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151
'The Seventh Seal'
'The Seventh Seal'
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Piano solo
#
INTERMEDIATE
#
Amy Louise Lewis
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'The Seventh Seal'
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Amy Lewis
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1216480 By Amy Louise Lewis. By Amy Louise Lewis. Christian,Classical,Contemporary,Religious,Spiritual. S...
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Piano Solo - Level 3 - Digital Download SKU: A0.1216480 By Amy Louise Lewis. By Amy Louise Lewis. Christian,Classical,Contemporary,Religious,Spiritual. Score. 1 pages. Amy Lewis #813057. Published by Amy Lewis (A0.1216480). This is an enigmatic and rhapsodic piece for solo piano that is composed in Whole Tone C mode and is based on the Book of Revelation Chapter 8 Verses 1-5 in the New Testament Bible. Bar 1-18 is based on verses 1-3 and is sharp, spacey and minimal - the sound of silence and of the angels. The emphasis is the sound between the notes.Verse 4 states: 'And the smoke of the incense, which came with the prayers of the Saints, ascended up before God out of the angel's hand.' This section changes tone and phrase. There is a beautiful ascending up the keyboard, which is delecate but with hesitance. It is the light before the darkness; the potential energy before the explosion; the calm before the storm. There must be tension.Verse 5 states: 'And the angel took the censer, and filled it with fire of the altar and cast it into the Earth, and there were voices, and thunderings, and lightnings, and an earthquake.'This section therefore is rather more dramatic, with a contrast of high and low pitched notes and chords. The final bars of the piece are suspension - sharp and repetative chords and ending on one sharp note - what happens next?The pianist should pedal freely throughout the piece and add their own dramatic touch to this very illistrative score.
$7.95 ≈
7.34€
Prelude & Fugue No.4 in C# Minor from The Well-Tempered Clavier Book 1 by J.S.Bach for Clarinet Quin
Prelude & Fugue No.4 in C# Minor from The Well-Tempered Clavier Book 1 by J.S.Bach for Clarinet Quin
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Clarinet Quintet: 5 clarinets
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INTERMEDIATE/ADVANCED
#
Classical
#
Johann Sebastian Bach
#
Stephen Davies
#
Prelude & Fugue No.4 in C# Min
#
Stephen Davies
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 4 - Digital Download SKU: A0.891941 Composed by Johann Sebastian Bach. Arranged by Stephen Davies. Ba...
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Woodwind Ensemble,Woodwind Quintet Clarinet - Level 4 - Digital Download SKU: A0.891941 Composed by Johann Sebastian Bach. Arranged by Stephen Davies. Baroque,Standards. 29 pages. Stephen Davies #5362675. Published by Stephen Davies (A0.891941). In this arrangement the key has been altered to suit the instruments range, and is unusually scored with an A clarinet playing the first part, which adds a little tonal softness to the upper parts (imho!). Programme Notes: THE PRELUDE The solemn and expressive character of the melody line is somewhat reminiscent of much of Bach's passion music, and weaves between the players with utmost ease. The Preludes most prominent melodic feature is the octave leap heard on all parts throughout the music, which leads to a satifying conclusion. THE FUGUE Coming in at a whopping 115 bars, this is one of Bach's longest and most complex fugues. With three themes woven through together in five voices as only Bach can, this fugue offers a competent group of instrumentalists with many technical and interpretive challenges! Also available here in Wind Quintet and Saxophone Quintet flavours!
$15.99 ≈
14.77€
Prelude & Fugue No.4 in C# Minor from The Well-Tempered Clavier Book 1 by J.S.Bach for Saxophone Qui
Prelude & Fugue No.4 in C# Minor from The Well-Tempered Clavier Book 1 by J.S.Bach for Saxophone Qui
#
Classical
#
Johann Sebastian Bach
#
Stephen Davies
#
Baritone Sax
#
Prelude & Fugue No.4 in C# Min
#
Stephen Davies
#
SheetMusicPlus
Small Ensemble - Level 4 - Digital Download SKU: A0.891940 Composed by Johann Sebastian Bach. Arranged by Stephen Davies. Baroque,Standards. Score and pa...
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Small Ensemble - Level 4 - Digital Download SKU: A0.891940 Composed by Johann Sebastian Bach. Arranged by Stephen Davies. Baroque,Standards. Score and parts. 28 pages. Stephen Davies #5370255. Published by Stephen Davies (A0.891940). The original key of C# Minor has been altered to get the best out of the Saxophones range, and is scored for 2 Alto Saxes, 2 Tenor Saxes & Baritone Sax. Programme Notes: THE PRELUDE The solemn and expressive character of the melody line is somewhat reminiscent of much of Bach's passion music, and weaves between the players with utmost ease. The Preludes most prominent melodic feature is the octave leap heard on all parts throughout the music, which leads to a satisfying conclusion. THE FUGUE Coming in at a whopping 115 bars, this is one of Bach's longest and most complex fugues. With three themes woven through together in five voices as only Bach can, this fugue offers a competent group of instrumentalists many technical and interpretive challenges! Also available here in Clarinet Quintet & Wind Quintet Flavours!
$14.99 ≈
13.85€
Prelude & Fugue No.4 in C# Minor from The Well-Tempered Clavier Book 1 by J.S.Bach for Wind Quintet
Prelude & Fugue No.4 in C# Minor from The Well-Tempered Clavier Book 1 by J.S.Bach for Wind Quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johann Sebastian Bach
#
Stephen Davies
#
Bassoon
#
Prelude & Fugue No.4 in C# Min
#
Stephen Davies
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.891939 Composed by Johann Sebastian Bach. Arranged by Stephen Davies. Baroque,Sta...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.891939 Composed by Johann Sebastian Bach. Arranged by Stephen Davies. Baroque,Standards. 28 pages. Stephen Davies #5361315. Published by Stephen Davies (A0.891939). In this arrangement the key has been altered to suit the instruments range for the classic Wind Quintet combination of Flute, Oboe, Bb Clarinet, French Horn & Bassoon. Programme Notes: THE PRELUDE The solemn and expressive character of the melody line is somewhat reminiscent of much of Bach's passion music, and weaves between the players with utmost ease. The Preludes most prominent melodic feature is the octave leap heard on all parts throughout the music, which leads to a satisfying conclusion. THE FUGUE Coming in at a whopping 115 bars, this is one of Bach's longest and most complex fugues. With three themes woven through together in five voices as only Bach can, this fugue offers a competent group of instrumentalists with many technical and interpretive challenges! Also available here in Clarinet & Saxophone Quintet flavours!
$14.99 ≈
13.85€
All Weather Friends - Jazz Waltz - Solo Piano
All Weather Friends - Jazz Waltz - Solo Piano
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Piano solo
#
INTERMEDIATE/ADVANCED
#
Olly Wedgwood
#
All Weather Friends - Jazz Wal
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OllysPianoSheets
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.961560 Composed by Olly Wedgwood. Concert,Jazz,Standards. Score. 3 pages. OllysPianoSheets #5335091. Publ...
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Piano Solo - Level 4 - Digital Download SKU: A0.961560 Composed by Olly Wedgwood. Concert,Jazz,Standards. Score. 3 pages. OllysPianoSheets #5335091. Published by OllysPianoSheets (A0.961560). Friends shouldn't just hang out in fair weather, so here is All Weather Friends, a gentle swing waltz ideal for established intermediate players at about the Grade 4-5 standard (ABRSM).The melody and accompaniment is based upon a classic jazz waltz rhythm, so to get into the feel of this piece, you may find it useful to first practice clapping this rhythm:Remember that the quaver eighth notes are swung.The trick with this piece is to let the melody sing out above the jazz waltz accompaniment, so keep an ear on the melody at all times.In bar 21, the semiquaver 16th notes can be played a little faster than written, which will create more of a 'turn' ornament. Have a listen to the performance recording clip (above) at about halfway through to get the idea.This jazz waltz piano sheet music provides excellent practice for working on phrasing and sustain pedal technique. Occasionally, you may find a couple of hand position changes that risk disrupting the flow of the melodic phrase. In these instances, try a touch of sustain pedal to smooth out the transition. An example of this can be found in bar 31.After the repeated opening melody, the middle section moves into the key of G minor, featuring a rising arpeggio-based accompaniment with sustain pedal. There is a lot of quaver eighth-note movement in this section, so be sure to keep this rhythm smoothly swinging in the usual triplet manner:This middle section reaches a crescendo at bar 37 with a rippling chord effect between both hands. Try experimenting with different ways of splitting up these chords - you could ripple up from the left hand to the right hand, or try rippling both hands at the same time. Stick with whatever sounds good to you!After a poco rall the original melody returns via a D.C. al Coda. As is the convention for first and second time repeat bars, take the second time bar on the D.C. and then to the Coda.The play-along MP3 backing track for this sheet music is also available to download at Sheet Music Plus.Explore more fun piano sheet music by Olly Wedgwood at https://OllysPianoSheets.com I hope you enjoy All Weather Friends, whatever the weather!
$3.95 ≈
3.65€
All Weather Friends - Jazz Waltz - Solo Piano
All Weather Friends - Jazz Waltz - Solo Piano
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Olly Wedgwood
#
All Weather Friends - Jazz Wal
#
OllysPianoSheets
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.961566 Composed by Olly Wedgwood. Concert,Jazz,Standards. Score. 3 pages. OllysPianoSheets #5792833. Publ...
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Piano Solo - Level 4 - Digital Download SKU: A0.961566 Composed by Olly Wedgwood. Concert,Jazz,Standards. Score. 3 pages. OllysPianoSheets #5792833. Published by OllysPianoSheets (A0.961566). Friends shouldn't just hang out in fair weather, so here is All Weather Friends, a gentle swing waltz ideal for established intermediate players at about the Grade 4-5 standard (ABRSM).The melody and accompaniment is based upon a classic jazz waltz rhythm, so to get into the feel of this piece, you may find it useful to first practice clapping this rhythm:Remember that the quaver eighth notes are swung.The trick with this piece is to let the melody sing out above the jazz waltz accompaniment, so keep an ear on the melody at all times.In bar 21, the semiquaver 16th notes can be played a little faster than written, which will create more of a 'turn' ornament. Have a listen to the performance recording clip (above) at about halfway through to get the idea.This jazz waltz piano sheet music provides excellent practice for working on phrasing and sustain pedal technique. Occasionally, you may find a couple of hand position changes that risk disrupting the flow of the melodic phrase. In these instances, try a touch of sustain pedal to smooth out the transition. An example of this can be found in bar 31.After the repeated opening melody, the middle section moves into the key of G minor, featuring a rising arpeggio-based accompaniment with sustain pedal. There is a lot of quaver eighth-note movement in this section, so be sure to keep this rhythm smoothly swinging in the usual triplet manner:This middle section reaches a crescendo at bar 37 with a rippling chord effect between both hands. Try experimenting with different ways of splitting up these chords - you could ripple up from the left hand to the right hand, or try rippling both hands at the same time. Stick with whatever sounds good to you!After a poco rall the original melody returns via a D.C. al Coda. As is the convention for first and second time repeat bars, take the second time bar on the D.C. and then to the Coda.I hope you enjoy All Weather Friends, whatever the weather!Explore more fun piano sheet music by Olly Wedgwood at https://ollyspianosheets.com
$3.95 ≈
3.65€
Song To The Siren
Song To The Siren
#
Choral SATB
#
INTERMEDIATE/ADVANCED
#
Tim Buckley
#
Andrew Orgee
#
Song To The Siren
#
Andrew Orgee
#
SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1369022 By Tim Buckley. By Larry Beckett and Tim Buckley. Arranged by Andrew Orgee...
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Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1369022 By Tim Buckley. By Larry Beckett and Tim Buckley. Arranged by Andrew Orgee. 20th Century,Contemporary,New Age,Pop. 17 pages. Andrew Orgee #953365. Published by Andrew Orgee (A0.1369022). This arrangement of “Song To The Siren†is based on Tim Buckley's original 1970 version of the song, and is scored for SATB choir with piano. The arrangement follows the verse and chorus structure of Larry Beckett's original text, but there is a countermelody which threads its way between the melody of the song. This is first stated by the piano accompaniment and then taken up by the choir throughout. This is the siren's song calling across the sea which is intended to be both beautiful and haunting at the same time. The piano accompaniment mimics the rolling movement of the sea which builds in intensity until the final closing bars.The arrangement is intended for choirs of a medium to large size, as the soprano and bass parts occasionally split into two parts.
$1.99 ≈
1.84€
Tremolo from the Regondi Nocturne (Op.19)
Tremolo from the Regondi Nocturne (Op.19)
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Guitar
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Classical
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Giulio Regondi
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Rod Whittle
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4 pp
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Tremolo from the Regondi Noctu
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Digital Download SKU: A0.899137 Composed by Giulio Regondi. Arranged by Rod Whittle. Romantic Period. Individual part. 4 pages. Maggie Cree...
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Solo Guitar - Digital Download SKU: A0.899137 Composed by Giulio Regondi. Arranged by Rod Whittle. Romantic Period. Individual part. 4 pages. Maggie Creek Music #4349081. Published by Maggie Creek Music (A0.899137). for solo classical guitar (tremolo) 4 pp (7 min.)GIULIO REGONDI (1823 - 72) Regondi was born in Switzerland, but lived in France and, mostly, the United Kingdom. He was a child prodigy of the guitar, with Fenando Sor dedicating a piece to him when he was just nine. He composed for the guitar and also the concertina. His works for solo guitar comprise etudes, a set of variations and some larger compositions. The tremolo section of the Nocturne (op.19) - subtitled 'Reverie' – must be some of the most wonderful music written for tremolo guitar. In the Nocturne it is split between sections of different style and content, but its effectiveness as a piece is fully satisfied without these interspersed parts, nice as they are, and its persuasive theme quite naturally repeats to end with a superb coda (which also finishes the actual Nocturne). The original score has no dynamics except for the end, and I have not added any. However, the piece is impossible to play without inferring some loudness, tempo and accentuation changes. There is that Romantic period element to it. I have added fingering. I like to settle into a barre position where possible – it often lets the bass accompaniment ring through (e.g. the D in the first few bars) and simplifies the playing. But it hardly needs saying that fingering, helpful if it is good, is a kind of curse if it is bad or just wrong, and it is never mandatory. It is always instructive with tremolo pieces to first play some of the top line (e.g. of the first few bars) without tremolo to properly reveal its melody. The style needs plenty of practice to achieve fidelity to this musical meaning; that is always the aim. Then listen carefully as the lower part is added. The bass is very important, as mentioned, but the harmonies of the broken chords are vital too. The Nocturne is brilliant counterpoint.
$5.00 ≈
4.62€
Passacaglia on the Passion Chorale
Passacaglia on the Passion Chorale
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Organ
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INTERMEDIATE/ADVANCED
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Christian contemporary
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Sacred music
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Adam Heron
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Passacaglia on the Passion Cho
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Adam Heron
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SheetMusicPlus
Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1178374 Composed by Adam Heron. Christian,Contemporary,Easter,Religious,Sacred. Individual p...
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Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1178374 Composed by Adam Heron. Christian,Contemporary,Easter,Religious,Sacred. Individual part. 5 pages. Adam Heron #778333. Published by Adam Heron (A0.1178374). A passacaglia based on the famous passiontide hymn O sacred head now wounded. The piece begins softly, building in volume and intensity to a dramatic ending on full organ. The passacaglia theme is the first seven notes of the hymn tune placed into triple metre. Bars 72-76 introduce two cruciform motifs; 4-note ideas in which lines drawn between the outer two and inner two notes bisect each other to form a cross.
$6.49 ≈
6.00€
Autumn on the River
Autumn on the River
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Piano solo
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INTERMEDIATE
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Marcia L
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Autumn on the River
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Marcia L. McKenna
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1303026 Composed by Marcia L. McKenna. 21st Century,Contemporary. Score. 2 pages. Marcia L. McKenna #8925...
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Piano Solo - Level 3 - Digital Download SKU: A0.1303026 Composed by Marcia L. McKenna. 21st Century,Contemporary. Score. 2 pages. Marcia L. McKenna #892599. Published by Marcia L. McKenna (A0.1303026). This solo piano piece provides a scenic description of autumn on a river, specifically River Philip in Rockley, Nova Scotia. Bars 3 and 4 introduce the feeling of breathing cool, crisp fall air, after which the music settles into a more mellow feeling by bar 9. At bar 13 the river continues to roll along, depicted by the eighth notes in the bass clef, while the pleasant fall atmosphere is remembered with the high treble clef notes.The composer has provided a few tempo and expression markings as a guide, however the piece is meant to be played expressively with the moving flow of the music dictating the expressive nuances interpreted by the performer. A You Tube link is included on this page to provide further imagery for the performer.This piece is deemed to be at an intermediate level due to the difficulty switching between the treble and bass clefs with the left hand, while still keeping the tempo flowing smoothly.
$4.99 ≈
4.61€
The Queen's Gambit
The Queen's Gambit
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Piano solo
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INTERMEDIATE/ADVANCED
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Film/TV
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Asuka Ito, Carlos Rafael River
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PianoMusicSheets
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The Queen's Gambit
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PianoMusicSheets
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1373476 Composed by Asuka Ito, Carlos Rafael Rivera, David Randal Stal, and Thomas David Kramer. Arranged...
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Piano Solo - Level 4 - Digital Download SKU: A0.1373476 Composed by Asuka Ito, Carlos Rafael Rivera, David Randal Stal, and Thomas David Kramer. Arranged by PianoMusicSheets. Film/TV. Score. 3 pages. PianoMusicSheets #957843. Published by PianoMusicSheets (A0.1373476). For this transcription I was initially undecided between a 4/4 and a 12/8 time signature.The piece involves plenty of contrast between these two rhythm patterns and hence both choices are possible.The number of beats per measure also varies multiple times throughout the piece.I chose 12/8 with some changes to 9/8 and 6/8 when necessary.The fingering I provided for playing bars 8-9 and 41-42 with legato in the right hand is quite comfortable if you already play Chopin Etudes Op. 10 No. 2 (chromatic) and Op. 25 No. 6 (thirds). This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.
$4.99 ≈
4.61€
String Quintet based on Beethoven's sketches, op. 79
String Quintet based on Beethoven's sketches, op. 79
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Classical
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Ludwig van Beethoven
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Adrian Gagiu
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String Quintet based on Beetho
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Adrian Gagiu
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SheetMusicPlus
String Quartet String Quartet,Viola - Level 4 - Digital Download SKU: A0.1004728 Composed by Ludwig van Beethoven. Arranged by Adrian Gagiu. 20th Century...
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String Quartet String Quartet,Viola - Level 4 - Digital Download SKU: A0.1004728 Composed by Ludwig van Beethoven. Arranged by Adrian Gagiu. 20th Century,Classical,Contemporary. Score and parts. 205 pages. Adrian Gagiu #6365523. Published by Adrian Gagiu (A0.1004728). This composition is a premiere, speculative, yet as faithful as possible embodiment of all of Beethoven’s sketches for his String Quintet in C major, Hess 41 (WoO 62), as they have been left by the composer. The usefulness and integrity of more or less hypothetical completions of sketches by great composers remains from case to case controversial. Due to the paucity of the sketches for the aim of attempting a true reconstruction, the present composition in no way falls within such category. It is obviously quite different from what Beethoven himself would have produced if he had lived more, also due to the fact that he usually transformed his preliminary sketches substantially during the compositional process. However, there are some of his frequent, subtle thematic relationships between the sketches for the Quintet movements, and probably some features in the sketches would have been kept in the completed composition. The four-movement design hypothesized by Martin Staehelin and others, as well as other retrospective or relaxed features in the sketches may be a result of a still early stage of the compositional process, or perhaps an indicator of a fourth, neoclassical creative period, together with Op. 135 and the new Finale for Op. 130.To generate a continuity draft of the Quintet, all of Beethoven’s sketches for it were used, with the addition of several ones from the same context within the respective sketchbook and which could be related to the identified Quintet sketches: some sketches are clearly labeled as being for the Quintet, while others are thematically related or written down close to them. With the possible exception of bars 75-94 and 136-155 in movement II (which are variations on the theme) and bars 140-145 in movement IV (which fill in the blank bars in the sketch with a progression based on it), virtually every bar of this composition includes the notes from the sketches in at least one of the instruments. Some of those notes were subject to transpositions and adaptations to fit the formal design, and to editorial choices for the unclear pitches and duration in the sketches.This publication includes the score, parts and continuity draft, the latter being marked with the sources in the sketches for each passage.Total duration: 33 minutes. The mp3 audio clip is the 3rd movement. Performing Rights Organization: SOCAN.
$49.95 ≈
46.15€
The Tale Of The Slightly Miffed Dancing Bear
The Tale Of The Slightly Miffed Dancing Bear
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James Pickering
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The Tale Of The Slightly Miffe
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Forton Music - Digital
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SheetMusicPlus
Tba. pft. - Intermediate-Advanced - Digital Download SKU: F2.FM597 Composed by James Pickering. A piece for Tuba and piano. Score and part. 14 pages. For...
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Tba. pft. - Intermediate-Advanced - Digital Download SKU: F2.FM597 Composed by James Pickering. A piece for Tuba and piano. Score and part. 14 pages. Forton Music - Digital #FM597. Published by Forton Music - Digital (F2.FM597). ISBN 9790570484966.The story of this composition really begins with another composition entitled 'Play-Time' for solo piano. I showed the score for 'Play-Time' to a friend, Boryana Petkova a very talented pianist from Bulgaria, to whom I eventually dedicated 'the Dancing Bear'. After showing her 'Play-Time' she commented that part of it sounded like a Bulgarian folk dance. The potential of this intrigued me quite a lot so I sketched out a few bars intent on writing another piano piece based around this idea (the melodic line first heard in the Tuba part in the fifth bar after letter A). However, upon discussing these sketches with Boryana she mentioned they no longer sounded particularly Bulgarian. As this was the main aim of the sketches that eventually became 'The Dancing Bear' it is fair to say I was slightly miffed. Undeterred I decided to shift focus and write for the instrument I knew best, the Tuba. The 'Bear' part of the title refers to the tendency of composers to use Tubas to represent angry bears, most famously in Stravinsky's ballet 'Petrushka'. Musically it still contains quite a few elements of eastern European dance including the use of drones, some typical scales with flattened seconds and sevenths as well as the rhythmic oscillation between bars of 2,2,2,2 and 3,3,2 quaver (8th note) division. However, the goal for me was to writes a slightly humorous piece, with a technically demanding Tuba part, that could show off the musicians abilities and still retain the feel of a rhythmical dance.
$7.95 ≈
7.34€
THE GLORY MANGER
THE GLORY MANGER
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Choral SATB
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INTERMEDIATE
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Traditional
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Tony Backhouse
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THE GLORY MANGER
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Tony Backhouse
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1001699 Composed by Traditional. Arranged by Tony Backhouse. A Cappella,Gospel,Spiritual. Octavo...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1001699 Composed by Traditional. Arranged by Tony Backhouse. A Cappella,Gospel,Spiritual. Octavo. 3 pages. Tony Backhouse #6674625. Published by Tony Backhouse (A0.1001699). Upbeat and joyful SATB Christmas carol/ Negro spiritual, with opportunities for exploiting dynamics and tempo- especially at the end where the held notes could go on forever. The verses are placed on the soprano stave but could equally be a soloist or the full section. Note the contrast between the tender attitude in the verses and the abrupt fortissimo change into the chorus (eg. bar 12) The outro vamp (bars 24-26) could go on for longer. .
$2.99 ≈
2.76€
In the Bleak Midwinter (String Quartet)
In the Bleak Midwinter (String Quartet)
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Christmas
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Contemporary
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Gustav Holst
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Samuel Stanley
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In the Bleak Midwinter
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Sam Stanley
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.882963 Composed by Gustav Holst. Arranged by Samuel Stanley. 20th C...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.882963 Composed by Gustav Holst. Arranged by Samuel Stanley. 20th Century,Christian,Christmas,Romantic Period,Sacred. Score and parts. 19 pages. Sam Stanley #3916097. Published by Sam Stanley (A0.882963). This arrangment of In the Bleak Midwinter has a duration of about 5'30, making it a great prelude or postlude piece for a Christmas service. The arrangment features every instrument and trades the melodic line between the Two Violins and Viola. Every verse is marked with a rehearsal letter. The special intro, ending, and interlude are separated by double bars in case the arrangment be used to accompany a congregation. The dowloaded file contains the full score and separated parts. .
$12.99 ≈
12.00€
The Londonderry Air
The Londonderry Air
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Traditional/Frank Bridge
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Robert Rainford
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The Londonderry Air
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Forton Music - Digital
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SheetMusicPlus
Fl. Ob. Cl. Hn in F. Bsn. - Intermediate-Advanced - Digital Download SKU: F2.FM605 Composed by Traditional/Frank Bridge. Arranged by Robert Rainford. An ...
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Fl. Ob. Cl. Hn in F. Bsn. - Intermediate-Advanced - Digital Download SKU: F2.FM605 Composed by Traditional/Frank Bridge. Arranged by Robert Rainford. An arrangement of this well known melody for wind quintet. Score and parts. 31 pages. Forton Music - Digital #FM605. Published by Forton Music - Digital (F2.FM605). ISBN 9790570485048.Frank Bridge arranged this well known Irish air for string quartet, here presented in a version for wind quintet. Unusually, Bridge starts the arrangement with an extended fantasy upon the main theme, never stating it completely. A series of stabbing chords begin the music, and help to mark out the start of each section. Elements of the tune then weave in and out of the music, and are passed equally between all five players. The first four notes of the theme in rhythmic diminution are transformed into a delicate arpeggio that permeate the music, all accompanied with the lush chords of early 20th century English music. After about one hundred bars the music reaches an impassioned climax before the tune is finally stated in its full form, with each instrument in turn taking a solo phrase accompanied by the others. A final, peaceful coda using the delicate arpeggio of the first sections brings the piece to a close.
$12.95 ≈
11.96€
Armenia National Anthem: Mer Hayrenik
Armenia National Anthem: Mer Hayrenik
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Concert band
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EASY
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Patriotic
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Barsegh Kanachyan
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Colin Kirkpatrick
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Armenia National Anthem: Mer H
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Colin Kirkpatrick Publications
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SheetMusicPlus
Large Ensemble - Level 2 - Digital Download SKU: A0.522110 Composed by Barsegh Kanachyan (1885-1967). Arranged by Colin Kirkpatrick. Contemporary. Score ...
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Large Ensemble - Level 2 - Digital Download SKU: A0.522110 Composed by Barsegh Kanachyan (1885-1967). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 33 pages. Colin Kirkpatrick Publications #3362551. Published by Colin Kirkpatrick Publications (A0.522110). Colin Kirkpatrick’s National Anthems Express ARMENIA: Mer Hayrenik This quick and easy national anthem arrangement is essential for traveling musicians, bands, instrumental groups and both amateur and professional ensembles. You can play it with any virtually any combination of instruments: symphonic band, clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything! This arrangement is in six independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment. This arrangement consists of a two-page score with seven instrumental staves and three percussion staves. The following parts are printed on separate pages. The score and all the parts are contained in the same pdf file. Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (flute, oboe, glockenspiel, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat (E flat cornet in brass band). Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (flute, oboe, violin); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch) flute, oboe, violin); Part 2a in B flat for clarinets; Part 2a in E flat (minor 3rd below concert for E flat alto clarinet). Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat (tenor horn, alto sax); Part 3 in F (French horn); Part 3a in B flat (8ve below concert for 3rd clarinets in band). Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium, bassoon, cello); Part 4 in E flat (tenor horn, alto sax); Part 4 in F (French horn). Part 5 in B flat (baritone); Part 5 in C (bass clef for trombone, euphonium, bassoon. Part 6 in B flat (B flat bass, bass clarinet); Part 6 in C (bass clef for bass trombone, bassoon, contrabassoon, tuba, double bass); Part 6 in E flat (E flat bass, baritone sax). There’s also a part for timpani, percussion (3 players) and a piano reduction. The music is presented in PDF files at 1,200 dpi which can produce professional-looking printed copies on US letter-size paper. The arranger, Colin Kirkpatrick studied at London’s Royal College of Music and followed a career in music education. He was a High School Music Director for about fifteen years and later became a Music Education Adviser, with the added responsibility for training teachers and directing the instrumental teaching service. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA.
$5.99 ≈
5.53€
Three Pieces for Beginner Guitarists (Acoustic or Electric)
Three Pieces for Beginner Guitarists (Acoustic or Electric)
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Guitar notes and tablatures
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BEGINNER
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Dan Jones
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Three Pieces for Beginner Guit
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DanJonesGuitarist
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SheetMusicPlus
Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1047465 By Dan Jones (www.danjonesguitarist.com). By Dan Jones. Blues,Folk,Rock. Tablature. 5...
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Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1047465 By Dan Jones (www.danjonesguitarist.com). By Dan Jones. Blues,Folk,Rock. Tablature. 5 pages. DanJonesGuitarist #652027. Published by DanJonesGuitarist (A0.1047465). Three Pieces for Beginner Guitarists (Acoustic or Electric) by Dan Jones Presented in notes, TAB and easy chords (www.danjonesguitarist.com) As an active guitar teacher, I find that many beginner pupils want to learn either acoustic (steel string) guitar or electric guitar. I have also found a lack of quality resources in these styles which have musical interest, and which lay out some of the necessary technical and musical foundations for future learning. I composed these three little pieces for my own young students. They are played by those using their right-hand fingers, and a plectrum and I’ve found them to be very popular in both lessons and performance. The pieces can be learnt in any order (I have a slight preference for starting my pupils with D-Day Rock - the third in the collection). Below is an outline of the pedagogy behind them (1) Sore Finger Blues This is a simple twelve-bar blues which uses a combination of open strings and notes at the third and second frets. It can be played with a straight or swung rhythm. It is effective at a slow tempo for those needing time to place the fretting hand fingers. The main technical challenge is in bars 10 and 22 where the player moves the third finger between the G and A on string 1. Although this is traditionally an advanced technique, I’ve found my students find it comfortable, as long as the fingering outlined in the notes is followed. The chords are dominant (with major thirds). These clash against the minor pentatonic scale in a way which is typical of the style. The chords are quite simple for beginners. I have opted for a D5 power-chord in bars 9 & 21 which is easier than the usual D chord (which also works perfectly well). Plectrum players should be sure to anchor the plucking hand, either with the side of the hand resting on the bridge, or a finger against the scratch plate of the guitar. Fingerstyle players can anchor either with a finger touching the scratch plate of the guitar, or by resting the thumb on a bass string when the fingers are plucking, or vice versa. This is more typical of classical style. (2) Cross-String Traffic This piece was conceived as a fingerstyle piece, although it can be played using a plectrum. The challenge for plectrum players is to cross the strings smoothly. It is for this reason that the fretting hand is relatively simple so that learners can concentrate on the plucking hand. Players are also encouraged to press down the index finger on string 2 at the correct angle to allow the first string to resonate. Chords have once again been chosen to suit less-experienced fingers; therefore, I have opted for Dm6 instead of the more common Dm (a very tricky chord for beginners). Players should go for maximum resonance and notes played at fret 3 could be fretted with either fingers 3 or 4. (3) D-Day Rock This piece is made nearly entirely of open strings and third fret notes. Where there is string crossing, the music allows the player ‘thinking time’ to change accordingly. Teachers and learners can decide with which finger to press the third fret notes. The rhythmic complexities from bar 13 to the end pose no problems once players have the sound of the piece in their ear. Once again, chords have been selected for ease of playing. The Gm/D chord can be played with a 3-string barre (often quite easy for beginners where no fretted bass note is required) or using three separate fingers. The pedal D sounds effective musically. I have presented these pieces as ensemble works with large groups of beginners. Players and audiences alike have been very receptive! For a wealth of music for beginners, ensembles and advanced players, please visit www.danjonesguitarist.com. A YouTube link to a film of the pieces will be uploaded before the end of June 2022.
$4.95 ≈
4.57€
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Between the Bars
