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Any Way You Want It: Part 4 String Bass
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You've selected:
Any Way You Want It: Part 4 String Bass
Sheetmusic to print
10 sheet music found
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1
Any Way You Want It: Part 4 - String Bass
Any Way You Want It: Part 4 - String Bass
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Concert band
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Any Way You Want It: Part 4 -
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0019117_PART4_SB Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0019117_PART4_SB. Publis...
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Concert Band - Digital Download SKU: AX.00-PC-0019117_PART4_SB Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0019117_PART4_SB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0019117_PART4_SB). UPC: 038081583716.
$3.00 ≈
2.77€
French Christmas Carol Medley for String Trio - Noëls Français en Pot Pourri pour Trio à Cordes
French Christmas Carol Medley for String Trio - Noëls Français en Pot Pourri pour Trio à Cordes
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Christmas
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Various, Traditional
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Samantha J Bramley - stringspi
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French Christmas Carol Medley
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Samantha Bramley
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.800202 Composed by Various, Traditional. Arranged by Samantha J Bramley - stringspiratio...
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.800202 Composed by Various, Traditional. Arranged by Samantha J Bramley - stringspirational@gmail.com. Children,Christmas. Score and parts. 25 pages. Samantha Bramley #3877327. Published by Samantha Bramley (A0.800202). The Holiday Season can be really painful for lower string players in any ensemble. Playing ‘cello in a Carol concert makes me want to cry. That is why I have created arrangements of classic Christmas Carols and Songs guaranteed not to bore the pants off your violist or ‘cellist. No more bashing out bass notes for the ‘cello, and no more chugging away on the off-beat for viola while the fiddles get soaring melody after soaring counter-melody. We deserve more than this, right guys? You got it! Noël Re-Nouvellé Pot pourri des chants de Noëls Français les plus populaires pour trio à cordes. Durée de six minutes à la vitesse proposée. A jolly romp through some of the most popular French language carols, Noël Re-Nouvellé is a medley for string trio lasting 6 minutes at given tempo. With optional 2nd violin for viola part. Written with interest in all three parts, and taking turns with melody and accompaniment, this is a very enjoyable arrangement for ensembles of intermediate ability. If you have a great viola player or bored ‘cellist s/he will love this! Contains some double stopping of open and stopped strings. 1. Joie dans le monde - Joy to the World 2. Quittez, Pasteurs - Shepherds, Leave your Flocks 3. Entre le bœuf et l'âne gris - The Ox and the Grey Donkey 4. La Marche des Rois Mages - March of the Magi Kings 5. Il est né, le Divin Enfant - He is Born, the Divine Christ Child 6. Noël Nouvelet - Traditional French Folk Carol 7. Les Anges dans nos campagnes - Angels from the Realms of Glory 8. Vive le vent d’hiver - Jingle Bells 9. C’est Noël - Deck the Halls 10. O Venez, les Fideles - O Come All Ye Faithful 11. On se dit Joyeux Noël - We Wish You a Merry Christmas Note from the arranger: All my arrangements for strings are conceived specifically with the aim of writing interesting parts for all players. Most parts do not go beyond 4th position (with the exception of a few harmonics in the lower string parts), making them suitable for student and mixed ability groups. A complete score and set of individual parts (violin, violin 2, viola, ‘cello) is included. Enjoy and feel free to email comments or requests for other works to stringspirational@gmail.com Keep Calm & Play Strings!
$22.99 ≈
21.24€
Do You Want To Build A Snowman?
Do You Want To Build A Snowman?
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Violin, Guitar (duet)
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BEGINNER
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Broadway
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Kristen Bell
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Ruth Roland
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Do You Want To Build A Snowman
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Ruth Roland
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Violin - Level 1 - Digital Download SKU: A0.894438 By Kristen Bell. By Kristen Anderson-Lopez and Robert Lopez...
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Instrumental Duet Guitar,Instrumental Duet,Violin - Level 1 - Digital Download SKU: A0.894438 By Kristen Bell. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Ruth Roland. Broadway. Score and parts. 19 pages. Ruth Roland #2081997. Published by Ruth Roland (A0.894438). This arrangement of a sweet tune from Disney's Frozen is in a great key for strings and a manageable length for beginning players. It sounds good with the melody and any combination of other the other 4 parts. The 4 violin parts (from beginner to advanced beginner) and optional guitar, are detailed on the last page of the sample (see Look Inside, above). One part uses only open strings. Along with the full score and individual parts, each part is paired with the melody (and lyrics) to give more of a full picture if desired. 2016 Arranging Contest Entry Ruth Roland is a seasoned violin teacher (ASTA member) and grant-winning composer/arranger (ASCAP member). She is involved in educational outreach and performs with the group Treble Bass Movement.
$12.99 ≈
12.00€
Sunday Bloody Sunday
Sunday Bloody Sunday
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Celtic/Irish
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U2
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Kyle Pudenz
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Sunday Bloody Sunday
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ViolinVagabond Music
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1153128 By U2. By U2. Arranged by Kyle Pudenz. Celtic,Contemporary,...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1153128 By U2. By U2. Arranged by Kyle Pudenz. Celtic,Contemporary,Irish,Pop,Rock. Score and parts. 30 pages. ViolinVagabond Music #753361. Published by ViolinVagabond Music (A0.1153128). One does not simply walk into their local music store to find a string arrangement like this one... Unlike much of what you'll find out in the world of cheap gig music, this was in fact written BY a string player who has played in symphony orchestras, rock bands, and everything in between; who knows what gigging as a quartet looks like, but also what will wow your audiences without requiring weeks of rehearsal to prepare. So leave your days of sight-reading through piano scores behind and give your quartet some firepower with this hard hitting chart, that will surely enable your ensemble to do at least a little justice to this legendarily emotional banger from Ireland's finest! Bono's soaring vocal melodies on this tune offer more than enough material on their own to tug at an audience's heartstrings, but in this chart you'll also find faithful adaptations of the iconic guitar & bass parts (performed by cello & viola) that truly make this song one of a kind. Using extended string techniques like chopping & strum bowing, you'll feel as if you're rocking out with the band... with no need to hire those annoying extra musicians. But as we all know, strings have much more to offer dynamically than simply plodding along mimicking a rock band, so I've taken several select moments in this chart to break away briefly from those driving grooves into more open, contemplative textures, truly allowing this instrumentation to shine in its own unique way. All of that said, maybe rhythmic string playing isn't your thing and you just need a chart that classical string players can read through on a cocktail gig where the buyer clearly doesn't pay attention to the lyrical content of their song requests. If that's the case, I've provided a couple alternate figures at the back of the book that can be used to replace the percussive stuff in the viola part, making it much simpler without sacrificing too much of the energy. OR if you want to go even further, maybe you DO want to hire that band after all so you can just relax and play some melody lines. Lucky for you I have included a rhythm section lead sheet as part of the music packet, so that any auxiliary musicians you want to add in will be able to follow along with ease. If you have absolutely no idea what chopping and strum bowing are, and you'd like to expand your horizons and learn a bit more, I highly recommend this resource: https://strum-bowing-groove-academy.teachable.com?coupon_code=KYLE20&affcode=459429_z8y3atf As mentioned before though, these techniques are not 100% necessary to handle this arrangement, so feel free to experiment on your own and add them in as you feel comfortable. Enjoy this chart, and don't be afraid to do a little head-banging once that groove really locks in! Performance time - approximately 4:05-4:20 depending on how hard you want to push the tempo Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond
$19.99 ≈
18.47€
Never Enough
Never Enough
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String Quartet: 2 violins, viola, cello
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EASY
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Contemporary
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Benj Pasek and Justin Paul
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Samantha J Bramley - stringspi
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Never Enough
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Samantha Bramley
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SheetMusicPlus
String Quartet String Quartet - Level 2 - Digital Download SKU: A0.800210 Composed by Benj Pasek and Justin Paul. Arranged by Samantha J Bramley - string...
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String Quartet String Quartet - Level 2 - Digital Download SKU: A0.800210 Composed by Benj Pasek and Justin Paul. Arranged by Samantha J Bramley - stringspirational@gmail.com. Contemporary. Score and parts. 8 pages. Samantha Bramley #4808767. Published by Samantha Bramley (A0.800210). Perennial wedding favourite from The Greatest Showman arranged for string quartet, with the melody being passed through all 4 parts. One of my Perfect Processionals series and an absolute must-have in the Wedding Album of any String Quartet. Note from the arranger: All my arrangements for strings are conceived specifically with the aim of writing interesting parts for all players. Most parts do not go beyond 4th position, making them suitable for student and mixed ability groups. A complete score and set of individual parts (violin, violin 2, viola, ‘cello) is included. Enjoy and feel free to email comments or requests for other works to stringspirational@gmail.com or visit my website www.stringspirational.com Keep Calm & Get Stringspirational! The Wedding Season can be really painful for lower string players in any ensemble. Playing ‘cello in a Wedding String Quartet makes me want to cry. That is why I have created a series of arrangements called Perfect Processionals of all the most popular modern wedding favourites. They are all around 90 seconds long, being the perfect length for a Bride to walk down the Aisle, and are guaranteed not to bore the pants off your violist or ‘cellist. No more bashing out bass notes for the ‘cello, and no more chugging away on the off-beat for viola while the fiddles get soaring melody after soaring counter-melody. We deserve more than this, right guys? You got it!
$14.99 ≈
13.85€
White Christmas
White Christmas
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Jazz
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Dave Koz & Kelly Sweet
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Samantha J Bramley - stringspi
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White Christmas
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Samantha Bramley
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SheetMusicPlus
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.800204 By Dave Koz & Kelly Sweet. By Irving Berlin. Arranged by Samantha J Bramley - s...
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.800204 By Dave Koz & Kelly Sweet. By Irving Berlin. Arranged by Samantha J Bramley - stringspirational@gmail.com. Jazz. Score and parts. 10 pages. Samantha Bramley #3878681. Published by Samantha Bramley (A0.800204). The Holiday Season can be really painful for lower string players in any ensemble. Playing ‘cello in a Carol concert makes me want to cry. That is why I have created arrangements of classic Christmas Carols and Songs guaranteed not to bore the pants off your violist or ‘cellist. No more bashing out bass notes for the ‘cello, and no more chugging away on the off-beat for viola while the fiddles get soaring melody after soaring counter-melody. We deserve more than this, right guys? You got it! This arrangement of 'White Christmas’ for string quartet stays true to the spirit of the original Bing Crosby version with respect both melody and harmony. Beginning with those unmistakeable 4 chords in the upper strings, the ‘cello takes the majority of the vocal line, but all three other parts are also given a chance to shine with melody, counter melody and harmony by turns. With high positions in both violin parts and up to 4th position plus harmonics for the lower strings, the challenge in this arrangement is found in the technical and musical interpretation of this iconic song, and is a great play for ensembles of advanced intermediate standard. Note from the arranger: All my arrangements for strings are conceived specifically with the aim of writing interesting parts for all players. Most parts do not go beyond 4th position (with the exception of a few harmonics in the lower string parts, and some higher positions in the violin parts), making them suitable for advanced student and mixed ability groups. A complete score and set of individual parts (violin 1, violin 2, viola, ‘cello) is included. Enjoy and feel free to email comments or requests for other works to stringspirational@gmail.com
$14.99 ≈
13.85€
At Last
At Last
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Etta James
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Laura Chegwidden
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At Last
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Laura Chegwidden
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SheetMusicPlus
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.812067 By Etta James. By Harry Warren. Arranged by Laura Chegwidden. Blues,Contemporar...
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.812067 By Etta James. By Harry Warren. Arranged by Laura Chegwidden. Blues,Contemporary,Jazz,Wedding. 16 pages. Laura Chegwidden #2884977. Published by Laura Chegwidden (A0.812067). Are you a singer who has always wanted to perform with strings, or a string player looking for something different? This arrangement of At Last could be exactly what you're looking for. It's written for string quartet with solo voice, and features all the little string melodies that you can hear in the original song recorded by Etta James. It's perfect for weddings, parties and concerts.The arrangement goes for approx. 3min. This purchase includes a score and parts for all performers; violin 1, violin 2, viola, cello and voice. It would work best for players of an intermediate to advanced level. It is set in the key of Eb, one tone lower than the original recording. If you would like to purchase the song in a different key, please contact me through my facebook page: https://www.facebook.com/lchegmusic/Laura Chegwidden is a pianist, cellist, double bassist and singer from Toowoomba Australia. She recently graduated with distinction from the University of Newcastle with a B.MUS majoring in Cello and Composition. For more arrangements like this one or for any questions you can contact Laura through her facebook page:Â www.facebook.com/lchegmusic/
$16.99 ≈
15.70€
Autumn In New York
Autumn In New York
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Jazz
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Contemporary
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Bud Powell
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Kyle Pudenz
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Autumn In New York
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ViolinVagabond Music
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SheetMusicPlus
Electric Violin,Instrumental Solo - Level 5 - Digital Download SKU: A0.845965 By Bud Powell. By Vernon Duke. Arranged by Kyle Pudenz. 20th Century,Contem...
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Electric Violin,Instrumental Solo - Level 5 - Digital Download SKU: A0.845965 By Bud Powell. By Vernon Duke. Arranged by Kyle Pudenz. 20th Century,Contemporary,Jazz,Standards. Individual part. 6 pages. ViolinVagabond Music #4967185. Published by ViolinVagabond Music (A0.845965). An advanced-level jazz arrangement of Autumn in New York for unaccompanied 7-String Electric Violin. Although this was written on a 7-string, it also translates very well on a 6-string; there are only 2 passages that require the low Bb string, and these will sound fine taken up an octave. If you want to try this on a standard violin, well... good luck with the 5-note chords!I realize we extended-range violinists are few & far between, but if you (like me) appreciate the unique ability of this instrument to cover bass substitutions, chord melodies, and other roles that were previously thought exclusive to fretted/keyed instruments, this arrangement is an excellent demonstration of some of the really cool ways that you can bring a melody to life without the need for any effects or accompaniment. It is not for the faint of heart, and will definitely take some practicing, but if you can tackle the harmony this is a chart that is guaranteed to impress any jazz-nerd in the room... or your money back!*A challenging, yet elegant take on one of my favorite jazz ballads, this arrangement is great for showing off your jazz chops as a soloist, but can also work great as background music at one of those weddings or cocktail parties where someone decided it would be a hip idea to have an electric violinist... by themself...without any suggestions on repertoire (don't lie, we've all done at least one of these). Frets are optional, but not necessary ;-) I've been playing this for 6 years without... Performance time: 5 minutes, 30 secondsAlternatively you can skip one of the choruses to get it under 4 minutesQuestions? Suggestions? Requests? Contact me via my website: www.kylepudenz.com/Together, we can slowly fill the conspicuous void of printed music for electric violin!*You're not actually getting your money back. I stand by my comment about impressing the jazzers, though.
$7.99 ≈
7.38€
Requiem
Requiem
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil I...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99 ≈
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Any Way You Want It: Part 4 String Bass
