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America Will Always Be
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You've selected:
America Will Always Be
Sheetmusic to print
172 sheet music found
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America Will Always Be
America Will Always Be
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Concert band
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EASY
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Patriotic
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Edward Sims
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America Will Always Be
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Ed Sims
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.1153140 By Edward Sims. By Edward Sims. Contemporary,Holiday,Instructional,Patriotic. Score and parts. ...
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Concert Band - Level 2 - Digital Download SKU: A0.1153140 By Edward Sims. By Edward Sims. Contemporary,Holiday,Instructional,Patriotic. Score and parts. 43 pages. Ed Sims #753382. Published by Ed Sims (A0.1153140). America’s history is littered with chaotic events, be it school shootings, the attack on the capital, pandemics, 9/11, wars, assassinations, and horrific events yet to come. Through it all, we can feel secure knowing America has, and will, survive. This composition depicts this spirit. It opens with an unusual 4/4 setting of the beginning of “Americaâ€. This is followed by original material that depicts our normal, happy freedom. Suddenly it changes to an aleatoric section representative of a horrific event. Following is a hint of “Amazing Grace†to remember the suffering. As always happens, life returns to normal. Closing is a 4/4 treatment of the final phrase of America, with a hint of the “Star Spangled Bannerâ€. This is an excellent teaching piece for younger bands, as well as a patriotic reminder of America’s strength sure to be an audience favorite.
$2.00 ≈
1.80€
There Will Always Be Me
There Will Always Be Me
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Piano, Voice
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INTERMEDIATE
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Safflower Music LLC
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Theory
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There Will Always Be Me
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Safflower Music LLC
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.508553 Composed by Safflower Music LLC. Blues,Instructional,Jazz,Standards. Score. 2 pages. Safflo...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.508553 Composed by Safflower Music LLC. Blues,Instructional,Jazz,Standards. Score. 2 pages. Safflower Music LLC #5808651. Published by Safflower Music LLC (A0.508553). This jazzy etude doubles as a sample improvisation in the solo piano style, incorporating quintessential bebop vocabulary based on the changes to the standard tune, There Will Never Be Another You. This study is great for the intermediate pianist looking to develop skills in the areas of sight-reading, technique, and artistry. —by Sarah Jane Cion, Winner of the 1999 Great American Jazz Piano Competition and author of MODERN JAZZ PIANO REVEALED An Intermediate Guide to Jazz Concepts, Improvisation, Technique & Theory
$4.99 ≈
4.49€
Not 'Till Then (Will I Cease To Love You)
Not 'Till Then (Will I Cease To Love You)
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Charles K
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Not 'Till Then
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and TTBB chorus) - Digital Download SKU: LV.8484 Composed by Charles K. Harris. Courtship, Love, Time. Lester S. Levy Collection. 5...
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Piano and voice (solo and TTBB chorus) - Digital Download SKU: LV.8484 Composed by Charles K. Harris. Courtship, Love, Time. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.8484). Not 'Till Then (Will I Cease To Love You). Words and Music by Chas. K. Harris. Published 1912 by Chas. K. Harris in New York. Composition of strophic with chorus with piano and voice (solo and ttbb chorus) instrumentation. Subject headings for this piece include Courtship, Love, Time. First line reads Will you always be true to me sweetheart.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.39€
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Choral TTBB
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EASY
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & H
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octa...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
3.59€
Northwest Passage (Downloadable Piano/Choral Score)
Northwest Passage (Downloadable Piano/Choral Score)
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Choral SATB
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INTERMEDIATE
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Z
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Northwest Passage
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Galaxy Music Corporation - Digital
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SheetMusicPlus
SATB choir, wind quintet and string quartet or piano - Medium - Digital Download SKU: MQ.1.3438-E Composed by Z. Randall Stroope. Advanced/Collegiate. Se...
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SATB choir, wind quintet and string quartet or piano - Medium - Digital Download SKU: MQ.1.3438-E Composed by Z. Randall Stroope. Advanced/Collegiate. Secular, 21st Century, Creation/Nature. Score & instrument part. 24 pages. Duration 8 minutes, 25 seconds. Galaxy Music Corporation - Digital #1.3438-E. Published by Galaxy Music Corporation - Digital (MQ.1.3438-E). English.Northwest Passage is a set of “poetic landscapes†that reflects on three elements of the great Northwest of the United States—rivers, mountains, and prairies. Each sonic reflection (movement) combines to form a larger image, not unlike someone standing on a vista and seeing rivers, mountains, and prairies—each distinct, but part of one vast expanse.The work is scored for two versions: mixed chorus and piano, or mixed chorus, wind quintet, and string quartet. The harmonic vocabulary of the work maintains an uncomplicated, transparent (“organicâ€) approach in describing nature. The melodic vocabulary immediately pulls the listener's eye to the image, and rhythm is used as the underlying spark that is subtly ever changing and unpredictable. These three poetic landscapes should be performed without applause between movements.1. A Willow by the River|William Carlos Williams was a medical practitioner, pediatrician, and an avid writer. He wrote short stories, novels, plays, critical essays and, of course, poetry. The subjects of his writing were often “local†images, and he preferred to see the world “as it is,†without unnecessary trappings or “airs.†He was an important mentor to many younger poets of his day. “Willow Poem†(A Willow by the River) has no rhyme scheme but is comprised of fourteen individual lines. The willow is the focus of the poem (by its title and content) and how it never changes but will always “be.†The river represents, among other things, life quickly moving by and in a constant state of motion.2. Mountains|Marjorie Seiffert (who often used the pseudonyms Elijah Hay or Angela Cypher) led an incredibly full and balanced life. College introduced her to a world beyond her domestic and civic life and, as a result, she wanted to experience self-empowerment and independence. She prided herself in being a spouse, mother and maintaining a full slate of professional appearances and commissions for writing. Her poetry is vivid, keenly “visual,†and full of fast-paced, tightly woven ideas. “Mountain trails†(Mountains) was written at Glacier Park, Montana in September 1917.3. The Prairie|John Hay was an American statesman who was personal assistant to Abraham Lincoln. He also served as U. S. Secretary of State and Ambassador to Great Britain. He was a cultivated man of letters and wrote poetry which was straightforward in design and delivery. Nature was often the subject of his creative output. -Z. Randall StroopeDuration: 8:25Instrumental Parts packet includes: Flute, Oboe, Clarinet, Horn, Bassoon, Strings (1-1-1-1).
$3.20 ≈
2.88€
Always Keep Your Heart For Me
Always Keep Your Heart For Me
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Choral SATB
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J
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Always Keep Your Heart For Me
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4671 Composed by J. A. Gulick. Courtship, Love. Lester S. Levy Collection. 4 pages. Pub...
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4671 Composed by J. A. Gulick. Courtship, Love. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4671). Always Keep Your Heart For Me. Words and Music by J.A. Gulick. Published 1885 by Willis Woodward & Co., Nos. 842 & 844 Broadway in New York. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Courtship, Love. First line reads Shall I tell a little story, of my life and of its light?.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.39€
En Face Du Miroir (Facing The Mirror)
En Face Du Miroir (Facing The Mirror)
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Piano solo
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ADVANCED
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Jazz
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Isadar
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En Face Du Miroir
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Mainya Music Publishing
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SheetMusicPlus
Piano Solo - Advanced - Digital Download Composed by Isadar. Contemporary Classical, Jazz, Recital, Americana, New Age. Sheet Music Single. 11 pages. ...
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Piano Solo - Advanced - Digital Download Composed by Isadar. Contemporary Classical, Jazz, Recital, Americana, New Age. Sheet Music Single. 11 pages. Published by Mainya Music Publishing (BMI)
Contains:
"En Face Du Miroir (Facing The Mirror)"
- taken from the Isadar solo piano complete collection, "Red" (also available on SMP)
Sounds like: Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artists
Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording
Album & Songbook Review by: Kathy Parsons
Red is pianist/composer Isadar’s genre-defying tenth solo piano album and seventeenth independent release from the past twenty years. It is also the third installment in a trilogy of solo piano albums released in the past year - Reconstructed, a Will Ackerman-produced anthology of some of Isadar’s best piano pieces; O Christmas, Isadar’s second piano Christmas album; and now Red, a bittersweet love-themed album that took seven years to produce and that consists of the first new original solo piano material Isadar has released in more than ten years.
I have been reviewing and thoroughly enjoying Isadar’s releases since his second piano album, 1999’s Active Imagination, which still stands as one of my favorite recordings. Even though I have been a big fan for many years, I was still blown away by Isadar’s live performance in my house concert series in July 2010. The man has magic fingers and an extraordinary piano touch that are perfectly suited to express his imaginative, distinctive, and emotionally powerful music.
Isadar is also a singer/songwriter and an electronic musician who creates the music videos for much of his music, dramatizing the stories that inspired the songs. I will always be partial to Isadar’s piano albums because his voice and vision are unique, incorporating jazz, new age, pop, and classical stylings into a musical language all his own.
Red opens with “Broken Valentine,” a free-flowing expression of heartbreak and the broad range of emotions that go with it, alternating between grief and confusion then shifting to perhaps anger and resignation - a great beginning. The title track conveys the freedom of an improvisation while weaving together a variety of upbeat themes. “The Man Who Broke My Heart” is energetic and in constant swirling motion - also very free and from deep within. “The Stairwell” is darker and much more mysterious, overflowing with Isadar’s intriguing accented rhythms and picturesque compositional style. My favorite track is the almost nine-minute “Letting Go,” a piece that intertwines a series of musical vignettes into a powerful, colorful musical collage. I love the way Isadar seamlessly goes from flowing and smooth to a bouncy jazz style to high drama without missing a beat. Great stuff! “En Face Du Miroir (Facing the Mirror)” is much lighter, with fingers dancing nimbly around the piano keyboard. The album closes with “Blood ... Thicker Than Water,” again a combination of changing themes that could well be a musical family portrait - different personalities working separately and as a unit, bound together by the unseen ties that keep families together through thick and thin.
Isadar has created another piano masterpiece that should be more widely heard than his previous releases due to the success of Reconstructed. I hope so, anyway! Red is available from isadar.com, Amazon, iTunes, and CD Baby. Very highly recommended!
Isadar’s Red: Solo Piano Sheet Music Collection is a note-for-note transcription of all seven pieces from Isadar’s 2013 CD/download release by the same name. The music was transcribed by David Shenton (shentonmusic.com) with clear, concise notation that includes dynamics, pedaling and metronome settings.
Isadar is an amazing pianist with a style all his own, so this isn’t a book that most pianists will be able to just sit down and play. It will take some work and attention to detail to get this music right, but it will be well worth the effort. Having the recording for handy reference would be a big help.
Rhythms are often complex and syncopated, but are usually repeated within each piece, so once you have them, the rest will follow fairly easily. There are only a few chords with a reach of more than an octave and none of the key signatures are terribly difficult. The layout and spacing of the music is excellent, and the paper stock is a bright white 9”x12” format with a stapled binding.
If you enjoy listening to Isadar’s music, I’m sure you will enjoy playing it, too! This songbook is available from isadar.com. Recommended!
The songs with their key signatures and the number of pages is listed below:
Broken Valentine - C minor (3 flats) - 4 pages
Red - A minor (0 sharps or flats) - 5 pages
The Man Who Broke My Heart - A minor - 6 pages
The Stairwell - F# minor (3 sharps) - 7 pages
Letting Go - F minor (4 flats) / C minor (3 flats) - 8 pages
En Face Du Miroir (Facing the Mirror) - Ab (4 flats) / F minor/ Bb minor (5 flats) / Db (5 flats) - 7 pages
Blood ... Thicker Than Water - A Minor/ C (0) / F (1 flat) - 7 pages
Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...
Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.
For more information, visit his website at: http://www.isadar.com
$5.99 ≈
5.39€
American Salute
American Salute
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Clarinet Quartet: 4 clarinets
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INTERMEDIATE
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Contemporary
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Morton Gould
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Craig Buying
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American Salute
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No Squeak Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.914242 Composed by Morton Gould. Arranged by Craig Buying. Contemporary....
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.914242 Composed by Morton Gould. Arranged by Craig Buying. Contemporary. 18 pages. No Squeak Publishing #4361105. Published by No Squeak Publishing (A0.914242). This is a clarinet quartet arrangement of the iconic Gould work and features the tune When Johnny Comes Marching Home. All major sections of the piece are included in this adaptation. A bass clarinet with extension is helpful, but optional octave notes are included in the part. The parts are in the original key, so those who are familiar with the original band version will be right at home in some technical sections. Perfect for honoring Veterans. A wonderful addition to any recital program. Parts are no more technically difficult than original, although they do cover much more material. Total performance time is slightly under 3 mins. This has been performed on many recitals and is always a crowd pleaser!! A real treat for each member of the quartet, including bass.
$13.99 ≈
12.60€
When I'm Gone
When I'm Gone
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Jazz Ensemble
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INTERMEDIATE
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Wayne H
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When I'm Gone
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Wayne Howard Christensen III
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.987118 Composed by Wayne H. Christensen III (Lyrics by Geraldine P. Christensen). Blues,...
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.987118 Composed by Wayne H. Christensen III (Lyrics by Geraldine P. Christensen). Blues,Christian,Jazz,Spiritual. Score and parts. 8 pages. Wayne Howard Christensen III #2033059. Published by Wayne Howard Christensen III (A0.987118). My mom wrote this poem in 2007 when she was going through chemotherapy to treat her breast cancer. She was reminiscing about a day when her grandsons Ian (7) and Zachary (4) had accompanied her with bongo drums, maracas and tambourines as she played her Yamaha Clavinova to a latin beat. She said it was so much fun and they had such a good time! From her poem I have created a song that tries to capture the essence of their experience. I incorporated little variations of When the Saints go Marching in to portray their jam session while also alluding to my mom as a Saint who will always be with us in spirit no matter what. When she marches into Heaven I am sure she will be asking Jesus what he wants for dinner. :) For every purchase of this song I will donate $1 to Breast Cancer Charities of America.
$2.19 ≈
1.97€
Indiana for Four Part A capella Men's Chorus (TTBB) from the musical "A Lucky Star"
Indiana for Four Part A capella Men's Chorus (TTBB) from the musical "A Lucky Star"
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Choral TTBB
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INTERMEDIATE
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James Nathaniel Holland
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Indiana for Four Part A capell
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James Nathaniel Holland
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.730509 Composed by James Nathaniel Holland. A Cappella,Broadway,Folk,Holiday,Musical/Show,Patrio...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.730509 Composed by James Nathaniel Holland. A Cappella,Broadway,Folk,Holiday,Musical/Show,Patriotic,Traditional. Octavo. 6 pages. James Nathaniel Holland #5991761. Published by James Nathaniel Holland (A0.730509). A hymn to home and the Hoosier state of Indiana from the 1920s musical, A Lucky Star, words and music by American composer (and Indiana native) James Nathaniel Holland. Arranged for four part a capella men's chorus with reduced piano for easy rehearsal. Tenor 1 and 2, Baritone, Bass choir.Lyrics:When I think of my home,There's no other place I see,Than that land with its broad rolling hills,And it's mist that creeps up,Every blue, warm summer night.That is home, no matter where, that's home to me.Seasons Spring, Summer, Fall, even Winter sings so brightlyWith your hills and your green fields of corn.In that way do not change, But keep faith as time passes,That to each and all that Hoosier State's sweet home. (The Hoosier State's my home!)Here's to you, Indiana,Though we change, my Indiana,You will always be that home sweet home to me! (My Indiana home.)Duration: 3:22 minutes.
$4.50 ≈
4.05€
Samba de Simão, for Alto Saxophone Duet
Samba de Simão, for Alto Saxophone Duet
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2 Saxophones (duet)
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INTERMEDIATE/ADVANCED
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Latin/World Music
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David McKeown
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Samba de Simão, for Alto Saxo
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David McKeown
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SheetMusicPlus
Alto Saxophone Duet - Advanced Intermediate - Digital Download Composed by David McKeown. Latin Jazz, World, Latin, South American, Afro- Brazilian. S...
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Alto Saxophone Duet - Advanced Intermediate - Digital Download Composed by David McKeown. Latin Jazz, World, Latin, South American, Afro- Brazilian. Score. 8 pages. Published by David McKeown
Samba de Simão is an exciting original composition by David McKeown, arranged as a duet for two Alto Saxophones.
This duet is based on the style of Samba. With roots in West African music, modern Samba emerged in Rio de Janiero, Brazil at the beginning of the twentieth century. There are many forms, both sung and instrumental, and the Samba rhythm has found its way around the world into jazz and modern electronic pop and dance music. Samba has become a cultural symbol of Brazil, with Rio’s famous Samba schools producing theatrical and ultra-professional showpieces for the annual carnival.
If you play to an advanced intermediate standard and upwards, then you and your audience will enjoy this piece. Rhythms should be lightly articulated, the melody should always flow, the two underlying strong beats in each bar should always be felt, and following the articulation in the score will help convey the style. Samba de Simão has a performance time of two and a half minutes. Follow the link above to listen to a complete YouTube performance of the Clarinet version of Samba de Simão.
$3.99 ≈
3.59€
Rhapsody in Blue and White for Piano
Rhapsody in Blue and White for Piano
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Piano solo
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ADVANCED
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Rami Bar-Niv
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Rhapsody in Blue and White for
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AndreA
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.826768 Composed by Rami Bar-Niv. 20th Century,Classical,Folk,Romantic Period,World. Score. 28 pages. Andr...
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Piano Solo - Level 5 - Digital Download SKU: A0.826768 Composed by Rami Bar-Niv. 20th Century,Classical,Folk,Romantic Period,World. Score. 28 pages. AndreA #2019039. Published by AndreA (A0.826768). Sheet music. First published in 1998, the Rhapsody is based on 3 Israeli songs: a folk song, EL YIVNE HAGALIL; a Ladino song of the Sephardic Jewish tradition, HITRAGUT; and Israel's national anthem, HATIKVA. The composer had performed the piece in concerts all over the world. He also recorded the Rhapsody onto a CD and a DVD and it can be heard and watched on YouTube - http://youtu.be/w3j3bGOyy6M . Rami Bar-Niv is one of Israel's most acclaimed and sought after pianists. He travels extensively and has become an international citizen, concertizing all over the world. Born in Tel-Aviv in December 1945, Bar-Niv graduated with honors from the Rubin Academy of Music, and was the recipient of various prizes and scholarships. After graduating from the Mannes College of Music in New York, where he studied with the renowned Mme. Nadia Reisenberg, he won numerous competitions, and embarked on a successful concert career. He is heard regularly in North, Central, and South America, Europe, Africa, Asia, Australia, New Zealand, and Israel, where he received the Best Performer Award from the Israeli government. Rami Bar-Niv performs as a soloist with orchestras, as a recitalist, and as a chamber musician. He appears in live concerts, on radio, and on television, and is always received with great enthusiasm. Often sent abroad by the Foreign Ministry to represent Israel in concerts, he has become an ambassador of goodwill for Israel. Bar-Niv made history by being the first, and so far the only, Israeli artist to perform in Egypt following the Begin/Sadat Peace Treaty. His recordings for CBS and other labels in Israel and abroad have met with praise and popularity. His compositions are published, recorded, and performed all over the world. He has often been at the top of the charts on various Internet music sites such as MP3.com, YouTube, and many others. Along with his concerts, he has been teaching all over the world, giving master classes, lectures, workshops, and private lessons. Since 2006 he has been offering a week-long piano camp for adults twice a year in the United States. In 2012 he published his book The Art of Piano Fingering - Traditional, Advanced, and Innovative.
$8.99 ≈
8.10€
Tango d'Elinora, for Flute and Violin Duet
Tango d'Elinora, for Flute and Violin Duet
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Flute, Violin
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INTERMEDIATE
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David McKeown
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Tango d'Elinora, for Flute and
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David McKeown
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.588836 Composed by David McKeown. 20th Century,Concert,Latin,World....
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Instrumental Duet Flute,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.588836 Composed by David McKeown. 20th Century,Concert,Latin,World. Score and parts. 6 pages. David McKeown #5792863. Published by David McKeown (A0.588836). Tango d’Elinora is an exciting original composition by David McKeown, arranged as a duet for one Flute and one Violin.This duet is written in the style of early twentieth century Tango music. Tango first appeared as in the late nineteenth century in Buenos Aires, Argentina, but it wasn’t long before the dance craze spread to North America and Europe. Performers like Carlos Gardel were the international superstars of their day. More recently the Nuevo Tango of Astor Piazzolla and others has pushed the boundaries and ensured that Tango is still a vibrant art form today. If you play to an intermediate standard and upwards, then you and your audience will enjoy this piece. Rhythms should be lightly articulated with the first beat in the bar always strong; the melody should always flow and following the articulation in the score will help convey the style. Tango d’Elinora has a performance time of just under three minutes. Follow the link above to listen to a complete YouTube performance of the Clarinet version of Tango d’Elinora.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
3.59€
Tango d'Elinora, for Clarinet and Violin Duet
Tango d'Elinora, for Clarinet and Violin Duet
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Clarinet, Violin (duet)
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INTERMEDIATE
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David McKeown
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Tango d'Elinora, for Clarinet
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David McKeown
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SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.588648 Composed by David McKeown. 20th Century,Concert,Latin,Wor...
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Instrumental Duet Clarinet,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.588648 Composed by David McKeown. 20th Century,Concert,Latin,World. Score and parts. 6 pages. David McKeown #5792845. Published by David McKeown (A0.588648). Tango d’Elinora is an exciting original composition by David McKeown, arranged as a duet for one Clarinet and one Violin.This duet is written in the style of early twentieth century Tango music. Tango first appeared as in the late nineteenth century in Buenos Aires, Argentina, but it wasn’t long before the dance craze spread to North America and Europe. Performers like Carlos Gardel were the international superstars of their day. More recently the Nuevo Tango of Astor Piazzolla and others has pushed the boundaries and ensured that Tango is still a vibrant art form today. If you play to an intermediate standard and upwards, then you and your audience will enjoy this piece. Rhythms should be lightly articulated with the first beat in the bar always strong; the melody should always flow and following the articulation in the score will help convey the style. Tango d’Elinora has a performance time of just under three minutes. Follow the link above to listen to a complete YouTube performance of the Clarinet version of Tango d’Elinora.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
3.59€
Tango d'Elinora, for Clarinet and Trumpet Duet
Tango d'Elinora, for Clarinet and Trumpet Duet
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Clarinet, Trumpet (duet)
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INTERMEDIATE
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David McKeown
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Tango d'Elinora, for Clarinet
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David McKeown
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SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.588591 Composed by David McKeown. 20th Century,Concert,Latin,Wo...
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Instrumental Duet Clarinet,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.588591 Composed by David McKeown. 20th Century,Concert,Latin,World. Score and parts. 6 pages. David McKeown #5792841. Published by David McKeown (A0.588591). Tango d’Elinora is an exciting original composition by David McKeown, arranged as a duet for one Clarinet and one Trumpet.This duet is written in the style of early twentieth century Tango music. Tango first appeared as in the late nineteenth century in Buenos Aires, Argentina, but it wasn’t long before the dance craze spread to North America and Europe. Performers like Carlos Gardel were the international superstars of their day. More recently the Nuevo Tango of Astor Piazzolla and others has pushed the boundaries and ensured that Tango is still a vibrant art form today. If you play to an intermediate standard and upwards, then you and your audience will enjoy this piece. Rhythms should be lightly articulated with the first beat in the bar always strong; the melody should always flow and following the articulation in the score will help convey the style. Tango d’Elinora has a performance time of just under three minutes. Follow the link above to listen to a complete YouTube performance of the Clarinet version of Tango d’Elinora.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
3.59€
Tango d'Elinora, for Trombone Duet
Tango d'Elinora, for Trombone Duet
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2 Trombones (duet)
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INTERMEDIATE
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Tango
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David McKeown
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Tango d'Elinora, for Trombone
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David McKeown
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SheetMusicPlus
Trombone Duet Trombone - Level 3 - Digital Download SKU: A0.589041 Composed by David McKeown. 20th Century,Concert,Latin,World. Score. 6 pages. David McK...
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Trombone Duet Trombone - Level 3 - Digital Download SKU: A0.589041 Composed by David McKeown. 20th Century,Concert,Latin,World. Score. 6 pages. David McKeown #5792887. Published by David McKeown (A0.589041). Tango d’Elinora is an exciting original composition by David McKeown, arranged as a duet for two Trombones.This duet is written in the style of early twentieth century Tango music. Tango first appeared as in the late nineteenth century in Buenos Aires, Argentina, but it wasn’t long before the dance craze spread to North America and Europe. Performers like Carlos Gardel were the international superstars of their day. More recently the Nuevo Tango of Astor Piazzolla and others has pushed the boundaries and ensured that Tango is still a vibrant art form today. If you play to an intermediate standard and upwards, then you and your audience will enjoy this piece. Rhythms should be lightly articulated with the first beat in the bar always strong; the melody should always flow and following the articulation in the score will help convey the style. Tango d’Elinora has a performance time of just under three minutes. Follow the link above to listen to a complete YouTube performance of the Clarinet version of Tango d’Elinora.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
3.59€
Tango d'Elinora, for Trumpet and Clarinet Duet
Tango d'Elinora, for Trumpet and Clarinet Duet
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Clarinet, Trumpet (duet)
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INTERMEDIATE
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Tango
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David McKeown
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Tango d'Elinora, for Trumpet a
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David McKeown
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SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.588613 Composed by David McKeown. 20th Century,Concert,Latin,Wo...
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Instrumental Duet Clarinet,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.588613 Composed by David McKeown. 20th Century,Concert,Latin,World. Score and parts. 6 pages. David McKeown #5792889. Published by David McKeown (A0.588613). Tango d’Elinora is an exciting original composition by David McKeown, arranged as a duet for one Trumpet and one Clarinet.This duet is written in the style of early twentieth century Tango music. Tango first appeared as in the late nineteenth century in Buenos Aires, Argentina, but it wasn’t long before the dance craze spread to North America and Europe. Performers like Carlos Gardel were the international superstars of their day. More recently the Nuevo Tango of Astor Piazzolla and others has pushed the boundaries and ensured that Tango is still a vibrant art form today. If you play to an intermediate standard and upwards, then you and your audience will enjoy this piece. Rhythms should be lightly articulated with the first beat in the bar always strong; the melody should always flow and following the articulation in the score will help convey the style. Tango d’Elinora has a performance time of just under three minutes. Follow the link above to listen to a complete YouTube performance of the Clarinet version of Tango d’Elinora.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
3.59€
Tango d'Elinora, for Viola Duet
Tango d'Elinora, for Viola Duet
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2 Violas (duet)
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INTERMEDIATE
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Tango
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David McKeown
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Tango d'Elinora, for Viola Due
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David McKeown
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SheetMusicPlus
Viola Duet Viola - Level 3 - Digital Download SKU: A0.589115 Composed by David McKeown. 20th Century,Concert,Latin,World. Score. 6 pages. David McKeown #...
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Viola Duet Viola - Level 3 - Digital Download SKU: A0.589115 Composed by David McKeown. 20th Century,Concert,Latin,World. Score. 6 pages. David McKeown #5792899. Published by David McKeown (A0.589115). Tango d’Elinora is an exciting original composition by David McKeown, arranged as a duet for two Violas.This duet is written in the style of early twentieth century Tango music. Tango first appeared as in the late nineteenth century in Buenos Aires, Argentina, but it wasn’t long before the dance craze spread to North America and Europe. Performers like Carlos Gardel were the international superstars of their day. More recently the Nuevo Tango of Astor Piazzolla and others has pushed the boundaries and ensured that Tango is still a vibrant art form today. If you play to an intermediate standard and upwards, then you and your audience will enjoy this piece. Rhythms should be lightly articulated with the first beat in the bar always strong; the melody should always flow and following the articulation in the score will help convey the style. Tango d’Elinora has a performance time of just under three minutes. Follow the link above to listen to a complete YouTube performance of the Clarinet version of Tango d’Elinora.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
3.59€
Tango d'Elinora, for Trumpet Duet
Tango d'Elinora, for Trumpet Duet
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2 Trumpets (duet)
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INTERMEDIATE
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Tango
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David McKeown
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Tango d'Elinora, for Trumpet D
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David McKeown
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SheetMusicPlus
Trumpet Duet Trumpet - Level 3 - Digital Download SKU: A0.589067 Composed by David McKeown. 20th Century,Concert,Latin,World. Score. 6 pages. David McKeo...
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Trumpet Duet Trumpet - Level 3 - Digital Download SKU: A0.589067 Composed by David McKeown. 20th Century,Concert,Latin,World. Score. 6 pages. David McKeown #5792897. Published by David McKeown (A0.589067). Tango d’Elinora is an exciting original composition by David McKeown, arranged as a duet for two Trumpets.This duet is written in the style of early twentieth century Tango music. Tango first appeared as in the late nineteenth century in Buenos Aires, Argentina, but it wasn’t long before the dance craze spread to North America and Europe. Performers like Carlos Gardel were the international superstars of their day. More recently the Nuevo Tango of Astor Piazzolla and others has pushed the boundaries and ensured that Tango is still a vibrant art form today. If you play to an intermediate standard and upwards, then you and your audience will enjoy this piece. Rhythms should be lightly articulated with the first beat in the bar always strong; the melody should always flow and following the articulation in the score will help convey the style. Tango d’Elinora has a performance time of just under three minutes. Follow the link above to listen to a complete YouTube performance of the Clarinet version of Tango d’Elinora.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
3.59€
Tango d'Elinora, for Flute Duet
Tango d'Elinora, for Flute Duet
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2 Flutes (duet)
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INTERMEDIATE
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Tango
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David McKeown
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Tango d'Elinora, for Flute Due
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David McKeown
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SheetMusicPlus
Flute Duet Flute - Level 3 - Digital Download SKU: A0.588862 Composed by David McKeown. 20th Century,Concert,Latin,World. Score. 6 pages. David McKeown #...
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Flute Duet Flute - Level 3 - Digital Download SKU: A0.588862 Composed by David McKeown. 20th Century,Concert,Latin,World. Score. 6 pages. David McKeown #5792865. Published by David McKeown (A0.588862). Tango d’Elinora is an exciting original composition by David McKeown, arranged as a duet for two Flutes.This duet is written in the style of early twentieth century Tango music. Tango first appeared as in the late nineteenth century in Buenos Aires, Argentina, but it wasn’t long before the dance craze spread to North America and Europe. Performers like Carlos Gardel were the international superstars of their day. More recently the Nuevo Tango of Astor Piazzolla and others has pushed the boundaries and ensured that Tango is still a vibrant art form today. If you play to an intermediate standard and upwards, then you and your audience will enjoy this piece. Rhythms should be lightly articulated with the first beat in the bar always strong; the melody should always flow and following the articulation in the score will help convey the style. Tango d’Elinora has a performance time of just under three minutes. Follow the link above to listen to a complete YouTube performance of the Clarinet version of Tango d’Elinora.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
3.59€
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America Will Always Be
