Level 4 - Digital Download SKU: A0.1082372 Composed by Franz Schubert / Ray Thompson. Arranged by Ray Thompson. Classical,Romantic Period. Score and parts. 106 pages. RayThompsonMusic #686525. Published by RayThompsonMusic (A0.1082372). Written for wind octet :2 oboes, 2 clarinets, 2 horns and 2 bassoons. Composed in 1813, and publised in 1889, Schubert's wind octet D72 is incomplete. The minuet and trio, and finale exist, along with a fragment of 100 bars of the first movement. The 2nd slow movement (if there was one) is missing. This is my 4 movement octet: 1.Allegro (finished by me from the “fragmentâ€) 2. Allegretto (from Rosamunde string quartet†3. Menuetto and 2 Trios (original) 4. Allegro (original) Mvt.1.The fragment seems to show the end of the development, flowing into the recapitulation. I have now completed the first movment, with the expostion starting in F, and 2nd theme moduating into the Dominant C major. An optional repeat has been added, the 2nd time bar has a diminshed 7th chord I have created a new deveopment section in D minor, using themes from the fragment , which then leads into the start of the fragment., which leads to the recapitualtion. This has both themes in F and brings the movement to an end The new movement is 232 bars long. I have made some light tweaks to Schubert's original work. My new 1st mvt. lasts 5 mins 2 seconds without my repeat. (About 7 mins 20 secs with) Check out my other arrangements for wind quartet, wind quintet and wind dectet Mvt.2 is an arrangement of the slow movement of the “Rosamunde†string quartet. I have transposed this into Bb. (NATURAL HORN PARTS in Bb basso)(Hn in F provided) Mvts 3/4 are Schubert’s originals, but the clarinet parts are in Bb, rather than C. The mp3 is of the 1st movement.
$24.95 ≈
$34.02
Octet in D, opus 144 (2012) full score
Octet in D, opus 144 (2012) full score
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Thomas Oboe Lee
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Octet in D, opus 144
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Horn,Viola,Violin - Level 4 - Digital Download SKU: A0.869256 Composed by Thomas Oboe Lee. 20th Century...
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Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Horn,Viola,Violin - Level 4 - Digital Download SKU: A0.869256 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Arioso … Allegro con moto 3. 36 pages. Thomas Oboe Lee #32565. Published by Thomas Oboe Lee (A0.869256). Program note: In 1997, I wrote Yo Picasso for clarinetist Nancy Braithwaite and the Arto Ensemble; scored for clarinet, viola, cello and piano. The work is in five movements, each a musical interpretation of a painting by Pablo Picasso. Fifteen years later Nancy told me she has a new group called the Emmelos Ensemble and they are planning to perform the Schubert Octet in F major, D. 803, in the spring of 2012. She asked me if I would be interested in writing a companion work with the same instrumentation as the Schubert. She also mentioned that Schubert’s inspiration was based on Beethoven’s Septet in E-flat major, opus 20. I said, Sure. It sounds like a great idea. My Octet in D, opus 144 (2012) is, like the Beethoven and the Schubert, in six movements. The instrumentation is, like the Schubert, scored for Bb clarinet, bassoon, horn in F, string quartet and contrabass. 1. Prelude … Moderato; Scherzo … Prestissimo! 2. Arioso … Allegro con moto 3. Numinoso … Largo 4. Alla Marcia … Allegretto 5. Recitativo … Adagio; Canzone … Adagio 6. Bacchanale … Prestissimo! Unlike the Schubert, which is an hour long in duration, mine is just a little over 20 minutes. Enjoy!!! Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/octet-in-d-opus-144-2012Video link: https://youtu.be/vcHCqEBoC-Q
$9.99 ≈
$13.62
Octet in D, opus 144 (2012) full score
Octet in D, opus 144 (2012) full score
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Thomas Oboe Lee
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Octet in D, opus 144
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Thomas Oboe Lee
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SheetMusicPlus
Large Ensemble Bassoon,Cello,Clarinet,Double Bass,Horn,Viola,Violin - Level 4 - Digital Download SKU: A0.869203 Composed by Thomas Oboe Lee. 20th Century...
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Large Ensemble Bassoon,Cello,Clarinet,Double Bass,Horn,Viola,Violin - Level 4 - Digital Download SKU: A0.869203 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Arioso … Allegro con moto 3. 36 pages. Thomas Oboe Lee #3899. Published by Thomas Oboe Lee (A0.869203). Program note: In 1997, I wrote Yo Picasso for clarinetist Nancy Braithwaite and the Arto Ensemble; scored for clarinet, viola, cello and piano. The work is in five movements, each a musical interpretation of a painting by Pablo Picasso. Fifteen years later Nancy told me she has a new group called the Emmelos Ensemble and they are planning to perform the Schubert Octet in F major, D. 803, in the spring of 2012. She asked me if I would be interested in writing a companion work with the same instrumentation as the Schubert. She also mentioned that Schubert’s inspiration was based on Beethoven’s Septet in E-flat major, opus 20. I said, Sure. It sounds like a great idea. My Octet in D, opus 144 (2012) is, like the Beethoven and the Schubert, in six movements. The instrumentation is, like the Schubert, scored for Bb clarinet, bassoon, horn in F, string quartet and contrabass. 1. Prelude … Moderato; Scherzo … Prestissimo! 2. Arioso … Allegro con moto 3. Numinoso … Largo 4. Alla Marcia … Allegretto 5. Recitativo … Adagio; Canzone … Adagio 6. Bacchanale … Prestissimo! Unlike the Schubert, which is an hour long in duration, mine is just a little over 20 minutes. Enjoy!!! Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/octet-in-d-opus-144-2012Video link: https://youtu.be/vcHCqEBoC-Q
$9.99 ≈
$13.62
Symphony No. 104 - Allegro from the 1st movement
Symphony No. 104 - Allegro from the 1st movement
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Flute and Piano
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BEGINNER
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Classical
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Franz Joseph Haydn
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F Matthews
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Symphony No. 104 - Allegro fro
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Atlas Nash
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SheetMusicPlus
Flute,Piano - Level 1 - Digital Download SKU: A0.1031107 Composed by Franz Joseph Haydn. Arranged by F Matthews. Classical. Score and part. 3 pages. Atla...
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Flute,Piano - Level 1 - Digital Download SKU: A0.1031107 Composed by Franz Joseph Haydn. Arranged by F Matthews. Classical. Score and part. 3 pages. Atlas Nash #3663237. Published by Atlas Nash (A0.1031107). This is a lively arrangement of the Allegro theme taken from the 1st movement of Haydn's Symphony No. 104 - one of Haydn's London symphonies. The allegro is arranged here for flute and piano, but can easily be played on violin or other instruments suited to the range. The range of the flute part is from C-sharp5 (octave above middle C), to a high E (E6) - a range that would approximately suite a flautist at Grade 3 level - upper end of easy/beginner. The piano accompaniment has been arranged to be at the higher end of easy - with some more complex elements including octave and running quaver passages. Dynamics and articulation have been added in as a guide only. This download includes a score and separate flute part. The original work was written in 1795 while Haydn was living in London and was premiered to great acclaim. It remains a popular choice today for concerts around the world. This arrangement could work nicely alongside an arrangement of the second movement - or as part of a medley of short pieces in a concert. The expected duration of the piece is likely to be between 1.5 to 2 minutes long, though the arrangement can be played at a tempo suiting the individual performer. Some professional performances of this work would be more in the range of one minute only! I hope you enjoy this arrangement and I'd welcome any feedback by email to franmatt100@gmail.com.
$1.99 ≈
$2.71
Sonata for Two Pianos, I. Allegro con Spirito, K.448 (arr. Owen Meldon)
Sonata for Two Pianos, I. Allegro con Spirito, K.448 (arr. Owen Meldon)
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2 Pianos, 4 hands
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ADVANCED
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Classical
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Wolfgang Amadeus Mozart
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Owen Meldon
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Sonata for Two Pianos, I. Alle
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Owen Meldon
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SheetMusicPlus
Percussion Quartet Marimba - Level 5 - Digital Download SKU: A0.1214857 Composed by Wolfgang Amadeus Mozart. Arranged by Owen Meldon. Classical. 37 pages...
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Percussion Quartet Marimba - Level 5 - Digital Download SKU: A0.1214857 Composed by Wolfgang Amadeus Mozart. Arranged by Owen Meldon. Classical. 37 pages. Owen Meldon #811788. Published by Owen Meldon (A0.1214857). I was a freshman in high school and just figured out how to use MuseScore. With a holiday concert on the horizon, I wanted to put together a fun arrangement of a classical piece for four percussionists. I settled on Mozart’s Sonata for Two Pianos in D Major (fun fact: this piece has been studied extensively and has proven epilepsy-combatting power!*) and broke down the four piano hands into four marimba parts. In December 2016, I premiered the first iteration of this arrangement with the help of three of my peers; years later, I revisited this arrangement and gave it some much-needed revisions. I also finished arranging the second half of the original, which I couldn’t do in 2016 as the first arrangement had to be fairly short. This is the arrangement in its new finished version, which definitely looks and sounds a lot better than the first. We all start somewhere… *Lin, Lung-Chang, et al. “The Long-Term Effect of Listening to MOZART K.448 Decreases Epileptiform Discharges in Children with Epilepsy.†Instrumentation:Marimba I (4.3 octave marimba minimum)Marimba II (4.3 octave marimba minimum)Marimba III (5.0 octave marimba)Marimba IV (5.0 octave marimba)Duration: c. 6'
$29.99 ≈
$40.89
Nocturne and Rondo-Bassoon and Piano
Nocturne and Rondo-Bassoon and Piano
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Bassoon, Piano (duet)
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INTERMEDIATE
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Phil Beaman
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Nocturne and Rondo-Bassoon and
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Phil Beaman
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SheetMusicPlus
Bassoon,Piano - Level 3 - Digital Download SKU: A0.844596 Composed by Phil Beaman. 20th Century,Contemporary,New Age,Rock. Score and part. 10 pages. Phil...
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Bassoon,Piano - Level 3 - Digital Download SKU: A0.844596 Composed by Phil Beaman. 20th Century,Contemporary,New Age,Rock. Score and part. 10 pages. Phil Beaman #4110711. Published by Phil Beaman (A0.844596). An original 21st Century piece which fuses influences from nearly every genre and period. The Nocturne showcases the performer's tone quality, particularly in the upper register. The melody has hints of Contemporary Classical, Post-Romantic, and New Age, but overall is Minimalist. The Piano Accompaniment in this section is entirely a 2 chord ostinato in the Right Hand only. The Rondo has continuity from the Nocturne in that the Piano Accompaniment continues with Right Hand only chords. This section is heavily rhythmic with West Indian/Caribbean rhythms and some pulsing Rock influence, yet still with characteristics of Contemporary Classical. This Nocturne and Rondo makes a great Audition piece to show your musicianship. Or a formal Recital performance piece. Nocturne - 64 mm, Andante, 4:30-5 min.Rondo - 61 mm, Allegro, 1:45-2 min. 7 page score, 3 page solo partTemporary recording of piano reduction of score.
$7.99 ≈
$10.89
Nocturne and Rondo-Cello and Piano
Nocturne and Rondo-Cello and Piano
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Cello, Piano
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INTERMEDIATE
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Phil Beaman
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Nocturne and Rondo-Cello and P
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Phil Beaman
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SheetMusicPlus
Cello,Piano - Level 3 - Digital Download SKU: A0.844595 Composed by Phil Beaman. 20th Century,Contemporary,New Age,Rock. Score and part. 10 pages. Phil B...
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Cello,Piano - Level 3 - Digital Download SKU: A0.844595 Composed by Phil Beaman. 20th Century,Contemporary,New Age,Rock. Score and part. 10 pages. Phil Beaman #4110709. Published by Phil Beaman (A0.844595). An original 21st Century piece which fuses influences from nearly every genre and period. The Nocturne showcases the performer's tone quality, particularly in the upper register. The melody has hints of Contemporary Classical, Post-Romantic, and New Age, but overall is Minimalist. The Piano Accompaniment in this section is entirely a 2 chord ostinato in the Right Hand only. The Rondo has continuity from the Nocturne in that the Piano Accompaniment continues with Right Hand only chords. This section is heavily rhythmic with West Indian/Caribbean rhythms and some pulsing Rock influence, yet still with characteristics of Contemporary Classical. This Nocturne and Rondo makes a great Audition piece to show your musicianship. Or a formal Recital performance piece. Nocturne - 64 mm, Andante, 4:30-5 min.Rondo - 61 mm, Allegro, 1:45-2 min. 7 page score, 3 page solo partTemporary recording of piano reduction of score.
$7.99 ≈
$10.89
Nocturne and Rondo - Euphonium/Baritone Horn and Piano
Nocturne and Rondo - Euphonium/Baritone Horn and Piano
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Euphonium, Piano (duet)
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INTERMEDIATE/ADVANCED
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Phil Beaman
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Nocturne and Rondo - Euphonium
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Phil Beaman
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SheetMusicPlus
Euphonium,Piano - Level 4 - Digital Download SKU: A0.1378885 Composed by Phil Beaman. 20th Century,Contemporary,New Age,Rock. Score and part. 13 pages. P...
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Euphonium,Piano - Level 4 - Digital Download SKU: A0.1378885 Composed by Phil Beaman. 20th Century,Contemporary,New Age,Rock. Score and part. 13 pages. Phil Beaman #963601. Published by Phil Beaman (A0.1378885). An original 21st Century piece which fuses influences from nearly every genre and period.  The Nocturne showcases the performer's tone quality, particularly in the upper register. The melody has hints of Contemporary Classical, Post-Romantic, and New Age, but overall is Minimalist. The Piano Accompaniment in this section is entirely a 2 chord ostinato in the Right Hand only.  The Rondo has continuity from the Nocturne in that the Piano Accompaniment continues with Right Hand only chords. This section is heavily rhythmic with West Indian/Caribbean rhythms and some pulsing Rock influence, yet still with characteristics of Contemporary Classical.  This Nocturne and Rondo makes a great Audition piece to show your musicianship. Or a formal Recital performance piece. Nocturne - 64 mm, Andante, 4:30-5 min.Rondo - 61 mm, Allegro, 1:45-2 min. 7 page score, 3 page solo part.
$7.99 ≈
$10.89
BOISMORTIER CONCERTO IN G MAJOR FOR 5 FLUTES
BOISMORTIER CONCERTO IN G MAJOR FOR 5 FLUTES
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Joseph Bodin De Boismortier
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Edited by Pat Spence
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BOISMORTIER CONCERTO IN G MAJO
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Piper Publications
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SheetMusicPlus
Small Ensemble - Level 3 - Digital Download SKU: A0.811703 Composed by Joseph Bodin De Boismortier (1689 - 1755). Arranged by Edited by Pat Spence. Baroq...
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Small Ensemble - Level 3 - Digital Download SKU: A0.811703 Composed by Joseph Bodin De Boismortier (1689 - 1755). Arranged by Edited by Pat Spence. Baroque,Concert,Standards. Score and parts. 48 pages. Piper Publications #4331129. Published by Piper Publications (A0.811703). This is the first of a set of six Concertos ‘pour 5 flûtes - Transversieres ou autres Instruments sans basse’ published in Paris ‘Avec Privilége du Roy.’ in 1727. The part for the fifth flute was figured and this would have enabled it to be played on a keyboard or transposed down an octave on a bassoon or cello. A bass clef part is included in the set of parts. The fifth part could also be played on a bass flute if one is available. The other parts could also be played on recorders, oboes or violins depending on the players available. There are 3 movements, Adagio and 2 contrasting Allegros. Players of intermediate attainment will enjoy this piece. A score and 6 parts which includes part 5 in the bass clef is included.
$15.00 ≈
$20.45
Mozart: Divertimento No.3 from “Five Divertimenti for 3 basset horns” K439b - wind quintet
Mozart: Divertimento No.3 from “Five Divertimenti for 3 basset horns” K439b - wind quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
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Classical
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Divertimento No.3 from
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1185587 Composed by Wolfgang Amadeus Mozart. Arr...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1185587 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical. 42 pages. RayThompsonMusic #785261. Published by RayThompsonMusic (A0.1185587). Arranged wind quintetIncludes Natural Horn in Bb basso (Alt Hn in F provided)Mozart originally wrote 5 divertimenti for a wind trio of 3 basset horns, K439b and later rewrote/rearranged them for 2 clarinets and bassoon. K229.(There are 25 mvts.)This is my arrangement of Divertimento No.3 for wind quintet.The original 3 parts have been reallocated around the quintet, with some octave and harmony additions.I have added an original natural horn part for a more authentic Mozart sound.There are 5 movements:AllegroMinuetto and TrioAdagioMinuetto and TrioRondoFor info, an unkown composer took selections of some of the movements from the 5 Divertimenti, and created a set of 6 Viennese Sonatinas (6 Wiener Sonatinen) for piano.
$14.95 ≈
$20.38
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Allegro 3 5 Oct. Digital Download
