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Back At Your Door
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You've selected:
Back At Your Door
Sheetmusic to print
36 sheet music found
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1
26
Back At Your Door
Back At Your Door
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Piano solo
#
EASY
#
Maroon5
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Maroon5
#
Back At Your Door
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Mr. Lu Lai
#
SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.1354336 By Maroon5. By Adam Levine and Jesse Carmichael. Arranged by Maroon5. Contemporary,Multicultural,...
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Piano Solo - Level 2 - Digital Download SKU: A0.1354336 By Maroon5. By Adam Levine and Jesse Carmichael. Arranged by Maroon5. Contemporary,Multicultural,Pop,World. Score. 2 pages. Mr. Lu Lai #939054. Published by Mr. Lu Lai (A0.1354336). Back At Your Door Piano score.
$5.99 ≈
5.42€
Somebody's Knocking at Your Door
Somebody's Knocking at Your Door
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Handbells
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Gospel/Spiritual
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Mark S
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Performance Music Ensemble
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Somebody's Knocking at Your Do
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Jubilate Music Group - Digital
#
SheetMusicPlus
Handbell - Grade 3 - Digital Download SKU: JX.00-47202 Arranged by Mark S. Arnold. Handbell Music; Performance Music Ensemble; Single Titles. Alfred Hand...
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Handbell - Grade 3 - Digital Download SKU: JX.00-47202 Arranged by Mark S. Arnold. Handbell Music; Performance Music Ensemble; Single Titles. Alfred Handbell Series. Sacred; Spiritual. Sheet. 12 pages. Jubilate Music Group - Digital #00-47202. Published by Jubilate Music Group - Digital (JX.00-47202). English.A laid-back bass groove and mallet hits/clicks drive this exciting arrangement of the traditional spiritual. Ringers will enjoy the opportunity to be part of the rhythm section as the persistent knocking continues, with shakes and echo effects adding to the fun. It will delight your audiences and is appropriate for concert, worship, festival, and school occasions all year long.
$5.25 ≈
4.75€
Leave The Door Open
Leave The Door Open
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Jazz Ensemble
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INTERMEDIATE/ADVANCED
#
Bruno Mars, Anderson
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MAJOR SCORE PUBLISHING TM
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Leave The Door Open
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Major Score Publishing
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.834688 By Bruno Mars, Anderson .paak And Silk Sonic. By (brandon Paak Anderson), Anderso...
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.834688 By Bruno Mars, Anderson .paak And Silk Sonic. By (brandon Paak Anderson), Anderson .paak, Brandon Paak Anderson, Bruno Mars, Chris Brody Brown, Christopher Brody Brown, and Dernst Emile. Arranged by MAJOR SCORE PUBLISHING TM. Funk,Pop,R & B,Singer/Songwriter,Soul. 64 pages. Major Score Publishing #6425589. Published by Major Score Publishing (A0.834688). Look no further! Vocalists! Are you looking for a highly detailed chart for Leave the Door Open as performed by Bruno Mars, Anderson Paak/Silkl Sonic? then this is the arrangement for you! Meticulously transcribed and arranged for Vocal (with back ground vocals) piano, guitar, bass & drums, this chart is designed to deliver the performance you and your audience are looking for and more! All parts have been transcribed with fine detail most notably the drum part which we do offer for sale on its own as well. This arrangement matches the original key as performed by Silk Sonic. Be sure to take a look at the PDF preview and listen to the 30 second demo track for full details!
$69.99 ≈
63.28€
Back At Your Door by Maroon 5 - Guitar Recorded Versions (with TAB), Guitar TAB Transcription/Guitar Recorded Versions (with TAB);Guitar TAB Transcription
#
Guitar notes and tablatures
#
Alternative/Rock
#
Maroon 5
#
Back At Your Door
#
Musicnotes
Performed by: Maroon 5: Back At Your Door Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (th...
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Performed by: Maroon 5: Back At Your Door Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Guitar Tab;Guitar/Vocal, instruments: Voice;Guitar 1;Guitar 2;Guitar 3;Guitar 4;Guitar 5;Backup Vocals; 8 pages -- Adult Alternative~~Alternative Pop/Rock~~Pop Rock
$5.50 ≈
4.97€
Love Is An Open Door
Love Is An Open Door
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2 Violins (duet)
#
INTERMEDIATE
#
Walt Disney
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Kristen Bell & Santino Fontana
#
Tim Crooks
#
Love Is An Open Door
#
STR:UK String Arrangements
#
SheetMusicPlus
Violin Duet Violin - Level 3 - Digital Download SKU: A0.1039924 By Kristen Bell & Santino Fontana. By Kristen Anderson-Lopez and Robert Lopez. Arranged b...
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Violin Duet Violin - Level 3 - Digital Download SKU: A0.1039924 By Kristen Bell & Santino Fontana. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Tim Crooks. Film/TV,Pop. 14 pages. STR:UK String Arrangements #644798. Published by STR:UK String Arrangements (A0.1039924). Love Is An Open Door, from Disney’s ‘Frozen’, arranged for Violin Duet with Piano by Tim Crooks. This is a fun arrangement of the duet between Anna and Prince Hans, and these roles are taken by Violin 1 and Violin 2 (or Viola, part also included). The level of these parts is approx ABRSM grade 5 (intermediate). There is also a third part for Easy Violin / Viola at Grade 1-2 level, although this is not essential for performance. This download contains: Piano score Violin I (solo) Violin II (solo) Viola (solo - same as Violin II) Easy Violin Easy Viola (same as Easy Violin) About the arranger Tim Crooks trained as a violinist and violist, working professionally in Manchester (UK) for many years. He was a founding member of the Manchester String Quartet and scored many arrangements for the group's recordings. Tim now orchestrates and conducts, working with orchestras including Manchester Camerata, Royal Liverpool Philharmonic, RTÉ Concert Orchestra and the Philharmonia. STR:UK String Arrangements, made in the UK Get in touch - your feedback and requests are always welcome! strukstrings@gmail.com twitter.com@strukstrings Facebook@Strukstrings.
$6.99 ≈
6.32€
Through This Old Church Doorway (A Christmas Cantata)
Through This Old Church Doorway (A Christmas Cantata)
#
Piano, Voice
#
EASY
#
Christmas
#
Connie Boss
#
Connie Boss
#
Through This Old Church Doorwa
#
Connie Boss
#
SheetMusicPlus
Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801052 Composed by Connie Boss. Arranged by Connie Boss. A Cappella,Christmas,Sacred...
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Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801052 Composed by Connie Boss. Arranged by Connie Boss. A Cappella,Christmas,Sacred. Score. 58 pages. Connie Boss #4298985. Published by Connie Boss (A0.801052). This is a Christmas Cantata. It has some original songs as well as re-arranged public domain songs. The public domain songs used are We Three Kings, O Come O Come Emmanuel, Silent Night, All the Pretty Little Horses, Angels We Have Heard On High, O Holy Night, What Child is This? See a choir performance of this at https://www.youtube.com/playlist?list=PLlYnLRoGREBiIbRVrK64gkENOalkGq7HC Some of the songs have original lyrics while others have the melody with new lyrics. It starts with a cantata setting and takes you back to songs that bring images of Jesus' birth to your minds. It ends in the setting on Christmas morning It is in SATB with Piano, Flute, Cello accompaniment with Guitar chords. It has an a cappella part, narration either at the beginning of each song, or included with the song, and some songs that come together at the same time. This was performed at a cantata service at my church and brought people to tears. The names of the songs are 1. Through This Old Church Doorway: The Season of Christmas 2. Rejoice, Virgin Mary: A New Life to Behold 3. Rejoice, Mary, Blessed Virgin: The Chosen One 4. Tears of Joy 5. Mary's Lullaby 6. The Babe, The Son of Mary 7. A Baby's Hope 8. Through This Old Church Doorway: The Morning Light of Christmas
$5.99 ≈
5.42€
Back At Your Door by Maroon 5 - Piano/Vocal/Guitar
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Piano, Vocal and Guitar
#
Alternative/Rock
#
Maroon 5
#
Back At Your Door
#
Musicnotes
Performed by: Maroon 5: Back At Your Door Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (th...
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Performed by: Maroon 5: Back At Your Door Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 5 pages -- Adult Alternative~~Alternative Pop/Rock~~Pop Rock
$5.50 ≈
4.97€
Knocking At Your Back Door
Knocking At Your Back Door
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Drums
#
Rock
#
Deep Purple
#
Knocking At Your Back Door
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Hal Leonard - Digital
#
SheetMusicPlus
Digital Download SKU: HX.431663 By Deep Purple. Pop,Rock. Drum Transcription. 9 pages. Published by Hal Leonard - Digital (HX.431663). ...
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Digital Download SKU: HX.431663 By Deep Purple. Pop,Rock. Drum Transcription. 9 pages. Published by Hal Leonard - Digital (HX.431663).
$2.99 ≈
2.70€
Knocking At Your Back Door
Knocking At Your Back Door
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Guitar notes and tablatures
#
Rock
#
Deep Purple
#
Knocking At Your Back Door
#
Hal Leonard - Digital
#
SheetMusicPlus
By Deep Purple. Metal, Rock. Guitar Tab Play-Along. 15 pages. Published by Hal Leonard - Digital...
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By Deep Purple. Metal, Rock. Guitar Tab Play-Along. 15 pages. Published by Hal Leonard - Digital
$4.99 ≈
4.51€
Tropical Serenade
Tropical Serenade
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Percussion Ensemble
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EASY
#
Josepha Gail
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Tropical Serenade
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Wendy Jackman
#
SheetMusicPlus
Percussion Ensemble - Level 2 - Digital Download SKU: A0.1026374 Composed by Josepha Gail. Concert,Contemporary,Patriotic,Standards,World. Score and part...
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.1026374 Composed by Josepha Gail. Concert,Contemporary,Patriotic,Standards,World. Score and parts. 7 pages. Wendy Jackman #6434613. Published by Wendy Jackman (A0.1026374). Tropical Serenade is a calypso march, originally composed for Steel pan. This three page composition is written for a quartet of Soprano, alto, tenor and Bass Steel pan. It is in 4/4 timing. This has a sweet Caribbean feel. This song is suitable for an intermediate ensemble. It can be played at weddings, outdoor and indoor festivals, even at the beach, etc. This lively song will put the sunshine back into your life. As you play this song, you can feel yourself swaying to the ocean breeze.
$8.73 ≈
7.89€
Back At Your Door
Back At Your Door
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Piano, Vocal and Guitar
#
Rock
#
Maroon 5
#
Back At Your Door
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
By Maroon 5. For piano, voice, and guitar (chords only). Pop; Rock. 5 pages. Published by Hal Leonard - Digital Sheet Music...
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By Maroon 5. For piano, voice, and guitar (chords only). Pop; Rock. 5 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.51€
Back At Your Door
Back At Your Door
#
Guitar notes and tablatures
#
Rock
#
Maroon 5
#
Back At Your Door
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
By Maroon 5. For guitar. Pop; Rock. Guitar TAB. 8 pages. Published by Hal Leonard - Digital Sheet Music...
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By Maroon 5. For guitar. Pop; Rock. Guitar TAB. 8 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.51€
Jesse Carmichael: Back At Your Door for guitar
#
Guitar notes and tablatures
#
INTERMEDIATE
#
Rock
#
Jesse Carmichael
#
Virtualsheetmusic
Instantly printable sheet music by Maroon 5 for guitar (tablature) of MEDIUM skill level. / pop,rock
Instantly printable sheet music by Maroon 5 for guitar (tablature) of MEDIUM skill level. / pop,rock
$8.97 ≈
8.11€
Jesse Carmichael: Back At Your Door for voice, piano and guitar
#
Piano, Vocal and Guitar
#
INTERMEDIATE
#
Rock
#
Jesse Carmichael
#
Virtualsheetmusic
Instantly printable sheet music by Maroon 5 for voice, piano or guitar of MEDIUM skill level. / pop,rock
Instantly printable sheet music by Maroon 5 for voice, piano or guitar of MEDIUM skill level. / pop,rock
$5.97 ≈
5.40€
The Little Things - (The Lockdown Song) - SATB Choir with piano accompaniment - Chris Lawry
The Little Things - (The Lockdown Song) - SATB Choir with piano accompaniment - Chris Lawry
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Choral SATB
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EASY
#
Chris Lawry, Angela Cope
#
The Little Things -
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Moonhouse Music
#
SheetMusicPlus
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.749985 Composed by Chris Lawry, Angela Cope. 20th Century,Contemporary,Sacred. Octavo. 12 pages....
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.749985 Composed by Chris Lawry, Angela Cope. 20th Century,Contemporary,Sacred. Octavo. 12 pages. Moonhouse Music #5792953. Published by Moonhouse Music (A0.749985). During the Covid 19 lockdown the community choir Amber Valley Voices have worked with their MD Angie Cope and accompanist and composer Chris Lawry to write a lock down inspired song to rehearse in their Zoom rehearsals to hopefully use in their forthcoming concerts once restrictions are eased and we can begin to meet and sing together again.Much love to all out there that can't sing together yet; we are feeling your pain with you!Sheet music (for Unison, SA and SATB choir) available from www.chrislawry.com. If you need a backing track or leadsheet, or anything, please get in touch using: contact@chrislawry.com Lyrics: Waiting by the window, Parcels at the door, Kisses left hanging in the air. Doorstep daughters and street-side sons, It's the little things to show that you still care. ]Smiles from total strangers we pass along the way, Neighbours that speak now ev’ry day. Time for conversations, time for souls to touch It’s the little things that now mean oh so much. The little things that mean so much The little things we miss and those we don’t, as such The little things: a sight, a sound, a smell, a touch. It’s the little things that now mean oh so much. A letter from a loved one, flowers from a friend The look that says I know, I understand Early morning birdsong, a woodlands dappled light, It’s the outward signs of natures healing hand.To wander through a meadow, to drink in cleaner air New life bursts out around us ‘midst our pain. So much has been lost at immeasurable cost But together we’ll rebuild our world again. The little things that mean so much The little things we miss and those we don’t, as such The little things: a sight, a sound, a smell, a touch.It’s the little things that now mean oh so much. The little things that mean so much The little things we miss and those we don’t, as such The little things: a sight, a sound, a smell, a touch.It’s the little things that now mean oh so much.
$1.99 ≈
1.80€
SEVEN ANCIENT GREEK TUNES IN SEVEN MODES ΕΠΤΑ ΑΡΧΑΙΑ ΕΛΛΗΝΙΚΑ ΜΟΥΡΗ ΣΕ ΕΠΤΑ ΜΟΝ&T
SEVEN ANCIENT GREEK TUNES IN SEVEN MODES ΕΠΤΑ ΑΡΧΑΙΑ ΕΛΛΗΝΙΚΑ ΜΟΥΡΗ ΣΕ ΕΠΤΑ ΜΟΝ&T
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String Quartet: 2 violins, viola, cello
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EASY
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Trad, Alan Edgar, Euripides
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SEVEN ANCIENT GREEK TUNES IN S
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Alan Edgar Ted Moon
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SheetMusicPlus
String Quartet String Quartet - Level 2 - Digital Download SKU: A0.1296046 Composed by Trad, Alan Edgar, Euripides. Early Music,Folk,Historic,Traditional...
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String Quartet String Quartet - Level 2 - Digital Download SKU: A0.1296046 Composed by Trad, Alan Edgar, Euripides. Early Music,Folk,Historic,Traditional. 24 pages. Alan Edgar Ted Moon #886315. Published by Alan Edgar Ted Moon (A0.1296046). ΕΠΤΑ ΑΡΧΑΙΑ ΕΛΛΗÎΙΚΑ ΜΟΥΡΗ ΣΕ ΕΠΤΑ ΜΟÎΤΕΣ για ΚουαÏÏ„Îτο ΕγχόÏδων. The Seikilos epitaph. While you live, shine!. It is engraved on a pillar from the 1st or 2nd century CE. The melody Dorian: the harmony, as in all of these pieces, is mine. Garifolia (Carnation) Do you love me, my Carnation, or are you laughing at me?†“I love you, my Basil, I don’t laugh at youâ€. This song is Phrygian with characteristic 7/8 metre. KαÏπαθιωτικος. Karpathiotikos. About supplying olives. Aeolian.  ΓεÌννηση (Génnisi, Nativity)--a Greek Orthodox chant which may date back to the 4th Century Christ is born today. Mixolydian.Â Î‘Ï€Î¿Ì Ï„Î·Î½ ποÌÏτα (I walk past your door) so you can see me and be glad. I have made this traditional tune Lydian. Orestes  408 BC in Egypt. it is part of a chorus of Euripides’ tragedy. Locrian.  I weep, I weep. Kali chronia (Happy New Year) Beautiful girls have come to bring us a Happy New Year. One sweetly whistles, another sings. Ionian. 10 minutes.
$21.00 ≈
18.99€
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Choral TTBB
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EASY
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & H
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octa...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
3.61€
Requiem
Requiem
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil I...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99 ≈
50.62€
Too Good Too Bad
Too Good Too Bad
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Jazz Ensemble
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INTERMEDIATE
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Yoko Kanno
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Zack Demos
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Too Good Too Bad
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Mute City Music
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.976815 Composed by Yoko Kanno. Arranged by Zack Demos. Film/TV,Funk,Jazz. Score and part...
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.976815 Composed by Yoko Kanno. Arranged by Zack Demos. Film/TV,Funk,Jazz. Score and parts. 42 pages. Mute City Music #6571563. Published by Mute City Music (A0.976815). As recorded by The Seatbelts, this arrangement for New Orleans-style street band/brasspop with flexible 5-part instrumentation (transpositions included), along with 4 percussion parts is best suited for intermediate bands, but also provides a suitable challenge for less experienced groups. While the transcribed notation in the drumset part is only a suggestion, a strong snare drummer is recommended when performing this piece. Includes an open solo section with written backgrounds. Ideal to play at your local outdoor venue!www.mutecitymusic.com
$24.95 ≈
22.56€
I Wish
I Wish
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Jazz Ensemble
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INTERMEDIATE/ADVANCED
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Stevie Wonder
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Zack Demos
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I Wish
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Mute City Music
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.976816 By Stevie Wonder. By Stevie Wonder. Arranged by Zack Demos. Funk,Hip-Hop,Jazz,R &...
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.976816 By Stevie Wonder. By Stevie Wonder. Arranged by Zack Demos. Funk,Hip-Hop,Jazz,R & B. Score and parts. 45 pages. Mute City Music #6561837. Published by Mute City Music (A0.976816). This Stevie Wonder classic for New Orleans-style street band/brasspop with flexible 5-part instrumentation (transpositions included), along with 4 percussion parts is best suited for intermediate to advanced bands, but also provides a tasty challenge for less experienced groups. Includes an open solo section with written backgrounds. Ideal to play at your local outdoor venue!www.mutecitymusic.com
$24.95 ≈
22.56€
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Back At Your Door
