Children's Story/Horn in F PART Sheet Music to download and print

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Children's Story Horn in F PART
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Children's Story Horn in F PART

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Children's Story/Horn in F PART

Children's Story/Horn in F PART #French horn #EASY #Thomas Naszalyi #Children's Story/Horn in F PAR #Thomas Naszalyi #SheetMusicPlus

French Horn Solo - Level 2 - Digital Download SKU: A0.989391 Composed by Thomas Naszalyi. 20th Century,Contemporary,Film/TV. Individual part. 1 pages. Th...(+)

$1.99 ≈ £1.54

Hungarian Dance No. 5 by Brahms for Horn in F Solo

Hungarian Dance No. 5 by Brahms for Horn in F Solo #French horn #EASY #Classical #Johannes Brahms #Rika K #Hungarian Dance No. 5 by Brahm #Rika K. #SheetMusicPlus

French Horn Solo - Level 2 - Digital Download SKU: A0.1402475 Composed by Johannes Brahms. Arranged by Rika K. 19th Century,Folk,Romantic Period,Traditio...(+)

$1.99 ≈ £1.54

Hungarian Dance No. 5 by Brahms for Horn in F Solo

Hungarian Dance No. 5 by Brahms for Horn in F Solo #French horn #EASY #Classical #Johannes Brahms #Rika K #Hungarian Dance No. 5 by Brahm #Rika K. #SheetMusicPlus

French Horn Solo - Level 2 - Digital Download SKU: A0.1402476 Composed by Johannes Brahms. Arranged by Rika K. 19th Century,Folk,Romantic Period,Traditio...(+)

$1.99 ≈ £1.54

Hungarian Dance No. 5 by Brahms for Horn in F and Piano

Hungarian Dance No. 5 by Brahms for Horn in F and Piano #French Horn and Piano #EASY #Classical #Johannes Brahms #Rika K #Hungarian Dance No. 5 by Brahm #Rika K. #SheetMusicPlus

French Horn,Piano - Level 2 - Digital Download SKU: A0.1401900 Composed by Johannes Brahms. Arranged by Rika K. 19th Century,Chamber,Folk,Romantic Period...(+)

$3.99 ≈ £3.09

Hungarian Dance No. 5 by Brahms for Horn in F and Piano

Hungarian Dance No. 5 by Brahms for Horn in F and Piano #French Horn and Piano #EASY #Classical #Johannes Brahms #Rika K #Hungarian Dance No. 5 by Brahm #Rika K. #SheetMusicPlus

French Horn,Piano - Level 2 - Digital Download SKU: A0.1401904 Composed by Johannes Brahms. Arranged by Rika K. 19th Century,Chamber,Folk,Romantic Period...(+)

$3.99 ≈ £3.09

Hungarian Dance No. 5 by Brahms for Horn in F Solo with Chords

Hungarian Dance No. 5 by Brahms for Horn in F Solo with Chords #French horn #EASY #Classical #Johannes Brahms #Rika K #Hungarian Dance No. 5 by Brahm #Rika K. #SheetMusicPlus

French Horn Solo - Level 2 - Digital Download SKU: A0.1311328 Composed by Johannes Brahms. Arranged by Rika K. 19th Century,Folk,Romantic Period,Traditio...(+)

$1.99 ≈ £1.54

Hungarian Dance No. 5 by Brahms for Horn in F and Piano

Hungarian Dance No. 5 by Brahms for Horn in F and Piano #French Horn and Piano #EASY #Classical #Johannes Brahms #Rika K #Hungarian Dance No. 5 by Brahm #Rika K. #SheetMusicPlus

French Horn,Piano - Level 2 - Digital Download SKU: A0.1311229 Composed by Johannes Brahms. Arranged by Rika K. 19th Century,Chamber,Folk,Romantic Period...(+)

$3.99 ≈ £3.09

Hungarian Dance No. 5 by Brahms for Horn in F and Piano with Chords

Hungarian Dance No. 5 by Brahms for Horn in F and Piano with Chords #French Horn and Piano #EASY #Classical #Johannes Brahms #Rika K #Hungarian Dance No. 5 by Brahm #Rika K. #SheetMusicPlus

French Horn,Piano - Level 2 - Digital Download SKU: A0.1311228 Composed by Johannes Brahms. Arranged by Rika K. 19th Century,Chamber,Folk,Romantic Period...(+)

$3.99 ≈ £3.09

Jack's Journey - A new Musical by David Catherwood, inspired by the boyhood adventures of CS Lewis (

Jack's Journey - A new Musical by David Catherwood, inspired by the boyhood adventures of CS Lewis ( #Chamber Orchestra #INTERMEDIATE #David Catherwood #$45

Flute, #Jack's Journey - A new Musical #Opus 3 Music #SheetMusicPlus

Chamber Orchestra - Level 3 - Digital Download SKU: A0.739503 Composed by David Catherwood. Children,Musical/Show. Score and parts. 124 pages. Opus 3 Mus...(+)

Chamber Orchestra - Level 3 - Digital Download SKU: A0.739503 Composed by David Catherwood. Children,Musical/Show. Score and parts. 124 pages. Opus 3 Music #6052713. Published by Opus 3 Music (A0.739503). 'Jack's Journey'(A new Musical by Adeline Dinsmore and David Catherwood)Full set of Orchesrtal Parts (contains 7 songs plus overture and incidental music) - $45Flute, Clarinet in Bb. Trumpet in Bb, Horn in F, Strings, Vln 1 Vln 2 Vla Cello Percussion 1 & 2 Bass/guitarDuration c.40 minutesIdeal for schools, youth groups or adult dramatic/musical companies.Requirements - Narrator, Chorus, (unison/2part) Soloists, Actors, Piano accompanimentOptional - Dancers, orchestral parts for Flute, Clarinet. Trumpet, Horn, Strings, Percussion and Bass/guitar About the MusicalA great story about one of the 20th century.

$45.00 ≈ £34.83

I Don’t Want to Play in Your Yard: Trumpet Feature
I Don’t Want to Play in Your Yard: Trumpet Feature #Brass Quartet #INTERMEDIATE/ADVANCED #H #F #I Don’t Want to Play in Your #Sweetwater Brass Press #SheetMusicPlus

Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1104138 Composed by H.W. Petrie. Arranged by F. Leslie Smith. 19th Century,Children,Comed...(+)

Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1104138 Composed by H.W. Petrie. Arranged by F. Leslie Smith. 19th Century,Children,Comedy,Pop,Wedding. 28 pages. Sweetwater Brass Press #707372. Published by Sweetwater Brass Press (A0.1104138). Â Â Â Â Â Howard W. Petrie was a composer of popular music active in the late 19th and early 20th centuries. One of his most popular songs was â€œI Donâ€™t Want to Play in Your Yard,â€ published early in his career, 1894. The song underwent a revival in the mid-1950s when Peggy Lee recorded it. It also figured prominently in the popular 1981 film Reds. Lyrics are credited to Philip Wingate, and his first verse sets up the story. Two little girls were next-door neighbors and best of friends. One day, however, a quarrel arose and â€œhot tears were shared.â€ One announced, â€œYou canâ€™t play in our yard.â€ The reply of the other forms the familiar chorus: I don't want to play in your yard, I don't like you any more, You'll be sorry when you see me sliding down our cellar door, You can't holler down our rain-barrel, you can't climb our apple tree, I don't want to play in your yard, if you won't be good to me. Â Â Â Â Â The second verse tells of the reconciliation. The two girls miss each other. They kiss and make up and remain friends â€œall throâ€™ life.â€ But â€œin sweet dreams of childhoodâ€ we still remember the controversy of the yard. Â Â Â Â Â This version features the group's Trumpets somewhat taking the roles of the two little girls. It retains the F major key in which it was written, changes tempo four times (in addition to a few rallentando/a tempo instructions) and includes two short, rather simple cadenzas, one for each Trumpet. It starts (rather incongruously!) with the eight 4/4 measures of â€œMary, Mary, Quite Contraryâ€ then transitions to Â¾ for the remainder of the piece. Â Â Â Â Â Trumpets predominate with melody and lead. However Horn and Trombone do occasionally come to the fore to provide introductions, call-and-response figures and recapitulations. Both Trumpets play a few notes above their staffâ€”G# and Aâ€”but for the most part, all instruments perform within their normal playing range. Performance time is about three and a half minutes to perform. Â Â Â Â Â Completed in 2022, performance time runs about 3 minutes, 34 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).

$7.95 ≈ £6.15
Learning to Dance (Duet for Eb Alto Saxophone and F Horn)
Learning to Dance (Duet for Eb Alto Saxophone and F Horn) #Adam Lenhart #Learning to Dance #Adam Lenhart #SheetMusicPlus

Alto Saxophone,Horn,Instrumental Duet - Level 2 - Digital Download SKU: A0.1322562 Composed by Adam Lenhart. 21st Century,Chamber,Children,Classical,Inst...(+)

Alto Saxophone,Horn,Instrumental Duet - Level 2 - Digital Download SKU: A0.1322562 Composed by Adam Lenhart. 21st Century,Chamber,Children,Classical,Instructional. 8 pages. Adam Lenhart #910858. Published by Adam Lenhart (A0.1322562). Learning to Dance is a playful and beginner-friendly duet exploring a fun blend of playing in both 3 and 2. You can almost close your eyes and imagine yourself learning to waltz, every once in a while missing a step or adding an extra one, embodying all of the excitement, frustration and surprises of learning something new.Purchase includes full score and individual parts.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Associationâ€™s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Menâ€™s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.

$4.99 ≈ £3.86
I Gave My Love a Cherry (The Riddle Song ["The Twelfth of Never"])
I Gave My Love a Cherry (The Riddle Song ["The Twelfth of Never"]) #Brass quartet : 2 trumpets, trombone, tuba #INTERMEDIATE/ADVANCED #English Folk Song by way of Am #F #I Gave My Love a Cherry #Sweetwater Brass Press #SheetMusicPlus

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1130062 Composed by English Folk Song by way of American Appalachians. Arr...(+)

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1130062 Composed by English Folk Song by way of American Appalachians. Arranged by F. Leslie Smith. Celtic,Children,Folk,Irish,Traditional,Wedding. Score and parts. 28 pages. Sweetwater Brass Press #730439. Published by Sweetwater Brass Press (A0.1130062). The origins of this lullaby can be traced back to 15th-century England. Pioneers from the British Isles brought it with them to the American Appalachians. Written in three verses, its lyrics tell of four seemingly impossible gifts the singer gave my love. The first verse describes each gift: cherry that has no stone, a chicken that has no bone. a story that has no end and a baby with no cryin'. The second verse poses the riddle: how can such items exist? The third provides the answers: A cherry when it's bloomin', it has no stone. A chicken when it's pippin', it has no bone. The story of I love you, it has no end. A baby when it's sleepin', has no cryin'. This Riddle Song has enjoyed somewhat of a revival since mid-20th century, making appearances in various movies, TV shows and recordings. In 1956, Jerry Livingston and Paul Francis adapted The Riddle Song tune, added an original bridge and created new lyrics; Johnny Mathis recorded it as The Twelfth of Never, giving the haunting melody probably its greatest surge in popularity. This arrangement is in G major and opens with an upbeat introduction. For the first statement of the melody, tempo slows and Trumpets alternate the lead. On the second time through, tempo speeds up slightly and tuba takes the lead. For the third, tempo is back to the opening speed and Horn in F plays the melody. On the fourth time through, Trumpets and Trombone frame the tune in a call-and-response form. In the fifth, Trombone takes the lead. In the sixth and final statement, Horn in F and Trombone play melody at half speed while Trumpets play a fairly complicated counterpoint (at what may seem like double speed!). This, until the last phrase (A baby when it's sleepin'), when the melody switches over to Trumpets and Trombone takes the counterpoint. Trumpet 1 plays its A above the staff a number of times. Tuba's lowest note is its F down below the staff. Otherwise, notes for all instruments are well within normal playing range. Because of the recommended tempo, the countermelody at measures 68-83 could be problematic for Trumpets and Trombone and may require a little extra work. Completed in 2022, performance time runs about 3 minutes, 42 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)

$7.95 ≈ £6.15
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra #Jazz #Silvano A #Introduction, Theme and Variat #Soundnotation #SheetMusicPlus

Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...(+)

Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.

$13.95 ≈ £10.80
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra #Jazz #Silvano A #Introduction, Theme and Variat #Soundnotation #SheetMusicPlus

Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...(+)

Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.

$13.95 ≈ £10.80

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