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Can Harmonica, Piano
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Sheetmusic to print
67 sheet music found
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1
26
51
Piano Man
Piano Man
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Piano, Voice
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INTERMEDIATE
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Billy Joel
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an3ss piano
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Piano Man
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Andrés Moreno
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1318259 By Billy Joel. By Billy Joel. Arranged by an3ss piano. Blues,Pop,Rock,Singer/Songwriter. S...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1318259 By Billy Joel. By Billy Joel. Arranged by an3ss piano. Blues,Pop,Rock,Singer/Songwriter. Score. 6 pages. Andrés Moreno #906932. Published by Andrés Moreno (A0.1318259). The full song from Billy Joel's 1973 album, all parts included! This arrangement is for voice, diatonic harmonica in C, and piano accompaniment plus a piano solo. It is best performed as a duo (voice/harmonica + piano) but you may also play it all by yourself using a harmonica neck holder just like Billy Joel!All parts should be accessible to early intermediate players except the jazzy intro, which can be omitted, and the piano solo, which can be replaced with the interlude. You can also jump from verse 3 to verse 6 to make it a little shorter (that's how it was presented in the single version).
$4.99 ≈
4.61€
Fel Sharah Canet Betet Masha (Walking Down the Street) (for harmonica solo and piano accompaniment)
Fel Sharah Canet Betet Masha (Walking Down the Street) (for harmonica solo and piano accompaniment)
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Harmonica, Piano
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EASY
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Sephardic Folk Song
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Kaiserin Rebecca
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Fel Sharah Canet Betet Masha
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Kaiserin Rebecca
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SheetMusicPlus
Harmonica,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.642765 Composed by Sephardic Folk Song. Arranged by Kaiserin Rebecca. Concert,Folk...
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Harmonica,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.642765 Composed by Sephardic Folk Song. Arranged by Kaiserin Rebecca. Concert,Folk,Instructional,Jewish,World. Score and individual part. 4 pages. Kaiserin Rebecca #6684813. Published by Kaiserin Rebecca (A0.642765). For harmonica solo and piano accompaniment with chords.
$4.99 ≈
4.61€
An American in Valencia - Trumpet Solo with Band (piano reduction)
An American in Valencia - Trumpet Solo with Band (piano reduction)
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Trumpet, Piano
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INTERMEDIATE
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Contemporary
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Gregory Fritze
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An American in Valencia - Trum
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Musica Nova USA
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SheetMusicPlus
Composed by Gregory Fritze. 21st Century, Contemporary Classical, Neo-Classical, Repertoire, Recital. Piano Reduction, Solo Part. 39 pages. Published ...
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Composed by Gregory Fritze. 21st Century, Contemporary Classical, Neo-Classical, Repertoire, Recital. Piano Reduction, Solo Part. 39 pages. Published by Musica Nova USA
An American in Valencia was commissioned by the United States Army Band “Pershing’s Own” in Washington, DC in 1999. The Premiere Performance was May 22, 1999 at the Casa de Cultura in L’Alcudia (Valencia), Spain by Rafael Sanz-Espirt conducting La Filharmonica Band. Woodrow English, Principal Trumpet the U. S. Army Band "Pershing's Own" as was the soloist.
The piece is in three movements in a Spanish style suggesting the grand gesture of Bull fighting.The trumpet soloist portrays a toreador with the splendor of the corrida. The first movement represents theentrance of the toreador with all of the fanfare and showmanship as he bows to the audience. The second movement is a love song in a waltz tempo. The third movement starts with the raging bull coming out ofit’s corral, ready for the fight. The trumpet soloist is able to contain the bull with dashing melodic figures and a cadenza leading to the final bow in victory.
An American in Valencia was awarded Finalist in the Band Composition Competition of the American Prize in 2017. One of only two Concertos with Band awarded that year. It is recorded on Mark Records with Rafael Sanz-Espirt conducting La Filharmonica Band. Woodrow English is the soloist.
Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over ninety compositions for orchestra, band, chamber ensembles and soloists. He has won over fifty composition awards both nationally and internationally, including First Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest 2017, First Prize Winner of Reneé Fisher Composition Prize, First Prize Winner in Concurso Bienal de Composición de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d’Onore (highest award given) of the Mario Bernardo Angelo-Comneno International Music Competition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in 1991 TUBA International Etude Composition Competition, the IBLA Grand Prize (Italy), several awards from The American Prize, Composition Awards from Standard Awards Panel of American Society of Composers, Authors, and Publishers and many others. His compositions include works published by several publishers in the United States, South America and Europe and have been performed extensively throughout the world.
He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanish composers around the world. He is the only composer who has been commissioned six times by Spanish bands for Certamen competitions, with each band winning first prize.
He has thirty-three compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00 ≈
18.46€
[Piano Plus Series] Beethoven Sonatine G major (arr. Masakazu YAMAMOTO)
[Piano Plus Series] Beethoven Sonatine G major (arr. Masakazu YAMAMOTO)
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Piano solo
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EASY
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Classical
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Ludwig van Beethoven
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Masakazu YAMAMOTO
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[Piano Plus Series] Beethoven
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Motch Music
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.1329886 Composed by Ludwig van Beethoven. Arranged by Masakazu YAMAMOTO. 19th Century,Classical,Instructi...
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Piano Solo - Level 2 - Digital Download SKU: A0.1329886 Composed by Ludwig van Beethoven. Arranged by Masakazu YAMAMOTO. 19th Century,Classical,Instructional,Pop. Score. 11 pages. Motch Music #917859. Published by Motch Music (A0.1329886). It is a piano plus series of two sonatinas No. 1 in G major, Anh.5-1 (all 2 movements), comp. by Beethoven.The following scores are included.・Score・Part 1 / Piano・Part 2 / Keyboard harmonica・Part 3 / Optional part (mid-low voice)・Part 4 / Keyboard harmonica + option (Grand staff)---------------------------------------Piano Plus Series is arrangements of classical music such as Sonatina and Burgmüller, that is added the Keyboard harmonica part as obrigat. You can enjoy it as an ensemble at lessons and concert.When you replace the keyboard harmonica part with monophonic instrument, choose the best note from the chord for each case (also you can move the octave).The optional part is for medium and low. Together with the keyboard harmonica part, you can also play it with another piano or organ (Part 4 / Keyboard harmonica + option).Please use it for various purposes.Please enjoy plus to your usual piano performance!----------------------------------------------------- Motch Music All Sheet Music (Sheet Music Plus / Sheet Music Direct)I have a wide selection of sheet music for various instruments such as piano, ensemble, and concert band. From light and enjoyable pieces to concert-level compositions, we cover a wide range of repertoire. I also provide a rich collection of audio preview.In addition to original compositions and unique arrangements, a lot of text on music analysis is well-received. Please take a look below for more information!Motch Music Web Pagehttps://www.masakazuyamamoto.com/english
$22.00 ≈
20.30€
Shenandoah - Beginner keyboard - intermediate piano - 4 hands
Shenandoah - Beginner keyboard - intermediate piano - 4 hands
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Easy Piano
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BEGINNER
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Traditional
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Ian Rae
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Shenandoah - Beginner keyboard
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Irma Music
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.797156 Composed by Traditional. Arranged by Ian Rae. Concert,Folk,Patrioti...
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Instrumental Duet Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.797156 Composed by Traditional. Arranged by Ian Rae. Concert,Folk,Patriotic,World. Score and parts. 5 pages. Irma Music #3459949. Published by Irma Music (A0.797156). Ideal for school concerts or recitals, this pairs together a beginner playing split keyboard and intermediate player (or teacher) on piano. The traditional American song given a new treatment, allowing a beginner an impressive recital outing. The demo mp3 uses harmonica and bass keyboard voices to demonstrate the effectiveness of the arrangementNote that this is for piano and spit keyboard - a version from Ian Rae for 2 pianos is also available. 2018 Keyboard Contest Entry.
$4.99 ≈
4.61€
Eight Melodic Tunes, Treble Clef Concert Pitch with Piano Accompaniment
Eight Melodic Tunes, Treble Clef Concert Pitch with Piano Accompaniment
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Piano Accompaniment
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INTERMEDIATE
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Adam Hutchins
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Eight Melodic Tunes, Treble Cl
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Adam Hutchins Ltd
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SheetMusicPlus
Large Ensemble Banjo,Flute,Guitar,Harmonica,Trombone,Viola,Violin - Level 3 - Digital Download SKU: A0.942488 Composed by Adam Hutchins. Contemporary,Jaz...
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Large Ensemble Banjo,Flute,Guitar,Harmonica,Trombone,Viola,Violin - Level 3 - Digital Download SKU: A0.942488 Composed by Adam Hutchins. Contemporary,Jazz,Pop,World. Score and parts. 22 pages. Adam Hutchins Ltd #6168569. Published by Adam Hutchins Ltd (A0.942488). A book of refreshing, modern melodies with the chance to have a go at playing a solo if you’re feeling adventurous! Solo sections can be skipped if not. Intermediate to advanced level.From mellow ballads to blues via a couple of pop inspired tunes. Piano part included.Clearer SkiesHere’s To The New Year!A Big StickAnd They Were GoneChristmas WaltzRed SunsetSnow DayHometown Blues
$9.99 ≈
9.22€
Concerto
Concerto
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Piano and Orchestra
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ADVANCED
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Contemporary
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. D...
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
22.14€
Chromatic Harmonica Solos
Chromatic Harmonica Solos
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Harmonica
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INTERMEDIATE
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Instructional
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Phil Duncan
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Chromatic Harmonica Solos
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Composed by Phil Duncan. For Harmonica (Chromatic). All Styles. Intermediate. E-book. 76 pages. Published by Mel Bay Publications - Digital Sheet Music ...
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Composed by Phil Duncan. For Harmonica (Chromatic). All Styles. Intermediate. E-book. 76 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781610655248. A wonderful collection of favorite folk and classic themes are artistically arranged for chromatic harmonica solo in this book/online audio package. All songs on the online audio are split-track for play-along. Selected songs are recorded. Each songs is labeled with what harmonica was used. Some tunes are with piano and some are full orchestrations. Either the 12 or 16 hole chromatic harmonica may be used. Online audio contains only 28 of the 57 songs that are in the book. Includes access to online audio.
$17.99 ≈
16.60€
We Can Work It Out
We Can Work It Out
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Rock
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Tunescribers
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We Can Work It Out
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ArrangeMe
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SheetMusicPlus
Bass Voice,Drums,Guitar,Harmonica,Piano,Vibraphone - Digital Download SKU: A0.1338408 Arranged by Tunescribers. Rock. ArrangeMe #25612. Published by Arra...
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Bass Voice,Drums,Guitar,Harmonica,Piano,Vibraphone - Digital Download SKU: A0.1338408 Arranged by Tunescribers. Rock. ArrangeMe #25612. Published by ArrangeMe (A0.1338408).
$15.95 ≈
14.72€
Isn't She Lovely
Isn't She Lovely
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Harmonica, Piano
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INTERMEDIATE
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Stevie Wonder
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SAMUEL DE SOUZA MALAQUIAS
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Isn't She Lovely
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SAMUEL DE SOUZA MALAQUIAS
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SheetMusicPlus
Harmonica,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.1157861 By Stevie Wonder. By Stevie Wonder. Arranged by SAMUEL DE SOUZA MALAQUIAS....
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Harmonica,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.1157861 By Stevie Wonder. By Stevie Wonder. Arranged by SAMUEL DE SOUZA MALAQUIAS. Funk,Hip-Hop,Pop,R & B. Score and individual part. 12 pages. SAMUEL DE SOUZA MALAQUIAS #758165. Published by SAMUEL DE SOUZA MALAQUIAS (A0.1157861). Very rhythmic arrangement for piano and harmonica. The harmonica part can also be played by a violin or flute.
$5.99 ≈
5.53€
La canzone del Piave
La canzone del Piave
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Gaeta
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Ester Alessandrini
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La canzone del Piave
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ester
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SheetMusicPlus
Large Ensemble Flute,Guitar,Harmonica,Orff Instrument,Piano Accompaniment,Trumpet,Violin,Voice - Level 2 - Digital Download SKU: A0.758168 Composed by Ga...
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Large Ensemble Flute,Guitar,Harmonica,Orff Instrument,Piano Accompaniment,Trumpet,Violin,Voice - Level 2 - Digital Download SKU: A0.758168 Composed by Gaeta. Arranged by Ester Alessandrini. Concert,Folk,Holiday,Patriotic. Score and parts. 15 pages. Ester #14291. Published by ester (A0.758168). La canzone che racconta la battaglia tra italiani e austriaci Piave durante la Prima guerra mondiale. Per orchestra di studenti ai primi anni di studio.
$12.00 ≈
11.08€
Christmas Fairy Tale
Christmas Fairy Tale
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Tuba and Piano
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INTERMEDIATE
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Christmas
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James Stone
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Christmas Fairy Tale
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James Stone
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SheetMusicPlus
Banjo,Flute,Harmonica,Piano,Tuba - Level 3 - Interactive Download SKU: A0.1325111 Composed by James Stone. This edition: Interactive Download. Christmas,...
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Banjo,Flute,Harmonica,Piano,Tuba - Level 3 - Interactive Download SKU: A0.1325111 Composed by James Stone. This edition: Interactive Download. Christmas,Jazz,Musical/Show. 40 pages. Duration 279. James Stone #SLWGW45yD6CAscfdK8zN4. Published by James Stone (A0.1325111). Key: G major.Turn this into a Christmas musical? There are eight verses. Four children sing two verses each, or eight children sing one verse each. Other parts are sung by individuals or together. In a performance of this song performers/singers can dance singly, in pairs, and in a group. The tuba player could also dance a jig. Some performers (fairies, pixies, and sprites) can be suspended in air above the stage among twinkling, colored lights. Music for Voice and Small Ensemble including flute, banjo, tuba, harp, and piano. Published by CumbiaBoy.
$2.99 ≈
2.76€
Saudoso adeus... (piano)
Saudoso adeus... (piano)
Piano Solo,Harmonica
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Contemporary
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Zequinha de Abreu
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Saudoso adeus...
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Musica Brasilis
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SheetMusicPlus
Composed by Zequinha de Abreu. 20th Century, South American. Solo Part. 4 pages. Published by Musica Brasilis (S0.240373). - Solo Part - 20th Century,South Amer...
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Composed by Zequinha de Abreu. 20th Century, South American. Solo Part. 4 pages. Published by Musica Brasilis (S0.240373). - Solo Part - 20th Century,South American - Musica Brasilis
$5.00 ≈
4.61€
White Christmas
White Christmas
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Harmonica
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BEGINNER
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Christmas
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Bing Crosby
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songbooks
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White Christmas
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songbooks.info
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SheetMusicPlus
Harmonica - Level 1 - Digital Download SKU: A0.1327727 By Bing Crosby. By Irving Berlin. Arranged by songbooks.info. 20th Century,Christian,Christmas,Rel...
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Harmonica - Level 1 - Digital Download SKU: A0.1327727 By Bing Crosby. By Irving Berlin. Arranged by songbooks.info. 20th Century,Christian,Christmas,Religious,Traditional. Score. 3 pages. Songbooks.info #915774. Published by songbooks.info (A0.1327727). White Christmas was written in 1940 by US composer Irving Berlin (1888-1989). In 1942 the song was recorded for the film Holiday Inn. Bing Crosby's version, published in 1947, has sold an estimated 50 million copies, making it the best-selling single worldwide.The song was adapted for the Chromatic Harmonica and provided with symbols for the channel number, blow/draw and the slider. These symbols are briefly explained in the appendix. The classic musical notation and/or the lyrics help to develop the song, so that even those unfamiliar with music notes can learn to play the song with this arrangement. The sound of a piano was used in the setting, so the sound does not mix with the sound of your own instrument. The melody is backed by a metronome and quietly by an organ. We hope you enjoy making music...!White Christmas wurde 1940 vom US-Komponisten Irving Berlin (1888-1989) geschrieben. 1942 wurde das Lied für den Film Holiday Inn aufgenommen. Die 1947 veröffentlichte Version von Bing Crosby verkaufte sich bisher geschätzte 50 Millionen mal, und ist somit die bisher meistverkaufte Single Weltweit.Das Lied wurde für die Chromatische Mundharmonika adaptiert und mit Symbolen für Kanalnummer, Blas-/Ziehton und dem Schieber versehen. Diese Symbole werden im Anhang kurz erklärt. Die klassische Notenschrift und/oder der Liedtext helfen beim Erarbeiten des Liedes, sodaß auch Noten-Unkundige mit diesem Arrangement das Lied spielen lernen können. In der Vertonung wurde der Sound eines Pianos verwendet, so vermischt sich der Klang nicht mit dem Klang des eigenen Instrumentes. Hinterlegt ist die Melodie mit einem Metronom sowie leise mit einer Orgel. Wir wünschen viel Spaß beim Musizieren...!
$5.49 ≈
5.07€
Jingle Bells - family band
Jingle Bells - family band
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Piano, Vocal and Guitar
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BEGINNER
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Christmas
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James Lord Pierpont
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Sophia Johanna
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Jingle Bells - family band
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Sophia Transistor
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.851124 Composed by James Lord Pierpont. Arranged by Sophia Johanna. Children,Christmas. Sco...
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Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.851124 Composed by James Lord Pierpont. Arranged by Sophia Johanna. Children,Christmas. Score. 15 pages. Sophia Transistor #3691639. Published by Sophia Transistor (A0.851124). Year after year, the whole family comes together and eventually tries to perform Christmas songs on the fly. This arrangement of the american traditional chistmas song Jingle Bells (One Horse Open Sleigh) offers several parts for many variable instruments in their specific notation forms. The voices can be combined ad libitum. The score also offers decent vocal scores with the original english lyrics. The score includes: - Piano (piano with chordsymbols) - vocals (in english) - solo instruments in C (violin, flute,etc.) quartet - solo instruments in bass clef (trombone, cello, bass, etc.); quartet - solo instruments in Bb(trumpet, clarinet, tenor saxophone, etc.); quartet - solo instruments in Eb (alto saxophone, Eb-clarinet, etc.);quartet - solo instruments in F (french horn, F-tuba, etc.); quartet - accordion / harmonica - guitar (notes/tabs/chord) - drumset / persuccion bells ;-)YouTube Play Along: https://youtu.be/tV7nCSdjFyUGerman description (Beschreibung auf Deutsch):Alle Jahre wieder wird mit der Familie zusammen Weihnachten gefeiert. Lasst uns doch was zusammen spielen! Na klar, hast du Noten? Ja hier, für Keyboard... hm, für mich passen die nicht... Dieses Arrangement des Weihnachtsklassikers Jingle Bells (Schellen klimpern) beinhaltet Noten für die gängigsten Hausinstrumente. Alle Stimmen können miteinander kombiniert werden. Die Gesangsnoten sind vernünftig notiert und den Liedtext gibt es auf Englisch.Folgende Musikinstrumente werden durch diese Noten abgedeckt: - Klavier (leicht, mittlere Begleitung, Intonationsvorschläge, Akkordsymbole und Melodie) - Gesang (auf Englisch); 4 Strophen - Soloinstrumente in C (Geige, Flöte, etc.); Quartett - Soloinstrumente mit Bassschlüssel (Posaune, Cello, Bass, etc.); Quartett - Soloinstrumente in Bb (Trompete, Klarinette, Tenorsaxofon,etc.); Quartett - Soloinstrumente in Eb (Altsaxofon, Eb-Klarinette, etc.); Quartett - Soloinstrumente in F(Waldhorn, F-Tuba, etc.); Quartett - Akkordeon / Harmonika - Gitarre (Noten/Akkorde/Tabs) - Schlagwerk / Schlagzeug / Schelleninstrument ;-)Viel Spaß beim Ausprobieren!This arrangement has been optimized for on the fly performances during Christmas time. The constitution of instruments (rhythm and solo instruments (also in transposing scores)) can be put together ad libitum. All parts are matching, can be combined or played alone.traditional american christmas children song by James Lord Pierpontarranged by Sophia Johannafor family band
$4.99 ≈
4.61€
Dumpty Deedle Dee Dum Dee. Novelty Song
Dumpty Deedle Dee Dum Dee. Novelty Song
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Piano, Voice
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Walter Donaldson
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Dumpty Deedle Dee Dum Dee. Nov
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - Digital Download SKU: LV.22876 Composed by Walter Donaldson. Military life, Campfires, Guards, Harmonicas, Firearms, Eating & drinking,...
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Piano and voice - Digital Download SKU: LV.22876 Composed by Walter Donaldson. Military life, Campfires, Guards, Harmonicas, Firearms, Eating & drinking, Military uniforms, World War I, Entertainment, Patriotism. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.22876). Dumpty Deedle Dee Dum Dee. Novelty Song. Words by Hal Crane. Music by Walter Donaldson. Published 1918 by M. Witmark & Sons in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Military life, Campfires, Guards, Harmonicas, Firearms, Eating & drinking, Military uniforms, World War I, Entertainment, Patriotism. First line reads When Private Willie Morgan sailed across the sea, he bought a new mouth organ just to keep him company.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.53€
Life is All We Have
Life is All We Have
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Harmonica
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INTERMEDIATE
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Pétur Söebech Quinn
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Life is All We Have
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Petur Soebech Quinn
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SheetMusicPlus
Harmonica - Level 3 - Digital Download SKU: A0.997046 Composed by Pétur Söebech Quinn. Jazz,Pop. Score. 3 pages. Petur Soebech Quinn #6118207. Publ...
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Harmonica - Level 3 - Digital Download SKU: A0.997046 Composed by Pétur Söebech Quinn. Jazz,Pop. Score. 3 pages. Petur Soebech Quinn #6118207. Published by Petur Soebech Quinn (A0.997046). Harmonica Lead Sheet version of this song, chords can be played on a piano or a keyboard. - Appropriate for anyone. - Duration 4:08 - Performing Rights Organization, STEF Iceland.
$2.99 ≈
2.76€
You Are Always With Me
You Are Always With Me
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Harmonica
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INTERMEDIATE
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Pétur Söebech Quinn
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You Are Always With Me
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Petur Soebech Quinn
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SheetMusicPlus
Harmonica - Level 3 - Digital Download SKU: A0.997050 Composed by Pétur Söebech Quinn. Pop,World. Score. 3 pages. Petur Soebech Quinn #6184093. Pub...
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Harmonica - Level 3 - Digital Download SKU: A0.997050 Composed by Pétur Söebech Quinn. Pop,World. Score. 3 pages. Petur Soebech Quinn #6184093. Published by Petur Soebech Quinn (A0.997050). Harmonica Lead Sheet version of this song, chords can be played on a piano or a keyboard. - Appropriate for anyone. - Duration 4:19 - Performing Rights Organization, STEF Iceland.
$2.99 ≈
2.76€
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Soprano voice, Piano
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ADVANCED
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Classical
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lassù
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period....
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95 ≈
8.26€
Tochter Zion - Daughter Zion, rejoice - for various instruments
Tochter Zion - Daughter Zion, rejoice - for various instruments
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Piano, Vocal and Guitar
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EASY
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Classical
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George Frideric Handel
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Sophia Johanna
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Tochter Zion - Daughter Zion,
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Sophia Transistor
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.851128 Composed by George Frideric Handel. Arranged by Sophia Johanna. 20th Century,Christi...
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.851128 Composed by George Frideric Handel. Arranged by Sophia Johanna. 20th Century,Christian,Christmas,Classical,World. Score. 18 pages. Sophia Transistor #6139725. Published by Sophia Transistor (A0.851128). German traditional Christmas Song Tochter Zion, freue dich = Daughter Zion, rejoice by Georg Friedrich Händel arranged for family band or every random band with multiple various and variable instruments in every color and key.Year after year, the whole family comes together and eventually tries to perform Christmas songs on the fly. This arrangement of the traditional chistmas song Tochter Zion (Daughter Zion) offers several parts for many variable instruments in their specific notation forms. The voices can be combined ad libitum. The score also offers decent vocal scores with the original german and also english lyrics. The score includes: - Piano (piano with chordsymbols) - vocals (in german and english) choir Arrangement- solo instruments in C (violin, flute,etc.) quartet - solo instruments in bass clef (trombone, cello, bass, etc.); quartet - solo instruments in Bb(trumpet, clarinet, tenor saxophone, etc.); quartet - solo instruments in Eb (alto saxophone, Eb-clarinet, etc.);quartet - solo instruments in F (french horn, F-tuba, etc.); quartet - accordion / harmonica - guitar (notes/tabs/chord) - drumset ;-)YouTube Play Along: https://youtu.be/Pfo_Mu-8Z-sGerman description (Beschreibung auf Deutsch):Alle Jahre wieder wird mit der Familie zusammen Weihnachten gefeiert. Lasst uns doch was zusammen spielen! Na klar, hast du Noten? Ja hier, für Keyboard... hm, für mich passen die nicht... Dieses Arrangement des Weihnachtsklassikers JTochter Zion beinhaltet Noten für die gängigsten Hausinstrumente. Alle Stimmen können miteinander kombiniert werden. Die Gesangsnoten sind vernünftig notiert und den Liedtext gibt es auf Deutsch und auf Englisch.Folgende Musikinstrumente werden durch diese Noten abgedeckt: - Klavier (leicht, mittlere Begleitung, Intonationsvorschläge, Akkordsymbole und Melodie) - Gesang (auf deutsch und englisch); 3 Strophen, 4-stimmig- Soloinstrumente in C (Geige, Flöte, etc.); Quartett - Soloinstrumente mit Bassschlüssel (Posaune, Cello, Bass, etc.); Quartett - Soloinstrumente in Bb (Trompete, Klarinette, Tenorsaxofon,etc.); Quartett - Soloinstrumente in Eb (Altsaxofon, Eb-Klarinette, etc.); Quartett - Soloinstrumente in F(Waldhorn, F-Tuba, etc.); Quartett - Akkordeon / Harmonika - Gitarre (Noten/Akkorde/Tabs) - Schlagwerk / Schlagzeug / Schelleninstrument ;-)Viel Spaß beim Ausprobieren!This arrangement has been optimized for on the fly performances during Christmas time. The constitution of instruments (rhythm and solo instruments (also in transposing scores)) can be put together ad libitum. All parts are matching, can be combined or played alone.traditional german christmas children song by James Lord Pierpontarranged by Sophia Johannafor family bandPublic Domain InstrumentalLiedtext1. Tochter Zion, freue dich!Jauchze, laut, Jerusalem!Sieh, dein König kommt zu dir!Ja er kommt, der Friedenfürst.Tochter Zion, freue dich!Jauchze, laut, Jerusalem!2. Hosianna, Davids Sohn,Sei gesegnet deinem Volk!Gründe nun dein ewig' Reich,Hosianna in der Höh'!Hosianna, Davids Sohn,Sei gesegnet deinem Volk!3. Hosianna, Davids Sohn,Sei gegrüßet, König mild!Ewig steht dein Friedensthron,Du, des ew'gen Vaters Kind.Hosianna, Davids Sohn,Sei gegrüßet, König mild! Hashtags:#TochterZion#smppressmusic#Weihnachtslieder#sheetmusicplus
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Can Harmonica, Piano
