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You've selected:
Almost Ready
Sheetmusic to print
56 sheet music found
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1
26
51
Ready To Fly
Ready To Fly
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Choral SATB
#
INTERMEDIATE/ADVANCED
#
Richard Marx
#
Tanna Ward and Jan Ward
#
Ready To Fly
#
Ward Family Enterprises
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1339804 By Richard Marx. By Richard Marx. Arranged by Tanna Ward and Jan Ward. Country,Po...
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1339804 By Richard Marx. By Richard Marx. Arranged by Tanna Ward and Jan Ward. Country,Pop. 6 pages. Ward Family Enterprises #925459. Published by Ward Family Enterprises (A0.1339804). Ready To Fly is an inspirational country song transformed in this arrangement into a soaring ballad for show choir. It features an optional duet in the first verse and a small almost a cappella section toward the end. This piano/vocal score includes chords for guitar, but there are other instrumental parts available upon request.
$3.49 ≈
£2.71
I'm Almost Ready
I'm Almost Ready
#
Piano, Voice
#
Pure Prairie League
#
Biegler
#
I'm Almost Ready
#
Biegler
#
SheetMusicPlus
Piano,Vocal,Voice - Digital Download SKU: A0.1050470 By Pure Prairie League. By Vincent Gill. Arranged by Biegler. Country,Rock. Score. 4 pages. Biegler ...
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Piano,Vocal,Voice - Digital Download SKU: A0.1050470 By Pure Prairie League. By Vincent Gill. Arranged by Biegler. Country,Rock. Score. 4 pages. Biegler #654827. Published by Biegler (A0.1050470). Scored for piano with the vocal line played in the right hand/treble clef. The arrangement is based on the original recording of the piece. The guitar solo has been omitted.
$4.99 ≈
£3.88
I'm Almost Ready
I'm Almost Ready
#
Choral SATB
#
EASY
#
Pure Prairie League
#
Jeff Tincher
#
I'm Almost Ready
#
Jeff Tincher
#
SheetMusicPlus
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1176681 By Pure Prairie League. By Vincent Gill. Arranged by Jeff Tincher. Contemporary,Country,...
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1176681 By Pure Prairie League. By Vincent Gill. Arranged by Jeff Tincher. Contemporary,Country,Rock. Octavo. 9 pages. Jeff Tincher #776753. Published by Jeff Tincher (A0.1176681). This is the perfect example of tight harmony. The song is one of the biggest hits from one of the Country Rock pioneers. In the original key from Pure Prarie League's Firin' Up LP. Duration = 3:43. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$1.99 ≈
£1.55
I'm Almost Ready
I'm Almost Ready
#
Brass quartet : 2 trumpets, trombone, tuba
#
EASY
#
Pure Prairie League
#
Jeff Tincher
#
I'm Almost Ready
#
Jeff Tincher
#
SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1176680 By Pure Prairie League. By Vincent Gill. Arranged by Jeff Tincher. Cont...
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Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1176680 By Pure Prairie League. By Vincent Gill. Arranged by Jeff Tincher. Contemporary,Country,Rock. Score and parts. 16 pages. Jeff Tincher #776752. Published by Jeff Tincher (A0.1176680). This is the perfect example of tight harmony. The song is one of the biggest hits from one of the Country Rock pioneers. In the original key from Pure Prarie League's Firin' Up LP. Duration = 3:43. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$12.99 ≈
£10.09
I'm Almost Ready
I'm Almost Ready
#
Saxophone Quartet: 4 saxophones
#
EASY
#
Pure Prairie League
#
Jeff Tincher
#
I'm Almost Ready
#
Jeff Tincher
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1176676 By P...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1176676 By Pure Prairie League. By Vincent Gill. Arranged by Jeff Tincher. Contemporary,Country,Rock. 17 pages. Jeff Tincher #776748. Published by Jeff Tincher (A0.1176676). This is the perfect example of tight harmony. The song is one of the biggest hits from one of the Country Rock pioneers. In the original key from Pure Prarie League's Firin' Up LP. Duration = 3:43. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$12.99 ≈
£10.09
I'm Almost Ready
I'm Almost Ready
#
Flute, Oboe, Clarinet, Bassoon
#
EASY
#
Pure Prairie League
#
Jeff Tincher
#
I'm Almost Ready
#
Jeff Tincher
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Download SKU: A0.1176678 By Pure Prairie League. By Vincent Gill. Arra...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Download SKU: A0.1176678 By Pure Prairie League. By Vincent Gill. Arranged by Jeff Tincher. Contemporary,Country,Rock. 16 pages. Jeff Tincher #776750. Published by Jeff Tincher (A0.1176678). This is the perfect example of tight harmony. The song is one of the biggest hits from one of the Country Rock pioneers. In the original key from Pure Prarie League's Firin' Up LP. Duration = 3:43. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$12.99 ≈
£10.09
I'm Almost Ready
I'm Almost Ready
#
Piano, Vocal and Guitar
#
EASY
#
Pure Prairie League
#
Jeff Tincher
#
I'm Almost Ready
#
Jeff Tincher
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1176669 By Pure Prairie League. By Vincent Gill. Arranged by Jeff Tincher. Contemporary,Cou...
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1176669 By Pure Prairie League. By Vincent Gill. Arranged by Jeff Tincher. Contemporary,Country,Rock. Score. 7 pages. Jeff Tincher #776741. Published by Jeff Tincher (A0.1176669). This is the perfect example of tight harmony. The song is one of the biggest hits from one of the Country Rock pioneers. In the original key from Pure Prarie League's Firin' Up LP. Duration = 3:43. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$5.99 ≈
£4.65
I'm Almost Ready
I'm Almost Ready
#
String Quartet: 2 violins, viola, cello
#
EASY
#
Pure Prairie League
#
Jeff Tincher
#
I'm Almost Ready
#
Jeff Tincher
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1176675 By Pure Prairie League. By Vincent Gill. Arranged by Jeff T...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1176675 By Pure Prairie League. By Vincent Gill. Arranged by Jeff Tincher. Contemporary,Country,Rock. Score and parts. 16 pages. Jeff Tincher #776747. Published by Jeff Tincher (A0.1176675). This is the perfect example of tight harmony. The song is one of the biggest hits from one of the Country Rock pioneers. In the original key from Pure Prarie League's Firin' Up LP. Duration = 3:43. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$12.99 ≈
£10.09
I'm Almost Ready
I'm Almost Ready
#
Choral TTBB
#
EASY
#
Pure Prairie League
#
Jeff Tincher
#
I'm Almost Ready
#
Jeff Tincher
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1176683 By Pure Prairie League. By Vincent Gill. Arranged by Jeff Tincher. Contemporary,Country,...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1176683 By Pure Prairie League. By Vincent Gill. Arranged by Jeff Tincher. Contemporary,Country,Rock. Octavo. 10 pages. Jeff Tincher #776755. Published by Jeff Tincher (A0.1176683). This is the perfect example of tight harmony. The song is one of the biggest hits from one of the Country Rock pioneers. In the original key from Pure Prarie League's Firin' Up LP. Duration = 3:43. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$1.99 ≈
£1.55
I'm Almost Ready
I'm Almost Ready
#
Choral SSAA
#
EASY
#
Pure Prairie League
#
Jeff Tincher
#
I'm Almost Ready
#
Jeff Tincher
#
SheetMusicPlus
Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1176684 By Pure Prairie League. By Vincent Gill. Arranged by Jeff Tincher. Contemporary,Country,...
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Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1176684 By Pure Prairie League. By Vincent Gill. Arranged by Jeff Tincher. Contemporary,Country,Rock. Octavo. 10 pages. Jeff Tincher #776756. Published by Jeff Tincher (A0.1176684). This is the perfect example of tight harmony. The song is one of the biggest hits from one of the Country Rock pioneers. In the original key from Pure Prarie League's Firin' Up LP. Duration = 3:43. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$1.99 ≈
£1.55
L'alchimista
L'alchimista
#
Piano solo
#
Contemporary
#
Monica Bergo
#
L'alchimista
#
Monica Bergo
#
SheetMusicPlus
Piano Solo - Digital Download SKU: A0.976873 Composed by Monica Bergo. Contemporary. Score. 9 pages. Monica Bergo #3243715. Published by Monica Bergo (A0...
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Piano Solo - Digital Download SKU: A0.976873 Composed by Monica Bergo. Contemporary. Score. 9 pages. Monica Bergo #3243715. Published by Monica Bergo (A0.976873). 2017 Holiday Contest EntryThe alchemist Flames in the dark sparkle voice whispering echoes They say about you Sell useless dreams they say about me that I’m too much frail You are shutting down the day of this city the lights switch on of different realities and time dilates , begins another life It is tacit ritual of a sad tribes You firefly who shine can you tell me where he is? I seek the alchemist , you see yourself from my eyes rimmed on the nothing wide open they are full of fears and resemble your And here it is your circus , you wait me already not much has changed from a lifetime ago you do not, you are not aged a Peter Pan sick , who deduct his sins in the lives of others clown you always have so many , acrobats tired poised always between dream and reality and as a cat, I also see in the dark and over the waste to me slowly and then die the crises, then anxiety , that imperfect woman I do not stand me anymore I who have never been a daughter , your promise of another family and this need for love, that torture and kill me While you brush my long hair , from your hands give off crystals bright lights exploding inside as if by magic now I belong to you snakes tattooed lean on your hips we float in the sea of time how does I exist? always or yesterday I do not remember but only mysteries You adult man and I young girl abracadabra, as all before I tired and old and you still a child us travelers in a bogus time and while I explore the emptiness I have inside Nothing is sweeter than this torment You prepare the potion , the right proportion , the antidote and poison but you put more passion , My animal instinct and add a little 'of gall for those who have hurt me Mix all right , only you know what to do you seals good my heart , can not serve me evil plots to good , with fumes and vapors , ampoules almost full ,please ... let me drink ... But you can not , and I stay here , prisoner of your invisible world We like vampires , breath broken by sighs , arms forward, off eyes alchemist turn off my complaints You like a zombie , ready to sink your teeth ,that fascinates me and scares alchemist dissolve my torments .. but you can not .. and I stay here I'm looking for the courage to live It is being born on the day of this city Milano colored yourself with its activities shorten the shadows , the sun shines and a veil hiding now all his vices and my pace is tired , my face a bit 'more haggard ,emptiness inside me and where are you? I run always and do not know where I go I look back , I stumble and then I fall Slow walk among the tired souls alive but in a state of apparent death rips in the soul and on my clothes I have no tattoos, scars only and as the salt do on the wounds I burn at the memory of bad choices Iron bars are closed . echoes of voices deafen They say about you that you no longer have a tear they say about me that I’m free woman ... Monica Bergo
$3.99 ≈
£3.10
California Dreamin'
California Dreamin'
#
Clarinet Quintet: 5 clarinets
#
EASY
#
The Mamas And The Papas
#
Sean Sullivan
#
California Dreamin'
#
Sean Sullivan
#
SheetMusicPlus
Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Download SKU: A0.1448334 By The Mamas And The Papas. By John Phillip...
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Download SKU: A0.1448334 By The Mamas And The Papas. By John Phillips and Michelle Phillips. Arranged by Sean Sullivan. 20th Century,Pop,Rock. 15 pages. Sean Sullivan #1028271. Published by Sean Sullivan (A0.1448334). Dude, like, are you ready to experience the ultimate California vibe with your clarinet quintet? I've got just the thing for you, man! I've arranged the classic tune California Dreamin' by The Mamas and The Papas for clarinet quintet, and it's totally far out, bro! This arrangement is totally chill, man. You'll get to play the catchy, bouncy bass line and the lush, harmony-rich chords that will make you feel like you're floating on a cloud. And if you want to get really adventurous, you can add in that optional alto clarinet part to give your performance an extra layer of depth and complexity. You can almost smell the saltwater and feel the mist of the ocean on your skin as you play this tune. Order now and get ready to experience the ultimate California dreamin' session with your clarinet quintet!
$14.99 ≈
£11.64
On That Cross (Piano part ONLY)
On That Cross (Piano part ONLY)
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Sacred music
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Chri...
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Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 1 pages. Stuart Brown Music #782621. Published by Stuart Brown Music (A0.1182872). The accompanying score and a choral bundle are also available from this website.The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$1.99 ≈
£1.55
On That Cross
On That Cross
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Choral SSATTB
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EASY
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Sacred music
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182868 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Chri...
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Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182868 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise and Worship,Religious,Sacred. 12 pages. Stuart Brown Music #782616. Published by Stuart Brown Music (A0.1182868). Re-published specially for Easter 2023, this is a profoundly beautiful piece for 6-part choir and piano. The composer writes:'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that. One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only â??crimeâ?? was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were â??Oh men who dare to call on gods to justify your hatred â?? of this be sure â?¦â? and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. â??Of this be sure â?? I love you still, my cross your salvation from all the sin of man.â?It doesnâ??t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isnâ??t. He created them, he sent his Son to die for them â?¦ and he is even now ready to save them, as he is you and me. Thatâ??s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$3.00 ≈
£2.33
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Choral TTBB
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EASY
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & H
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octa...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
£3.10
On That Cross (choir pack + piano part + licence)
On That Cross (choir pack + piano part + licence)
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Sacred music
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Chri...
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Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 14 pages. Stuart Brown Music #782619. Published by Stuart Brown Music (A0.1182870). The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$16.00 ≈
£12.43
Wrecking Ball
Wrecking Ball
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String Quartet: 2 violins, viola, cello
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ADVANCED
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Pop music
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Miley Cyrus
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Kyle Pudenz
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Wrecking Ball
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ViolinVagabond Music
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SheetMusicPlus
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.845973 By Miley Cyrus. By Henry Walter, Lukasz Gottwald, Maureen McDonald, Sacha Skarb...
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.845973 By Miley Cyrus. By Henry Walter, Lukasz Gottwald, Maureen McDonald, Sacha Skarbek, and Stephan Richard Moccio. Arranged by Kyle Pudenz. Contemporary,Pop. Score and parts. 34 pages. ViolinVagabond Music #5310843. Published by ViolinVagabond Music (A0.845973). Why settle for a bland transcription of Hannah Montana when you can have an action-packed, thrill-filled arrangement that's ALMOST as crazy as Miley Cyrus!? (almost)You've heard the song. You've seen the video. Whether or not you're a Miley super fan, you get the hype and that's why you're here. So take that hype to the next level with a chart that will make your audience go what on earth just happened? the same way Miley does on at least a bi-annual basis. By the way, I'll tell you what just happened: your quartet just came in like a wrecking ball, and smashed every archaic stereotype about classical string players to PIECES!!Gone are the days of strings not being able to feel the groove. Silenced are the cynics who once called us boring and one-dimensional. A new era is upon us, where violins, violas, & cellos can get up, get out, and rock the faces off of the proletariat right alongside our guitar slinging, drumstick twirling brethren! And this chart is just what you need to usher in this oh so bright future for all who rosin the bow:Right from the start, this arrangement takes a unique spin on Miley's pop smash, with a lopsided groove that will have your listeners searching frantically for a downbeat. Their urges will finally be satisfied when the melody takes us back to that oh-so-familiar feeling of 4/4 security... but don't get too comfortable, because when that chorus drops you'd better hold on to your hats. That's right, the train is leaving the station for double-time town! Along this musical journey, you may also encounter glimpses of reggae, jazz, & bluegrass, culminating in a race to the finish that will wre-e-eck any musician who didn't come ready to hang. Oh, and just for funsies I threw in that classic showbiz' moment where the cellist steals the melody, so feel free to ham that up as much as possible, cello players!This arrangement also makes use of modern extended string techniques in order to create rhythmic grooves without the need for additional instruments, including chopping and strum bowing. If you are unfamiliar with these concepts, various resources exist all over the internet to aid you in your quest towards having better time. I recommend this series, for example: https://youtu.be/kfX3kxjC93sPerformance time - 4:20... and if that doesn't make Miley Cyrus proud I don't know what will.Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond
$17.99 ≈
£13.97
Summer Countdown Song
Summer Countdown Song
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Piano, Voice
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BEGINNER
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Laura G Cole
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Summer Countdown Song
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Laura G. Cole
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SheetMusicPlus
Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1428953 Composed by Laura G Cole. Children,Traditional. Score. 7 pages. Laura G. Cole #998889. Pub...
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Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1428953 Composed by Laura G Cole. Children,Traditional. Score. 7 pages. Laura G. Cole #998889. Published by Laura G. Cole (A0.1428953). I wrote this song for my elementary school students in the spring of 2022. We were so happy to have made it through a successfully (almost) normal year coming out of COVID. We were all ready for a relaxing, fun summer.This song is dedicated to the second grade class at Gouge Elementary School that sang it so sweetly that year. I hope your students enjoy counting down summertime with this song.*The number twenty-one can be replaced by whatever number of days you have left in the school year. I used that number because that’s how many days were left when I wrote it!
$2.99 ≈
£2.32
Monteverdi - The Seventh Book of Madrigals (1619) - 20. Eccomi pronta ai baci à6
Monteverdi - The Seventh Book of Madrigals (1619) - 20. Eccomi pronta ai baci à6
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE
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Classical
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Seventh Book
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.767359 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Ren...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.767359 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 17 pages. Lyons Music Services #3543487. Published by Lyons Music Services (A0.767359). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts. Eccomi pronta ai baci Here am I ready for kisses! A rather explicit song about kisses and biting! The seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.) Once again, these songs are exquisitely crafted and travel well onto brass.
$5.99 ≈
£4.65
Let's Bring Joy to Life
Let's Bring Joy to Life
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Piano solo
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INTERMEDIATE/ADVANCED
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Blues
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Jeffrey Pettijohn
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Let's Bring Joy to Life
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Jeffrey Pettijohn
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1301674 By Jeffrey Pettijohn. By Jeffrey Pettijohn. Blues. Score. 28 pages. Jeffrey Pettijohn #891285. Pu...
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Piano Solo - Level 4 - Digital Download SKU: A0.1301674 By Jeffrey Pettijohn. By Jeffrey Pettijohn. Blues. Score. 28 pages. Jeffrey Pettijohn #891285. Published by Jeffrey Pettijohn (A0.1301674). This collection of Late intermediate tunes includes Almost There This is a gospel-infused tune of support and success!Are You Ready? This is a dark tune expressing the concerns of a decision that could have dire consequences.Well, I'm Sorry This is a bluesy tune in which an apology is not accepted, but one has to wonder, at the end, Who's sorry now?Let's Bring Joy to Life This is a jubilant tune full of gospel feel good sounds.
$9.99 ≈
£7.76
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Almost Ready
