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You've selected:
Atlantic Air
Sheetmusic to print
17 sheet music found
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1
Atlantic Air
Atlantic Air
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Keiron Anderson
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Atlantic Air
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Forton Music - Digital
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SheetMusicPlus
Picc. 4 Fl. 2Afl. BFl. CBFl. - Advanced - Digital Download SKU: F2.FM651 Composed by Keiron Anderson. Atlantic Air was written for the 2017 Yorkshire Win...
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Picc. 4 Fl. 2Afl. BFl. CBFl. - Advanced - Digital Download SKU: F2.FM651 Composed by Keiron Anderson. Atlantic Air was written for the 2017 Yorkshire Wind Orchestra Flute Day which is becoming a very well supported annual event for players from all over the country. The theme for this year is transatlantic music and so a flute choir piece which describes. Score and Parts. 44 pages. Forton Music - Digital #FM651. Published by Forton Music - Digital (F2.FM651). ISBN 9790570485505.
$22.95 ≈
20.75€
Black is the Colour (of my true love's hair)
Black is the Colour (of my true love's hair)
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Celtic/Irish
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Folkloric/Traditional
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Traditional
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Alan Wagstaff
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Black is the Colour
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Alan Wagstaff
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SheetMusicPlus
Small Ensemble Accordion,Acoustic Guitar,Fiddle,Medium Voice,Piccolo - Digital Download SKU: A0.495671 Composed by Traditional. Arranged by Alan Wagstaff...
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Small Ensemble Accordion,Acoustic Guitar,Fiddle,Medium Voice,Piccolo - Digital Download SKU: A0.495671 Composed by Traditional. Arranged by Alan Wagstaff. Celtic,Folk,Irish,Traditional. Score and parts. 6 pages. Published by Alan Wagstaff (A0.495671). 'Black is the Colour' emerged in 19th Century Scotland and since has continued to appear in versions on both sides of the Atlantic. It is arranged here for harp, accordion, flute, whistle, fiddle and voice.
$2.50 ≈
2.26€
A Rìbhinn Òg Bheil Cuimhn' Agad / An t-Seann Dachaigh / Fail ò rò Mar Dh'fhàg Sinn
A Rìbhinn Òg Bheil Cuimhn' Agad / An t-Seann Dachaigh / Fail ò rò Mar Dh'fhàg Sinn
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Accordion
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three traditional Scots Gaelic
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Julia Gordon
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A Rìbhinn Òg Bheil Cuimhn' A
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Julia Gordon
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SheetMusicPlus
Accordion - Digital Download SKU: A0.822479 Composed by three traditional Scots Gaelic airs arranged for accordion. Arranged by Julia Gordon. Celtic,Folk...
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Accordion - Digital Download SKU: A0.822479 Composed by three traditional Scots Gaelic airs arranged for accordion. Arranged by Julia Gordon. Celtic,Folk,World. Score. 4 pages. Julia Gordon #2929225. Published by Julia Gordon (A0.822479). Three Scots Gaelic airs arranged for accordion. Full RH and LH notation, with suggested couplers.Suitable for self-improvers and teaching accordion. Historical Notes: A Rìbhinn Ã’g Bheil Cuimhn' Agad (Fair Maiden, Do You Remember) This is a sailor's love song. He is getting ready to sail and will see neither her nor the hills of Lewis again for a year, no matter how high he climbs on the ship. He begs his young love not to worry or be sad while he is gone for he surely loves her. An t-Seann Dachaigh (The Old Home) No information is available for this tune. Fail ò rò Mar Dh’fhà g Sinn (Fail ò rò How We Departed) A Lewis sailing song about setting sail from the Clyde to cross the Atlantic Ocean. ÂÂÂ
$5.50 ≈
4.97€
Fastnet Rock
Fastnet Rock
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Flute and Piano
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ADVANCED
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Contemporary
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Jamie Farrow
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Fastnet Rock
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Jamie Farrow
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SheetMusicPlus
Flute,Piano - Level 5 - Digital Download SKU: A0.1042377 Composed by Jamie Farrow. Classical,Contemporary. Score and part. 12 pages. Jamie Farrow #647168...
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Flute,Piano - Level 5 - Digital Download SKU: A0.1042377 Composed by Jamie Farrow. Classical,Contemporary. Score and part. 12 pages. Jamie Farrow #647168. Published by Jamie Farrow (A0.1042377). This is a piece for flute and piano duo. Fastnet Rock, home to the Fastnet Lighthouse, is Ireland’s most southerly point situated in the Atlantic Ocean, famous for massive waves that engulf the island during storms. Three photographs (see below) and the lighthouse’s history were my inspiration for this duet, with the different images and ideas that they created, influencing my composition’s structure, themes and ideas at play. The piece starts at sunset and finishes at sunrise, with four sections each representing a different moment that follow a gradually developing structure through the first three sections before a gentle reprise of the ideas from Section 1 (S1) in Section 4 (S4). This gives a cyclicity to the piece, furthered by the tonal regions explored in each of the sections; Ebmaj to Amin to Bmin to Amin to Ebmaj. S1 invokes thoughts of the colours of sunset It is divided into four sub-sections, characterised by either solo flute or flute with piano, with each section exploring a different range of colours generated by their keys. Throughout, accidentals provide additional colour reminiscent of light diffracted during a sunset with the piano in the duo section voiced low in its range adding warmth explored through pivot chords. The flute plays in a very free recitative style, allowing the flautist individual expression emphasising the organicity of sunset as each performer will express this section differently. Section 2 (S2) and Section 3 (S3) are closely related, focusing on night-time through to sunrise in S4, with S2 providing the build up to the events of S3. In S2 the piano plays at the extremes of its range with widely spaced chords and no sense of beat, creating stillness and a sense of uneasiness through the constantly and irregularly beating A. The flute represents the rising storm and wind playing an organically-evolving motif beginning low in range, before gradually adding more notes and slowly rising, eventually reaching a dramatic climax which explores the extremities of its range whilst accelerating into S3. The drama and large gestures of S3 represent an Atlantic storm, a wall of oscillating sound through repeated piano ostinatos and constant use of the sustain pedal. Coupled with the frequently changing time-signature creating a sense of wild waves rolling in the ocean, the chordal bars percussively suggesting waves hitting the island. The flute captures the drama and emotion of the storm and the whistling wind, with long rising and falling gestures exploring the instrument’s very extremities. S4 brings the morning after the storm. We hear the same flute idea as in S1, this time played in the sadder Amin, communicating a sense of loss and despair following the storm. The piano emulates the now gently lapping waves against the rocks of Fastnet with the triplet motif in the bass. The right-hand of the piano plays a chordal accompaniment as in S1 but much slower, representing the slowly emerging colours of a sunrise which become richer and richer like the chords before the sunrise in the final few bars with a move into Ebmaj.
$2.99 ≈
2.70€
Preludio in A (estudio nº15)
Preludio in A (estudio nº15)
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Antonio Jiménez Manjón
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Rui Namora
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Preludio in A
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Rui Namora
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1261509 Composed by Antonio Jiménez Manjón. Arranged by Rui Namora. 19th Century,Classical,Romanti...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1261509 Composed by Antonio Jiménez Manjón. Arranged by Rui Namora. 19th Century,Classical,Romantic Period. Individual part. 11 pages. Rui Namora #854571. Published by Rui Namora (A0.1261509). This beautiful étude, originally written for the 11-string guitar (7+4) that Antonio Manjón used, is practically unknown today. Although it was composed as an étude for this instrument, this arrangement for the 6-string guitar doesn't fail to capture its beauty. The 7-string version is faithful to the original, regarding the bass notes. This set includes a new engraving of the original in double staff and both 6 and 7 string guitar standard notation. Antonio Jimenéz Manjón (1866-1919)Antonio Jiménez Manjón was a Spanish guitarist born in 1866 in the Andalusian city of Villacarillo. Blind from an early age, he began his musical career at the age of twelve, performing in Spain and Portugal, where he played for the Portuguese King Fernando II.Soon after, the young Antonio traveled to Paris alone, where he studied violin at the Conservatory while pursuing his guitar career. He was surrounded by musicians such as Gounod, Saint-Saëns, and Sarasate.In 1887, Manjón returned to his home country and was invited by the Spanish monarchs to perform in the Royal Palace. During those years, he toured Europe with his Torres eleven-string guitar. In 1893, he crossed the Atlantic to the Americas, settling in Buenos Aires in 1902 after performing and teaching in several Latin American countries.In Argentina, he founded a conservatory and published his work Escuela de Guitarra.Antonio Jiménez Manjón passed away in 1919 in Buenos Aires.ISMN 979-0-9007524-5-1 Â
$6.00 ≈
5.42€
I've Gotta Get A Message To You
I've Gotta Get A Message To You
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Brass quartet : 2 trumpets, trombone, tuba
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EASY
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Bee Gees
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Peet du Toit
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I've Gotta Get A Message To Yo
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Peet du Toit
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.802647 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.802647 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Peet du Toit. Dance,Disco. Score and parts. 23 pages. Peet du Toit #6197563. Published by Peet du Toit (A0.802647). I've Gotta Get a Message to You is a song by the Bee Gees. Released as a single on 7 September 1968, it was their second number-one single on the UK Singles Chart and their first US Top 10 hit.The song is about a man who, awaiting his execution in the electric chair, begs the prison chaplain to pass a final message on to his wife. Robin Gibb, who wrote the lyrics, said that the man's crime was the murder of his wife's lover, though the lyrics do not explicitly allude to the identity of the victim. Robin said, This is about a prisoner on Death Row who only has a few hours to live. He wants the prison chaplain to pass on a final message to his wife. There's a certain urgency about it. Myself and Barry wrote it. It's a bit like writing a script. Sometimes you can sit there for three hours with your guitar and nothing will happen. Then in the last ten minutes something will spark. The song was written with Percy Sledge in mind to record it. Sledge did record it in February 1970 but Atlantic did not issue his version in the United States at the time.Barry recalled, In those days, the lyrics were almost pretty well done on the spot. I don't remember the fundamentals on how the lyrics were formed, except that we were writing about a guy on death row. That was it.Robin adds:It was like acting, you see, we said, let's pretend that somebody, his life is on the line, somebody's going to the chair. What would be going through their mind? Let's not make it doom and gloom but sort of an appeal to the person he loves. Because right now that's all he cares about. Regardless of whether he's done a bad thing, he is a human being, and he's sending out this last message. There's someone out there whom he loves. It's a torch song, but within a very sort of theatrical sense. Not sort of abstract, but definitely somebody in a very bad situation whose life is going to end. What would they be saying, you know? This is it: 'Gotta get a message to you, hold on.Revive this hit on your brass instruments and enjoy!
$17.00 ≈
15.37€
Jingle Bell Rock
Jingle Bell Rock
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Aaron Tippin
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Joseph Pugh
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Jingle Bell Rock
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Joseph Pugh
#
SheetMusicPlus
Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1103611 By Aaron Tippin. By Jim Boothe and Joe Beal. Arrange...
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Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1103611 By Aaron Tippin. By Jim Boothe and Joe Beal. Arranged by Joseph Pugh. Christmas,Country,Pop,Rock. Score and parts. 8 pages. Joseph Pugh #706882. Published by Joseph Pugh (A0.1103611). Jingle Bell Rock is an American popular Christmas song first released by Bobby Helms in 1957. It has received frequent airplay in the United States during every Christmas season since then. Jingle Bell Rock was composed by Joseph Carleton Beal (1900–1967) and James Ross Boothe (1917–1976), although both Helms and session guitarist on the song Hank Garland disputed this. Beal was a Massachusetts-born public relations professional and longtime resident of South Ocean Avenue in Atlantic City, New Jersey, and Boothe was an American writer in the advertising business.[-wikipedia.
$19.99 ≈
18.07€
O Little Town of Bethlehem for Saxophone Trio
O Little Town of Bethlehem for Saxophone Trio
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3 Saxophones (trio)
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INTERMEDIATE
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Christmas
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Traditional
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James M
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O Little Town of Bethlehem for
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jmsgu3
#
SheetMusicPlus
Saxophone Trio,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1342277 Composed by Traditional...
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Saxophone Trio,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1342277 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Holiday,Traditional. 3 pages. Jmsgu3 #927791. Published by jmsgu3 (A0.1342277). O Little Town of Bethlehem is a beloved Christmas carol with an exciting history. It was written by Phillips Brooks in 1868 for the Sunday school children at his Philadelphia parish, Holy Trinity Church, following a pilgrimage to Bethlehem in 1865. The hymn beautifully describes the little town asleep on the December night. It gracefully modulates from a description of Christmas into examining the meaning of Christmas, encouraging charity, faith, and the coming of Christ into the human heart. The hymn is generally sung to its original tune, St. Louis by Louis H. Redner in the United States, and to Forest Green by Ralph Vaughan Williams in the United Kingdom, Canada, and Ireland. The hymn has continued to be a favorite for many people as they celebrate Christmas.O Little Town of Bethlehem has been used in popular culture as a beloved Christmas standard on both sides of the Atlantic. It has been performed by various artists, such as Sarah McLachlan, The Staple Singers, and Amy Grant, and featured in Christmas albums and performances, contributing to its enduring presence in popular culture. The song's timeless and evocative lyrics, paired with different tunes in the United States and Britain, have made it a staple in the Christmas music repertoire, showcasing its cultural significance and widespread appeal.
$24.95 ≈
22.56€
Shetland Sunrise (Elementary String Orchestra)
Shetland Sunrise (Elementary String Orchestra)
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String Orchestra
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BEGINNER
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Contemporary
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Colin Kirkpatrick
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Shetland Sunrise
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Colin Kirkpatrick Publications
#
SheetMusicPlus
String Orchestra - Level 1 - Digital Download SKU: A0.522247 Composed by Colin Kirkpatrick. Contemporary. Score and parts. 21 pages. Colin Kirkpatrick Pu...
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String Orchestra - Level 1 - Digital Download SKU: A0.522247 Composed by Colin Kirkpatrick. Contemporary. Score and parts. 21 pages. Colin Kirkpatrick Publications #4994009. Published by Colin Kirkpatrick Publications (A0.522247). Shetland Sunrise is a movement from Colin Kirkpatrick's suite for elementary string orchestra entitled “Atlantic Highwayâ€. Ideal for end-of-semester concerts or any other school or college concert occasion, these tuneful and attractive pieces are bound to please audience and instrumentalists alike. The work is scored for violins 1 and 2, viola (with an identical but optional part for violin 3 in treble clef), cello, double bass and piano (or digital keyboard). The piano part is an integral part of music and therefore essential. However, it’s not especially difficult and perfectly manageable by the intermediate pianist. All the string parts can be played in first position. Pizzicato is used extensively in the double bass part and in some of the passages for the upper strings. Shetland Sunrise is in G major throughout and the time signature begins in 5/8. This might look a bit daunting to elementary places not used to seeing it but the music is a good deal easier than it appears. Because every 5/8 measure (bar) naturally falls into groups of 3 and 2 beats, the players should be told to count 1, 2, 3, 1, 2, rather than one to five. They will soon pick up the irregular lilting rhythm. There are also a couple of measures of 7/8 in this piece, which should be counted as 1, 2, 1, 2, 3, 1, 2. The string parts have been produced in fairly large type making them ideal for elementary players. Cues have been added where necessary. 
$8.95 ≈
8.09€
Call of the North (Elementary String Orchestra)
Call of the North (Elementary String Orchestra)
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String Orchestra
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BEGINNER
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Colin Kirkpatrick
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Call of the North
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Orchestra - Level 1 - Digital Download SKU: A0.522248 Composed by Colin Kirkpatrick. Concert,Holiday,Patriotic. Score and parts. 23 pages. Colin K...
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String Orchestra - Level 1 - Digital Download SKU: A0.522248 Composed by Colin Kirkpatrick. Concert,Holiday,Patriotic. Score and parts. 23 pages. Colin Kirkpatrick Publications #5017655. Published by Colin Kirkpatrick Publications (A0.522248). Call of the North is a movement from Colin Kirkpatrick's suite for elementary string orchestra entitled “Atlantic Highwayâ€. Ideal for end-of-semester concerts or any other school or college concert occasion, these tuneful and attractive pieces are bound to please audience and instrumentalists alike. The work is scored for Violins 1 and 2, Viola (with an identical but optional part for Vln 3 in treble clef), cello, double bass and piano (or digitial keyboard). The piano part is not merely an accompaniment but an integral part of music and therefore essential. However, the piano part is not especially difficult and perfectly manageable by the intermediate pianist. All the string parts can be played in first position and there are soli sections for vln 1, cello and double bass. Pizzicato is used extensively in the double bass part and is some of the passages for the upper strings. The piece is in D major with a central passage in G major and the time signature is 4/4 throughout. The string parts have been produced in fairly large type making them ideal for elementary players. Cues have been added where necessary. 
$9.95 ≈
9.00€
Cavatine, Op. 144 for Bass Trombone and Piano
Cavatine, Op. 144 for Bass Trombone and Piano
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Bass Trombone and Piano
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ADVANCED
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Camille Saint-Saens
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Wade Goodwin
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Cavatine, Op. 144 for Bass Tro
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Gordon Cherry
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SheetMusicPlus
Bass Trombone,Piano - Level 5 - Digital Download SKU: A0.1470838 Composed by Camille Saint-Saens. Arranged by Wade Goodwin. 20th Century,Romantic Period....
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Bass Trombone,Piano - Level 5 - Digital Download SKU: A0.1470838 Composed by Camille Saint-Saens. Arranged by Wade Goodwin. 20th Century,Romantic Period. Score and part. 13 pages. Gordon Cherry #1048465. Published by Gordon Cherry (A0.1470838). Camille Saint-Saëns (1835-1921) was a French organist, pianist, composer and professor at the Paris Conservatoire. A prolific composer, he produced many great works, including operas, symphonies, concerti, chamber, and choral works.Cavatine, Op. 144 was written in 1915 as a musical gift to Boston Symphony trombonist George W. Stewart who helped with the composer's trans-Atlantic voyage to North America as the special guest of the World's Fair in St. Louis.The 5-minute work has become one of the most popular solos in the trombone repertoire with its beautiful phrases and expressive feel.This great music has been beautifully arranged for Bass Trombone and Piano by Wade Goodwin.The recording below is performed by the arranger Wade Goodwin.
$20.00 ≈
18.08€
Boy at Sea for TB and piano
Boy at Sea for TB and piano
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Choral 2-part
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EASY
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Adrienne Inglis
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Boy at Sea for TB and piano
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (TB) - Level 2 - Digital Download SKU: A0.1281812 Composed by Adrienne Inglis (ASCAP). 21st Century,Celtic,Classical,Historic,Irish,Patrioti...
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Choral Choir (TB) - Level 2 - Digital Download SKU: A0.1281812 Composed by Adrienne Inglis (ASCAP). 21st Century,Celtic,Classical,Historic,Irish,Patriotic. Octavo. 20 pages. Adrienne Inglis (ASCAP) #873161. Published by Adrienne Inglis (ASCAP) (A0.1281812). Boy at Sea (2023) for TB choir and piano is great for community choruses looking for something fun, easy, and interesting for lower voices! TB and pianoText: excerpts from a 1915 letter by Robert Inglis to the Commissioner of PensionsDuration about 5 minutesDifficulty 2 (Advanced high school, collegiate or community chorus) Language: EnglishSheet music is available for purchase soon.Performances:8 Aug 2023 Inversion Coda performed Boy at Sea at Spider House Ballroom Austin, Texas (world premiere)Commissioned by Inversion Ensemble for Coda’s Tales of the Sea concert in August 2023, Boy at Sea by Adrienne Inglis for tenor and bass chorus with piano recounts the sea-faring adventures of the composer’s great-grandfather as a boy. The text comes from a letter that Robert Inglis wrote in 1915 to the Commissioner of Pensions asking for a raise in his civil war pension. In providing information apparently requested by the Pension office, Robert details many events in his early years, adding a fair bit of sarcasm and wit to the narrative. The composer edited the content to fit into more of a strophic sea-shanty style. The piano part offers a sense of ocean waves as well as a few popular tunes of the day as commentary on the story. When he and his sister were in boarding school in Cowes on the Isle of Wight, he witnessed a historic yacht race. The following year, they sailed across the Atlantic with the family of their father’s third wife. Life with his stepmother must have been unbearable, because he “went to sea†time after time to escape the unpleasantness she brought to bear. The final departure left him shipwrecked on Hatteras with drunken shipmates. He made his way to Maryland where, to his horror, he witnessed a slave auction. Sensing the tension and possibly inspired to action, he headed west to join the 20th Indiana Infantry. He later served in the 51st Pennsylvania, the Provost Guard, and the U. S. Navy. He fell off of a train in 1863, leaving him injured and in pain for the rest of his life.https://adrienneinglis.com/.
$1.99 ≈
1.80€
Cavatine, Op. 144 for Two Trombones
Cavatine, Op. 144 for Two Trombones
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2 Trombones (duet)
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ADVANCED
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Classical
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Camille Saint-Saens
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Jessica Hawthorne
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Cavatine, Op. 144 for Two Trom
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Gordon Cherry
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SheetMusicPlus
Trombone Duet Trombone - Level 5 - Digital Download SKU: A0.1042933 Composed by Camille Saint-Saens. Arranged by Jessica Hawthorne. 20th Century,Romantic...
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Trombone Duet Trombone - Level 5 - Digital Download SKU: A0.1042933 Composed by Camille Saint-Saens. Arranged by Jessica Hawthorne. 20th Century,Romantic Period. Score. 7 pages. Gordon Cherry #647646. Published by Gordon Cherry (A0.1042933). Camille Saint-Saëns (1835-1921) was a French organist and professor at the Paris Conservatoire. A prolific composer, he produced many great works, including operas, symphonies, concerti, chamber and choral works. Cavatine, Op. 144 was written in 1915 as a musical gift to Boston Symphony trombonist George W. Stewart who helped with the composer's trans-Atlantic voyage to North America as the special guest of the World's Fair in St. Louis. The work has become one of the most popular solos in the trombone repertoire with its beautiful phrases and expressive feel. This great music has been arranged and performed for two trombonists by Jessica Hawthorne.
$20.00 ≈
18.08€
Folk Songs For Classical Guitar - Volume 24 (Songs 622-648)
Folk Songs For Classical Guitar - Volume 24 (Songs 622-648)
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Traditional/Anonymous
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Socrates Arvanitakis
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Folk Songs For Classical Guita
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Socrates Arvanitakis
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SheetMusicPlus
Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1161269 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Class...
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Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1161269 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 42 pages. Socrates Arvanitakis #761608. Published by Socrates Arvanitakis (A0.1161269). This is the twenty-fourth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment.The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view. Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 24 (Songs 622-648)Mummers’ Carol Must I thenMy Bonnie, Bonnie BoyMy Bonny CuckooMy Boy BillyMy Dearie She Sits Ower Late upMy Grandfather’s ClockMy JohnnyMy Johnny was a ShoemakerMy Love’s an ArbutusMy mother did so before meMy Own Pretty BoyMylecharane (Isle of Man) [Vylecharane]Myrtle Tree (the)Nae Bonnie Laddie tae Tak’ Me Awa’Nature CarolNelson’s DeathNever Marry an Old ManNew Year SongNewcastle FairThe New-Fashioned FarmerNight Visit SongNoble Foxhunting (the)Nos Galan (winter)Nottinghamshire Poacher (the)Ny Kirree Fo-SnaighteyO ’Twas in the Broad Atlantic
$25.00 ≈
22.60€
Concerto #2 (Rachmaninoff) / It Is Well (2 for 1 PIANO Standalone Arr's)
Concerto #2 (Rachmaninoff) / It Is Well (2 for 1 PIANO Standalone Arr's)
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Piano solo
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ADVANCED
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Rachmaninoff / Horatio Spaffor
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Dr Jerry Nelson
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Concerto #2
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Jerry Nelson
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.874879 Composed by Rachmaninoff / Horatio Spafford. Arranged by Dr Jerry Nelson. Christian,Concert,Sacred...
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Piano Solo - Level 5 - Digital Download SKU: A0.874879 Composed by Rachmaninoff / Horatio Spafford. Arranged by Dr Jerry Nelson. Christian,Concert,Sacred. Score. 11 pages. Jerry Nelson #3629421. Published by Jerry Nelson (A0.874879). Receive both arrangement levels for the price of one! Move up the Performance Ladder by stair-stepping from Level 5....to Level 6. (Audio demo is Level 6). Both versions were arranged as Standalone. No Performance Track is available.A truly awesome, Signature arrangement by Jerry Nelson weaving Rachmaninoff's classic with a great audience-favorite hymn. Great for Offertory or Prelude....or a Recital or Competition piece. The writer, Spafford, lost his 4 lovely daughters when their ship collided with an Atlantic freighter. That experience inspired this hymn. (Time 3:47)www.JerryNelsonMusic.com
$5.99 ≈
5.42€
Moonlight Serenade for Tuba Quintet (Jazz for 5 Series)
Moonlight Serenade for Tuba Quintet (Jazz for 5 Series)
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Tuba ensemble
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INTERMEDIATE
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Jazz
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Glenn Miller
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Keith Terrett
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Moonlight Serenade for Tuba Qu
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Music for all Occasions
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SheetMusicPlus
Tuba, Euphonium, Tuba Quintet - Intermediate - Digital Download Composed by Glenn Miller. Arranged by Keith Terrett. 20th Century, Jazz, Swing, Old-t...
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Tuba, Euphonium, Tuba Quintet - Intermediate - Digital Download Composed by Glenn Miller. Arranged by Keith Terrett. 20th Century, Jazz, Swing, Old-time. Score, Set of Parts. 8 pages. Published by Music for all Occasions
Moonlight Serenade" arranged here for Tuba Quintet, is an American popular song composed by Glenn Miller with subsequent lyrics by Mitchell Parish. It was an immediate phenomenon when first released in May 1939 as an instrumental arrangement and was adopted as Miller’s signature tune. In 1991, Miller’s recording of "Moonlight Serenade" was inducted into the Grammy Hall of Fame.
The song, recorded on April 4, 1939 on RCA Bluebird, was a Top Ten hit on the U.S. pop charts in 1939, reaching number three on the Billboard charts, where it stayed for fifteen weeks. It was the number 5 top pop hit of 1939 in the Billboard year-end tally. Glenn Miller had five records in the top 20 songs of 1939 on Billboard′s list.
In the UK, "Moonlight Serenade" was released as the A-side of a 78 on His Master’s Voice, with "American Patrol" as the B-side. The recording reached number twelve in the UK in March 1954, staying on the chart for one week. In a medley with "Little Brown Jug" and "In the Mood", "Moonlight Serenade" reached number thirteen on the UK charts in January 1976, in a chart run of eight weeks.
The recording was also issued as a V-Disc, No. 39A, in November 1943.
The recording used a clarinet-led saxophone section, which is widely considered[citation needed] the classic Glenn Miller style. Miller studied the Schillinger technique with Joseph Schillinger, who is credited with helping Miller create the "Miller sound", and under whose tutelage he himself composed "Moonlight Serenade".
The song evolved from a 1935 version entitled "Now I Lay Me Down to Weep", with music by Glenn Miller and lyrics by Eddie Heyman to a version called "Gone with the Dawn" with lyrics by George Simon, and "The Wind in the Trees" with lyrics by Mitchell Parish. In his biography of Glenn Miller, George T. Simon recounted how vocalist Al Bowlly of the Ray Noble Orchestra sang him the Eddie Heyman lyrics to the Glenn Miller music of "Now I Lay Me Down to Weep" in 1935. The Noble Orchestra never recorded the song. Finally it ended up as "Moonlight Serenade" because Robbins Music bought the music and learned that Miller was recording a cover of "Sunrise Serenade", a Frankie Carle associated song, for RCA Victor. They thought "Moonlight" would be a natural association for "Sunrise".
"Now I Lay Me Down to Weep" was composed in 1935 with lyrics by Eddie Heyman and music by Glenn Miller. After "Moonlight Serenade", originally released solely as an instrumental, became a smash hit in 1939, Mitchell Parish wrote new lyrics for the music under that title.
A notable vocal version can be found on Frank Sinatra’s Moonlight Sinatra released in 1965, which also contains "Moon Love", "Moonlight Becomes You", and "Oh, You Crazy Moon", which were recorded by Glenn Miller and his Orchestra. "Moonlight Serenade" can also be found on Nothing But the Best, a 2008 Frank Sinatra greatest hits compilation by Reprise, on My Way: The Best of Frank Sinatra from 1997 by Warner Bros., and the Frank Sinatra compilation Greatest Love Songs from 2002. Frank Sinatra also released the song as part of an 7" EP 33RPM single in 1966, Reprise SR1018. The song also appeared on the 2015 centennial collection Ultimate Sinatra. In 1939, Count Basie and His Orchestra recorded one of the earliest versions to feature the lyrics added by Mitchell Parish which was released as a 78 single, Vocalion 5036.
"Moonlight Serenade" has been covered by Barry Manilow, Carly Simon, The Airmen of Note of the U.S. Air Force with Air Force Strings, Charlie Haden, Marc Reift, Chet Baker with The Mariachi Brass in 1966, Santo and Johnny, Thelma Houston, Carol Burnett, Toots Thielemans, Deodato, who reached number 18 on the Billboard Easy Listening Chart, Count Basie and his Orchestra with vocals by Helen Humes in 1939, Benny Goodman and his Orchestra, Cab Calloway, The Modernaires, Gene Krupa and his Orchestra, Freddy Martin and his Orchestra, Bert Kaempfert, Ray Conniff, Mina, Dick Todd on RCA Bluebird, Geoff Love and His Orchestra, Lloyd Gregory on solo guitar, Dick Hyman, Maxwell Davis and his Orchestra, Tony Evans, Los Indios Tabajaras, David Rose, Richard Himber, Fi Dells Quartet, Waikikis, The Universal-International Orchestra conducted by Joseph Gershenson, Oleg Lundstrom, Charlie Byrd, Taco, Alix Combelle, Richard Vaughn, Lisa Ono, Eddie Maynard, Simone Kopmajer, Hamburg Philharmonia, Frankie Capp, Dave, Robert Banks Trio, Karel Vlach, Transatlantic Swing Band, the Frankie Condon Orchestra, The Romantic Strings, Paul Mauriat, Tommy Leonetti, Johnny Desmond, the Boston Pops under Arthur Fiedler, John Williams, and Keith Lockhart, Charlie Calello Orchestra, J.P. Torres and the Cuban All Stars, Tex Beneke and His Orchestra, the Manhattan Jazz Orchestra, Urbie Green, Bob Mintzer, Laura Fygi, Max Greger, Mario Pezzotta and His Orchestra, 101 Strings, Andrés Ramiro and His Orchestra, The Hiltonaires, Big Warsaw Band, Pep Poblet, Ray Anthony, Cheryl Bentyne, jazz trumpeter Bobby Hackett in 1965, The 12 Cellists of the Berlin Philharmonic, Joe Loss, Ted Heath, Lawrence Welk, Henry Mancini, James Last, Michael Maxwell and His Orchestra, John Blair, Ray Eberle, Enoch Light, Modern Folk Quartet, Buddy Emmons on steel guitar, The Rivieras, a 1950s Doo Wop group whose recording reached number 47 on the pop charts in 1959, Tuxedo Junction, Yasuko Agawa, George Melachrino, German bandleader Kurt Edelhagen, Ella Fitzgerald, Oscar Rabin, Henry Jerome and his Orchestra as a 45 single, Decca 25545, Kurt Elling, Syd Lawrence, The Ventures, Archie Bleyer, Mantovani, Bobby Vinton, who reached number 97 on the Billboard Hot 100 in 1976, and the rock band Chicago as a 1995 3 inch CD single in Japan and on the big band album Night & Day Big Band.
Jazz critic Gary Giddins wrote about the song’s impact and legacy; "Miller exuded little warmth on or off the bandstand, but once the band struck up its theme, audiences were done for: throats clutched, eyes softened. Can any other record match ’Moonlight Serenade’ for its ability to induce a Pavlovian slobber in so many for so long?" (The New Yorker, May 24, 2004).
"Moonlight Serenade" released as V-Disc 39A, VP 75, Theme Song, by the U.S. War Department in November 1943. In November 1939, Miller had a 15-minute radio series on CBS called Moonlight Serenade that ran three times a week, Tuesdays, Wednesdays, and Thursdays at 10:00 PM Eastern Time (shifting to 7:15 PM in May 1942), until September 1942, sponsored by Chesterfield.
Wartime release:
The 1939 RCA Victor studio recording of "Moonlight Serenade" was released by the U.S. War Department as V-Disc 39A, VP 75, Theme Song, in November, 1943. The recording was also released on the Navy V-Disc No. 160A. A V-Disc test pressing of a recording of the song from November 17, 1945 by the AAF Band was made but the disc was not issued. A new recording by Glenn Miller with the American Band of the Allied Expeditionary Forces was broadcast to Germany in 1944 on the radio program The Wehrmacht Hour.
Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$12.99 ≈
11.74€
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