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As the Hours Pass Clarinet
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You've selected:
As the Hours Pass Clarinet
Sheetmusic to print
7 sheet music found
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1
As the Hours Pass - Clarinet & Piano
As the Hours Pass - Clarinet & Piano
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Clarinet and Piano
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INTERMEDIATE
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James Michael Stevens
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James Michael Stevens
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As the Hours Pass - Clarinet &
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James M Stevens Music ASCAP
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SheetMusicPlus
Small Ensemble Clarinet,Piano - Level 3 - Digital Download SKU: A0.572876 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Cent...
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Small Ensemble Clarinet,Piano - Level 3 - Digital Download SKU: A0.572876 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Multicultural,New Age,Sacred,World. Score and part. 7 pages. James M Stevens Music ASCAP #4414951. Published by James M Stevens Music ASCAP (A0.572876). This is the Clarinet and Piano arrangement of Stevens' minimalist and lyrical piece, As the Hours Pass. There is a separate clarinet part in the score and the piano can serve as a stand alone solo. The track as heard is available under As the Hours Pass TRACK. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.
$6.99 ≈
¥50.69
Call from Beyond the Waves | Low Clarinet Quartet
Call from Beyond the Waves | Low Clarinet Quartet
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Clarinet Quartet: 4 clarinets
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INTERMEDIATE
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Michael Barrera
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Call from Beyond the Waves | L
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Michael Barrera
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1048322 Composed by Michael Ba...
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Woodwind Ensemble,Woodwind Quartet Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1048322 Composed by Michael Barrera. Celtic,Classical,Contemporary,Folk,Irish. 17 pages. Michael Barrera #652749. Published by Michael Barrera (A0.1048322). Https://www.michaelbarreraflute.com/shop/p/call-from-beyond-the-waves Program Notes Call from Beyond the Waves is a piece in the style of an old sea shanty. It invokes feelings of being lost at sea and drifting along the waves in the ocean far from shore. The melody lines are somewhat uneven but feel natural as if they are being sung in the late hours of the night. Rising and falling passages in the background reflect the waves on these moonlit nights. This piece was commissioned by a wonderful colleague of mine Tim Chernobrov. He wanted something that would capture the unique sound of the low harmony clarinets and make them shine in their own light. In doing so, he hopes to spark more interest in these less common clarinets. Instrumentation Low clarinet quartet consisting of - Alto Clarinet Bass Clarinet Contra Alto Clarinet Contrabass Clarinet.
$19.99 ≈
¥144.96
As the Hours Pass - Clarinet & Piano
As the Hours Pass - Clarinet & Piano
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Contemporary
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James M Stevens Music ASCAP
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As the Hours Pass - Clarinet &
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James M Stevens Music ASCAP
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SheetMusicPlus
Digital Download SKU: A0.1061540 Composed by James M Stevens Music ASCAP. Contemporary. Full Performance. Duration 147. James M Stevens Music ASCAP #4414...
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Digital Download SKU: A0.1061540 Composed by James M Stevens Music ASCAP. Contemporary. Full Performance. Duration 147. James M Stevens Music ASCAP #4414949. Published by James M Stevens Music ASCAP (A0.1061540).
$1.99 ≈
¥14.43
Call from Beyond the Waves (Low Flutes)
Call from Beyond the Waves (Low Flutes)
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Flute Quartet: 4 flutes
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INTERMEDIATE
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Michael Barrera
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Call from Beyond the Waves
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Michael Barrera
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SheetMusicPlus
Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1436947 Composed by Michael Barrera. Chamber,Classical. 17 pag...
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Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1436947 Composed by Michael Barrera. Chamber,Classical. 17 pages. Michael Barrera #1017013. Published by Michael Barrera (A0.1436947). Https://www.michaelbarreraflute.com/shop/p/call-from-beyond-the-waves-fluteProgram NotesCall from Beyond the Waves is a piece in the style of an old sea shanty. It invokes feelings of being lost at sea and drifting along the waves in the ocean far from shore. The melody lines are somewhat uneven but feel natural as if they are being sung in the late hours of the night. Rising and falling passages in the background reflect the waves on these moonlit nights. This piece was originally commissioned by a wonderful colleague of mine Tim Chernobrov. He wanted something that would capture the unique sound of the low harmony clarinets. This version is arranged for low flutes.InstrumentationLow flute quartet consisting of - Alto FluteBass FluteContra Alto FluteContrabass Flute.
$19.99 ≈
¥144.96
English Autumn
English Autumn
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James Marshall
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English Autumn
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James Marshall Music
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SheetMusicPlus
Small Ensemble,Strings Clarinet - Level 5 - Digital Download SKU: A0.913624 Composed by James Marshall. Contemporary,Folk. Score and parts. 87 pages. Jam...
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Small Ensemble,Strings Clarinet - Level 5 - Digital Download SKU: A0.913624 Composed by James Marshall. Contemporary,Folk. Score and parts. 87 pages. James Marshall Music #6096869. Published by James Marshall Music (A0.913624). English Autumn was composed in Fall/Winter 2018-2019 for Clarinetist Allison Eales commissioned by the Gregynog . Scored for Clarinet in A and String Trio it reflects the collage of Autumn colors: Green, Yellow, Brown shades of first Autumn; Red, Orange of Autumn at its peak. It followed my English Sonatina for young clarinetists premiered by Alison Eales and Anna de Hair in London in January, 2019, and was premiered in London in October, 2019. This piece reflects the heightened emotions of fiery intensity reflected in the changing of the colors of the leaves in Autumn. Reflected as well is the serene beauty before the Autumn arrives, and the resignation of the eternal cycles of nature. The opening section (Andante) evokes the feeling of nostalgia and assurance of the inevitable cycle of nature. We know the life will go from the tress only to return again next season. We feel the joy of the intense colors of the foliage, and the sadness of the loss of life in winter. This section segues into Green (Adagio cantabile) with pastoral music and quotes of The Water is Wide and I pass all the hours in a shady grove of Pelham Humphrey. This leads into Red (Allegro con fuoco/Presto), followed by Orange (Declamando) as well as absence of color when the leaves all fall. I pass all the hours is a song by Pelham Humphrey with words by Charles II: I pass all the hours in a shady grove …When I see the print of her shape in the green…I think there’s no hell like loving too well, The melody is incorporated because it is the same melodic motif of the Scherzando movement of my English Sonatina for young clarinetists which Alison Eales and Anna de Hair premiered. I discovered it after composing that piece in researching English folk songs to refer to in this piece. It is an ideal segue into the Allegro con fuco/Presto music. The final section (Andante cantabile) is my personal melodic sequence from the rising motif of Over the hills and far away.
$19.99 ≈
¥144.96
Carson Cooma - Miacomet Dreaming (2008) for orchestra
Carson Cooma - Miacomet Dreaming (2008) for orchestra
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Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Carson Cooman
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Carson Cooma - Miacomet Dreami
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.775968 Composed by Carson Cooman. Contemporary. Score and parts. 18 pages. Musik Fabrik Music Publish...
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Full Orchestra - Level 4 - Digital Download SKU: A0.775968 Composed by Carson Cooman. Contemporary. Score and parts. 18 pages. Musik Fabrik Music Publishing #2034761. Published by Musik Fabrik Music Publishing (A0.775968). Miacomet Dreaming (2008) for orchestra is dedicated to Loretta Yoder and Kyle Latshaw. The title refers to Miacomet, a region of Nantucket Island, Massachusetts. This work is one of a variety of pieces deeply connected to the landscape of Nantucket. The inspiration for the work was an oil painting, Path to Miacomet (2006), by Loretta Yoder; its fervency of color and landscape provided the poetic image that drives the work. The music itself was worked out during a the early hours of darkness on the actual beach of Miacomet. As the sun set, and darkness covered the landscape, only the passionate sound of the surf remained. The music is fervent and searching in tone. It begins with a roar before quieting down to introduce its basic musical material-a simple lament-like theme in a folkinflected style. This material is used for further explorations, building to passionate climaxes. Finally, the opening music returns, but this time it is whispered. The movement winds down to a distant and reposed conclusion. Instrumentation 2 Flutes 2 Oboes 2 Clarinets in Bb Bass Clarinet 2 Bassoons 2 Horns in F 2 Trumpets in C 2 Trombones Tuba Timpani Percussion (1 player) Marimba, Tubular Chimes Violin I Violin II Viola Violoncello Contrabass Score in C Bass clarinet and contrabass sound one octave lower than written. PROGRAM NOTES Miacomet Dreaming (2008) for orchestra is dedicated to Loretta Yoder and Kyle Latshaw. The title refers to Miacomet, a region of Nantucket Island, Massachusetts. This work is one of a variety of pieces deeply connected to the landscape of Nantucket. The inspiration for the work was an oil painting, Path to Miacomet (2006), by Loretta Yoder; its fervency of color and landscape provided the poetic image that drives the work. The music itself was worked out during a the early hours of darkness on the actual beach of Miacomet. As the sun set, and darkness covered the landscape, only the passionate sound of the surf remained. The music is fervent and searching in tone. It begins with a roar before quieting down to introduce its basic musical material-a simple lament-like theme in a folkinflected style. This material is used for further explorations, building to passionate climaxes. Finally, the opening music returns, but this time it is whispered. The movement winds down to a distant and reposed conclusion. (part on rental: infoATclassicalmusicnow.com).
$19.45 ≈
¥141.04
Eisenbahn [11 pieces for 2 saxophones]
Eisenbahn [11 pieces for 2 saxophones]
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2 Saxophones (duet)
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INTERMEDIATE
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Ibrahim Gunbardhi
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Eisenbahn [11 pieces for 2 sax
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Juan Maria Solare
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SheetMusicPlus
Alto Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1402117 By Ibrahim Gunbardhi. By Juan MarÃa Solare. 21st Century,Classical,Contemp...
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Alto Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1402117 By Ibrahim Gunbardhi. By Juan MarÃa Solare. 21st Century,Classical,Contemporary,Instructional,Latin. Saxophone Duet. 38 pages. Juan Maria Solare #985321. Published by Juan Maria Solare (A0.1402117). Eisenbahn, this cycle of 11 pieces for two saxophones is an important milestone in Juan MarÃa Solare's output. The pieces are dedicated to the Albanian clarinetist Ibrahim Gunbardhi, which requires telling a little anecdote: For a few years, the composer lived as a neighbor of the clarinetist in Bremen-Lesum, Germany. Each Thursday, there were clarinet and saxophone lessons for several hours. The sounds awakened the composer and mixed themselves in his dreams. From that to composing a cycle of duos was just a simple step.All titles of the cycle are related to the railroad (but in German): The rails meet on the horizon, Unexpected meeting in the on-board bistro, Trees passing by, Curious cows watch us go by, End station, and many others.Why eleven pieces? Some would prefer a round number such as ten or twelve. However, eleven is the composer's favorite number - among other things because it is a prime number and because he was born on the eleventh (of August).Musically speaking, this cycle of pieces is quite rhythmic, particularly with rhythms related to South America.More trivia? For the basic textural idea of the eighth piece ('Nap on the train'), the composer developed an old composition exercise that he had written in the early 80s.Three pieces of the cycle Eisenbahn (Ibrahim Gunbardhi and Thomas Sauer):Three pieces of the cycle Eisenbahn (composer: Juan MarÃa Solare)
$11.00 ≈
¥79.77
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As the Hours Pass Clarinet 
