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You've selected:
Arthur Concert band, Choral
Sheetmusic to print
6 sheet music found
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1
Apostolisches Glaubensbekenntnis - Arthur-David Hall
Apostolisches Glaubensbekenntnis - Arthur-David Hall
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Arthur-David Hall
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Apostolisches Glaubensbekenntn
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Arthur-David Hall
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SheetMusicPlus
Choral Choir (4-Part) - Level 3 - Digital Download SKU: A0.1028459 Composed by Arthur-David Hall. Christian,Contemporary,Sacred. Octavo. 16 pages. Arthur...
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Choral Choir (4-Part) - Level 3 - Digital Download SKU: A0.1028459 Composed by Arthur-David Hall. Christian,Contemporary,Sacred. Octavo. 16 pages. Arthur-David Hall #5742743. Published by Arthur-David Hall (A0.1028459). The Doxology in German. Pretty simple and straightforward. Good for a high-school trying to work a piece between the concert band and choir.
$2.00 ≈
1.79€
L´Hiver des Alpes
L´Hiver des Alpes
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Choral 3-part
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INTERMEDIATE/ADVANCED
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M-A
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L´Hiver des Alpes
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Arthur
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SheetMusicPlus
Choral 3-Part Chorus,Choir,Choral - Level 4 - Digital Download SKU: A0.1448064 By M-A.G. de Saint Amant (Poet). By Λrthvr. 21st Century,A Cappella,Baroq...
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Choral 3-Part Chorus,Choir,Choral - Level 4 - Digital Download SKU: A0.1448064 By M-A.G. de Saint Amant (Poet). By Λrthvr. 21st Century,A Cappella,Baroque,Chamber,Contemporary. 3 pages. Arthur #1028002. Published by Arthur (A0.1448064). A setting of the poem L´Hiver des Alpes by M-A.G. de Saint Amant, for 3 solo voices or women's choir.You are free to transpose the score.If you would like to perform the piece publicly (live concert or internet), please contact me.Here you can find the audio recording of this piece for download:https://arthvr000.bandcamp.com/album/vocal-music-poetry-settingsPoem Text:Ces atomes de feu qui sur la Neige brillent,Ces étincelles d’or, d’azur et de cristalDont l’Hiver, au Soleil, d’un lustre orientalPare ses cheveux blancs que les vents éparpillent ;Ce beau Coton du Ciel, de quoi les monts s’habillent,Ce Pavé transparent fait du second Métal,Et cet air net et sain, propre à l’esprit vital,Sont si doux à mes yeux que d’aise ils en pétillent.Cette saison me plaît : j’en aime la froideur ;Sa Robe d’Innocence et de pure candeurCouvre en quelque façon les crimes de la Terre.Aussi l’Olympien la voit d’un front humain ;Sa colère l’épargne et jamais le tonnerrePour désoler ses jours ne partit de sa main.
$4.99 ≈
4.47€
We the People of the United States
We the People of the United States
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Arthur J
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We the People of the United St
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Imagine Music - Digital
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SheetMusicPlus
Concert band & chorus - Grade 3 - Digital Download SKU: IZ.CBS176 Composed by Arthur J. Michaels. Score and Parts. 123 pages. Imagine Music - Digital #CB...
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Concert band & chorus - Grade 3 - Digital Download SKU: IZ.CBS176 Composed by Arthur J. Michaels. Score and Parts. 123 pages. Imagine Music - Digital #CBS176. Published by Imagine Music - Digital (IZ.CBS176). 9 x 12 in inches.We the People of the United States lets singers and instrumentalists sing and play their hearts out. It's an excellent choice for any program in which directors want to feature a chorus with a concert band. This inspiring piece also makes an excellent spring concert or festival closer, worthy of becoming a music festival's traditional final work with combined instrumental and choral groups.This piece features three sections:I. We the People of the United StatesThis first section is a dignified presentation of the Preamble to the Constitution.II. Amendment IThe second section is the First Amendment to the Constitution. It begins playfully and festively, reflecting the joyful intent of enacting and living by the Constitution's First Amendment freedoms. The section becomes somber and contemplative, though, suggesting the struggles, pain and sacrifices we've endured, and are still enduring, as we continue to interpret this amendment and live by its words. The section's end recalls the joyful, pleasant aspects of living by the First Amendment.III. The Gettysburg AddressThe text of the first and second sections is the cornerstone of how we live and the values we profess. This third section, the first paragraph of Abraham Lincoln's stirring speech, reminds us of our hopes for our country and way of life.Audiences will be standing and cheering at this work's moving finish. The enduring truths of the text, our reverence for these words, and our vigorous aspirations to interpret them make this stirring piece an everlasting program choice and a delight for performers and audiences.This item does NOT contain the choral score.
$75.00 ≈
67.22€
We the People of the United States
We the People of the United States
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Arthur J
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We the People of the United St
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Imagine Music - Digital
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SheetMusicPlus
Satb & piano - Grade 3 - Digital Download SKU: IZ.CBS176V Composed by Arthur J. Michaels. Score and Parts. 27 pages. Imagine Music - Digital #CBS176V. Pu...
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Satb & piano - Grade 3 - Digital Download SKU: IZ.CBS176V Composed by Arthur J. Michaels. Score and Parts. 27 pages. Imagine Music - Digital #CBS176V. Published by Imagine Music - Digital (IZ.CBS176V). 9 x 12 in inches.We the People of the United States lets singers and instrumentalists sing and play their hearts out. It's an excellent choice for any program in which directors want to feature a chorus with a concert band. This inspiring piece also makes an excellent spring concert or festival closer, worthy of becoming a music festival's traditional final work with combined instrumental and choral groups.This piece features three sections:I. We the People of the United StatesThis first section is a dignified presentation of the Preamble to the Constitution.II. Amendment IThe second section is the First Amendment to the Constitution. It begins playfully and festively, reflecting the joyful intent of enacting and living by the Constitution's First Amendment freedoms. The section becomes somber and contemplative, though, suggesting the struggles, pain and sacrifices we've endured, and are still enduring, as we continue to interpret this amendment and live by its words. The section's end recalls the joyful, pleasant aspects of living by the First Amendment.III. The Gettysburg AddressThe text of the first and second sections is the cornerstone of how we live and the values we profess. This third section, the first paragraph of Abraham Lincoln's stirring speech, reminds us of our hopes for our country and way of life.Audiences will be standing and cheering at this work's moving finish. The enduring truths of the text, our reverence for these words, and our vigorous aspirations to interpret them make this stirring piece an everlasting program choice and a delight for performers and audiences.
$2.50 ≈
2.24€
Madrigal Pavane / Timburibá
Madrigal Pavane / Timburibá
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburibá
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digit...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95 ≈
7.12€
We Need A Little Christmas
We Need A Little Christmas
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Orchestra
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ADVANCED
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Christmas
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Kimberley Locke
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Bryan Kidd
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We Need A Little Christmas
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BryanKiddMusic.com
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1164372 By Kimberley Locke. By Jerry Herman. Arranged by Bryan Kidd. Christmas,Holiday,Standards. Sco...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1164372 By Kimberley Locke. By Jerry Herman. Arranged by Bryan Kidd. Christmas,Holiday,Standards. Score and Parts. 101 pages. BryanKiddMusic.com #764719. Published by BryanKiddMusic.com (A0.1164372). With a touch of John Philip Sousa, a spiritedly bright opener for your Christmas Season concert. Jerry Herman’s “We Need a Little Christmas†was introduced by Angela Lansbury and Beatrice Arthur in the 1966 Tony Award-winning Broadway production, Mame. A subsequent cover later that year by Percy Faith and His Orchestra and Chorus further established it as a seasonal favorite – other notable artists include the Muppets, Johnny Mathis, Idina Menzel and Pentatonix. This set includes a full score* and complete set of instrumental parts. NOTE: The SSATB Chorus is only shown on the score (for reference) and is NOT included as a separate part in this set. You are legally required to purchase as many copies of the choral parts as there are members of your chorus (includes rehearsal piano). Choral Parts Click Here Brass high note: Trumpet D6 (with an optional F6); Trombone A4 *A letter-size (8.5x11) score is included with the set; a more easily read Tabloid (11x17) score is available separately (RECOMMENDED). Tabloid Score Click HereWith 26 years of service, Bryan Kidd retired as the Chief Composer and Arranger for The United States Navy Band, Washington, D.C.  Bryan's writing, conducting, and teaching experience range from elementary through collegiate and professional levels. Currently, he is the Composer/Arranger-in-Residence for the American Festival Pops Orchestra founded by Conductor Emeritus, Anthony Maiello, a professional ensemble affiliated with George Mason University, Fairfax, Virginia.Please visit BryanKiddMusic.comÂ
$75.00 ≈
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Arthur Concert band, Choral
