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Cello Piccolo, Flute, Cello, Clarinet, Piano, Violin
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Cello Piccolo, Flute, Cello, Clarinet, Piano, Violin
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Sheetmusic to print
203 sheet music found
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Railway Song (Auf de schwäb'sche Eisebahne) flute, oboe, clarinet, bassoon, viola, cello, piano
Railway Song (Auf de schwäb'sche Eisebahne) flute, oboe, clarinet, bassoon, viola, cello, piano
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Viola, Piano
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INTERMEDIATE/ADVANCED
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Traditional
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David Warin Solomons
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Railway Song
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David Warin Solomons
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SheetMusicPlus
Large Ensemble Bassoon,Cello,Clarinet,Flute,Oboe,Piano,Viola - Level 4 - Digital Download SKU: A0.575776 Composed by Traditional. Arranged by David Warin...
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Large Ensemble Bassoon,Cello,Clarinet,Flute,Oboe,Piano,Viola - Level 4 - Digital Download SKU: A0.575776 Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Folk,Multicultural,World. Score and parts. 31 pages. David Warin Solomons #2028015. Published by David Warin Solomons (A0.575776). This arrangement of Railway Song is one of a series of jolly and descriptive quartets (and a septet) all based on the Swabian folksong Auf de schwäb'sche Eisebahne (= on the Swabian railway) from the Tübinger Kommersbuch 1853 The music in this arrangement also mimics the speeding up and slowing down of the train and its whistles. Versions available on this site are: Flute quartet (piccolo, flute, alto flute, bass flute) Flute quartet (2 flutes, alto flute, bass flute) Flute quartet (piccolo, 2 flutes, alto flute) Clarinet quartet (3 B-flat clarinets and 1 Bass clarinet) String quartet (2 violins, viola and cello) Saxophone quartet (soprano, alto, tenor and baritone saxophones) Wind quartet (flute, oboe, clarinet, bassoon) Septet (flute (or oboe), oboe, clarinet, bassoon, viola, cello, piano).
$12.00 ≈
¥84.14
Two Brahms Quartets for Clarinet Quartet
Two Brahms Quartets for Clarinet Quartet
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Clarinet Quartet: 4 clarinets
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EASY
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Classical
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Johannes Brahms
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Adam Lenhart
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Two Brahms Quartets for Clarin
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Adam Lenhart
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Download SKU: A0.949373 Composed by Johannes Brahms. Arranged by Ada...
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Woodwind Ensemble,Woodwind Quartet Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Download SKU: A0.949373 Composed by Johannes Brahms. Arranged by Adam Lenhart. Romantic Period. 47 pages. Adam Lenhart #5289711. Published by Adam Lenhart (A0.949373). In this arrangement, two of Brahms most famous and beautiful quartets have been set to clarinet quartet with piano or organ accompaniment. Included is Wie lieblich sind deine Wohnungen (How lovely are thy dwellings), the fourth movement from A German Requiem, to words of the Holy Scriptures, Op. 45, and Der Gang zum Liebchen (Journey to thy beloved) from Three Quartets, Op. 31. These quartets have been arranged to be performed by all levels of musicians in a variety of settings. Includes full score and individual parts for both quartets.*Included is a third Bb Clarinet part, which can be used in the absence or substitution of an Eb Alto Clarinet.This set of quartets is also available for the following chamber ensembles:Flute Quartet (4 Flutes with opt. Piccolo)Flute Choir (Piccolo, Concert, Alto and Bass Flute)Oboe Quartet (Oboe, Violin, Viola and Cello)Clarinet Quartet (2 Bb Clarinets, Alto and Bass Clarinet; or 3 Bb Clarinets and Bass Clarinet)Saxophone Quartet (Soprano, Alto, Tenor and Baritone Saxophone; or 2 Alto Saxophones, Tenor and Baritone Saxophone)Brass Quartet (2 Bb Trumpets, F Horn and Trombone)Woodwind Quartet (Flute, Oboe, Bb Clarinet and Bassoon)String Quartet (2 Violins, Viola and Cello)---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$9.99 ≈
¥70.04
The Song of Moses and Miriam at the Red Sea-Piccolo
The Song of Moses and Miriam at the Red Sea-Piccolo
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Piccolo
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EASY
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Zachary Damm
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The Song of Moses and Miriam a
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Digital Print Publishing
#
SheetMusicPlus
Instrumental Solo,Piccolo - Level 2 - Digital Download SKU: A0.969554 Composed by Zachary Damm. Christian,Sacred,Spiritual. Individual part. 3 pages. Dig...
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Instrumental Solo,Piccolo - Level 2 - Digital Download SKU: A0.969554 Composed by Zachary Damm. Christian,Sacred,Spiritual. Individual part. 3 pages. Digital Print Publishing #3014273. Published by Digital Print Publishing (A0.969554). The music of this piece attempts to capture the mood behind the songs of the Israelites at the Red Sea. This choir piece is part of a larger work that utilizes an orchestra composed of piccolo, flute, oboe, B flat clarinet, bassoon, horn, B flat trumpet, trombone, tuba, violin, viola, cello, double bass, timpani, and tambourine, including piano and organ accompaniment. The vocal parts are an SATB choir which sings the Scriptural words. This is a great sacred piece for choirs and orchestras as well as church services. This is a copy of the piccolo part: see also all the individual instrumental parts under the same title.
$4.51 ≈
¥31.62
Medieval Rainbow (Curcubeu medieval) (arrangement for piano solo no.1)
Medieval Rainbow (Curcubeu medieval) (arrangement for piano solo no.1)
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Piano solo
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EASY
#
Classical
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Andrei Lucian Drăgoi
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Medieval Rainbow
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Andrei-Lucian Dragoi
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SheetMusicPlus
Large Ensemble Alto Recorder,Cello,Clarinet,Harpsichord,Organ,Piano,Soprano Recorder,Tenor Saxophone,Viola,Voice - Level 2 - Digital Download SKU: A0.912978
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Large Ensemble Alto Recorder,Cello,Clarinet,Harpsichord,Organ,Piano,Soprano Recorder,Tenor Saxophone,Viola,Voice - Level 2 - Digital Download SKU: A0.912978 Composed by Andrei Lucian Drăgoi (Dragoi). Baroque. Score and parts. 2 pages. Andrei-Lucian Dragoi #1999329. Published by Andrei-Lucian Dragoi (A0.912978). This is a small piece composed for children and addressed to piano beginners of any age. The title is given both in English and Romanian (as the composer is Romanian). This is an arrangement for piano solo (numbered as no.1). However it may be played also on: organ, harpsichord and even on instrumental duet (string duet [violin/viola/guitar with 2nd viola/cello/2nd guitar], woodwinds duet [piccolo/clarinet/soprano recorder with tenor flute/2nd clarinet/alto recorder], brass duet [clarinet/tenor sax/alto sax and 2nd clarinet/tenor sax]) or vocal duet (tenor and baritone/bass). The melody has also auto-accompaniment characteristics and can be played even with any solo voice/instrument.The audio sample was generated from the musical sheet using the Stereo Bells timbre from Native Instruments FM7 Vintage: https://www.soundonsound.com/reviews/native-instruments-fm7
$1.99 ≈
¥13.95
Railway Song (Auf de schwäb'sche Eisebahne) for clarinet quartet
Railway Song (Auf de schwäb'sche Eisebahne) for clarinet quartet
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Clarinet Quartet: 4 clarinets
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INTERMEDIATE/ADVANCED
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Budapest Scoring Clarinet Ense
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David Warin Solomons
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Railway Song
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David Warin Solomons
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 4 - Digital Download SKU: A0.575772 By Budapest Scoring Clarinet Ensemble. By Traditional. Arranged b...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 4 - Digital Download SKU: A0.575772 By Budapest Scoring Clarinet Ensemble. By Traditional. Arranged by David Warin Solomons. Contemporary,Folk,Multicultural,World. 21 pages. David Warin Solomons #2028003. Published by David Warin Solomons (A0.575772). This arrangement of Railway Song is one of a series of jolly and descriptive quartets (and a septet) all based on the Swabian folksong Auf de schwäb'sche Eisebahne (= on the Swabian railway) from the Tübinger Kommersbuch 1853 The music in this arrangement also mimics the speeding up and slowing down of the train and its whistles. Versions available on this site are: Flute quartet (piccolo, flute, alto flute, bass flute) Flute quartet (2 flutes, alto flute, bass flute) Flute quartet (piccolo, 2 flutes, alto flute) Clarinet quartet (3 B-flat clarinets and 1 Bass clarinet) String quartet (2 violins, viola and cello) Saxophone quartet (soprano, alto, tenor and baritone saxophones) Wind quartet (flute, oboe, clarinet, bassoon) Septet (flute (or oboe), oboe, clarinet, bassoon, viola, cello, piano).
$12.00 ≈
¥84.14
Railway Song (Auf de schwäb'sche Eisebahne) for 2 flutes, alto flute, bass flute
Railway Song (Auf de schwäb'sche Eisebahne) for 2 flutes, alto flute, bass flute
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2 Flutes (duet)
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INTERMEDIATE/ADVANCED
#
Traditional
#
David Warin Solomons
#
Railway Song
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David Warin Solomons
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 4 - Digital Download SKU: A0.575771 Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Folk,World. 2...
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Woodwind Ensemble Flute - Level 4 - Digital Download SKU: A0.575771 Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Folk,World. 21 pages. David Warin Solomons #2028011. Published by David Warin Solomons (A0.575771). This arrangement of Railway Song is one of a series of jolly and descriptive quartets (and a septet) all based on the Swabian folksong Auf de schwäb'sche Eisebahne (= on the Swabian railway) from the Tübinger Kommersbuch 1853 The music in this arrangement also mimics the speeding up and slowing down of the train and its whistles. The sound sample is performed by Nancy Tyler Versions available on this site are: Flute quartet (piccolo, flute, alto flute, bass flute) Flute quartet (2 flutes, alto flute, bass flute) Flute quartet (piccolo, 2 flutes, alto flute) Clarinet quartet (3 B-flat clarinets and 1 Bass clarinet) String quartet (2 violins, viola and cello) Saxophone quartet (soprano, alto, tenor and baritone saxophones) Wind quartet (flute, oboe, clarinet, bassoon) Septet (flute (or oboe), oboe, clarinet, bassoon, viola, cello, piano).
$12.00 ≈
¥84.14
Hold On To The Moment - PIANO/VOCAL SCORE
Hold On To The Moment - PIANO/VOCAL SCORE
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Piano, Voice
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W
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Hold On To The Moment - PIANO/
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Diamond S Music
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SheetMusicPlus
Piano,Vocal,Voice - Digital Download SKU: A0.789892 Composed by W. Brent Sawyer. Pop,Sacred,Wedding. Score. 12 pages. Diamond S Music #3079755. Published...
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Piano,Vocal,Voice - Digital Download SKU: A0.789892 Composed by W. Brent Sawyer. Pop,Sacred,Wedding. Score. 12 pages. Diamond S Music #3079755. Published by Diamond S Music (A0.789892). PIANO/VOCAL SCORE Only. HOLD ON TO THE MOMENT is a beautiful sentimental pop song that can be showcased at graduation ceremonies, Church services, Weddings, and Choir or Band Concerts. The song begins with a VOCAL SOLO that turns into a TRIO  with a full SATB chorus and Gospel Trio in counterpoint. Accompaniment is scored for: Piano, Synth, Electric Guitar  1 & 2, Bass Guitar, Drum Set, Percussion, Piccolo, Flute 1 & 2, Bb Clarinet 1 & 2, Alto Sax, Tenor Sax, Horn in F, Trumpet 1 & 2, Trombone 1 & 2, Violin 1 & 2, Viola, Cello, Double Bass. Can also be performed as a Vocal Solo with Piano (or small group- Piano, Bass, Drums, Guitar). This song begins and ends very sweet, but really grooves and opens up in the middle.  Lyrics are adapted from an anonymous poem, Hold On To The Moment that was used in many school yearbooks years ago, Single file and yet together, we have shared out greatest days. And we carry common memories...).
$7.00 ≈
¥49.08
The Song of Moses and of Miriam at the Red Sea - Piano
The Song of Moses and of Miriam at the Red Sea - Piano
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Piano solo
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EASY
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Zachary Damm
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The Song of Moses and of Miria
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Digital Print Publishing
#
SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.969553 Composed by Zachary Damm. Christian,Sacred,Spiritual. Score. 6 pages. Digital Print Publishing #30...
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Piano Solo - Level 2 - Digital Download SKU: A0.969553 Composed by Zachary Damm. Christian,Sacred,Spiritual. Score. 6 pages. Digital Print Publishing #3012605. Published by Digital Print Publishing (A0.969553). The music of this piece attempts to capture the mood behind the songs of the Israelites at the Red Sea. It utilizes an orchestra composed of piccolo, flute, oboe, B flat clarinet, bassoon, horn, B flat trumpet, trombone, tuba, violin, viola, cello, double bass, timpani, and tambourine, including piano and organ accompaniment. The vocal parts are an SATB choir which sings the Scriptural words. This is a great sacred piece for choirs and orchestras as well as church services. This is a piano accompaniment: see also all the individual instrumental parts under the same title.
$4.51 ≈
¥31.62
The Song of Moses and of Miriam at the Red Sea-Cello
The Song of Moses and of Miriam at the Red Sea-Cello
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Cello
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EASY
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Zachary Damm
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The Song of Moses and of Miria
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Digital Print Publishing
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SheetMusicPlus
Cello Solo - Level 2 - Digital Download SKU: A0.969565 Composed by Zachary Damm. Christian,Sacred,Spiritual. Individual part. 3 pages. Digital Print Publ...
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Cello Solo - Level 2 - Digital Download SKU: A0.969565 Composed by Zachary Damm. Christian,Sacred,Spiritual. Individual part. 3 pages. Digital Print Publishing #3015741. Published by Digital Print Publishing (A0.969565). The music of this piece attempts to capture the mood behind the songs of the Israelites at the Red Sea. This choir piece is part of a larger work that utilizes an orchestra composed of piccolo, flute, oboe, B flat clarinet, bassoon, horn, B flat trumpet, trombone, tuba, violin, viola, cello, double bass, timpani, and tambourine, including piano and organ accompaniment. The vocal parts are an SATB choir which sings the Scriptural words. This is a great sacred piece for choirs and orchestras as well as church services. This is a copy of the cello part: see also all the individual instrumental parts under the same title.
$4.51 ≈
¥31.62
The Song of Moses and of Miriam at the Red Sea-Clarinet
The Song of Moses and of Miriam at the Red Sea-Clarinet
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Clarinet
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EASY
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Zachary Damm
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The Song of Moses and of Miria
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Digital Print Publishing
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SheetMusicPlus
Clarinet Solo - Level 2 - Digital Download SKU: A0.969557 Composed by Zachary Damm. Christian,Sacred,Spiritual. Individual part. 3 pages. Digital Print P...
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Clarinet Solo - Level 2 - Digital Download SKU: A0.969557 Composed by Zachary Damm. Christian,Sacred,Spiritual. Individual part. 3 pages. Digital Print Publishing #3014297. Published by Digital Print Publishing (A0.969557). The music of this piece attempts to capture the mood behind the songs of the Israelites at the Red Sea. This choir piece is part of a larger work that utilizes an orchestra composed of piccolo, flute, oboe, B flat clarinet, bassoon, horn, B flat trumpet, trombone, tuba, violin, viola, cello, double bass, timpani, and tambourine, including piano and organ accompaniment. The vocal parts are an SATB choir which sings the Scriptural words. This is a great sacred piece for choirs and orchestras as well as church services. This is a copy of the clarinet part: see also all the individual instrumental parts under the same title.
$4.51 ≈
¥31.62
The Song of Moses and of Miriam at the Red Sea-Violin
The Song of Moses and of Miriam at the Red Sea-Violin
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Violin
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EASY
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Sacred music
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Zachary Damm
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The Song of Moses and of Miria
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Digital Print Publishing
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SheetMusicPlus
Violin Solo - Level 2 - Digital Download SKU: A0.969563 Composed by Zachary Damm. Christian,Sacred,Spiritual. 3 pages. Digital Print Publishing #3015661....
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Violin Solo - Level 2 - Digital Download SKU: A0.969563 Composed by Zachary Damm. Christian,Sacred,Spiritual. 3 pages. Digital Print Publishing #3015661. Published by Digital Print Publishing (A0.969563). The music of this piece attempts to capture the mood behind the songs of the Israelites at the Red Sea. This choir piece is part of a larger work that utilizes an orchestra composed of piccolo, flute, oboe, B flat clarinet, bassoon, horn, B flat trumpet, trombone, tuba, violin, viola, cello, double bass, timpani, and tambourine, including piano and organ accompaniment. The vocal parts are an SATB choir which sings the Scriptural words. This is a great sacred piece for choirs and orchestras as well as church services. This is a copy of the violin part: see also all the individual instrumental parts under the same title.
$4.51 ≈
¥31.62
[Westergaard] Twelfth Night (Piano/Vocal)
[Westergaard] Twelfth Night (Piano/Vocal)
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Vocal duet, Piano
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Peter Westergaard
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[Westergaard] Twelfth Night
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American Composers Alliance Inc.
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SheetMusicPlus
Piano,Voice Duet Piano,Voice - Digital Download SKU: A0.952813 Composed by Peter Westergaard. Contemporary,Opera. 370 pages. American Composers Alliance ...
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Piano,Voice Duet Piano,Voice - Digital Download SKU: A0.952813 Composed by Peter Westergaard. Contemporary,Opera. 370 pages. American Composers Alliance Inc. #4624277. Published by American Composers Alliance Inc. (A0.952813). Complete piano/vocal score of Westergaard's Shakespearian chamber opera, Twelfth Night. Scored for 12 solo singers (1 soprano, 1 mezzo-soprano, 1 contralto, 1 countertenor, 3 tenors, 4 baritones, 1 bass), 4 supernumeraries, flute (doubling piccolo & alto flute), Ob (doubling English horn), Clarinet, Bassoon, Horn, Trumpet, Harp, 2 Violins, 2 Violas, and 2 cellos. .
$111.95 ≈
¥784.93
Concerto
Concerto
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Piano and Orchestra
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ADVANCED
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Contemporary
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. D...
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
¥168.21
Hold On To The Moment - RHYTHM PACK (Piano/Vocal, Bass, Guitar 1&2, Drum Set, Synth)
Hold On To The Moment - RHYTHM PACK (Piano/Vocal, Bass, Guitar 1&2, Drum Set, Synth)
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W
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2, Bb Clarinet 1 &
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Hold On To The Moment - RHYTHM
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Diamond S Music
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SheetMusicPlus
Bass Guitar,Drum Set,Synthesizer - Level 3 - Digital Download SKU: A0.789893 Composed by W. Brent Sawyer. Pop,Sacred,Wedding. 29 pages. Diamond S Music #...
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Bass Guitar,Drum Set,Synthesizer - Level 3 - Digital Download SKU: A0.789893 Composed by W. Brent Sawyer. Pop,Sacred,Wedding. 29 pages. Diamond S Music #3079757. Published by Diamond S Music (A0.789893). RHYTHM PACK ONLY - Piano/Vocal, Elec. Guitar, Acoustic Guitar, Elec. Bass, Drum Set, Synth Parts. HOLD ON TO THE MOMENT is a beautiful sentimental pop song that can be showcased at graduation ceremonies, Church services, Weddings, and Choir or Band Concerts.You will need at least the Piano/Vocal score to full play this piece. The song begins with a VOCAL SOLO that turns into a TRIO  with a full SATB chorus and Gospel Trio in counterpoint. Full Accompaniment is scored for: Piano, Synthm  Electric Guitar, Acoustic Guitar,  Bass Guitar, Drum Set, Piccolo, Flute 1 & 2, Bb Clarinet 1 & 2, Alto Sax, Tenor Sax, Horn in F, Trumpet 1 & 2, Trombone 1 & 2, Violin 1 & 2, Viola, Cello, Double Bass, Percussion. Can also be performed as a Vocal Solo with Piano (or small group- Piano, Bass, Drums, Guitar). This song begins and ends very sweet, but really grooves and opens up in the middle.  Lyrics are adapted from an anonymous poem, Hold On To The Moment that was used in many school yearbooks years ago, Single file and yet together, we have shared out greatest days. And we carry common memories...).
$15.99 ≈
¥112.11
Two Brahms Quartets for String Quartet
Two Brahms Quartets for String Quartet
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String Quartet: 2 violins, viola, cello
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EASY
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Classical
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Johannes Brahms
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Adam Lenhart
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Two Brahms Quartets for String
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Adam Lenhart
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.949375 Composed by Johannes Brahms. Arranged by Adam Lenhart. Roman...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.949375 Composed by Johannes Brahms. Arranged by Adam Lenhart. Romantic Period. 43 pages. Adam Lenhart #5290319. Published by Adam Lenhart (A0.949375). In this arrangement, two of Brahms most famous and beautiful quartets have been set to string quartet with piano or organ accompaniment. Included is Wie lieblich sind deine Wohnungen (How lovely are thy dwellings), the fourth movement from A German Requiem, to words of the Holy Scriptures, Op. 45, and Der Gang zum Liebchen (Journey to thy beloved) from Three Quartets, Op. 31. These quartets have been arranged to be performed by all levels of musicians in a variety of settings. Includes full score and individual parts for both quartets.This set of quartets is also available for the following chamber ensembles:Flute Quartet (4 Flutes with opt. Piccolo)Flute Choir (Piccolo, Concert, Alto and Bass Flute)Oboe Quartet (Oboe, Violin, Viola and Cello)Clarinet Quartet (2 Bb Clarinets, Alto and Bass Clarinet; or 3 Bb Clarinets and Bass Clarinet)Saxophone Quartet (Soprano, Alto, Tenor and Baritone Saxophone; or 2 Alto Saxophones, Tenor and Baritone Saxophone)Brass Quartet (2 Bb Trumpets, F Horn and Trombone)Woodwind Quartet (Flute, Oboe, Bb Clarinet and Bassoon)String Quartet (2 Violins, Viola and Cello)---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$9.99 ≈
¥70.04
Railway Song (Auf de schwäb'sche Eisebahne) for string quartet
Railway Song (Auf de schwäb'sche Eisebahne) for string quartet
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Traditional
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David Warin Solomons
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Railway Song
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David Warin Solomons
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SheetMusicPlus
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.575774 Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Folk,Wo...
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.575774 Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Folk,World. Score and parts. 21 pages. David Warin Solomons #2028009. Published by David Warin Solomons (A0.575774). This arrangement of Railway Song is one of a series of jolly and descriptive quartets (and a septet) all based on the Swabian folksong Auf de schwäb'sche Eisebahne (= on the Swabian railway) from the Tübinger Kommersbuch 1853 The music in this arrangement also mimics the speeding up and slowing down of the train and its whistles. Versions available on this site are: Flute quartet (piccolo, flute, alto flute, bass flute) Flute quartet (2 flutes, alto flute, bass flute) Flute quartet (piccolo, 2 flutes, alto flute) Clarinet quartet (3 B-flat clarinets and 1 Bass clarinet) String quartet (2 violins, viola and cello) Saxophone quartet (soprano, alto, tenor and baritone saxophones) Wind quartet (flute, oboe, clarinet, bassoon) Septet (flute (or oboe), oboe, clarinet, bassoon, viola, cello, piano).
$12.00 ≈
¥84.14
Two Brahms Quartets for Oboe Quartet
Two Brahms Quartets for Oboe Quartet
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Classical
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Johannes Brahms
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Adam Lenhart
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Two Brahms Quartets for Oboe Q
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Adam Lenhart
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SheetMusicPlus
Cello,Oboe,Organ,Piano Accompaniment,Viola,Violin - Level 2 - Digital Download SKU: A0.949376 Composed by Johannes Brahms. Arranged by Adam Lenhart. Roma...
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Cello,Oboe,Organ,Piano Accompaniment,Viola,Violin - Level 2 - Digital Download SKU: A0.949376 Composed by Johannes Brahms. Arranged by Adam Lenhart. Romantic Period. 43 pages. Adam Lenhart #5290325. Published by Adam Lenhart (A0.949376). In this arrangement, two of Brahms most famous and beautiful quartets have been set to oboe quartet with piano or organ accompaniment. Included is Wie lieblich sind deine Wohnungen (How lovely are thy dwellings), the fourth movement from A German Requiem, to words of the Holy Scriptures, Op. 45, and Der Gang zum Liebchen (Journey to thy beloved) from Three Quartets, Op. 31. These quartets have been arranged to be performed by all levels of musicians in a variety of settings.Includes full score and individual parts for both quartets.This set of quartets is also available for the following chamber ensembles:Flute Quartet (4 Flutes with opt. Piccolo)Flute Choir (Piccolo, Concert, Alto and Bass Flute)Oboe Quartet (Oboe, Violin, Viola and Cello)Clarinet Quartet (2 Bb Clarinets, Alto and Bass Clarinet; or 3 Bb Clarinets and Bass Clarinet)Saxophone Quartet (Soprano, Alto, Tenor and Baritone Saxophone; or 2 Alto Saxophones, Tenor and Baritone Saxophone)Brass Quartet (2 Bb Trumpets, F Horn and Trombone)Woodwind Quartet (Flute, Oboe, Bb Clarinet and Bassoon)String Quartet (2 Violins, Viola and Cello)---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$9.99 ≈
¥70.04
Hungarian Dance No. 4 - J. BRAHMS - arranged for Full Orchestra by Marc Garetto
Hungarian Dance No. 4 - J. BRAHMS - - Full Orchestra by Marc Garetto
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Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Johannes Brahms
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Marc GARETTO
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Hungarian Dance No. 4 - J. BRA
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Marc GARETTO - Harmonie Editions
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.722890 Composed by Johannes Brahms. Arranged by Marc GARETTO. Concert,Film/TV,Instructional,Romantic ...
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Full Orchestra - Level 4 - Digital Download SKU: A0.722890 Composed by Johannes Brahms. Arranged by Marc GARETTO. Concert,Film/TV,Instructional,Romantic Period. Score and parts. 56 pages. Marc GARETTO - Harmonie Editions #2828327. Published by Marc GARETTO - Harmonie Editions (A0.722890). Piccolo 1 / Piccolo 2 / Flute 1 / Flute 2NB : Piccolos and Flutes don't play at the same timeOboe 1 / Oboe 2 / Clarinet 1 / Clarinet 2 / Bassoon 1&2Horn 1&2 / Horn 3&4 / Trumpet 1&2 / Trombone 1&2 / Tuba Timpani / PianoViolin 1 / Violin 2 / Viola / Cello / Contrabass(Includes : Alto Saxophone / Clarinet 3 / Bass Clarinet / Bb Tuba / Violin 3 / Cello 2)FREE : Additionnal World Parts : contact us by e-mail !Video Score : https://www.youtube.com/watch?v=x2BjSSQdvBkNot the most famous, but probably the most beautiful and moving Hungarian Dance !Grade : 4 - Duration : 4'50''KEY : G minor (2b) + G Major (1#)
$72.00 ≈
¥504.83
Two Brahms Quartets for Brass Quartet
Two Brahms Quartets for Brass Quartet
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Classical
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Johannes Brahms
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Adam Lenhart
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Two Brahms Quartets for Brass
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Adam Lenhart
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SheetMusicPlus
Horn,Organ,Piano Accompaniment,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.949379 Composed by Johannes Brahms. Arranged by Adam Lenhart. Romant...
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Horn,Organ,Piano Accompaniment,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.949379 Composed by Johannes Brahms. Arranged by Adam Lenhart. Romantic Period. 39 pages. Adam Lenhart #5294179. Published by Adam Lenhart (A0.949379). In this arrangement, two of Brahms most famous and beautiful quartets have been set to brass quartet with piano or organ accompaniment. Included is Wie lieblich sind deine Wohnungen (How lovely are thy dwellings), the fourth movement from A German Requiem, to words of the Holy Scriptures, Op. 45, and Der Gang zum Liebchen (Journey to thy beloved) from Three Quartets, Op. 31. It should be noted that Trumpet I is required to execute a high Bb, which may be difficult for less experience players.Includes full score and individual parts for both quartets.This set of quartets is also available for the following chamber ensembles:Flute Quartet (4 Flutes with opt. Piccolo)Flute Choir (Piccolo, Concert, Alto and Bass Flute)Oboe Quartet (Oboe, Violin, Viola and Cello)Clarinet Quartet (2 Bb Clarinets, Alto and Bass Clarinet; or 3 Bb Clarinets and Bass Clarinet)Saxophone Quartet (Soprano, Alto, Tenor and Baritone Saxophone; or 2 Alto Saxophones, Tenor and Baritone Saxophone)Brass Quartet (2 Bb Trumpets, F Horn and Trombone)Woodwind Quartet (Flute, Oboe, Bb Clarinet and Bassoon)String Quartet (2 Violins, Viola and Cello)---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$9.99 ≈
¥70.04
Two Brahms Quartets for Saxophone Quartet
Two Brahms Quartets for Saxophone Quartet
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Saxophone Quartet: 4 saxophones
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EASY
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Classical
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Johannes Brahms
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Adam Lenhart
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Two Brahms Quartets for Saxoph
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Adam Lenhart
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.949374 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.949374 Composed by Johannes Brahms. Arranged by Adam Lenhart. Romantic Period. 46 pages. Adam Lenhart #5289713. Published by Adam Lenhart (A0.949374). In this arrangement, two of Brahms most famous and beautiful quartets have been set to saxophone quartet with piano or organ accompaniment. Included is Wie lieblich sind deine Wohnungen (How lovely are thy dwellings), the fourth movement from A German Requiem, to words of the Holy Scriptures, Op. 45, and Der Gang zum Liebchen (Journey to thy beloved) from Three Quartets, Op. 31. These quartets have been arranged to be performed by all levels of musicians in a variety of settings. Includes full score and individual parts for both quartets.*Included is a second Alto Saxophone part, which can be used in the absence or substitution of a Soprano Saxophone.This set of quartets is also available for the following chamber ensembles:Flute Quartet (4 Flutes with opt. Piccolo)Flute Choir (Piccolo, Concert, Alto and Bass Flute)Oboe Quartet (Oboe, Violin, Viola and Cello)Clarinet Quartet (2 Bb Clarinets, Alto and Bass Clarinet; or 3 Bb Clarinets and Bass Clarinet)Saxophone Quartet (Soprano, Alto, Tenor and Baritone Saxophone; or 2 Alto Saxophones, Tenor and Baritone Saxophone)Brass Quartet (2 Bb Trumpets, F Horn and Trombone)Woodwind Quartet (Flute, Oboe, Bb Clarinet and Bassoon)String Quartet (2 Violins, Viola and Cello)---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$9.99 ≈
¥70.04
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Cello Piccolo, Flute, Cello, Clarinet, Piano, Violin
