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But Not for Me Latin
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But Not for Me Latin
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The Royal Hussar (Ceremonial Slow March) for Concert/Wind Band ''Keith Terrett Classic March Collect
The Royal Hussar (Ceremonial Slow March) for Concert/Wind Band ''Keith Terrett Classic March Collect
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Concert band
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INTERMEDIATE
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Keith Terrett
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Scipio
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The Royal Hussar
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Keith Terrett
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.746511 Composed by Keith Terrett. 20th Century,Patriotic,World. 32 pages. Keith Terrett #1989071. Publi...
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Concert Band - Level 3 - Digital Download SKU: A0.746511 Composed by Keith Terrett. 20th Century,Patriotic,World. 32 pages. Keith Terrett #1989071. Published by Keith Terrett (A0.746511). A slow march I entitled The Royal Hussar, is an original ceremonial slow march of mine, suitable for indoor or outdoor performance. Slow March: This is a ceremonial pace, used for funeral marches and when a unit’s colours are marched out in front of the troops. The feet are kept parallel to the ground and the arms are never used. In the United States Marine Corps, arms swing as the distance they normally would in quicktime, but at the same pace as marching. U.S. Marine Color Guards do not swing their arms. Slow March is typically used in the Marine Corps for funeral details and ceremonies such as the Marine Corps Ball (when the cake is escorted out). In Spain, Latin America, and the Philippines this is done during religious processions whenever a military band joins it. This march style is the official parade march in the armed forces of Bolivia and Ecuador and the military academies and schools of Venezuela, done with the goose step during parades and ceremonies. The standard pace is 60 paces per minute. Famous slow marches include:Preobrajensky Regimental Slow March Presented to the Royal Marines by Admiral of the Fleet The Earl Mountbatten of Burma on 10th June 1964 and first performed as the Regimental Slow March of the Royal Marines on Horse Guards Parade that night. The march was composed by the Russian composer Donajowsky for the Russian Tzar’s Preobrajensky Guard. The Royal Hussars Slow March ’Coburg’, a tune composed by Haydn and arranged by Grant-James in the late 19th Century, is without doubt one of the most well-known and famous Slow Marches to be written. ’The Eagle’, which itself is a combination of the 14th and 20th Hussars slow marches is also a very strong march, but not widely known outside 14th/20th King’s Hussars’ circles. The Garb of Old Gaul (sometimes given as Auld Gaul) is an 18th-century patriotic Scottish march and song about Highland soldiers during the Seven Years War. The music was written by General John Reid, who was a senior officer of the 42nd Regiment of Foot (The Black Watch) during the Seven Years War. The words have traditionally been attributed to Sir Harry Erskine (1710 -1765). Robert Burns described it as This excellent loyal Scottish song and states that it first appeared in print in Herd’s Collection of 1769. Alternative titles include The Highland Character and The Highland or 42nd Regiment’s March. The tune was originally a quick march but was later rearranged as a slow march. Other famous slow marches of the British Army include Golden Spurs & Scipio. Put away Scipio, Coburg & Garb of Old gaul, time for a newcomer on the block! For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$29.99 ≈
27.68€
Two Dreams for solo Trombone and 8-part Percussion Ensemble
Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Percussion Ensemble
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ADVANCED
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Antonio J
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Two Dreams for solo Trombone a
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Gordon Cherry
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SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages....
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00 ≈
46.15€
Besame Mucho (Kiss Me Much)
Besame Mucho (Kiss Me Much)
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Big Note Piano
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BEGINNER
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Besame Mucho
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Hal Leonard - Digital
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SheetMusicPlus
Digital Download SKU: HX.447366 Jazz,Latin,Standards. E-Z Play Today. 2 pages. Published by Hal Leonard - Digital (HX.447366). ...
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Digital Download SKU: HX.447366 Jazz,Latin,Standards. E-Z Play Today. 2 pages. Published by Hal Leonard - Digital (HX.447366). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99 ≈
2.76€
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
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Thomas Oboe Lee
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Focus on Grace ... A concerto
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble - Level 4 - Digital Download SKU: A0.869266 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and p...
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Small Ensemble - Level 4 - Digital Download SKU: A0.869266 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #2019061. Published by Thomas Oboe Lee (A0.869266). Instrumentation: Alto sax solo and orchestra, 2222-4231-perc-drum set-strings Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99 ≈
9.22€
He Will Lead Me Home
He Will Lead Me Home
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Piano, Voice
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INTERMEDIATE/ADVANCED
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Sacred music
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Kevin Longley
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Kevin Longley
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He Will Lead Me Home
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Kevin Longley
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1281185 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. Christian,Easter,Lent,Prais...
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1281185 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. Christian,Easter,Lent,Praise & Worship,Sacred. Score. 9 pages. Kevin Longley #872527. Published by Kevin Longley (A0.1281185). He Will Lead Me Home (choral church anthem composed in 2023)The InspirationA few Easter seasons ago, during one of our Tuesday Choir rehearsals, we were preparing for “Good Shepherd Sundayâ€. Diane our Choir director commented “there are very few Good Shepherd pieces to choose fromâ€. One of our sopranos replied “Let's write our ownâ€. I made note of it and this past year finally found the time and inspiration to give it a try. I did my usual research on the subject matter and then found a drawing of a Shepherd standing at the top of a hill with his sheep lined up behind him. Leaning on his staff the Shepherd was contemplating the safest route home. Upon his decision he looked back and called to his sheep. The MusicThe music begins with a piano introduction depicting the Shepherd standing at the top of the hill contemplating the safest route home, as noted earlier. Stately in nature it features a simple melodic idea, played by the right hand, which is then answered by a series of majestic chords. This “back and forth†continues until it reaches its climax at a D flat major chord against a slur from a high G to F. At this point we hear what will be a reoccurring chordal theme of C major to F major and later C minor to F major. The accompaniment begins, now in three quarter time signifying the sheep beginning to move in response to the shepherds call. The verse melody is drawn from the opening three notes of the introduction but with a different rhythm and repeats it self with underlying harmonic changes. The melody and chord structure is somewhat impressionistic in nature. Lyrically a contrast is drawn between how the Shepherd (Jesus) provides for his sheep (followers) and how God provides for the “sheep†(animals) through nature. As the verse comes to an end we are lead to the realization that “the shepherd is the Lord our King, the Good Shepherd Kingâ€. The refrain begins with the tenor continuing to solo on the main melody. â€He Will Lead Home†is realized and proclaimed! A soprano descant is added for contrast. Harmonically the music makes use of the various minor key options, “melodic, harmonic and naturalâ€. The refrain concludes proclaiming “The Good Shepherds the Way He's our Life!â€. The second verse shadows the thought pattern of verse one leading to the refrain once more but this time a bridge is introduced to add drama with the piano playing a significant role. A return to the refrain is varied with the tenor singing a portion of it against softly played chords; but then resumes its rhythmic drive to its ultimate conclusion by repeating “the Good Shepherds the Way He's our Life!â€.Program NotesVoicing can be varied based on what types of singers are available. For example this could be sung by 2 tenors with one singing the descant down an octave. Finally as noted in the score, the intro is optional though I prefer it be played; the shepherd contemplating a safe route is important in the music with its contrast to the verse music and important in our life of faith.Â
$1.99 ≈
1.84€
Requiem
Requiem
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil I...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99 ≈
51.68€
Saturnalia Song for voices, wind, brass and percussion
Saturnalia Song for voices, wind, brass and percussion
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Choral SATB
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INTERMEDIATE/ADVANCED
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David Warin Solomons
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Saturnalia Song for voices, wi
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David Warin Solomons
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SheetMusicPlus
Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.576366 Composed by David Warin Solomons. 20th Century,Christmas,Classical,Contemporary,World. O...
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Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.576366 Composed by David Warin Solomons. 20th Century,Christmas,Classical,Contemporary,World. Octavo. 27 pages. David Warin Solomons #18013. Published by David Warin Solomons (A0.576366). A vivid and at times raucous celebration of Saturnalia, in Latin, for an ensemble of voices and instruments (including various percussion, woodwind and brass instruments). The sound sample is a sung performance by the composer with an electronic preview of the instruments. Further explanations: Song for Saturnalia - a raucous and fun romp - in whole tones (since there is scant evidence of the types of scales used in those days - whole tones just seem to work in this context). The Latin words make references to relatively modern times but the spirit of Saturnalia is timeless, after all. The pileum (also written pilleum) is the little cap that slave wore during Saturnalia to show they were free men and women on that day - they would point to their cap and say libertus sum (I am a free person) and omnes aequales sumus (we are all equal). The words (and translation - both by me) are as follows: Saturnalia Song Io Saturnalia! Hodie igitur dominus noster non es. [Hooray, it’s Saturnalia, so today you’re not our boss] Hodie omnes aequales sumus. Io! [Today we are all equal, hooray!] [spoof of USA Anthem] Salve O Frutici [Hi there, Bush] Ecce meum pileum: [Look, see my little cap of freedom] libertus sum [I’m a free man] [spoof of UK Anthem] Salve O Campestri [Hi there, Blair] Ecce meum pileum: [Look, see my little cap of freedom] libertus sum [I’m a free man] [spoof of German Anthem] Salve O Candelari [Hi there Brandt] Ecce meum pileum: [Look, see my little cap of freedom] libertus sum [I’m a free man] Io Saturnalia, Io! [Hooray, it’s Saturnalia, hooray!] [Note on the invented names (used in the vocative in the song of course): Fruticius is based on the word frutex a bush - it’s also used to mean blockhead in Roman comedies, but I can’t help that!. Campestrius is based on campester - a plain or place of clear ground (Blair is the Celtic equivalent word - a forest clearing!) Candelarius is based on candela - a taper or candle - ie something burning hence Brandt (yes, I know he’s earlier than the other two politicians, but, hey, it’s all a bit of anachronistic fun!)].
$10.00 ≈
9.23€
Touch Me Not
Touch Me Not
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Choral SATB
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EASY
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David W
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Touch Me Not
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David W. Barber
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1409347 Composed by David W. Barber. A Cappella,Christian,Easter,Sacred. 3 pages. Da...
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Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1409347 Composed by David W. Barber. A Cappella,Christian,Easter,Sacred. 3 pages. David W. Barber #991972. Published by David W. Barber (A0.1409347). A simple SATB motet on the John 20:17 text Touch Me Not (also available in Latin as Noli Me Tangere). Suitable for Easter. But also ironically appropriate when I composed it, in March 2020 as the covid lockdowns and social distancing regimen began. The suspensions and brief dissonances mark moments when some notes get too close to each other.This piece and more of my music is available for download and purchase from SheetMusicPlus and SheetMusicDirect via ArrangeMe. Find my music books and my new mystery novel, Hedshot, at IndentPublishing.com Read my author/composer blog at DavidWBarber.com Contact me at dbarber@indentpublishing.com.
$1.99 ≈
1.84€
Greek folk song: THALASAKI MOU, for SATB choir a cap.
Greek folk song: THALASAKI MOU, for SATB choir a cap.
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Choral SATB
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INTERMEDIATE/ADVANCED
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Folk Song
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Marilena Zlatanou
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Greek folk song: THALASAKI MOU
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Marilena Zlatanou
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.887055 Composed by Folk Song. Arranged by Marilena Zlatanou. A Cappella. 8 pages. Marilen...
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.887055 Composed by Folk Song. Arranged by Marilena Zlatanou. A Cappella. 8 pages. Marilena Zlatanou #3033145. Published by Marilena Zlatanou (A0.887055). GREEK FOLK SONG: THALASAKI MOU (Sea, my dearest) Traditional song from the Aegean Islands arranged for SATB choirIn a country surrounded by an often very stormy sea, and including hundreds of islands, this song is a prayer addressed to it, to spare the lives of loved ones. duration: just under 3' Phonetic transcription in the Latin alphabet is notated right below the original Greek text, English translation, and a key to Greek Pronunciation are provided on the title page.The mp3 file provided is exported from the sibelius file.For more information on the arranger, (member of TONO, the Norwegian copyright org.), please visit website www.zlatanou.net The arrangement attempts to adher to the genuine Greek folk music style as well as allowing some sea waves through it.A piano part is not included but a piano may accompany the choir, dubling the parts, if this is desirable by the conductor. As a Greek living in Norway for most of my adult life, and in my many years’ work as a conductor of a Norwegian choir specializing in Greek music (!), I have experienced the need to enrich the choir’s repertoire with both folk song- as well as other -arrangements of Greek music: This gave me the opportunity to share with our audiences some of the centuries-long musical heritage, as well as helping me make known to them some of the History behind the music of a country of such international historical influence in the past, and such a tourist magnet in our times. Â
$15.00 ≈
13.84€
Push & Pull by The Khromatiks, for Electric Violin & Loop Station
Push & Pull by The Khromatiks, for Electric Violin & Loop Station
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The Khromatiks
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Push & Pull by The Khromatiks,
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ViolinVagabond Music
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SheetMusicPlus
Electric Violin,Instrumental Solo - Level 4 - Digital Download SKU: A0.845977 By The Khromatiks. By Kayleigh Moyer, Kyle Pudenz, and The Khromatiks. 20th...
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Electric Violin,Instrumental Solo - Level 4 - Digital Download SKU: A0.845977 By The Khromatiks. By Kayleigh Moyer, Kyle Pudenz, and The Khromatiks. 20th Century,Contemporary,Jazz,Latin. Individual part. 10 pages. ViolinVagabond Music #5375599. Published by ViolinVagabond Music (A0.845977). This is a loop station composition for electric violin that I composed for my live-looping duo, The Khromatiks, in 2013. Doing my part to increase the available repertoire for extended range violins out here on the internet!I originally recorded this tune on a 7-string electric violin with a Boss RC-30 loop station. That being said, there are plenty of other gear configurations that will work. Any phrase looper/sampler that is capable of playing 2 separate tracks or sections with overdubs will be able to handle this structure, such as the Singular Sound Aeros, Boomerang III, Ableton Live with a MIDI controller, etc. If you don't play 7-string, a 5-string can also play this chart as written if you use an octave pedal to record the low bass lines. A standard 4-string can also work, although some phrases will have to be transposed 8va.A little about this tune: the head melody is a basic lydian dominant motif that gets displaced forwards or backwards by a sixteenth note on each iteration. In Nashville Number System, we call this sort of syncopation a push, which inspired the title. This idea transitions into a B solo section with a latin songo groove. This is a great tune for practicing tight rhythmic syncopation, or for developing solo ideas on modal scales!With The Khromatiks this piece was performed as a duo with violin & drums/percussion, but also works as a violin solo. If you have a looper capable of syncing to a click track, you could also try adding bass (plays the bottom line of loop 2 only) or guitar/keyboards (read the chord symbols as a lead-sheet). The sky is the limit, feel free to get creative with it!Please, if you have questions or suggestions, feel free to contact me via my website, www.kylepudenz.com/, or on Instagram @theviolinvagabond
$7.99 ≈
7.37€
Poinciana (song Of The Tree)
Poinciana (song Of The Tree)
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Buddy Bernier and Nat Simon
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Bud Caputo
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Poinciana
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Bud Caputo
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SheetMusicPlus
String Ensemble - Level 4 - Digital Download SKU: A0.1173728 Composed by Buddy Bernier and Nat Simon. Arranged by Bud Caputo. Latin,Pop,Standards. Score ...
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String Ensemble - Level 4 - Digital Download SKU: A0.1173728 Composed by Buddy Bernier and Nat Simon. Arranged by Bud Caputo. Latin,Pop,Standards. Score and parts. 37 pages. Bud Caputo #773878. Published by Bud Caputo (A0.1173728). This arrangement pays tribute to the most popular jazz version done by Ahmed Jamal’s Piano trio from 1958, Live At The Pershing, But Not For Me Album.  The song has been identified as a development of a Cuban folk song entitled La Canción del Ãrbol whose title translates as the song of the tree, the royal poinciana being a favorite Caribbean flowering plant.[1][2] However composer Nat Simon would claim the song's tune came to him while he was dining at Manhattan Theater District restaurant Leone's, and that he jotted down a rough draft of the melody on his table's cloth which - with Leone's permission - he took home to work out the completed melody at his piano. Lyrics for the song were completed in about thirty minutes by Buddy Bernier, who cited as his inspiration a postcard of a royal Poinciana tree he'd recently received from Florida.
$19.95 ≈
18.41€
Don't Blame Me
Don't Blame Me
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Contemporary
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Jimmy McHugh
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Bud Caputo
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Don't Blame Me
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Bud Caputo
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SheetMusicPlus
String Ensemble - Level 3 - Digital Download SKU: A0.826737 Composed by Jimmy McHugh. Arranged by Bud Caputo. Contemporary. Score and parts. 47 pages. Bu...
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String Ensemble - Level 3 - Digital Download SKU: A0.826737 Composed by Jimmy McHugh. Arranged by Bud Caputo. Contemporary. Score and parts. 47 pages. Bud Caputo #6477295. Published by Bud Caputo (A0.826737). Don't Blame Me is a popular Great American Standard used by pop and jazz musicians alike with music by Jimmy McHugh and lyrics by Dorothy Fields. The song was part of the 1932 show Clowns in Clover and was published in 1933. It would be an interesting teaching lesson if directors asked students to compare and contrast any traditional version with the more current Taylor Swift song with the same title. This arrangement will require students to switch back and forth between a straight eight-note Latin feel and the traditional jazz swing feel . There are 32 bars reserved for open improvisation but a written-out jazz violin suggested solo is provided. A Vioin 3 Substitute for Viola part is included to strengthen the Viola section.
$25.50 ≈
23.53€
5 Short Songs for September: All About Sports!
5 Short Songs for September: All About Sports!
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Piano solo
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EASY
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Zachary Seckman
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5 Short Songs for September: A
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ZS Music Publishing
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.1299200 Composed by Zachary Seckman (ASCAP). Children,Contemporary,Instructional. Score. 15 pages. ZS Mus...
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Piano Solo - Level 2 - Digital Download SKU: A0.1299200 Composed by Zachary Seckman (ASCAP). Children,Contemporary,Instructional. Score. 15 pages. ZS Music Publishing #889056. Published by ZS Music Publishing (A0.1299200). Introducing the 5 Short Songs mini-book series from ZS Music Publishing! This series is a whole set of mini-books that includes 5 songs that are 8-16 measures long (perfect for beginners), and includes correlating coloring pages as well! 5 SHORT SONGS FOR SEPTEMBER: SPORTS!5 Short Songs about September contains 5 songs that are eight to sixteen measures long that are sports-themed just for September! These songs are also found in our September Piano Book that includes games and activities. Songs included in this book are: Nothing But Net S-E-P-T-E-M-B-E-R The Tournament Win Big Watch Me This resource IS reproducible, so you are welcome to make as many copies as you need for your students! This resource is not transferable to other teachers/schools, so do make sure you refer your colleagues to purchase their own copy. The document is completely black and white and is easy on the printer ink! ZSMP Catalog: PM-5SSE-DG © 2023 ZS Music Publishing (ASCAP). All Rights Reserved.
$5.00 ≈
4.61€
Fauré: Requiem Op.48 VI Libera Me - symphonic wind/bass
Fauré: Requiem Op.48 VI Libera Me - symphonic wind/bass
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Classical
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Gabriel Faure
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Ray Thompson
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Fauré: Requiem Op.48 VI Liber
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.553851 Composed by Gabriel Faure. Arranged by Ray Thomps...
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.553851 Composed by Gabriel Faure. Arranged by Ray Thompson. 20th Century,Contemporary,Sacred,Spiritual. Score and parts. 24 pages. RayThompsonMusic #4984557. Published by RayThompsonMusic (A0.553851). Fauré composed his Requiem in D minor, Op. 48, between 1887 and 1890. The choral-orchestral setting of the shortened Catholic Mass for the Dead in Latin is the best-known of his large works. Its focus is on eternal rest and consolation. Fauré's reasons for composing the work are unclear, but do not appear to have had anything to do with the death of his parents in the mid-1880s. He composed the work in the late 1880s and revised it in the 1890s, finishing it in 1900.This is a performance version (featuring horn) of No. VI Libera Me for double wind quintet/bass.
$9.95 ≈
9.18€
"Three Labe Sonnets" for mezzo-soprano and piano
"Three Labe Sonnets" for mezzo-soprano and piano
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Contemporary
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Jason A
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"Three Labe Sonnets" for mezzo
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Call of the Wild Publishing
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SheetMusicPlus
Small Ensemble Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.978194 Composed by Jason A. Heald. Contemporary. Score. 16 pages. Call of the Wild ...
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Small Ensemble Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.978194 Composed by Jason A. Heald. Contemporary. Score. 16 pages. Call of the Wild Publishing #6265333. Published by Call of the Wild Publishing (A0.978194). THREE LABE SONNETS for mezzo-soprano and piano is a collection of settings by Louise Labé, (1520-1566), a female French Renaissance poet. Labé was fluent in Latin and Italian, and a trained musician. She wrote twenty-four sonnets. TRANSLATION Sonnet VIII - I Live, I Die I live, I die, I burn with fire, I drown. It matters very little what I feel; All life is now too real, now too surreal; Joy comes and endless boredom weighs me down, And suddenly I laugh and then I cry; With grief and bliss I’m weeping for the past; Good feelings go away and yet they last, And suddenly I bleed and then I sigh. That’s how it goes. Strange, ever changing love Has worn me out. I wish I were removed From such a star-crossed fate! I need a truce With Lady Luck. Again and yet again, Her wheel is spinning madly to produce This wanton, wild, intense, exquisite pain. Sonnet XVIII - O Kiss Me O kiss me, kiss me, re-kiss me, and kiss! Be reckless, impudent, hot-headed, bold! O woo me! Pursue me! Kiss me like this: And I’ll give back fifty as hot as red coals. There, is it hurting? Come, let’s soothe the pain. I’ll give you sixty others just like these. And so we’ll kiss again and then again, While we enjoy each other at our ease. I know there’s fire within your unshaped clay, And so, allow me, love, to share my happiness: O let’s make burning passion rule today. I’m fond of doing what I love to do, Yet cannot feel supreme delight unless I have my other wild encounters, too. Sonnet XIV - As Long As Tears As long as tears can well up in my eyes I’m saddened that our nights are marked by pain. And now my voice expresses once again A plaintive melody I’ve improvised. As long as I can pluck the lute, I try To sing about your charms in my refrain. As long as I can think, my fevered brain Is burning with an ardent zeal. I cry And cry a hundred thousand times for you. But when I feel my whirling thoughts grow still, And when both hand and voice won’t work their will, Because your treachery is piercing through My heart, I’ll know there’s just one final way. I’ll ask for Death to darken that bleak day.
$4.50 ≈
4.15€
Fly Me To The Moon (in Other Words)
Fly Me To The Moon (in Other Words)
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Piano solo
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INTERMEDIATE
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Jazz
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Tony Bennett
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Igor Korokhov
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Fly Me To The Moon
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Igor Korokhov
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.998365 By Tony Bennett. By Bart Howard and Stuart Aaron Hart. Arranged by Igor Korokhov. Jazz. Score. 4 p...
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Piano Solo - Level 3 - Digital Download SKU: A0.998365 By Tony Bennett. By Bart Howard and Stuart Aaron Hart. Arranged by Igor Korokhov. Jazz. Score. 4 pages. Igor Korokhov #6704505. Published by Igor Korokhov (A0.998365). Hi! Here is a really playable Latin Jazz piano arrangement of the Fly Me To The Moon I made for my intermediate level students. Contains rhythm patterns typical of this style and a simple, but stylish jazz solo. Not difficult, not primitive! Hope you'll like it!
$7.99 ≈
7.37€
Songs for the Journey (Keyboard/Choral Score)
Songs for the Journey (Keyboard/Choral Score)
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Sacred music
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Kevin Siegfried
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Songs for the Journey
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano solo, SATB choir (choir divisi), and keyboard, or harp (piano) and strings, or chamber orchestra - Medium - Digital Download SKU: MQ.8784-E Compo...
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Soprano solo, SATB choir (choir divisi), and keyboard, or harp (piano) and strings, or chamber orchestra - Medium - Digital Download SKU: MQ.8784-E Composed by Kevin Siegfried. Instrument part. 36 pages. E. C. Schirmer Music Company - Digital #8784-E. Published by E. C. Schirmer Music Company - Digital (MQ.8784-E). English. Psalms 31:5.Commissioned in 2010 to be performed alongside Gabriel Faure's Requiem, and utilizes the same combination of instruments. The texts for Songs for the Journey have a particularly personal nature. The first text chosen was More Love, a song already written a couple years earlier when the composer and his wife were expecting their first child. The remaining four texts have equally personal associations. Songs for the Journey outlines and explores similar themes as the traditional Latin Requiem - love, faith, mortality, surrender to an eternal will, etc. - but in a less ecclesiastical framework, with poems and texts drawn from a variety of sources. Contents:1. Into Your Hands2. When All That's Left of Me Is Love3. More Love4. Do Not Stand at My Grave and Weep (Soprano Solo)5. Celtic Blessing.
$6.00 ≈
5.54€
You Are Not Alone
You Are Not Alone
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C Instruments
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INTERMEDIATE/ADVANCED
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Michael Jackson
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John Fries
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You Are Not Alone
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - Digital Download SKU: A0.1251678 By Michael Jackson. By Robert Kelly. Arranged by John Fries. 20th Century,Pop,Standards. Lead S...
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C Instrument - Level 4 - Digital Download SKU: A0.1251678 By Michael Jackson. By Robert Kelly. Arranged by John Fries. 20th Century,Pop,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #845939. Published by John Fries (A0.1251678). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John. You Are Not Alone is a song by the American singer-songwriter Michael Jackson from his ninth studio album, HIStory: Past, Present and Future, Book I (1995). An R&B ballad, You Are Not Alone was written by American singer R. Kelly for Jackson in response to difficult times in his own personal life. Kelly sent a demo tape to Jackson, who liked the song and decided to produce it with him in his Chicago studio. Jackson's interest in the song was also linked to events in his personal life. The music video, which featured Jackson and his then-wife Lisa Marie Presley, featured scenes of semi-nudity. You Are Not Alone received generally positive reviews and was the recipient of Grammy and American Music Award nominations. It holds a Guinness World Record as the first song to debut at number one on the Billboard Hot 100, and was certified platinum by the RIAA. It also topped the charts in Austria, Belgium, France, Ireland, New Zealand, Poland, Romania, Scotland, Spain, Sweden, Switzerland, and the United Kingdom.
$3.99 ≈
3.68€
You Are Not Alone
You Are Not Alone
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C Instruments
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INTERMEDIATE/ADVANCED
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Michael Jackson
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John Fries
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You Are Not Alone
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - Digital Download SKU: A0.1250187 By Michael Jackson. By Robert Kelly. Arranged by John Fries. 20th Century,Pop,Standards. Lead S...
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C Instrument - Level 4 - Digital Download SKU: A0.1250187 By Michael Jackson. By Robert Kelly. Arranged by John Fries. 20th Century,Pop,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #844521. Published by John Fries (A0.1250187). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John. An R&B ballad, You Are Not Alone was written by American singer R. Kelly for Jackson in response to difficult times in his own personal life. Kelly sent a demo tape to Jackson, who liked the song and decided to produce it with him in his Chicago studio. Jackson's interest in the song was also linked to events in his personal life. The music video, which featured Jackson and his then-wife Lisa Marie Presley, featured scenes of semi-nudity.  You Are Not Alone received generally positive reviews and was the recipient of Grammy and American Music Award nominations. It holds a Guinness World Record as the first song to debut at number one on the Billboard Hot 100, and was certified platinum by the RIAA. It also topped the charts in Austria, Belgium, France, Ireland, New Zealand, Poland, Romania, Scotland, Spain, Sweden, Switzerland, and the United Kingdom.
$3.99 ≈
3.68€
Gibraltar National Song for Brass Quintet
Gibraltar National Song for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Keith Terrett
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Keith Terrett
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Gibraltar National Song for Br
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Keith Terrett
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SheetMusicPlus
Brass Quintet Baritone Horn TC,Euphonium,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1204721 By Keith Terrett. By Peter Emberley. Arranged by Keith ...
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Brass Quintet Baritone Horn TC,Euphonium,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1204721 By Keith Terrett. By Peter Emberley. Arranged by Keith Terrett. 20th Century,Multicultural,Patriotic,World. 12 pages. Keith Terrett #803154. Published by Keith Terrett (A0.1204721). The national song of Gibraltar arranged for classical Brass Quintet.The local anthem of this British colony was chosen as a result of a competition and officially adopted on October 18, 1994. It is sung every September 10 (Gibraltar National Day).Gibraltar’s anthem is a good example of what an anthem should be, stirring and simple, while encapulating how natives and the world view the country.The Gibraltar Anthem is the national song of the British overseas territory of Gibraltar.In common with the United Kingdom, Crown dependencies and other British territories, the official national anthem of Gibraltar is God Save the Queen. The Gibraltar anthem is the national song, and was chosen in a competition in 1994. Both the lyrics and music were composed by Peter Emberley, who is not a Gibraltarian.The anthem is sung every 10 September by the general public at the annual release of 30,000 red and white balloons on Gibraltar National Day.Thank you for choosing Music for all Occasions. 2015 © Music for all Occasions Publications - All Rights Reserved Unauthorised copying, hiring, lending, redistribution is prohibited.Need an anthem fast? They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com Contact Publisher.
$8.99 ≈
8.30€
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