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Can Concert band, Choral
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Sheetmusic to print
578 sheet music found
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576
I Want Candy
I Want Candy
#
Choral 3-part
#
INTERMEDIATE
#
Aaron Carter
#
Jeffrey Bowen
#
I Want Candy
#
Music Arrangement Services Inc.
#
SheetMusicPlus
Choral Choir,Choral (SSA) - Level 3 - Digital Download SKU: A0.1399632 By Aaron Carter. By Bert Berns, Bob Feldman, Jerry Goldstein, and Richard Gottehre...
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Choral Choir,Choral (SSA) - Level 3 - Digital Download SKU: A0.1399632 By Aaron Carter. By Bert Berns, Bob Feldman, Jerry Goldstein, and Richard Gottehrer. Arranged by Jeffrey Bowen. Contest,Festival,Pop. 11 pages. Music Arrangement Services Inc. #982909. Published by Music Arrangement Services Inc. (A0.1399632). Performed by Aaron Carter. Â This song is about wanting candy. Â The song refers to candy, girls, boys, being tough and sweet, desire, the beach, sweater, morning, and hot sunshine. Â This arrangement is designed for high school or college show choir, concert choir or community choir. Â Concert Band Score accompaniment also available. Â Performance time is approximately 2:40 but can easily be shortened by omitting measures in the introduction.
$3.99 ≈
¥28.44
I Want Candy
I Want Candy
#
Choral 3-part
#
INTERMEDIATE
#
Aaron Carter
#
Jeffrey Bowen
#
I Want Candy
#
Music Arrangement Services Inc.
#
SheetMusicPlus
Choral Choir,Choral (SAB) - Level 3 - Digital Download SKU: A0.1300311 By Aaron Carter. By Bert Berns, Bob Feldman, Jerry Goldstein, and Richard Gottehre...
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Choral Choir,Choral (SAB) - Level 3 - Digital Download SKU: A0.1300311 By Aaron Carter. By Bert Berns, Bob Feldman, Jerry Goldstein, and Richard Gottehrer. Arranged by Jeffrey Bowen. Contest,Festival,Pop. 11 pages. Music Arrangement Services Inc. #890046. Published by Music Arrangement Services Inc. (A0.1300311). Performed by Aaron Carter. Â This song is about wanting candy. Â The song refers to candy, girls, boys, being tough and sweet, desire, the beach, sweater, morning, and hot sunshine. Â This arrangement is designed for high school or college show choir, concert choir or community choir. Â Concert Band Score accompaniment also available. Â Performance time is approximately 2:40 but can easily be shortened by omitting measures in the introduction.
$3.99 ≈
¥28.44
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
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Concert band
#
INTERMEDIATE
#
Gabrieli
#
James M
#
Gabrieli: Canzon Septimi Toni
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jmsgu3
#
SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Part...
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Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
¥341.72
Americana Festival Finale (featuring Simple Gifts & Shenandoah) for Combined Orchestra, Concert Band
Americana Festival Finale (featuring Simple Gifts & Shenandoah) for Combined Orchestra, Concert Band
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Choral SATB
#
INTERMEDIATE
#
Traditional
#
M
#
Americana Festival Finale
#
Vocal Works
#
SheetMusicPlus
Choral Choir (4-Part) - Level 3 - Digital Download SKU: A0.742027 Composed by Traditional. Arranged by M. Ryan Taylor. Folk,Holiday,Patriotic,Traditional...
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Choral Choir (4-Part) - Level 3 - Digital Download SKU: A0.742027 Composed by Traditional. Arranged by M. Ryan Taylor. Folk,Holiday,Patriotic,Traditional. Octavo. 41 pages. Vocal Works #4285563. Published by Vocal Works (A0.742027). A stirring mashup of two Americana favorites, Simple Gifts & Shenandoah) arranged for choir, orchestra and concert band. Premiered at the 2018 Americana Arts & Music Festival by the American Fork Symphony, Wasatch Winds, Timpanogos Chorale and American Fork Youth Choirs.
$38.00 ≈
¥270.81
Rhapsody for Concert Band
Rhapsody for Concert Band
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Concert band
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INTERMEDIATE/ADVANCED
#
Classical
#
July 16th, Clara noted in her
#
Brock Lupton
#
Rhapsody for Concert Band
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Brock Lupton
#
SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Pub...
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Concert Band - Level 4 - Digital Download SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock Lupton (A0.942434). Brahms composed the Alto Rhapsody, properly known as Rhapsody for Alto, Male Chorus, and Orchestra, opus 53 in 1869. It was first performed in Jena on March 3, 1870. The text is based on Harzreise im Winter (Winter Journey in the Harz Mountains), a poem by well-known German poet Johann Wolfgang von Goethe (1749-1832). The Alto Rhapsody, like many of Brahms’ works, has loneliness and alienation as its central themes. Brahms’ devotion to Clara Schumann, Robert Schumann’s widow, is well-known (the letters between her and Brahms fill two volumes). What is less well-known is that he was undoubtedly very fond of Julie Schumann, Clara’s daughter.In 1869, Brahms spent the summer near the Schumann’s residence and was in daily contact with Julie and Clara completing, among other works, the Liebeslieder (Love Song) Waltzes. In early July, Julie announced her engagement. Of course, I told Johannes first of all, Clara noted in her diary on the 11th. Soon after, the conductor Hermann Levi told her that Brahms had been devotedly attached to her daughter. By July 16th, Clara noted in her diary that Brahms speaks only in monosyllables . . . [and] treats Julie in the same manner, although he used to be so especially nice to her. Did he love her? Julie was married on September 22. Later on that very wedding day, Brahms called on Clara, who wrote in her diary, Johannes brought me a very wonderful piece . . . the words from Goethe’s Harzreise. . . He called it his bridal song. This piece seems to me neither more nor less than the expression of his own heart’s anguish. If only he would for once speak so tenderly! This piece is of course the dark and emotional Alto Rhapsody. Goethe’s poem Harzreise im Winter poetically describes the kind of life God intends for different temperaments. The three stanzas set by Brahms concern the fate of a man in fruitless struggle against the bonds of misery. A young man, turned misanthropic by sorrow, seeks solitude in the wilderness. The piece is in the baroque cantata style, with an opening recitative, and aria, and a concluding chorale. The alto describes the desolate winter landscape and in the final chorale joins the male chorus in a prayer for a melody that can bring comfort to the thirsting soul (indeed the plea restore his heart is repeated three times at the end, as a kind of Amen). In the Alto Rhapsody it is not hard to find evidence for Brahms’ statement that I speak through my music. The foregoing is from a program note written for a 1997 New York Choral Society performance of the Alto Rhapsody in observance of the centenary of the death of Johannes Brahms. It has been taken from the society web page http://www.nychoral.org/brahms/brahms3.htmlAn English translation of the German text used by Brahms SOLOBut down there, who is it?His path loses itself in the bush. Behind him the branches close. The grass stands up again. Desolation surrounds him. O, who heals the wounds of the one to whom balm has become poison, who drank hatred of people from the fullness of love? Once despised, now a despiser. Secretly he destroys himself in unsatisfying self-seeking. CHORUS If there is in your psaltery, Father of Love, a tone his ear can hear, let it enliven his heart. .
$20.00 ≈
¥142.53
The Erie Canal
The Erie Canal
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Choral SATB
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Mark Hayes
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The Erie Canal
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Heritage Music Press
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SheetMusicPlus
By Mark Hayes. For SATB choir, Piano, Optional Concert Band. Educational Octavo. Concert. Published by Heritage Music Press ...
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By Mark Hayes. For SATB choir, Piano, Optional Concert Band. Educational Octavo. Concert. Published by Heritage Music Press
$2.75 ≈
¥19.60
The Erie Canal
The Erie Canal
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Choral 3-part
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Mark Hayes
#
The Erie Canal
#
Heritage Music Press
#
SheetMusicPlus
By Mark Hayes. For TTB/TBB choir, Piano, Optional Concert Band. Educational Octavo. Concert. Published by Heritage Music Press ...
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By Mark Hayes. For TTB/TBB choir, Piano, Optional Concert Band. Educational Octavo. Concert. Published by Heritage Music Press
$2.75 ≈
¥19.60
United We Stand (An American Medley)
United We Stand (An American Medley)
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Choral 2-part
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Jay Althouse and Sally K
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Inst
#
United We Stand
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Chorus - Digital Download SKU: AX.00-PO-0002893 United We Stand (An American Medley) - 2-Part. Arranged by Jay Althouse and Sally K. Albrecht. Sec...
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Chorus - Digital Download SKU: AX.00-PO-0002893 United We Stand (An American Medley) - 2-Part. Arranged by Jay Althouse and Sally K. Albrecht. Secular Choral. 9 pages. Alfred Music - Digital Sheet Music #00-PO-0002893. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0002893). UPC: 038081201108.This stirring tribute to America is the perfect finale for your upcoming concert. After a stunning opening fanfare, excerpts of Simple Gifts, America, the Beautiful, America, and the chorus of Battle Hymn are presented, leading up to a big final statement of the fanfare. The audience may also sing along on two sections of the choral. All three voicings are compatible, making this the perfect choice for a festival or joint finale. Add the full Concert Band arrangement and/or the StringPax and get your entire school involved. A SoundPax for brass and percussion is also available.Band and Chorus; Inst. Parts Available (choral); Orchestra and Chorus; Recorded Acc. Available.
$2.25 ≈
¥16.03
United We Stand (An American Medley)
United We Stand (An American Medley)
#
Choral SATB
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Jay Althouse and Sally K
#
Inst
#
United We Stand
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Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Chorus - Digital Download SKU: AX.00-PO-0002891 United We Stand (An American Medley) - SATB. Arranged by Jay Althouse and Sally K. Albrecht. Secul...
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Chorus - Digital Download SKU: AX.00-PO-0002891 United We Stand (An American Medley) - SATB. Arranged by Jay Althouse and Sally K. Albrecht. Secular Choral. 9 pages. Alfred Music - Digital Sheet Music #00-PO-0002891. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0002891). UPC: 038081201085.This stirring tribute to America is the perfect finale for your upcoming concert. After a stunning opening fanfare, excerpts of Simple Gifts, America, the Beautiful, America, and the chorus of Battle Hymn are presented, leading up to a big final statement of the fanfare. The audience may also sing along on two sections of the choral. All three voicings are compatible, making this the perfect choice for a festival or joint finale. Add the full Concert Band arrangement and/or the StringPax and get your entire school involved. A SoundPax for brass and percussion is also available.Band and Chorus; Inst. Parts Available (choral); Orchestra and Chorus; Recorded Acc. Available.
$2.25 ≈
¥16.03
United We Stand (An American Medley)
United We Stand (An American Medley)
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Choral 3-part
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Jay Althouse and Sally K
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Inst
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United We Stand
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Chorus - Digital Download SKU: AX.00-PO-0002892 United We Stand (An American Medley) - SAB. Arranged by Jay Althouse and Sally K. Albrecht. Secula...
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Chorus - Digital Download SKU: AX.00-PO-0002892 United We Stand (An American Medley) - SAB. Arranged by Jay Althouse and Sally K. Albrecht. Secular Choral. 9 pages. Alfred Music - Digital Sheet Music #00-PO-0002892. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0002892). UPC: 038081201092.This stirring tribute to America is the perfect finale for your upcoming concert. After a stunning opening fanfare, excerpts of Simple Gifts, America, the Beautiful, America, and the chorus of Battle Hymn are presented, leading up to a big final statement of the fanfare. The audience may also sing along on two sections of the choral. All three voicings are compatible, making this the perfect choice for a festival or joint finale. Add the full Concert Band arrangement and/or the StringPax and get your entire school involved. A SoundPax for brass and percussion is also available.Band and Chorus; Inst. Parts Available (choral); Orchestra and Chorus; Recorded Acc. Available.
$2.25 ≈
¥16.03
Can You Feel It
Can You Feel It
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Choral 2-part
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EASY
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The Jackson 5
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Jeffrey Bowen
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Can You Feel It
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Music Arrangement Services Inc.
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SheetMusicPlus
Choral Choir (SA) - Level 2 - Digital Download SKU: A0.923161 By The Jackson 5. By Alphonso Mizell, Berry Gordy, Deke Richards, and Frederick Perren. Arr...
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Choral Choir (SA) - Level 2 - Digital Download SKU: A0.923161 By The Jackson 5. By Alphonso Mizell, Berry Gordy, Deke Richards, and Frederick Perren. Arranged by Jeffrey Bowen. Contest,Festival,Multicultural,Pop,World. Octavo. 7 pages. Music Arrangement Services Inc. #529020. Published by Music Arrangement Services Inc. (A0.923161). Performed by The Jackson 5. This song is about a world united in love and respect for each other. The song refers to unity, multiculturalism, peace and harmony among all regardless of race, color or creed. This arrangement includes two dance breaks and is designed for beginner/intermediate high school or college show choir, concert choir or community choir. Concert Band Score accompaniment also available. Performance time is approximately 2:05.
$2.99 ≈
¥21.31
Can You Feel It
Can You Feel It
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Choral 3-part
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INTERMEDIATE/ADVANCED
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The Jackson 5
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Jeffrey Bowen
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Can You Feel It
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Music Arrangement Services Inc.
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SheetMusicPlus
Choral Choir (SAB) - Level 4 - Digital Download SKU: A0.911409 By The Jackson 5. By Alphonso Mizell, Berry Gordy, Deke Richards, and Frederick Perren. Ar...
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Choral Choir (SAB) - Level 4 - Digital Download SKU: A0.911409 By The Jackson 5. By Alphonso Mizell, Berry Gordy, Deke Richards, and Frederick Perren. Arranged by Jeffrey Bowen. Contest,Festival,Multicultural,Pop,World. Octavo. 7 pages. Music Arrangement Services Inc. #517442. Published by Music Arrangement Services Inc. (A0.911409). Performed by The Jackson 5. This song is about a world united in love and respect for each other. The song refers to unity, multiculturalism, peace and harmony among all regardless of race, color or creed. This arrangement includes two dance breaks and is designed for high school or college show choir, concert choir or community choir. Concert Band Score accompaniment also available. Performance time is approximately 2:05.
$3.99 ≈
¥28.44
Can You Feel It
Can You Feel It
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Choral SATB
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INTERMEDIATE/ADVANCED
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The Jackson 5
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Jeffrey Bowen
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Can You Feel It
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Music Arrangement Services Inc.
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.911406 By The Jackson 5. By Alphonso Mizell, Berry Gordy, Deke Richards, and Frederick Perren. A...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.911406 By The Jackson 5. By Alphonso Mizell, Berry Gordy, Deke Richards, and Frederick Perren. Arranged by Jeffrey Bowen. Contest,Festival,Multicultural,Pop,World. Octavo. 7 pages. Music Arrangement Services Inc. #517439. Published by Music Arrangement Services Inc. (A0.911406). Performed by The Jackson 5. This song is about a world united in love and respect for each other. The song refers to unity, multiculturalism, peace and harmony among all regardless of race, color or creed. This arrangement includes two dance breaks and is designed for high school or college show choir, concert choir or community choir. Concert Band Score accompaniment also available. Performance time is approximately 2:05.
$3.99 ≈
¥28.44
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
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Concert band
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EASY
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Giovanni Gabrieli
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James M
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Gabrieli: Jubilate Deo Ch. 136
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jmsgu3
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pa...
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Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #3458689. Published by jmsgu3 (A0.549200). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: small concert band, no percussion. Here is a stunningly beautiful example of Renaissance polyphony and a mesmerizing fast-paced recital number. Program this initially to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not tricky, but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes there was probably a third group near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Gabrieli’s later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
¥341.72
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
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Concert band
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INTERMEDIATE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Part...
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Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95 ≈
¥341.72
An American Tribute
An American Tribute
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Choral TTBB
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Douglas E
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An American Tribute
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Heritage Music Press
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SheetMusicPlus
TTBB choir, Piano (With Optional Concert Band) - Digital Download SKU: LX.15-2131H Composed by Douglas E. Wagner. Patriotic. Octavo. 12 pages. Heritage M...
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TTBB choir, Piano (With Optional Concert Band) - Digital Download SKU: LX.15-2131H Composed by Douglas E. Wagner. Patriotic. Octavo. 12 pages. Heritage Music Press #e15/2131H. Published by Heritage Music Press (LX.15-2131H). This majestic, inspiring montage of three revered patriotic standards features the chorus of America, the Beautiful utilized throughout as a refrain to tie the medley together. The straightforward choral parts are supported by a dignified, well-crafted keyboard or concert band accompaniment. The ultimate in patriotic offerings and exquisitely suited for concert programming as well as worship applications.
$2.50 ≈
¥17.82
Lenda de Martim (for Alto Saxophone Solo, Saxophone Quartet SATB & Concert Band)
Lenda de Martim (for Alto Saxophone Solo, Saxophone Quartet SATB & Concert Band)
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Choral SATB
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INTERMEDIATE/ADVANCED
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Contemporary
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Luis Cardoso
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Lenda de Martim
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Luis Cardoso
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SheetMusicPlus
Choral Choir (4-Part) - Level 4 - Digital Download SKU: A0.934373 Composed by Luis Cardoso. Contemporary. Octavo. 140 pages. Luis Cardoso #6168163. Publi...
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Choral Choir (4-Part) - Level 4 - Digital Download SKU: A0.934373 Composed by Luis Cardoso. Contemporary. Octavo. 140 pages. Luis Cardoso #6168163. Published by Luis Cardoso (A0.934373). Challenged by my friend André Granjo, I wrote this piece for Wind Instruments Group of Coimbra (GISC)​​, where André is now conductor. It is expected to be premiered during the first months of 2013, in collaboration with internationally renowned saxophonist Jean-Yves Fourmeau. I've been teenager GISC saxophonist, and with the group traveled through several European cities, which otherwise would have been impossible for me. I dedicate the Martim’s Legend to GISC and Professor Adelino Martins, who directed the group for decades, until his retirement this year. I related his name with a book I read, A Lenda de Martim Regos written by Pedro Canais and published in 2004. Martin, the main character, is born in Ribatejo (Portuguese province) in the fifteenth century, and his fate led him through Africa, America and Asia. Its amazing fictional story inspired me this music, because of travel, discovery, persistence and distracted absorbing knowledge.
$200.00 ≈
¥1425.32
An Americana Songbook
An Americana Songbook
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Choral SATB
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Douglas E Wagner
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An Americana Songbook
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Heritage Music Press
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SheetMusicPlus
By Douglas E Wagner. For SATB choir, Piano, Optional Concert Band. Educational Octavo. Concert. Published by Heritage Music Press ...
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By Douglas E Wagner. For SATB choir, Piano, Optional Concert Band. Educational Octavo. Concert. Published by Heritage Music Press
$2.75 ≈
¥19.60
An Americana Songbook
An Americana Songbook
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Choral 3-part
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Douglas E Wagner
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An Americana Songbook
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Heritage Music Press
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SheetMusicPlus
By Douglas E Wagner. For SSA choir, Piano, Optional Concert Band. Educational Octavo. Concert. Published by Heritage Music Press ...
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By Douglas E Wagner. For SSA choir, Piano, Optional Concert Band. Educational Octavo. Concert. Published by Heritage Music Press
$2.75 ≈
¥19.60
An Americana Songbook
An Americana Songbook
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Choral 2-part
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Douglas E Wagner
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An Americana Songbook
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Heritage Music Press
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SheetMusicPlus
By Douglas E Wagner. For Two-part choir, Piano, Optional Concert Band. Educational Octavo. New Horizons Series. Concert. Published by Heritage Music Press ...
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By Douglas E Wagner. For Two-part choir, Piano, Optional Concert Band. Educational Octavo. New Horizons Series. Concert. Published by Heritage Music Press
$2.75 ≈
¥19.60
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