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Born This Way Bb Bass Clarinet
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You've selected:
Born This Way Bb Bass Clarinet
Sheetmusic to print
15 sheet music found
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1
Jules Demersseman : Ave Maria for 3 Bb clarinets and bass clarinet (or medium voice, 2 Bb clarinets
Jules Demersseman : Ave Maria for 3 Bb clarinets and bass clarinet (or medium voice, 2 Bb clarinets
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Clarinet Quartet: 4 clarinets
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INTERMEDIATE
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Jules Demersseman
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Paul Wehage
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Jules Demersseman : Ave Maria
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Musik Fabrik Music Publishing
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SheetMusicPlus
Clarinet quartet Clarinet - Level 3 - Digital Download SKU: A0.532820 Composed by Jules Demersseman. Arranged by Paul Wehage. Christian,Contemporary,Roma...
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Clarinet quartet Clarinet - Level 3 - Digital Download SKU: A0.532820 Composed by Jules Demersseman. Arranged by Paul Wehage. Christian,Contemporary,Romantic Period,Sacred,Wedding. 24 pages. Musik Fabrik Music Publishing #38025. Published by Musik Fabrik Music Publishing (A0.532820). Jules Demersseman was born on January 9, 1833 in Hondschoote, a small town in the north of France now near the border of Belgium. He entered the Paris Conservatory in 1844 in the class of Jean-Louis Tulou and won a first prize in flute in 1845. Demersseman had a career as a pedogogue and soloist, often performing his own compositions. A close friend of Adolphe Sax, he wrote some of the first works ever written for the saxophone, as well as for the saxhorn and for Sax‘s valved trombone, most of which were published by Sax himself.. Demersseman died in Paris on December 1, 1866 at the age of 33. Two versions of this work were published by the Adolphe Sax puublishing company: a version for voice and organ and a version for voice with Alto Saxophone, Sax Valved Trombone and Bass Saxhorn, an interesting combination which is perhaps not as easy to find as it was in Sax's showroom, where the piece was likely performed to show the qualities of Sax's instruments. These versions are also published by Musik Fabrik in seperate editions. This current version was arranged using the first edition of the trio version as its source, and the saxophone and voice parts remain essentially as in the original, with some editorial dynamic changes. The version may be performed in three possible ways: either as a piece for Clarinet Quartet, as a work with Voice and Clarinet Trio, or as a work with Voice and clarinet quartet, with Clarinet 1 doubling the voice. A voical part (in C) is included with the set.
$12.95 ≈
11.66€
Born This Way - Bb Bass Clarinet
Born This Way - Bb Bass Clarinet
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Bass Clarinet
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Rock
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Lady Gaga
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Johnnie Vinson
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Rock
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Born This Way - Bb Bass Clarin
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Lady Gaga. Arranged by Johnnie Vinson. Pop; Rock. Concert Band. 1 pages. Published by Hal Leonard - Digital Sheet Music...
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By Lady Gaga. Arranged by Johnnie Vinson. Pop; Rock. Concert Band. 1 pages. Published by Hal Leonard - Digital Sheet Music
$6.00 ≈
5.40€
Born This Way - Bb Bass Clarinet
Born This Way - Bb Bass Clarinet
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Bass Clarinet
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Pop music
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Lady Gaga
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Michael Brown
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Born This Way - Bb Bass Clarin
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Lady Gaga. Arranged by Michael Brown. Pop. Concert Band. 1 pages. Published by Hal Leonard - Digital Sheet Music...
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By Lady Gaga. Arranged by Michael Brown. Pop. Concert Band. 1 pages. Published by Hal Leonard - Digital Sheet Music
$6.00 ≈
5.40€
Emma Louise Ashford | By the River | for 5-part Clarinet Ensemble
Emma Louise Ashford | By the River | for 5-part Clarinet Ensemble
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Emma Louise Ashford
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Andrew Lamb
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Emma Louise Ashford | By the R
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Andrew Lamb
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SheetMusicPlus
Woodwind Ensemble Bass Clarinet,Bassethorn,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1486099 By Emma Louise Ashford. By E...
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Woodwind Ensemble Bass Clarinet,Bassethorn,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1486099 By Emma Louise Ashford. By Emma Louise Ashford. Arranged by Andrew Lamb. 19th Century,Religious. 40 pages. Andrew Lamb #1063157. Published by Andrew Lamb (A0.1486099). 🎵 Clarinet Ensemble - By The River by Emma Louise Ashford 🎵 Discover the beautiful adaptation of By The River, a mesmerizing tune by the prolific American composer Emma Louise Ashford. This arrangement for Clarinet Ensemble is perfect for concerts or recitals and offers a wonderful way to highlight the work of female composers.Instrumentation:🎼 Part 1: Clarinet in Eb or Clarinet in Bb🎼 Part 2: Clarinet in Bb🎼 Part 3: Clarinet in Bb, Basset Horn🎼 Part 4: Alto Clarinet in Eb, Basset Horn, Bass Clarinet in Bb🎼 Part 5: Bass Clarinet in Bb, Contra Alto Clarinet in EbLevel of Difficulty: MediumEmma Louise Ashford (1850-1930) was an accomplished organist, composer, and music editor. She wrote over 600 compositions and served as an editor at Lorenz Publishing Company from 1894 to 1930. Born in Newark, Delaware, she received early musical training from her father and went on to hold several prestigious organist positions in Nashville, Tennessee.Potential Uses: Ideal for concerts, recitals, and promoting music by female composers.Please like and subscribe for more videos and music arrangements. 🎶.
$8.00 ≈
7.21€
Born This Way
Born This Way
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Concert band
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EASY
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Lady Gaga
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Fernando Garibay, Stefani Germ
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Simone Orsini
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Born This Way
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Simone Orsini
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.1422717 By Lady Gaga. By Fernando Garibay, Jeppe Laursen, Paul Blair, and Stefani Germanotta. Arranged ...
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Concert Band - Level 2 - Digital Download SKU: A0.1422717 By Lady Gaga. By Fernando Garibay, Jeppe Laursen, Paul Blair, and Stefani Germanotta. Arranged by Simone Orsini. 21st Century,Pop. 104 pages. Simone Orsini #1004068. Published by Simone Orsini (A0.1422717). BORN THIS WAY performed by Lady GagaFor Concert Band - Performance Time 3:40 - Digital DownloadComposed by Fernando Garibay, Stefani Germanotta, Paul Blair, Jeppe LaursenArranged by Simone OrsiniInstrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Tuba, El. Bass, Drum Set, Percussion 1 (Tamb., Shaker), Percussion 2 (Bongos, Cowbell) El. Guitar, keyboard.Additional Parts:Bb Soprano Saxophone, Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., Bb Bass Trombone T.C., Bb Euphonium T.C., Bb Bass T.C.Born This Way is a song by American singer Lady Gaga, and the lead single from her second studio album of the same name. Written by Gaga and Jeppe Laursen, who produced it along with Fernando Garibay and DJ White Shadow, the track was developed while Gaga was on the road with the Monster Ball Tour. Inspired by 1990s music which empowered women, minorities, and the LGBT community, Gaga explained that Born This Way was her freedom song. It was also inspired by Carl Bean and his song I Was Born This Way, released in 1977. She sang part of the chorus at the 2010 MTV Video Music Awards and announced it as the lead single from the album, released on February 11, 2011.The song is backed by rumbling synth sounds, a humming bass and additional chorus percussion, with sole organ toward the end. The lyrics discuss the self-empowerment of the LGBT community and racial minorities. Critics positively reviewed the song, calling it a club-ready anthem. In 2023, Rolling Stone named Born This Way the Most Inspirational LGBT Song of All Time. It reached number one in over 25 countries and was her third single to top the US Billboard Hot 100 chart and the 1,000th song in that chart's history (since 1958) to reach number one. Born This Way has sold 8.2 million copies worldwide, making it one of the best-selling singles of all time.Nick Knight directed the accompanying music video, which was inspired by surrealist painters like Salvador Dalí and Francis Bacon. Gaga is depicted as giving birth to a new race during a prologue. After a series of dance sequences, the video concludes with the view of a city populated by this race. Critics noted the video's references to the work of Madonna, Michael Jackson and fashion designer Alexander McQueen, as well as to Greek mythology and surrealism.Gaga performed the song at the 53rd Annual Grammy Awards after coming out of an incubating vessel. Shortly after, she added it to the setlist of the last leg of the Monster Ball Tour. Born This Way was later performed on television shows, such as Saturday Night Live, Dick Clark's New Year's Rockin' Eve and Good Morning America, many of the singer's tours, and it was notably part of her Super Bowl LI halftime show set. The song was treated with different remixes, including a Country Road version recorded by Gaga herself and another by Indian production duo Salim–Sulaiman. It has been covered by artists such as Alice Cooper, Madonna, and Katy Perry.
$68.00 ≈
61.24€
AH! CANNOT SIGHS OR TEARS NOR AUGHT ELSE MOVE THEE. (for Clarinet Choir)
AH! CANNOT SIGHS OR TEARS NOR AUGHT ELSE MOVE THEE. (for Clarinet Choir)
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Clarinet Ensemble
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BEGINNER
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Renaissance
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John Wilbye
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Alan Edgar
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AH! CANNOT SIGHS OR TEARS NOR
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Alan Edgar Ted Moon
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 1 - Digital Download SKU: A0.1377700 Composed by John Wilbye. Arranged by Alan Edgar. Renaissance. 35 pages. Alan Edga...
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Woodwind Ensemble Clarinet - Level 1 - Digital Download SKU: A0.1377700 Composed by John Wilbye. Arranged by Alan Edgar. Renaissance. 35 pages. Alan Edgar Ted Moon #962294. Published by Alan Edgar Ted Moon (A0.1377700). Instrumentation: Eb Clarinet, four Bb Clarinets, Alto, Bass, Contra-alto and Contrabass Clarinets. The son of a tanner, John Wilbye was born at Brome, Suffolk. Wilbye is probably the most famous of all the English madrigalists; his pieces have long been favourites and are often included in modern collections. His madrigals include Weep, weep mine eyes, Weep, O mine eyes and Draw on, sweet night. He also wrote the poem, Love not me for comely grace. His style is characterized by delicate writing for the voice, acute sensitivity to the text and the use of “false relations between the major and minor modes.The text for this one goes:Ah! cannot sighs not tears, nor aught else move thee To pity me, who more than life do love thee?O cruel fates! see, now away she’s flying,And fly, alas! alas! and leave me dying.Farewell, most fair, farewell, yet more disdainful: Was never grief like mine, nor death more painful.No 30 from the Second Set of Madrigals, 1598. originally for SSATTB a capella. As Wilbye labelled this Apt for Viols or Voices, I felt justified in making this arrangement.
$21.00 ≈
18.91€
AH! CANNOT SIGHS OR TEARS NOR AUGHT ELSE MOVE THEE. (Clarinet Sextet)
AH! CANNOT SIGHS OR TEARS NOR AUGHT ELSE MOVE THEE. (Clarinet Sextet)
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Renaissance
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John Wilbye
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Alan Edgar
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AH! CANNOT SIGHS OR TEARS NOR
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Alan Edgar Ted Moon
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SheetMusicPlus
Bass Clarinet,E-Flat Clarinet - Level 1 - Digital Download SKU: A0.1377691 Composed by John Wilbye. Arranged by Alan Edgar. Renaissance. 22 pages. Alan E...
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Bass Clarinet,E-Flat Clarinet - Level 1 - Digital Download SKU: A0.1377691 Composed by John Wilbye. Arranged by Alan Edgar. Renaissance. 22 pages. Alan Edgar Ted Moon #962285. Published by Alan Edgar Ted Moon (A0.1377691). My instrumentation: Eb Clarinet, four Bb Clarinets, Bass Clarinet.The son of a tanner, John Wilbye was born at Brome, Suffolk. Wilbye is probably the most famous of all the English madrigalists; his pieces have long been favourites and are often included in modern collections. His madrigals include Weep, weep mine eyes, Weep, O mine eyes and Draw on, sweet night. He also wrote the poem, Love not me for comely grace. His style is characterized by delicate writing for the voice, acute sensitivity to the text and the use of “false relations between the major and minor modes.The text for this one goes:Ah! cannot sighs not tears, nor aught else move thee?To pity me, who more than life do love thee?O cruel fates! see, now away she’s flying,And fly, alas! alas! and leave me dying.Farewell, most fair, farewell, yet more disdainful: Was never grief like mine, nor death more painful.No 30 from the Second Set of Madrigals, originally for SSATTB a capella.
$15.00 ≈
13.51€
Liszt: Weihnachtsbaum (Christmas Tree) No.4 Adeste Fideles (March of the Three Wise Men of the East)
Liszt: Weihnachtsbaum (Christmas Tree) No.4 Adeste Fideles (March of the Three Wise Men of the East)
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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ADVANCED
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Christmas
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Franz Liszt
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Ray Thompson
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Liszt: Weihnachtsbaum
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.553634 Composed by Franz Liszt. Arranged by Ray Thompson. Christian,Christmas,Rom...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.553634 Composed by Franz Liszt. Arranged by Ray Thompson. Christian,Christmas,Romantic Period,Sacred. 19 pages. RayThompsonMusic #3371795. Published by RayThompsonMusic (A0.553634). Weihnachtsbaum (English: Christmas Tree; French: Arbre de Noel) is a suite of 12 pieces written by Franz Liszt in 1873–76, with revisions in 1881. The suite exists in versions for solo piano and piano four-hands. Weihnachtsbaum does not demand great virtuosity, and it has been described as a distant relation of Schumann’s Kinderszenen and Debussy’s Children’s Corner. It occupies an unusual place in Liszt’s output, and it may be for these reasons that it has received relatively little attention from performers. Liszt dedicated Weihnachtsbaum to his first grandchild Daniela von Bülow (1860-1940; daughter of Cosima and Hans von Bülow). Daniela had accompanied her grandfather to Rome due to his frail condition. The first performance was on Christmas Day 1881 in Daniela’s Rome hotel room. This was the day on which her mother Cosima always celebrated her birthday, although she was actually born on Christmas Eve.This is No 4. Adeste Fideles (O come all ye Faithful) Arranged for wind dectet: a somewhat different version than the usual carol. with additional instruments (clarinet and bass clarinet as optional alternatives for one of the oboes and one of the bassoons.Transposed from the original key of A into Bb to make it easier to perform
$9.95 ≈
8.96€
A Child Is Born
A Child Is Born
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Choral SATB
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INTERMEDIATE/ADVANCED
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Thad Jones
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Ken Litton
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A Child Is Born
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Artist of Note, Inc.
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1111745 By Thad Jones. By Alec Wilder and Thad Jones. Arranged by Ken Litton. Advent,Chri...
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Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1111745 By Thad Jones. By Alec Wilder and Thad Jones. Arranged by Ken Litton. Advent,Christmas,Holiday,Jazz,Standards. Octavo. 13 pages. Artist of Note, Inc. #713987. Published by Artist of Note, Inc. (A0.1111745). Duration 3:30 A Child Is Born is a truly beautiful picture—sacred or secular—of the Advent story painted from the enduring viewpoint of his mother, Mary. Written in 1969 by jazz trumpeter Thad Jones. The lyrics were added independently by Alec Wilder after he heard the Thad Jones - Mel Lewis Orchestra perform it. The song has been described by Bob Yurochko (with contributor Wynton Marsalis) in A Short History of Jazz as a “beautiful ballad of mainstream jazz. This arrangement begins with a quiet intro in which both the piano and the Bb Instrument touch very lightly on Silent Night. The easily memorized single stanza is sung first by the altos, who are then joined by and succeeded by the sopranos and then deftly handed off to altos, tenors and basses who are subsequently involved in each four-part cadence point well as other unison and two-part sections. The halved repeat of the stanza can be a very nice piano feature or, optionally a Bb instrument—Flugelhorn (even a muted Trumpet) a Bb Clarinet or a Bb tenor saxophone can supply the solo with the voices singing the very light background. The key change is kept simple, with a descending scale into the new key. The final section makes additional mention of STILLE NACHT as well as echoing the intro at the jazz ending. Still, the instrumental part remains optional and the chord symbols make it easy to include string bass or even gentle jazz guitar (drums on this should, of course be mainly light brushes). The vocal parts are limited to practical ranges and, while there is divisi in the soprano part, each voice is always easily sung). The accessible accompaniment has comparatively little movement in the left hand beyond the middle of a typical measure, especially when there are technical requirements in the right hand. #choral #jazz choral #church choral #liturgical choral.
$1.99 ≈
1.79€
Que Garota Linda (Bb leadsheet)
Que Garota Linda (Bb leadsheet)
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Mark S
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Que Garota Linda
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Geofonica Artistworks
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SheetMusicPlus
Small Ensemble Clarinet,Tenor Saxophone,Trumpet - Level 4 - Digital Download SKU: A0.948698 Composed by Mark S. Massey. Jazz,Latin. Score and parts. 5 pa...
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Small Ensemble Clarinet,Tenor Saxophone,Trumpet - Level 4 - Digital Download SKU: A0.948698 Composed by Mark S. Massey. Jazz,Latin. Score and parts. 5 pages. Geofonica Artistworks #6038067. Published by Geofonica Artistworks (A0.948698). This is a Bb lead sheet (including original flute and piano lines, transposed for Bb instruments) for Que Garota Linda. It's a high energy, very exciting, Brazilian-Latin style instrumental from pianist Mark Massey's breakthrough jazz LP: API: Acoustic Piano International. The piano and flute interact, with the flute (performed by guest flutist Justo Almario) and piano trading sections of the main melody, and then providing dynamic background hooks and counterpoint. (These piano-flute lines are transposed here for Bb instruments. The tune is a great vehicle for musical interplay, jazz improvisation, and high energy rhythm section playing. The API track featured Eric Stiller on acoustic bass and Aldo Bentivegna on drums, with guest percussionist Alex Acuña of Weather Report, backing Mark Massey and Justo Almario. Que Garota Linda was also covered by jazz guitarist Charles Small, a dynamic version the style of Wes Montgomery, which can be heard here: https://youtu.be/wNS3m8rydEwABOUT MARK: In 2018, the California State Assembly and the Los Angeles County Board of Supervisors issued proclamations recognizing Mark Massey as a Jazz Living Legend. Jazz pianist-composer Mark Massey was born and raised in Lynwood, California, where he showed early talent on piano, trombone, and drums. During high school, he studied classical piano and played in the bands Synopsis (with future trumpet giant Wayne Bergeron), and Sabor (with Poncho Sanchez and the Banda Brothers). Mark played in the Pico Rivera Stage Band, which won First Place at the Hollywood Bowl Battle of the Bands. Mark graduated from California State University, Long Beach (with Bachelors and Masters degrees in Music), where he was recipient of the Carmen Dragon Fellowship for composition and he was dubbed A Young Giant by the National Association Of Jazz Educators. Mark has performed throughout the U.S., Europe, the former Soviet Union (in the 1980s), Russia (2001), the Far East and India. He has worked with Larry Carlton, David Benoit, Paul Horn, Hubert Laws, Louie Bellson, the Side Street Strutters, Phil Upchurch, L. Subramaniam, Freddie Hubbard, Maynard Ferguson, Yehudi Menuhin, Stéphane Grappelli, and Tony Williams. Mark was featured in The Four Pianos In Concert series along with pianists Paul Smith, Pete Jolly and Steve Allen. Mark Massey's debut CD, Acoustic Piano International, has received wide airplay on jazz radio. API featured nine of Mark's original jazz compositions (including Que Garota Linda, offered here, inspired by his musical excursions around the globe, along with Eric Stiller (bass) and Aldo Bentivegna (drums), and guest artists Alex Acuña, percussion (Weather Report), Justo Almario, flute (Mongo Santamaria), Plas Johnson, tenor sax (The Pink Panther Theme), Bob Mintzer, soprano sax (The Yellow Jackets), and Ron Stout, flugelhorn, More recently, Mark has been recording his iconic Jazz Thoughts for the Day albums of original jazz improvisional compositions for each day of the year. Jazz Thoughts for the months of January through July have thus far been issued. COMMENTS FROM MAJOR CRITIC REVIEWS OF MARK MASSEY: Mark Massey is awfully good. His friendly, lyrical, melodic piano has a sound unto itself, API Coverbop and post-bop influenced, contemporarily informed, and languishing solidly in the modern mainstream. ...This is a very good trio that is together in many aspects of jazz expressionism. In larger, more interactive settings, Massey proves he has ideas that work well. ...Massey's talent being exposed is a breakthrough. A majority of jazz listeners should find this a worthwhile purchase, an.
$3.99 ≈
3.59€
Professor M & M's Jive Detector (Bb leadsheet, with tenor sax & piano melody)
Professor M & M's Jive Detector (Bb leadsheet, with tenor sax & piano melody)
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Blues
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Jazz
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Mark S
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Professor M & M's Jive Detecto
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Geofonica Artistworks
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SheetMusicPlus
Small Ensemble Clarinet,Soprano Saxophone,Tenor Saxophone,Trumpet - Level 4 - Digital Download SKU: A0.948696 Composed by Mark S. Massey. Blues,Jazz. Sco...
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Small Ensemble Clarinet,Soprano Saxophone,Tenor Saxophone,Trumpet - Level 4 - Digital Download SKU: A0.948696 Composed by Mark S. Massey. Blues,Jazz. Score and parts. 3 pages. Geofonica Artistworks #6038041. Published by Geofonica Artistworks (A0.948696). Professor M & M's Jive Detector is a super cool, very bluesy instrumental jazz hit (in Bb lead-sheet format here, for tenor sax or other Bb instruments.) from pianist Mark Massey's breakthrough jazz LP: API: Acoustic Piano International. The piano and tenor sax interact, with sax and piano doubling the main melody (performed by guest saxophonist Plas Johnson--famed Wrecking Crew sax/woodwind player who was featured on The Pink Panther Theme), plus sax and piano in blues interplay and counterpoint. It's a great vehicle for musical interplay, blues/jazz improvisation, and laid-back bluesy rhythm section grooves. The API track featured Plas Johnson on sax backed by the Mark Massey trio, with Eric Stiller on acoustic bass and Aldo Bentivegna on drums.ABOUT MARK:In 2018, the California State Assembly and the Los Angeles County Board of Supervisors issued proclamations recognizing Mark Massey as a Jazz Living Legend. Jazz pianist-composer Mark Massey was born and raised in Lynwood, California, where he showed early talent on piano, trombone, and drums. During high school, he studied classical piano and played in the bands Synopsis (with future trumpet giant Wayne Bergeron), and Sabor (with Poncho Sanchez and the Banda Brothers). Mark played in the Pico Rivera Stage Band, which won First Place at the Hollywood Bowl Battle of the Bands. Mark graduated from California State University, Long Beach (with Bachelors and Masters degrees in Music), where he was recipient of the Carmen Dragon Fellowship for composition and he was dubbed A Young Giant by the National Association Of Jazz Educators. Mark has performed throughout the U.S., Europe, the former Soviet Union (in the 1980s), Russia (2001), the Far East and India. He has worked with Larry Carlton, David Benoit, Paul Horn, Hubert Laws, Louie Bellson, the Side Street Strutters, Phil Upchurch, L. Subramaniam, Freddie Hubbard, Maynard Ferguson, Yehudi Menuhin, Stéphane Grappelli, and Tony Williams. Mark was featured in The Four Pianos In Concert series along with pianists Paul Smith, Pete Jolly and Steve Allen. Mark Massey's debut CD, Acoustic Piano International, has received wide airplay on jazz radio. API featured nine of Mark's original jazz compositions--including Professor M&M's Jive Detector, offered here--inspired by his musical excursions around the globe, along with Eric Stiller (bass) and Aldo Bentivegna (drums), and guest artists Alex Acuña, percussion (Weather Report), Justo Almario, flute (Mongo Santamaria), Plas Johnson, tenor sax (The Pink Panther Theme), Bob Mintzer, soprano sax (The Yellow Jackets), and Ron Stout, flugelhorn, More recently, Mark has been recording his iconic Jazz Thoughts for the Day albums of original jazz improvisional compositions for each day of the year. Jazz Thoughts for the months of January through July have thus far been issued. COMMENTS FROM MAJOR CRITIC REVIEWS OF MARK MASSEY: Mark Massey is awfully good. His friendly, lyrical, melodic piano has a sound unto itself, API Coverbop and post-bop influenced, contemporarily informed, and languishing solidly in the modern mainstream. ...This is a very good trio that is together in many aspects of jazz expressionism. In larger, more interactive settings, Massey proves he has ideas that work well. ...Massey's talent being exposed is a breakthrough. A majority of jazz listeners should find this a worthwhile purchase, and a keeper. Recommended.----MICHAEL G. NASTOS, ALL MUSIC GUIDE (CD review of Acoustic Piano International) Mark Massey is an excellent straight-ahead pianist who often appears in the L.A. area. ...his playing is consistently appealing. Of the trio numbers, the often-introspective Flowers For Dorothy, the.
$3.99 ≈
3.59€
Liszt: Weihnachtsbaum (Christmas Tree) No.4 Adeste Fideles (March of the Three Wise Men of the East)
Liszt: Weihnachtsbaum (Christmas Tree) No.4 Adeste Fideles (March of the Three Wise Men of the East)
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
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Christmas
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Franz Liszt
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Ray Thompson
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Liszt: Weihnachtsbaum
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.553605 Composed by Franz Liszt. Arranged by Ray ...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.553605 Composed by Franz Liszt. Arranged by Ray Thompson. Christmas,Romantic Period,Sacred. 16 pages. RayThompsonMusic #3222733. Published by RayThompsonMusic (A0.553605). Weihnachtsbaum (English: Christmas Tree; French: Arbre de Noel) is a suite of 12 pieces written by Franz Liszt in 1873–76, with revisions in 1881. The suite exists in versions for solo piano and piano four-hands. Weihnachtsbaum does not demand great virtuosity, and it has been described as a distant relation of Schumann’s Kinderszenen and Debussy’s Children’s Corner. It occupies an unusual place in Liszt’s output, and it may be for these reasons that it has received relatively little attention from performers. Liszt dedicated Weihnachtsbaum to his first grandchild Daniela von Bülow (1860-1940; daughter of Cosima and Hans von Bülow). Daniela had accompanied her grandfather to Rome due to his frail condition. The first performance was on Christmas Day 1881 in Daniela’s Rome hotel room. This was the day on which her mother Cosima always celebrated her birthday, although she was actually born on Christmas Eve.This is no 4. Adeste Fideles (O come all ye Faithful) Arranged for wind quintet: a somewhat different version than the usual carol.Transposed into Bb from the original In A to aid performance.2017 Holiday Contest Entry
$5.95 ≈
5.36€
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
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Silvano A
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Introduction, Theme and Variat
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Soundnotation
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SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95 ≈
12.56€
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
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Silvano A
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Introduction, Theme and Variat
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Soundnotation
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SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95 ≈
12.56€
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