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And We Remember Him
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You've selected:
And We Remember Him
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We Remember Him Still (SATB) - A New Christmas Carol Music James Cox Lyrics John O'Donoghue
We Remember Him Still (SATB) - A New Christmas Carol Music James Cox Lyrics John O'Donoghue
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Choral SATB
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INTERMEDIATE
#
Christmas
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birth He was lowly, poor as ca
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James Cox
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We Remember Him Still
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James Cox
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.934778 Composed by James Cox. Christian,Christmas,Contemporary,Sacred. Octavo. 15 pages. James C...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.934778 Composed by James Cox. Christian,Christmas,Contemporary,Sacred. Octavo. 15 pages. James Cox #4742461. Published by James Cox (A0.934778). A Brand new Christmas Carol for 2019 with lyrics by novelist and poet John O'Donoghue. Featuring SATB with piano, simple melodies with rich harmonies and rousing unison final verse this Carol will be a perfect piece for your Christmas recital or concert.Duration: 2 mins 40 secondsLyrics: Christ He was born on a day cold as this,Crowned in the end with sharp thorns on a hill,Betrayed by his friend with a welcoming kiss,And yet tonight we remember Him still.By birth He was lowly, poor as can be,Acquainted with sorrow, He shared in our plight,Most of His life veiled in mystery,And yet still we remember Him tonight.His example remains – the gospels attestHis was a holiness the world could not kill.The stars look down on the Earth that he blessed,And so tonight we remember Him still.Carols we sing bring to mind the Christ childWho came in darkness to bring us His lightTo the halt, the lame, the blind, the exiled.And so still we remember Him tonight.
$2.50 ≈
2.31€
We Remember Him Still (SSA) - A New Christmas Carol Music James Cox Lyrics John O'Donoghue
We Remember Him Still (SSA) - A New Christmas Carol Music James Cox Lyrics John O'Donoghue
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Choral 3-part
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INTERMEDIATE
#
Christmas
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birth He was lowly, poor as ca
#
James Cox
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We Remember Him Still
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James Cox
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SheetMusicPlus
Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.934779 Composed by James Cox. Christian,Christmas,Contemporary,Sacred,World. Octavo. 7 pages. Jam...
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Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.934779 Composed by James Cox. Christian,Christmas,Contemporary,Sacred,World. Octavo. 7 pages. James Cox #4745329. Published by James Cox (A0.934779). A Brand new Christmas Carol for 2019 with lyrics by novelist and poet John O'Donoghue. Featuring SATB with piano, simple melodies with rich harmonies and rousing unison final verse this Carol will be a perfect piece for your Christmas recital or concert.Duration: 2 mins 40 secondsLyrics: Christ He was born on a day cold as this,Crowned in the end with sharp thorns on a hill,Betrayed by his friend with a welcoming kiss,And yet tonight we remember Him still.By birth He was lowly, poor as can be,Acquainted with sorrow, He shared in our plight,Most of His life veiled in mystery,And yet still we remember Him tonight.His example remains – the gospels attestHis was a holiness the world could not kill.The stars look down on the Earth that he blessed,And so tonight we remember Him still.Carols we sing bring to mind the Christ childWho came in darkness to bring us His lightTo the halt, the lame, the blind, the exiled.And so still we remember Him tonight.
$2.50 ≈
2.31€
And We Remember Him
And We Remember Him
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Choral SATB
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Jay Althouse
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And We Remember Him
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Hope Publishing - Digital
#
SheetMusicPlus
Choral SATB choir - Digital Download SKU: H1.C5232DP Composed by Jay Althouse. Commemoration, General Worship, Communion, Lord's Supper, Redemption, Sacr...
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Choral SATB choir - Digital Download SKU: H1.C5232DP Composed by Jay Althouse. Commemoration, General Worship, Communion, Lord's Supper, Redemption, Sacrifice. Octavo. 8 pages. Hope Publishing - Digital #C5232DP. Published by Hope Publishing - Digital (H1.C5232DP). Original anthem Jay Althouse has perfectly captured the message and somber mood of the act of communion as a call to remembrance of the Lord's death and sacrifice. With a simple, flowing melody, straightforward harmonies, and a supportive, yet unadorned accompaniment, this is an undeniably useful anthem for all choirs.
$2.95 ≈
2.73€
And We Remember Him
And We Remember Him
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Jay Althouse
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And We Remember Him
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Hope Publishing - Digital
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SheetMusicPlus
Rhythm instruments - Digital Download SKU: H1.C5232RDP Composed by Jay Althouse. Commemoration, General Worship, Communion, Lord's Supper, Redemption, Sa...
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Rhythm instruments - Digital Download SKU: H1.C5232RDP Composed by Jay Althouse. Commemoration, General Worship, Communion, Lord's Supper, Redemption, Sacrifice. Rhythm Parts. 9 pages. Hope Publishing - Digital #C5232RDP. Published by Hope Publishing - Digital (H1.C5232RDP). Original anthem Jay Althouse has perfectly captured the message and somber mood of the act of communion as a call to remembrance of the Lord's death and sacrifice. With a simple, flowing melody, straightforward harmonies, and a supportive, yet unadorned accompaniment, this is an undeniably useful anthem for all choirs.
$34.95 ≈
32.29€
Saint-Saens: The Swan for Violin and Piano
Saint-Saens: The Swan for Violin and Piano
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Violin and Piano
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INTERMEDIATE
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Classical
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Camille Saint-Saens
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James M
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Saint-Saens: The Swan for Viol
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jmsgu3
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SheetMusicPlus
Piano,Violin - Level 3 - Digital Download SKU: A0.1254029 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Cont...
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Piano,Violin - Level 3 - Digital Download SKU: A0.1254029 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 9 pages. Jmsgu3 #847642. Published by jmsgu3 (A0.1254029). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$34.95 ≈
32.29€
FOR IF WE DIED WITH HIM (SATB) w/Rehearsal Piano – 2 Timothy 2:11-13
FOR IF WE DIED WITH HIM (SATB) w/Rehearsal Piano – 2 Timothy 2:11-13
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Choral SATB
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EASY
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Michael A
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FOR IF WE DIED WITH HIM
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.926665 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 13 pages. M.A. Moriz...
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.926665 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 13 pages. M.A. Morizio #3588435. Published by M.A. Morizio (A0.926665). In the first chapter of Paul’s second letter to Timothy, verses 1-10, we observe the intimate relationship that exists, between a spiritual father and his son… I remember you constantly in my prayers night and day. As I remember your tears, I long to see you, that I may be filled with joy. In Chapter two we also witness Paul’s commissioning Timothy to entrust to faithful men all that he was taught by the Apostle, that they then may be able to teach others in the same way also. While the elder Paul is now in prison and bound in chains, he is nonetheless empowered by the Holy Spirit to encourage and exhort Timothy to share in suffering as a good soldier of Christ, for the sake of the Gospel. Though Paul is bound in chains, he declares to Timothy the word of God is not bound! Endurance for Paul serves only one purpose, the salvation that is in Christ Jesus with eternal glory.In verse 11, Paul supports his statements by inserting another known 1st century Hymn to Christ, which brings us to our fifth anthem, For If We Died with Him. The text-or lyrics-of this hymn are even bracketed (or indented) in the NKJV Bible, suggesting the hymnic setting. The proposition of the text is quite clear; if we died with Christ, then we shall also live eternally with Christ. If we endure in the faith, then we shall also reign eternally with Christ. However, there is an insertion of 'Law' here, with a dire warning that the opposite is also true: If we deny Christ, resist, and refuse His beckoning and free invitation to salvation, then He will also deny us. Not everyone who says to me ‘Lord, Lord,’ will enter the kingdom of heaven… I will declare to them, ‘I never knew you; depart from me, you workers of lawlessness.’ (Matthew 7:31-23). Thus, the stage has been set for the fifth anthem. The piece is composed for SATB a cappella. The key is F Major. The opening phrase, This is a trustworthy saying, is in ¾ time, where a series of triplets are sung three times each (the Trinitarian opening motif). The meter then shifts to 2/4 with a lovely, distinctive unison melody for the opening phrase, For if we died with Him, we shall also live with Him. Soon after, when the lyrics shift to the words, If we deny Him, He will also deny us, the song drops into the relative minor key (F minor). The melody in this passage is haunting, and sends a clear warning signal to the listener to pay heed to what is being sung. When the text then transitions from if we are faithless, He remains faithful, however, the key shifts back to F Major in a new (dance-like) rhythm for the final verse, He remains faithful, for He cannot deny Himself. A coda is inserted in the final phrase where the triplet pattern is recapitulated (This is a trustworthy saying) and the sopranos ascend to a high F singing the lyrics, we shall live, for He remains faithful! to triumphantly end the piece.
$1.99 ≈
1.84€
Saint-Saens: The Swan for Viola and Piano
Saint-Saens: The Swan for Viola and Piano
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Viola, Piano
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INTERMEDIATE
#
Classical
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Camille Saint-Saens
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James M
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Saint-Saens: The Swan for Viol
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - Digital Download SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Conte...
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Piano,Viola - Level 3 - Digital Download SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 9 pages. Jmsgu3 #847646. Published by jmsgu3 (A0.1254033). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$34.95 ≈
32.29€
A Garland of Carols - Low Voice
A Garland of Carols - Low Voice
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Gilbert M
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A Garland of Carols - Low Voic
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Sacred Music Press
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SheetMusicPlus
Low voice solo SKU: LO.30-1262S Seven Vocal Solos for Christmas. Composed by Gilbert M. Martin. Sacred, Christmas. Vocal score. Sacred Music Press...
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Low voice solo SKU: LO.30-1262S Seven Vocal Solos for Christmas. Composed by Gilbert M. Martin. Sacred, Christmas. Vocal score. Sacred Music Press #30/1262S. Published by Sacred Music Press (LO.30-1262S). UPC: 000308039580.The warmth and the spirit of the holiday season is reflected in this glowing collection of seven vocal solos with keyboard accompaniment, arranged by the composer from his most popular and best-selling Christmas anthems. 30/1261S High Voice.
Song List
: Remember A Bethlehem Heaven On Earth Love Came Down At Christmas How Shall We Know Him Child in the Manger Carol For Advent No Crown No Throne
$19.95 ≈
18.43€
Lord, We Remember
Lord, We Remember
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Choral SATB
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Sacred music
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Marty Parks
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Lord, We Remember
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
SATB choir, Piano (With Optional Accompaniment MP3) - Digital Download SKU: LX.10-5400L Composed by Marty Parks. Sacred Anthem, Communion. Octavo. 8 page...
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SATB choir, Piano (With Optional Accompaniment MP3) - Digital Download SKU: LX.10-5400L Composed by Marty Parks. Sacred Anthem, Communion. Octavo. 8 pages. Lorenz Publishing - Digital Sheet Music #e10/5400L. Published by Lorenz Publishing - Digital Sheet Music (LX.10-5400L). ISBN 9780787769055.As an acknowledgement of Jesus' command to take the bread and cup in remembrance of Him, Marty Parks brings us this Communion anthem. Original music supports the poignant text recalling, Lord, we remember. With accessible choral writing and comfortable vocal ranges, this anthem is easy to prepare.
$2.40 ≈
2.22€
Do You Remember TAB
Do You Remember TAB
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Guitar notes and tablatures
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INTERMEDIATE
#
Steven H
#
Do You Remember TAB
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Boothe Publishing
#
SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.983991 Composed by Steven H. Boothe. Christian,Pop. Guitar Tab. 10 pages. Boothe Publishing #4360821. Publish...
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Guitar - Level 3 - Digital Download SKU: A0.983991 Composed by Steven H. Boothe. Christian,Pop. Guitar Tab. 10 pages. Boothe Publishing #4360821. Published by Boothe Publishing (A0.983991). When I was little I used to sit on Mom's lap while she read me Bible stories. We would read them and look at the pictures and then I had a lot of questions. I remember in particular one picture of Herod's soldiers killing little babies in Bethlehem. I was horrified by what I saw. They were trying to kill the baby Jesus by killing every child that could possibly be Him. The discussions I had with my mom in those formative years helped mold me into the person I am today. I treasure those moments.... I still remember them... do you? It's never too late to start the tradition of reading and talking together.
$3.99 ≈
3.69€
What a Friend we have in Jesus
What a Friend we have in Jesus
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Sacred music
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Anonimo
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Ester Alessandrini
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What a Friend we have in Jesus
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ester
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SheetMusicPlus
Flute,Guitar,Piano,Violin - Digital Download SKU: A0.1063779 Composed by Anonimo. Arranged by Ester Alessandrini. Christmas,Classical,Contemporary,Easter...
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Flute,Guitar,Piano,Violin - Digital Download SKU: A0.1063779 Composed by Anonimo. Arranged by Ester Alessandrini. Christmas,Classical,Contemporary,Easter,Praise & Worship. Full Performance. Duration 96. Ester #3222581. Published by ester (A0.1063779). Perhaps some will remember him playing from the string quartet in the Titanic movie, when everyone was trying to escape the most complete confusion, the quartet sounded this very piece of great composure and spirituality.
$2.00 ≈
1.85€
Penitent Thief, The (for viola and piano)
Penitent Thief, The (for viola and piano)
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Viola, Piano
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ADVANCED
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David M
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Penitent Thief, The
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David Sterrett Music
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SheetMusicPlus
Piano,Viola - Level 5 - Digital Download SKU: A0.1039822 Composed by David M. Sterrett. Classical,Contemporary,Sacred. Score and part. 49 pages. David St...
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Piano,Viola - Level 5 - Digital Download SKU: A0.1039822 Composed by David M. Sterrett. Classical,Contemporary,Sacred. Score and part. 49 pages. David Sterrett Music #644666. Published by David Sterrett Music (A0.1039822). This piece depicts the story of the Penitent Thief, one of the two other men who hung on a cross beside Jesus, as told in the Bible: One of the thieves who were hanged by Jesus was hurling abuse at him, saying, 'Are you not the Christ? Save yourself and us!' But the other answered, and rebuking him, said, 'Do you not even fear God, since you are under the same sentence of condemnation? We indeed are suffering justly, for we are receiving what we deserve for our deeds; but this man has done nothing wrong.' And he was saying, 'Jesus, remember me when you come into your kingdom!' And Jesus said to him, 'Truly I say to you, today you will be with me in Paradise.' (Luke 23:39-43) I initially set out to portray the scene from a narrative perspective. As I began composing and felt the story resonate more and more with my own spiritual experiences, I decided to shift the focus onto what I imagined the emotional and spiritual experiences of the Penitent Thief were during this brief but transformative interaction with Jesus right before death. While the passage does not describe his internal experience, I imagine that Jesus’ extension of kindness and mercy, along with the promise “Today you will be with me in Paradise,†profoundly impacted him. In composing this, I hoped to convey that transformative encounter. Ultimately, The Penitent Thief depicts an experience familiar to many Christians: that of a lost and broken soul discovering Jesus offers the truth and salvation they long for. To capture the element of dialog, I envisioned the Viola as the Penitent Thief and the Piano as Jesus. Each has a distinct theme/motif. On the cross, the Penitent Thief is consumed by shame, sorrow, and fear of death. His demeanor shifts between moments of quiet contemplation and visceral emotional outbursts. Facing imminent death, he yearns for redemption and truth. He looks at Jesus hanging next to him, blameless and holy. He feels admiration and praise and is overcome by penitence and humility. He calls out, half in desperation, half in worship: “Jesus, remember me when you come into your Kingdom…†Jesus, moved by his penitence and belief, responds with kindness and mercy, extending salvation: Today you will be with me in Paradise.†The Penitent Thief imagines Paradise and hopes for this to hold true. His hope becomes briefly overshadowed by lingering doubt and fear. Silence falls. Then, as the hour of death arrives, the man reaches out again and clings to Jesus’ promise, this time with more desperation. His soul suddenly becomes filled with joy, finding the fulfillment of longing, bound with Christ, and knowing that he will soon be at rest in Paradise. At peace, the man gazes upward, gives his final sputtering breath, and his soul departs this world.
$24.99 ≈
23.09€
L'alchimista
L'alchimista
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Piano solo
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Contemporary
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Monica Bergo
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L'alchimista
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Monica Bergo
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SheetMusicPlus
Piano Solo - Digital Download SKU: A0.976873 Composed by Monica Bergo. Contemporary. Score. 9 pages. Monica Bergo #3243715. Published by Monica Bergo (A0...
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Piano Solo - Digital Download SKU: A0.976873 Composed by Monica Bergo. Contemporary. Score. 9 pages. Monica Bergo #3243715. Published by Monica Bergo (A0.976873). 2017 Holiday Contest EntryThe alchemist Flames in the dark sparkle voice whispering echoes They say about you Sell useless dreams they say about me that I’m too much frail You are shutting down the day of this city the lights switch on of different realities and time dilates , begins another life It is tacit ritual of a sad tribes You firefly who shine can you tell me where he is? I seek the alchemist , you see yourself from my eyes rimmed on the nothing wide open they are full of fears and resemble your And here it is your circus , you wait me already not much has changed from a lifetime ago you do not, you are not aged a Peter Pan sick , who deduct his sins in the lives of others clown you always have so many , acrobats tired poised always between dream and reality and as a cat, I also see in the dark and over the waste to me slowly and then die the crises, then anxiety , that imperfect woman I do not stand me anymore I who have never been a daughter , your promise of another family and this need for love, that torture and kill me While you brush my long hair , from your hands give off crystals bright lights exploding inside as if by magic now I belong to you snakes tattooed lean on your hips we float in the sea of time how does I exist? always or yesterday I do not remember but only mysteries You adult man and I young girl abracadabra, as all before I tired and old and you still a child us travelers in a bogus time and while I explore the emptiness I have inside Nothing is sweeter than this torment You prepare the potion , the right proportion , the antidote and poison but you put more passion , My animal instinct and add a little 'of gall for those who have hurt me Mix all right , only you know what to do you seals good my heart , can not serve me evil plots to good , with fumes and vapors , ampoules almost full ,please ... let me drink ... But you can not , and I stay here , prisoner of your invisible world We like vampires , breath broken by sighs , arms forward, off eyes alchemist turn off my complaints You like a zombie , ready to sink your teeth ,that fascinates me and scares alchemist dissolve my torments .. but you can not .. and I stay here I'm looking for the courage to live It is being born on the day of this city Milano colored yourself with its activities shorten the shadows , the sun shines and a veil hiding now all his vices and my pace is tired , my face a bit 'more haggard ,emptiness inside me and where are you? I run always and do not know where I go I look back , I stumble and then I fall Slow walk among the tired souls alive but in a state of apparent death rips in the soul and on my clothes I have no tattoos, scars only and as the salt do on the wounds I burn at the memory of bad choices Iron bars are closed . echoes of voices deafen They say about you that you no longer have a tear they say about me that I’m free woman ... Monica Bergo
$3.99 ≈
3.69€
Do You Remember Piano Vocal Performance
Do You Remember Piano Vocal Performance
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Steven H
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Ashley Ivers
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Do You Remember Piano Vocal Pe
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Boothe Publishing
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SheetMusicPlus
Piano,Voice - Digital Download SKU: A0.1069971 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Full Performance. Duration 1...
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Piano,Voice - Digital Download SKU: A0.1069971 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Full Performance. Duration 150. Boothe Publishing #4633709. Published by Boothe Publishing (A0.1069971). When I was little I used to sit on Mom's lap while she read me Bible stories. We would read them and look at the pictures and then I had a lot of questions. I remember in particular once picture of Herod's soldiers killing little babies in Bethlehem. I was horrified by what I saw. They were trying to kill the baby Jesus by killing every child that could possibly be Him. The discussions I had with my mom in those formative years helped mold me into the person I am today. I treasure those moments.... I still remember them.... do you? It's never too late to start the tradition of reading and talking together.
$1.99 ≈
1.84€
Do You Remember Guitar Minus Vocal
Do You Remember Guitar Minus Vocal
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Steven H
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Do You Remember Guitar Minus V
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Boothe Publishing
#
SheetMusicPlus
Guitar - Digital Download SKU: A0.1069952 Composed by Steven H. Boothe. Christian,Pop,Sacred. Accompaniment. Duration 153. Boothe Publishing #4633637. Pu...
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Guitar - Digital Download SKU: A0.1069952 Composed by Steven H. Boothe. Christian,Pop,Sacred. Accompaniment. Duration 153. Boothe Publishing #4633637. Published by Boothe Publishing (A0.1069952). When I was little I used to sit on Mom's lap while she read me Bible stories. We would read them and look at the pictures and then I had a lot of questions. I remember in particular once picture of Herod's soldiers killing little babies in Bethlehem. I was horrified by what I saw. They were trying to kill the baby Jesus by killing every child that could possibly be Him. The discussions I had with my mom in those formative years helped mold me into the person I am today. I treasure those moments.... I still remember them.... do you? It's never too late to start the tradition of reading and talking together.
$1.99 ≈
1.84€
Do You Remember Guitar Vocal Performance
Do You Remember Guitar Vocal Performance
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Steven H
#
Do You Remember Guitar Vocal P
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Boothe Publishing
#
SheetMusicPlus
Bass Guitar,Voice - Digital Download SKU: A0.1069970 Composed by Steven H. Boothe. Christian,Pop,Sacred. Full Performance. Duration 153. Boothe Publishin...
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Bass Guitar,Voice - Digital Download SKU: A0.1069970 Composed by Steven H. Boothe. Christian,Pop,Sacred. Full Performance. Duration 153. Boothe Publishing #4633707. Published by Boothe Publishing (A0.1069970). When I was little I used to sit on Mom's lap while she read me Bible stories. We would read them and look at the pictures and then I had a lot of questions. I remember in particular once picture of Herod's soldiers killing little babies in Bethlehem. I was horrified by what I saw. They were trying to kill the baby Jesus by killing every child that could possibly be Him. The discussions I had with my mom in those formative years helped mold me into the person I am today. I treasure those moments.... I still remember them.... do you? It's never too late to start the tradition of reading and talking together.
$1.99 ≈
1.84€
Do You Remember Piano Minus Vocal
Do You Remember Piano Minus Vocal
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Piano solo
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Steven H
#
Ashley Ivers
#
Do You Remember Piano Minus Vo
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Boothe Publishing
#
SheetMusicPlus
Piano - Digital Download SKU: A0.1069953 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Accompaniment. Duration 150. Booth...
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Piano - Digital Download SKU: A0.1069953 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Accompaniment. Duration 150. Boothe Publishing #4633641. Published by Boothe Publishing (A0.1069953). When I was little I used to sit on Mom's lap while she read me Bible stories. We would read them and look at the pictures and then I had a lot of questions. I remember in particular once picture of Herod's soldiers killing little babies in Bethlehem. I was horrified by what I saw. They were trying to kill the baby Jesus by killing every child that could possibly be Him. The discussions I had with my mom in those formative years helped mold me into the person I am today. I treasure those moments.... I still remember them.... do you? It's never too late to start the tradition of reading and talking together.
$1.99 ≈
1.84€
Saint-Saens: The Swan for Soprano Sax & Piano
Saint-Saens: The Swan for Soprano Sax & Piano
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Soprano Saxophone and Piano
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EASY
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Camille Saint-Saëns
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James M
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Saint-Saens: The Swan for Sopr
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jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie...
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452273. Published by jmsgu3 (A0.549121). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing. The Carnival of the Animals The Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is one of the most popular of the fourteen movements. In its entirety, it lasts about 25 minutes. Saint-Saëns Background Charles-Camille Saint-Saëns (1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, including his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is important to realize that Saint-Saëns was certainly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut albeit at ten years old. Another key point to remember is that he expressly studied at the Paris Conservatoire, then in spite of reality conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were after all markedly in demand - not only in Europe but above all in the Americas all in all as well. Youth A point often overlooked is that in his youth, Saint-Saëns was certainly excited about the modern music of the day. He was in essence fond of the music of his contemporaries, in particular, Schumann, Liszt, and for the most part Wagner. In contrast, however, his own compositions seemed in fact largely confined within the conservative classical tradition. Be that as it may, he was at the same time nevertheless, in fact, a scholar of musical history. Criticism On the whole, his conservatism in fact ultimately brought him into frequent conflict in his later years with composers of the impressionist and in particular the dodecaphonic schools of musical thought.  A point often overlooked is that he included neoclassical elements in his music contrary to some critics. Furthermore, in so doing he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly so, as a non-progressive reactionary henceforth around the time of his passing. Legacy To sum up, Saint-Saëns taught for a short time in Paris, where his students included namely Gabriel Fauré. To clarify, Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95 ≈
30.44€
Saint-Saëns: The Swan for French Horn & Piano
Saint-Saëns: The Swan for French Horn & Piano
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French Horn and Piano
#
INTERMEDIATE
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Classical
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for Fre
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jmsgu3
#
SheetMusicPlus
French Horn,Piano - Level 3 - Digital Download SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contes...
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French Horn,Piano - Level 3 - Digital Download SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Romantic Period,Wedding. Score and part. 9 pages. Jmsgu3 #901955. Published by jmsgu3 (A0.1313124). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95 ≈
30.44€
Saint-Saëns: The Swan for Clarinet & Piano
Saint-Saëns: The Swan for Clarinet & Piano
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Clarinet and Piano
#
INTERMEDIATE
#
Classical
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for Cla
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jmsgu3
#
SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1314273 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Co...
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B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1314273 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903015. Published by jmsgu3 (A0.1314273). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95 ≈
30.44€
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And We Remember Him
