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Ancient Reflections of Christmas
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You've selected:
Ancient Reflections of Christmas
Sheetmusic to print
7 sheet music found
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1
Ancient Reflections of Christmas
Ancient Reflections of Christmas
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String Orchestra
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ADVANCED
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Christmas
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Rebecca Tompkins
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Rebecca Tompkins
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Ancient Reflections of Christm
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Self
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SheetMusicPlus
String Orchestra - Level 5 - Digital Download SKU: A0.1316144 Composed by Rebecca Tompkins. Arranged by Rebecca Tompkins. Christmas,Early Music,Holiday,M...
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String Orchestra - Level 5 - Digital Download SKU: A0.1316144 Composed by Rebecca Tompkins. Arranged by Rebecca Tompkins. Christmas,Early Music,Holiday,Medieval. 23 pages. Self #904880. Published by Self (A0.1316144).
$75.00 ≈
69.22€
Of the Father's Love Begotten (Corde Natus)
Of the Father's Love Begotten (Corde Natus)
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Choral SATB
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INTERMEDIATE
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Graham Yates
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Of the Father's Love Begotten
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Graham Yates
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.887973 Composed by Graham Yates. Christian,Christmas,Contemporary,Sacred. Octavo. 8 pages. Graha...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.887973 Composed by Graham Yates. Christian,Christmas,Contemporary,Sacred. Octavo. 8 pages. Graham Yates #5012737. Published by Graham Yates (A0.887973). Based on the ancient Latin text by Prudentius Aurelius, made famous by the evocative translations of Neale and Davis, this new setting of Corde Natus (Of the Father's Love Begotten) presents a beautiful choral reflection on love, creation and worship. Sometimes associated with Advent or Christmas, the lyrics are typically associated with the Gregorian chant: Divinum Mysterium - a style of singing that is difficult for many congregations, even when updated to modern notation in hymnals. This anthem re-presents the timeless lyrics with steady meter, regular phrases full of step-wise melodic motion, with plenty of unison and light choral harmony. It functions both as a piece suitable for amateur choirs, as well as having enough challenges to engage a more advanced choir. The piano part flows in and through the melody, leading to the punctuating moment of each verse: Alleluia..
$2.30 ≈
2.12€
Puer Natus
Puer Natus
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Organ
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EASY
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Lewis A
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Lewis A
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Puer Natus
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Lewis A. Kocher
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SheetMusicPlus
Organ - Level 2 - Digital Download SKU: A0.943028 Composed by Lewis A. Kocher. Arranged by Lewis A. Kocher. Christian,Christmas,Contemporary,Sacred. Scor...
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Organ - Level 2 - Digital Download SKU: A0.943028 Composed by Lewis A. Kocher. Arranged by Lewis A. Kocher. Christian,Christmas,Contemporary,Sacred. Score. 5 pages. Lewis A. Kocher #4622803. Published by Lewis A. Kocher (A0.943028). PUER NATUS for ORGANPlaying time: Appx. 2:00 Services: Advent, Christmas, Epiphany Puer Natus - A Boy is Born. This organ work is based on the ancient Puer Natus chant, but instead of opening with the original chant melody, it starts with a newly-composed countermelody. Then after the eventual introduction of the chant tune itself the two melodies weave in and out of each other, like friends sharing Christmas joy. This simple and prayerful arrangement of Puer Natus is ideal as a soft and somewhat short prelude, processional, or reflection for Advent or the Christmas and Epiphany seasons. It is perfect for Early-Intermediate level performers - either those who are learning organ directly, or pianists learning organ skills - and/or requires very little practice time for the more advanced organist. May you enjoy the peace of Christmas! God bless.
$5.95 ≈
5.49€
Illuminans Altissime
Illuminans Altissime
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Choral SATB
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INTERMEDIATE
#
William Campbell
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William Campbell Music
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Illuminans Altissime
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William Campbell Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.987108 Composed by William Campbell. Arranged by William Campbell Music. Christian,Christmas,Con...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.987108 Composed by William Campbell. Arranged by William Campbell Music. Christian,Christmas,Concert,Contemporary,Sacred. Octavo. 12 pages. William Campbell Music #6115675. Published by William Campbell Music (A0.987108). A setting of the ancient Epiphany hymn Illuminans Altissime by St. Ambrose of Milan, From the collection, Five Ambrosian Hymns. Suitable for schools, churches, or for modern performance choirs, this music is based on the hymn written in the 4th Century by St. Ambrose of Milan. The original tune most likely sounded like what we would consider to be chant, but in a style that was specific to Ambrose, and came to be known as Milanese or Ambrosian in style. This is a meditative reflection of our own journey as we follow our own paths toward enlightenment. In recasting the hymn as a performance work I wanted to portray both the figurative and literal aspects of the imagery of light by using regular rhythmic patterns within accompaniment voices. In this way I hoped to illustrate the regular pattern of prayer that could lead individuals to Christ’s illumination. There are also important moments with harmonies that feature seconds, resulting in soft, almost clashing pitches that twinkle or shimmer like stars in the sky. .
$3.49 ≈
3.22€
Divinum Mysterium
Divinum Mysterium
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Orchestra
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INTERMEDIATE/ADVANCED
#
12th Century Plainchant
#
Robert Myers
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Oboe 1,2
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Divinum Mysterium
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WheatMyer Music
#
SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporar...
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Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score and parts. 76 pages. WheatMyer Music #4798079. Published by WheatMyer Music (A0.976721). DIVINUM MYSTERIUM is a chant tune dating to the 12th century which is associated with the hymn, Of the Father's Love Begotten, based on the Latin hymn, Corde natus ex parentis, written by Prudentius in the late 4th / early 5th century. This is thus one of the very oldest texts and tunes still sung in our churches today. The shape and flow of this arrangement, which includes quotations from CANTIQUE de NOEL (O Holy Night) – Adolphe Adam (1844), was strongly influenced by what one writer described as the strong wave shapes of the tune. I’ve attempted to make these waves a significant feature of the piece, featured in both the constant crescendo/decrescendos and the interweaving of the two tunes. And, just as ocean waves don’t arrive in steady rhythms, these musical waves are variable – sometimes closely spaced, sometimes not, and sometimes overlapping. The unique character of each of the three major sections is implied in their headings: (1) with mystery and wonder, (2) Joyfully – a child is born, and (3) contemplative – God is with us. The opening section portrays the mystery of the trinity (the hymn text was written as an apology for the Nicene Creed) mixed with the wonder of the Creator God lying in a manger. Since the tune is derived from medieval chant, I wanted this section to reflect the loose metrical nature of that genre, so the melodic phrasing should predominate over any sense of meter up to letter C. The initial tonal and metrical ambiguity and the fractured melodic lines gradually meld into conventional tonality and clear statements of the two main themes. Don’t let the poco rit. just before C be too poco. Build a definite sense of tension in anticipation of the Presto section. The Presto section presents the first complete statement of the main theme. I felt a strong, rhythmic treatment should follow the ambiguity of the opening to reflect the joy of the Messiah’s incarnation realized. However, the gravity of the text demands avoidance of frivolity and banality. Thus, I used a combination of the long, flowing lines with a syncopated pulse and echoing rhythms to produce what I hope is a fresh but still reverent treatment of this ancient hymn – one that produces a kaleidoscope of tonal color. Arriving at the third section at letter F, the asymmetrical pulse gradually shifts into a straight 3 pattern. The slower tempo and return of the secondary theme call us to reflect on the import of God now with us. The marking of Let off the gas and coast to the end is a word picture of how the tempo should draw to a close, as would an expert helmsman allow the ship’s momentum to stop just as it taps the dock. One parting moment is provided to savor the woodwinds closing phrase from CANTIQUE de NOEL. Robert Myers S.D.G. INSTRUMENTATION Fl 1,2; Oboe 1,2; Bb Cl 1,2 ; Bsn 1,2 Hn in F 1/2, 3/4; C Tpt 1,2 (Opt Bb Tpt 1,2); Tbn 1, 2; Tuba Timpani Perc. 1 (cymbals, tam-tam, vibraphone) Perc. 2 (chimes, snare) Perc. 3 (concert toms (4), bass drum) Vln 1,2; Vla 1,2; VC; DB
$75.00 ≈
69.22€
Prelude and Cherubic Hymn, incorporating "Let all mortal flesh keep silence"
Prelude and Cherubic Hymn, incorporating "Let all mortal flesh keep silence"
#
Choral SATB
#
INTERMEDIATE
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Sacred music
#
Gordon Thornett
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Prelude and Cherubic Hymn, inc
#
Gordon John Thornett
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.821201 Composed by Gordon Thornett. Christian,Christmas,Praise & Worship,Sacred. Octavo. 14 page...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.821201 Composed by Gordon Thornett. Christian,Christmas,Praise & Worship,Sacred. Octavo. 14 pages. Gordon John Thornett #3861793. Published by Gordon John Thornett (A0.821201). Prelude and Cherubic Hymn was commissioned by the John F. Kennedy School in Berlin, to mark the 25th anniversary of their annual Advent services held in Berlin Cathedral. It was performed by joint choirs, drawn from students, parents and faculty, and choir members of the American Church in Berlin on 29 November 2017.The piece is built around the ancient hymn, Let all mortal flesh keep silence. I was asked to write an organ prelude, to serve as a processional as the choirs assembled. This may be ordered separately through SwirlyMusic.org - and now also through SheetMusicPlus.After an opening fanfare-like section, the hymn setting starts gently, with sopranos singing in unison, with successive verses using contrasting choral forces to reflect the words, and the music builds to a big climax, with a return of the fanfare opening, for the final verse, At his feet the six-winged seraph, ending with joyful Alleluias. Although originally conceived for a large chorus with orchestral accompaniment, the setting may be performed with just organ or piano.There's a youtube video at https://youtu.be/HQwYDJRdmcc - this is an extract from the first performance in the magnificent setting of Berlin Cathedral, which was packed to capacity. The quality of both sound and picture isn't great, but it will provide you with an idea of the atmosphere and impact of the piece. The sound recording covers the whole piece, using Sibelius sounds. (You may also like to hear a computer generated recording of the whole piece.)Dr. Joseph R. Curtis, Choral Director at the JFK School, writes:Prelude and Cherubic Hymn is a grand arrangement of the timeless carol 'Let All Mortal Flesh Keep Silence'. Utilizing choir, full orchestra and organ, it is sure to please and impress performers and audience alike. At a recent performance in the Berlin Cathedral, the piece received spontaneous applause (which was a first for this kind of event).NOTE - Although originally scored for orchestra, the piece would work well with just choir and organ - in which case the fanfare sections at the beginning and the first 6 measures at letter F could be omitted. If orchestral score and parts are needed, please go to https://www.swirlymusic.org/music/choral-music/gordon-thornett-cherubic-hymn/.]
$2.50 ≈
2.31€
The O Antiphons
The O Antiphons
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Choral 3-part
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INTERMEDIATE/ADVANCED
#
Ephrem Feeley
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The O Antiphons
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Cherrybrook Music
#
SheetMusicPlus
Choral Choir,Choral (SSA) - Level 4 - Digital Download SKU: A0.1318629 Composed by Ephrem Feeley. A Cappella,Advent,Contemporary,Sacred. 15 pages. Cherry...
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Choral Choir,Choral (SSA) - Level 4 - Digital Download SKU: A0.1318629 Composed by Ephrem Feeley. A Cappella,Advent,Contemporary,Sacred. 15 pages. Cherrybrook Music #907309. Published by Cherrybrook Music (A0.1318629). The O Antiphons, or the Great Advent Antiphons, are a series of ancient texts sung before the Magnificat canticle during Vespers on the seven days before Christmas Eve. They date to the sixth century, and have their origins in Old Testament titles for the coming Messiah. These settings, in English, of the O Antiphons were written for SCHOLA HYBERNIAE, an all-female ensemble specialising in Gregorian Chant and early polyphony. Of special interest to the group is music from early manuscripts associated with Irish saints. These short choral vignettes can be performed as a set, or as individual reflective pieces in liturgy throughout the season of Advent. When sung in concert setting, I envisage that the chant antiphon is sung before each choral presentation, and have incorporated references to chant, organum, and open harmony throughout.
$2.50 ≈
2.31€
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