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You've selected:
COUNTER POINT FOR TWO AND TWO MORE
Sheetmusic to print
6 sheet music found
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1
COUNTER POINT FOR TWO AND TWO MORE
COUNTER POINT FOR TWO AND TWO MORE
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2 Clarinets (duet)
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INTERMEDIATE
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Michael Vondracek
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Michael Vondracek
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COUNTER POINT FOR TWO AND TWO
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Michael Vondracek
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SheetMusicPlus
Clarinet Duet Clarinet - Level 3 - Digital Download SKU: A0.1097064 By Michael Vondracek. By Michael Vondracek. Arranged by Michael Vondracek. Baroque,Ch...
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Clarinet Duet Clarinet - Level 3 - Digital Download SKU: A0.1097064 By Michael Vondracek. By Michael Vondracek. Arranged by Michael Vondracek. Baroque,Chamber. 2 scores. 17 pages. Michael Vondracek #701029. Published by Michael Vondracek (A0.1097064). A clarinet duet that includes accompaniment consisting of harpsichord and bass guitar. An electronic keyboard often has a harpsichord setting that may be used.
$8.00 ≈
£6.19
The Edmund Fitzgerald - Concerto for Piano and Strings
The Edmund Fitzgerald - Concerto for Piano and Strings
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String Orchestra
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ADVANCED
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Contemporary
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Geoffrey Peterson
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The Edmund Fitzgerald - Concer
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Geoffrey Peterson
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SheetMusicPlus
String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4...
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String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
$9.99 ≈
£7.73
Nimrod From Enigma Variations Oboe Duet-Two Tonalities Included
Nimrod From Enigma Variations Oboe Duet-Two Tonalities Included
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2 Oboes (duet)
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INTERMEDIATE
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Classical
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Edward Elgar
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Abraham Maduro
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Ab and G major, 2
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Nimrod From Enigma Variations
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Abraham Maduro
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SheetMusicPlus
Oboe Duet Oboe - Level 3 - Digital Download SKU: A0.715576 Composed by Edward Elgar. Arranged by Abraham Maduro. Concert,Contemporary,Graduation,Romantic...
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Oboe Duet Oboe - Level 3 - Digital Download SKU: A0.715576 Composed by Edward Elgar. Arranged by Abraham Maduro. Concert,Contemporary,Graduation,Romantic Period,Standards. Score. 9 pages. Abraham Maduro #4598189. Published by Abraham Maduro (A0.715576). Oboe Duet arrangement, two tonalities included; Ab and G major, 2.45 minutes long approx. In this arrangement the melody remains almost the same in the oboe 1 part, the oboe 2 part is a counter melody mixed with thematic elements in some points. Nimrod is the tenth variation of the masterpiece of Edward Elgar Enigma Variations, his beautiful and solemn spirit touches deeply and is commonly used for formal and important events as well as recitals and concerts, intermediate level. Other woodwind arrangements https://www.sheetmusicplus.com/publishers/woodwinds/abraham-maduro/3006638+900121?aff_id=627655 You can check other arrangements here https://www.sheetmusicplus.com/publishers/abraham-maduro-sheet-music/3006638?aff_id=627655 For more information contact me at contrabaraham@gmail.com
$5.99 ≈
£4.64
Quiet and Falling ~ In the Mirror (Celeste Piano Collections)
Quiet and Falling ~ In the Mirror (Celeste Piano Collections)
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Easy Piano
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EASY
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Film/TV
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Lena Raine
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Trevor Alan Gomes
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Quiet and Falling ~ In the Mir
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Materia Editions
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SheetMusicPlus
Piano Solo - Early Intermediate - Digital Download Composed by Lena Raine. Arranged by Trevor Alan Gomes. Movies, TV. 10 pages. Published by Materia ...
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Piano Solo - Early Intermediate - Digital Download Composed by Lena Raine. Arranged by Trevor Alan Gomes. Movies, TV. 10 pages. Published by Materia Editions
Music from the official Celeste Piano Collections, composed by Lena Raine, arranged and performed by Trevor Alan Gomes, and engraved by David Peacock.
Digital album available on bandcamp, iTunes, Spotify, and elsewhere. Limited edition CDs and vinyl available. Also available as a physical book!
Quiet and Falling & In The Mirror together create perhaps the most interesting relationship between any two tracks of this album. In the Mirror Temple stage, there comes a point (spoilers) where you encounter a mirror that alters the level… significantly. The music is then changed into what is essentially an audio mirror, forming two halves of a uniquely haunting complete picture. To contrast the more steady, constant nature of Quiet and Falling, In the Mirror is performed with a slightly choppy, “not quite right” feeling.
$3.99 ≈
£3.09
Antique Sketches
Antique Sketches
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Concert band
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INTERMEDIATE
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Dan Cook
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Antique Sketches
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Pecan Valley Music
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1221249 Composed by Dan Cook. Baroque,Contemporary,Contest,Festival,Instructional. Score and Parts. 89 ...
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Concert Band - Level 3 - Digital Download SKU: A0.1221249 Composed by Dan Cook. Baroque,Contemporary,Contest,Festival,Instructional. Score and Parts. 89 pages. Pecan Valley Music #817581. Published by Pecan Valley Music (A0.1221249). Grade 3+duration; 4:30I) Sarabande (2:38)II) Fugue (1:53)Flutes 1 & 2, Oboe, Bassoon, Bb Clarinets 1, 2 & 3, Bass Clarinet, Alto Saxes 1 & 2, Tenor Sax, & Baritone SaxBb Trumpets 1, 2 & 3, Horns in F 1 & 2, Trombones 1 & 2, Euphonium, & TubaTimpani, Bells, VibraphoneSnare Drum, Bass Drum, Crash CymbalAntique Sketches was composed with the intention of creating an accessible work for young band using counterpoint. Some of my favorite memories as a student in public school band include performing various arrangements of J.S. Bach. I loved sitting in the trumpet section listening across the ensemble to how the various melodic lines would rapidly fizz around from instrument to instrument.This short, two movement work is designed to foster this listening experience in your students. The first movement consists of a simple binary form, with woodwinds and brass trading off a slow melodic line. The ensemble then combines to allow for the exploration of top to bottom, back to front balance and blend without having to worry about too much technique. There are also moments of modernity in the harmonic structure designed to help anchor the movement to the present.The second movement is a fugue with a long melodic subject and two countersubjects, the point of which is to apply the listening lessons from the first movement to the more technical aspects of the second. Fugue subjects are announced with percussion entrances to focus the listening experience across the ensemble and the audience.
$40.00 ≈
£30.96
Studies No. 6 & 7
Studies No. 6 & 7
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2 Pianos, 4 hands
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ADVANCED
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Studies
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Conlon Nancarrow
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Studies No. 6 & 7
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Schott Music - Digital
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SheetMusicPlus
Transcribed for two pianos by Thomas Ades. Composed by Conlon Nancarrow (1912-1997). This edition: Sheet music. Downloadable. Duration 14 minutes. Sch...
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Transcribed for two pianos by Thomas Ades. Composed by Conlon Nancarrow (1912-1997). This edition: Sheet music. Downloadable. Duration 14 minutes. Schott Music - Digital #Q40444. Published by Schott Music - Digital
Nancarrow's music for player piano with .acrobatic complexity .that sounds .hardly performable has been known for more than four decades. The traditional notation is replaced by the accurate manual punching of individual holes in player piano roles, thus enabling multi-part sounds and rhythmic counterpoints in irrational relations which could never be played so accurately by human performers.
Fortunately, Nancarrow's less complex studies are again and again arranged for a wide variety of live instrumentation. The arrangement for two pianos by the renowned British composer and conductor Thomas Adè.s (*1971) presents the ideal opportunity for every experienced pianist to not only listen to the studies but to play them as well.
$48.99 ≈
£37.92
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COUNTER POINT FOR TWO AND TWO MORE
